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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5EDB it is the complementary color #50A124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5EDB shade: #B45ED6, #C570E9, #D682FC, #E794FF and #F8A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5EDB shade: #AF5EDB, #9E4CC8, #8D3AB5, #7C28A2 and #6B168F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5EDB shade: #AE5CDA, #CF5CDA, #DA5CC2, #DA5CA0 and #DA5C7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5EDB shade: #AE5CDA, #8C5CDA, #6A5CDA and #5C5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5EDB shade matches the following richer shades: #AE5CDA, #B24CEA and #B73CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5EDB shade: #AE5CDA, #A96CCA, #A47DBA, #9F8DA9 and #9B9D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5EDB shade: #695CDA, #8A5CDA, #AC5CDA, #CD5CDA and #DA5CC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5EDB shade: #872ABA, #9D3BD2, #AE5CDA, #BE7EE1 and #CFA0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5EDB shade: #AF5EDB, #DA5C71 and #5CDA7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5EDB shade: #AF5EDB, #DAAC5C and #5CDAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5EDB shade: #AF5EDB, #DA5C71, #8ADA5C and #5CDAC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5EDB shade: #AF5EDB, #DA6D5C, #8ADA5C and #5CC9DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 57 / 0 / 14

HEX #AF5EDB

RGB 175 94 219

HSL 278.88, 0.63%, 0.61%

LAB 54.27, 53.65, -51.03

 

Complementary color

CMYK 50 / 0 / 78 / 37

HEX #50A124

RGB 80 161 36

HSL 98.88, 0.63%, 0.39%

LAB 59.27, -46.25, 53.33

 

CMYK 16 / 56 / 0 / 16

HEX #B45ED6

RGB 180 94 214

HSL 283, 0.59%, 0.6%

LAB 54.62, 53.86, -47.61

 

CMYK 15 / 52 / 0 / 9

HEX #C570E9

RGB 197 112 233

HSL 282.15, 0.73%, 0.68%

LAB 61.08, 53.15, -47.92

 

CMYK 15 / 48 / 0 / 1

HEX #D682FC

RGB 214 130 252

HSL 281.31, 0.95%, 0.75%

LAB 67.49, 52.39, -48.15

 

CMYK 9 / 42 / 0 / 0

HEX #E794FF

RGB 231 148 255

HSL 286.54, 1%, 0.79%

LAB 73.15, 48.43, -40.78

 

CMYK 3 / 35 / 0 / 0

HEX #F8A6FF

RGB 248 166 255

HSL 295.28, 1%, 0.83%

LAB 78.72, 44.1, -32

 

CMYK 20 / 57 / 0 / 14

HEX #AF5EDB

RGB 175 94 219

HSL 278.88, 0.63%, 0.61%

LAB 54.27, 53.65, -51.03

 

CMYK 21 / 62 / 0 / 22

HEX #9E4CC8

RGB 158 76 200

HSL 279.68, 0.53%, 0.54%

LAB 47.76, 54.29, -50.71

 

CMYK 22 / 68 / 0 / 29

HEX #8D3AB5

RGB 141 58 181

HSL 280.49, 0.51%, 0.47%

LAB 41.26, 54.7, -50.19

 

CMYK 23 / 75 / 0 / 36

HEX #7C28A2

RGB 124 40 162

HSL 281.31, 0.6%, 0.4%

LAB 34.83, 54.64, -49.35

 

CMYK 25 / 85 / 0 / 44

HEX #6B168F

RGB 107 22 143

HSL 282.15, 0.73%, 0.32%

LAB 28.6, 53.69, -47.96

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 5 / 58 / 0 / 15

HEX #CF5CDA

RGB 207 92 218

HSL 294.76, 0.63%, 0.61%

LAB 58.02, 62.43, -44.27

 

CMYK 0 / 58 / 11 / 15

HEX #DA5CC2

RGB 218 92 194

HSL 311.43, 0.63%, 0.61%

LAB 58.47, 61.3, -29.83

 

CMYK 0 / 58 / 27 / 15

HEX #DA5CA0

RGB 218 92 160

HSL 327.62, 0.63%, 0.61%

LAB 57.17, 56.43, -12.19

 

CMYK 0 / 58 / 42 / 15

HEX #DA5C7F

RGB 218 92 127

HSL 343.33, 0.63%, 0.61%

LAB 56.18, 52.55, 5.68

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 36 / 58 / 0 / 15

HEX #8C5CDA

RGB 140 92 218

HSL 262.86, 0.63%, 0.61%

LAB 49.85, 46.06, -57.78

 

CMYK 51 / 58 / 0 / 15

HEX #6A5CDA

RGB 106 92 218

HSL 246.67, 0.63%, 0.61%

LAB 46.69, 38.77, -63.04

 

CMYK 58 / 58 / 0 / 15

HEX #5C5CDA

RGB 92 92 218

HSL 240, 0.63%, 0.61%

LAB 45.62, 36.16, -64.81

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 24 / 68 / 0 / 8

HEX #B24CEA

RGB 178 76 234

HSL 278.73, 0.79%, 0.61%

LAB 52.48, 65.9, -62.35

 

CMYK 27 / 76 / 0 / 2

HEX #B73CFA

RGB 183 60 250

HSL 278.84, 0.95%, 0.61%

LAB 52.06, 76.25, -71.94

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 16 / 47 / 0 / 21

HEX #A96CCA

RGB 169 108 202

HSL 278.94, 0.47%, 0.61%

LAB 55.51, 41.01, -39.48

 

CMYK 12 / 33 / 0 / 27

HEX #A47DBA

RGB 164 125 186

HSL 278.36, 0.31%, 0.61%

LAB 58.14, 26.48, -26.31

 

CMYK 6 / 17 / 0 / 34

HEX #9F8DA9

RGB 159 141 169

HSL 278.57, 0.14%, 0.61%

LAB 61.03, 12.08, -12.26

 

CMYK 1 / 0 / 3 / 38

HEX #9B9D99

RGB 155 157 153

HSL 90, 0.02%, 0.61%

LAB 64.47, -1.48, 1.83

 

CMYK 52 / 58 / 0 / 15

HEX #695CDA

RGB 105 92 218

HSL 246.19, 0.63%, 0.61%

LAB 46.6, 38.57, -63.17

 

CMYK 37 / 58 / 0 / 15

HEX #8A5CDA

RGB 138 92 218

HSL 261.9, 0.63%, 0.61%

LAB 49.64, 45.6, -58.12

 

CMYK 21 / 58 / 0 / 15

HEX #AC5CDA

RGB 172 92 218

HSL 278.1, 0.63%, 0.61%

LAB 53.48, 53.7, -51.76

 

CMYK 6 / 58 / 0 / 15

HEX #CD5CDA

RGB 205 92 218

HSL 293.81, 0.63%, 0.61%

LAB 57.75, 61.93, -44.72

 

CMYK 0 / 58 / 10 / 15

HEX #DA5CC5

RGB 218 92 197

HSL 310, 0.63%, 0.61%

LAB 58.59, 61.77, -31.34

 

CMYK 27 / 77 / 0 / 27

HEX #872ABA

RGB 135 42 186

HSL 278.75, 0.63%, 0.45%

LAB 38.47, 61.04, -57.69

 

CMYK 25 / 72 / 0 / 18

HEX #9D3BD2

RGB 157 59 210

HSL 278.94, 0.63%, 0.53%

LAB 45.56, 63.73, -60.01

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 16 / 44 / 0 / 12

HEX #BE7EE1

RGB 190 126 225

HSL 278.79, 0.62%, 0.69%

LAB 62.76, 42.2, -40.87

 

CMYK 11 / 31 / 0 / 9

HEX #CFA0E9

RGB 207 160 233

HSL 278.63, 0.62%, 0.77%

LAB 72.42, 30.44, -30.13

 

CMYK 20 / 57 / 0 / 14

HEX #AF5EDB

RGB 175 94 219

HSL 278.88, 0.63%, 0.61%

LAB 54.27, 53.65, -51.03

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 58 / 0 / 44 / 15

HEX #5CDA7A

RGB 92 218 122

HSL 134.29, 0.63%, 0.61%

LAB 78.36, -55.3, 36.94

 

CMYK 20 / 57 / 0 / 14

HEX #AF5EDB

RGB 175 94 219

HSL 278.88, 0.63%, 0.61%

LAB 54.27, 53.65, -51.03

 

CMYK 0 / 21 / 58 / 15

HEX #DAAC5C

RGB 218 172 92

HSL 38.1, 0.63%, 0.61%

LAB 73.01, 7.74, 46.96

 

CMYK 58 / 0 / 21 / 15

HEX #5CDAAC

RGB 92 218 172

HSL 158.1, 0.63%, 0.61%

LAB 79.27, -45.79, 12.28

 

CMYK 20 / 57 / 0 / 14

HEX #AF5EDB

RGB 175 94 219

HSL 278.88, 0.63%, 0.61%

LAB 54.27, 53.65, -51.03

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 37 / 0 / 58 / 15

HEX #8ADA5C

RGB 138 218 92

HSL 98.1, 0.63%, 0.61%

LAB 79.79, -46.24, 53.36

 

CMYK 58 / 0 / 10 / 15

HEX #5CDAC5

RGB 92 218 197

HSL 170, 0.63%, 0.61%

LAB 79.87, -39.9, -0.15

 

CMYK 20 / 57 / 0 / 14

HEX #AF5EDB

RGB 175 94 219

HSL 278.88, 0.63%, 0.61%

LAB 54.27, 53.65, -51.03

 

CMYK 0 / 50 / 58 / 15

HEX #DA6D5C

RGB 218 109 92

HSL 8.1, 0.63%, 0.61%

LAB 58.62, 41.19, 29.29

 

CMYK 37 / 0 / 58 / 15

HEX #8ADA5C

RGB 138 218 92

HSL 98.1, 0.63%, 0.61%

LAB 79.79, -46.24, 53.36

 

CMYK 58 / 8 / 0 / 15

HEX #5CC9DA

RGB 92 201 218

HSL 188.1, 0.63%, 0.61%

LAB 75.52, -26.29, -17.9

 

Description

Color code: HEX #AF5EDB | qconv.com Color code: HEX #AF5EDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 94 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 94 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 57 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 57% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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