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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6476 it is the complementary color #509B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6476 shade: #B46471, #C57684, #D68897, #E79AAA and #F8ACBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6476 shade: #AF6476, #9E5263, #8D4050, #7C2E3D and #6B1C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6476 shade: #AF6476 and #AF6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6476 shade: #AF6476, #AF648A, #AF649E, #AB64AF and #9764AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6476 shade matches the following richer shades: #AF6476, #C2516C, #D53E62, #E82B58 and #FB184E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6476 shade: #AF6476, #9C7780, #898A89, #769D93 and #63B09D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6476 shade: #AF649E, #AF648A, #AF6476, #AF6564 and #AF7964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6476 shade: #7F4150, #9A4F61, #AF6476, #BD7F8E and #CB9AA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6476 shade: #AF6476, #AFAB64 and #6494AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6476 shade: #AF6476, #76AF64 and #6476AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6476 shade: #AF6476, #AFAB64, #64AF9C and #6467AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6476 shade: #AF6476, #9CAF64, #64AF9C and #7664AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

Complementary color

CMYK 48 / 0 / 12 / 39

HEX #509B89

RGB 80 155 137

HSL 165.6, 0.32%, 0.46%

LAB 58.93, -27.86, 2.25

 

CMYK 0 / 44 / 37 / 29

HEX #B46471

RGB 180 100 113

HSL 350.25, 0.35%, 0.55%

LAB 51.85, 33.62, 7.02

 

CMYK 0 / 40 / 33 / 23

HEX #C57684

RGB 197 118 132

HSL 349.37, 0.41%, 0.62%

LAB 58.5, 32.65, 5.71

 

CMYK 0 / 36 / 29 / 16

HEX #D68897

RGB 214 136 151

HSL 348.46, 0.49%, 0.69%

LAB 65.07, 31.75, 4.56

 

CMYK 0 / 33 / 26 / 9

HEX #E79AAA

RGB 231 154 170

HSL 347.53, 0.62%, 0.75%

LAB 71.56, 30.93, 3.54

 

CMYK 0 / 31 / 24 / 3

HEX #F8ACBD

RGB 248 172 189

HSL 346.58, 0.84%, 0.82%

LAB 77.96, 30.16, 2.62

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 48 / 37 / 38

HEX #9E5263

RGB 158 82 99

HSL 346.58, 0.32%, 0.47%

LAB 44.52, 33.36, 4.56

 

CMYK 0 / 55 / 43 / 45

HEX #8D4050

RGB 141 64 80

HSL 347.53, 0.38%, 0.4%

LAB 37.68, 34.35, 6.24

 

CMYK 0 / 63 / 51 / 51

HEX #7C2E3D

RGB 124 46 61

HSL 348.46, 0.46%, 0.33%

LAB 30.82, 35.26, 8.4

 

CMYK 0 / 74 / 61 / 58

HEX #6B1C2A

RGB 107 28 42

HSL 349.37, 0.59%, 0.26%

LAB 24.08, 35.81, 11.33

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 43 / 21 / 31

HEX #AF648A

RGB 175 100 138

HSL 329.6, 0.32%, 0.54%

LAB 51.91, 35.26, -7.79

 

CMYK 0 / 43 / 10 / 31

HEX #AF649E

RGB 175 100 158

HSL 313.6, 0.32%, 0.54%

LAB 52.62, 38.54, -18.5

 

CMYK 2 / 43 / 0 / 31

HEX #AB64AF

RGB 171 100 175

HSL 296.8, 0.32%, 0.54%

LAB 52.8, 40.38, -28.17

 

CMYK 14 / 43 / 0 / 31

HEX #9764AF

RGB 151 100 175

HSL 280.8, 0.32%, 0.54%

LAB 50.44, 34.23, -32.03

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 58 / 44 / 24

HEX #C2516C

RGB 194 81 108

HSL 345.66, 0.48%, 0.54%

LAB 50.02, 47.71, 7.69

 

CMYK 0 / 71 / 54 / 16

HEX #D53E62

RGB 213 62 98

HSL 345.7, 0.64%, 0.54%

LAB 50.07, 60.77, 14.26

 

CMYK 0 / 81 / 62 / 9

HEX #E82B58

RGB 232 43 88

HSL 345.71, 0.8%, 0.54%

LAB 51.37, 71.06, 22.66

 

CMYK 0 / 90 / 69 / 2

HEX #FB184E

RGB 251 24 78

HSL 345.73, 0.97%, 0.54%

LAB 53.72, 78.76, 32.41

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 24 / 18 / 39

HEX #9C7780

RGB 156 119 128

HSL 345.41, 0.16%, 0.54%

LAB 53.84, 15.9, 0.68

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 25 / 0 / 6 / 38

HEX #769D93

RGB 118 157 147

HSL 164.62, 0.17%, 0.54%

LAB 61.72, -15.5, 0.88

 

CMYK 44 / 0 / 11 / 31

HEX #63B09D

RGB 99 176 157

HSL 165.19, 0.33%, 0.54%

LAB 66.62, -28.45, 2.31

 

CMYK 0 / 43 / 10 / 31

HEX #AF649E

RGB 175 100 158

HSL 313.6, 0.32%, 0.54%

LAB 52.62, 38.54, -18.5

 

CMYK 0 / 43 / 21 / 31

HEX #AF648A

RGB 175 100 138

HSL 329.6, 0.32%, 0.54%

LAB 51.91, 35.26, -7.79

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 42 / 43 / 31

HEX #AF6564

RGB 175 101 100

HSL 0.8, 0.32%, 0.54%

LAB 51.08, 29.63, 13.55

 

CMYK 0 / 31 / 43 / 31

HEX #AF7964

RGB 175 121 100

HSL 16.8, 0.32%, 0.54%

LAB 55.8, 18.48, 19.99

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 49 / 37 / 40

HEX #9A4F61

RGB 154 79 97

HSL 345.6, 0.32%, 0.46%

LAB 43.25, 33.23, 3.88

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 33 / 25 / 26

HEX #BD7F8E

RGB 189 127 142

HSL 345.48, 0.32%, 0.62%

LAB 59.84, 26.13, 1.76

 

CMYK 0 / 24 / 18 / 20

HEX #CB9AA6

RGB 203 154 166

HSL 345.31, 0.32%, 0.7%

LAB 68.43, 20.11, 0.86

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 2 / 43 / 31

HEX #AFAB64

RGB 175 171 100

HSL 56.8, 0.32%, 0.54%

LAB 68.87, -8.99, 36.98

 

CMYK 43 / 15 / 0 / 31

HEX #6494AF

RGB 100 148 175

HSL 201.6, 0.32%, 0.54%

LAB 58.96, -8.91, -19.21

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 33 / 0 / 43 / 31

HEX #76AF64

RGB 118 175 100

HSL 105.6, 0.32%, 0.54%

LAB 66.08, -33.02, 32.63

 

CMYK 43 / 33 / 0 / 31

HEX #6476AF

RGB 100 118 175

HSL 225.6, 0.32%, 0.54%

LAB 50.41, 8.52, -32.41

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 2 / 43 / 31

HEX #AFAB64

RGB 175 171 100

HSL 56.8, 0.32%, 0.54%

LAB 68.87, -8.99, 36.98

 

CMYK 43 / 0 / 11 / 31

HEX #64AF9C

RGB 100 175 156

HSL 164.8, 0.32%, 0.54%

LAB 66.34, -27.93, 2.46

 

CMYK 43 / 41 / 0 / 31

HEX #6467AF

RGB 100 103 175

HSL 237.6, 0.32%, 0.54%

LAB 46.32, 17.69, -38.84

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 11 / 0 / 43 / 31

HEX #9CAF64

RGB 156 175 100

HSL 75.2, 0.32%, 0.54%

LAB 68.5, -18.78, 36.19

 

CMYK 43 / 0 / 11 / 31

HEX #64AF9C

RGB 100 175 156

HSL 164.8, 0.32%, 0.54%

LAB 66.34, -27.93, 2.46

 

CMYK 33 / 43 / 0 / 31

HEX #7664AF

RGB 118 100 175

HSL 254.4, 0.32%, 0.54%

LAB 47.05, 24.45, -37.58

 

Description

Color code: HEX #AF6476 | qconv.com Color code: HEX #AF6476 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 100 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 100 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 33 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 33% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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