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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4D36 it is the complementary color #50B2C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4D36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4D36 shade: #B44D31, #C55F44, #D67157, #E7836A and #F8957D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4D36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4D36 shade: #AF4D36, #9E3B23, #8D2910, #7C1700 and #6B0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4D36 shade: #AF4D35 and #AF3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4D36 shade: #AF4D35, #AF6D35, #AF8E35, #AFAF35 and #8EAF35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4D36 shade matches the following richer shades: #AF4D35, #C24123 and #D43610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4D36 shade: #AF4D35, #9D5848, #8A645B, #776F6D and #657B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4D36 shade: #AF3560, #AF3540, #AF4C35, #AF6C35 and #AF8D35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4D36 shade: #703122, #903F2C, #AF4D35, #C66047 and #D07B67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4D36 shade: #AF4D36, #80AF35 and #3550AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4D36 shade: #AF4D36, #35AF4C and #4C35AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4D36 shade: #AF4D36, #80AF35, #3599AF and #6435AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4D36 shade: #AF4D36, #5CAF35, #3599AF and #8935AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 69 / 31

HEX #AF4D36

RGB 175 77 54

HSL 11.4, 0.53%, 0.45%

LAB 45.2, 38.46, 32.88

 

Complementary color

CMYK 60 / 11 / 0 / 21

HEX #50B2C9

RGB 80 178 201

HSL 191.4, 0.53%, 0.55%

LAB 67.85, -21.84, -20.29

 

CMYK 0 / 57 / 73 / 29

HEX #B44D31

RGB 180 77 49

HSL 12.82, 0.57%, 0.45%

LAB 45.95, 40.11, 36.73

 

CMYK 0 / 52 / 65 / 23

HEX #C55F44

RGB 197 95 68

HSL 12.56, 0.53%, 0.52%

LAB 52.37, 38.65, 34.33

 

CMYK 0 / 47 / 59 / 16

HEX #D67157

RGB 214 113 87

HSL 12.28, 0.61%, 0.59%

LAB 58.78, 37.25, 32.19

 

CMYK 0 / 43 / 54 / 9

HEX #E7836A

RGB 231 131 106

HSL 12, 0.72%, 0.66%

LAB 65.17, 35.96, 30.29

 

CMYK 0 / 40 / 50 / 3

HEX #F8957D

RGB 248 149 125

HSL 11.71, 0.9%, 0.73%

LAB 71.51, 34.77, 28.59

 

CMYK 0 / 56 / 69 / 31

HEX #AF4D36

RGB 175 77 54

HSL 11.4, 0.53%, 0.45%

LAB 45.2, 38.46, 32.88

 

CMYK 0 / 63 / 78 / 38

HEX #9E3B23

RGB 158 59 35

HSL 11.71, 0.64%, 0.38%

LAB 38.76, 39.87, 35.53

 

CMYK 0 / 71 / 89 / 45

HEX #8D2910

RGB 141 41 16

HSL 12, 0.8%, 0.31%

LAB 32.45, 41.1, 38.17

 

CMYK 0 / 81 / 100 / 51

HEX #7C1700

RGB 124 23 0

HSL 11.13, 1%, 0.24%

LAB 26.44, 41.69, 38.56

 

CMYK 0 / 95 / 100 / 58

HEX #6B0500

RGB 107 5 0

HSL 2.8, 1%, 0.21%

LAB 20.96, 41.07, 31.82

 

CMYK 0 / 56 / 70 / 31

HEX #AF4D35

RGB 175 77 53

HSL 11.8, 0.54%, 0.45%

LAB 45.19, 38.4, 33.43

 

CMYK 0 / 70 / 70 / 31

HEX #AF3535

RGB 175 53 53

HSL 0, 0.54%, 0.45%

LAB 41.08, 49.32, 28.58

 

CMYK 0 / 56 / 70 / 31

HEX #AF4D35

RGB 175 77 53

HSL 11.8, 0.54%, 0.45%

LAB 45.19, 38.4, 33.43

 

CMYK 0 / 38 / 70 / 31

HEX #AF6D35

RGB 175 109 53

HSL 27.54, 0.54%, 0.45%

LAB 52.18, 21.21, 41.31

 

CMYK 0 / 19 / 70 / 31

HEX #AF8E35

RGB 175 142 53

HSL 43.77, 0.54%, 0.45%

LAB 60.53, 2.8, 50.2

 

CMYK 0 / 0 / 70 / 31

HEX #AFAF35

RGB 175 175 53

HSL 60, 0.54%, 0.45%

LAB 69.49, -14.78, 59.25

 

CMYK 19 / 0 / 70 / 31

HEX #8EAF35

RGB 142 175 53

HSL 76.23, 0.54%, 0.45%

LAB 67.03, -28.67, 55.98

 

CMYK 0 / 56 / 70 / 31

HEX #AF4D35

RGB 175 77 53

HSL 11.8, 0.54%, 0.45%

LAB 45.19, 38.4, 33.43

 

CMYK 0 / 66 / 82 / 24

HEX #C24123

RGB 194 65 35

HSL 11.32, 0.69%, 0.45%

LAB 46.14, 50.12, 44.98

 

CMYK 0 / 75 / 92 / 17

HEX #D43610

RGB 212 54 16

HSL 11.63, 0.86%, 0.45%

LAB 47.85, 59.72, 55.58

 

CMYK 0 / 56 / 70 / 31

HEX #AF4D35

RGB 175 77 53

HSL 11.8, 0.54%, 0.45%

LAB 45.19, 38.4, 33.43

 

CMYK 0 / 44 / 54 / 38

HEX #9D5848

RGB 157 88 72

HSL 11.29, 0.37%, 0.45%

LAB 45.1, 26.73, 21.68

 

CMYK 0 / 28 / 34 / 46

HEX #8A645B

RGB 138 100 91

HSL 11.49, 0.21%, 0.45%

LAB 46.01, 14.04, 11.14

 

CMYK 0 / 7 / 8 / 53

HEX #776F6D

RGB 119 111 109

HSL 12, 0.04%, 0.45%

LAB 47.49, 2.72, 2.22

 

CMYK 21 / 4 / 0 / 50

HEX #657B80

RGB 101 123 128

HSL 191.11, 0.12%, 0.45%

LAB 50.09, -6.8, -5.39

 

CMYK 0 / 70 / 45 / 31

HEX #AF3560

RGB 175 53 96

HSL 338.85, 0.54%, 0.45%

LAB 42.01, 52.54, 3.15

 

CMYK 0 / 70 / 63 / 31

HEX #AF3540

RGB 175 53 64

HSL 354.59, 0.54%, 0.45%

LAB 41.26, 49.96, 22.1

 

CMYK 0 / 57 / 70 / 31

HEX #AF4C35

RGB 175 76 53

HSL 11.31, 0.54%, 0.45%

LAB 45, 38.9, 33.2

 

CMYK 0 / 38 / 70 / 31

HEX #AF6C35

RGB 175 108 53

HSL 27.05, 0.54%, 0.45%

LAB 51.95, 21.77, 41.05

 

CMYK 0 / 19 / 70 / 31

HEX #AF8D35

RGB 175 141 53

HSL 43.28, 0.54%, 0.45%

LAB 60.27, 3.35, 49.93

 

CMYK 0 / 56 / 70 / 56

HEX #703122

RGB 112 49 34

HSL 11.54, 0.53%, 0.29%

LAB 28.79, 26.69, 22.76

 

CMYK 0 / 56 / 69 / 44

HEX #903F2C

RGB 144 63 44

HSL 11.4, 0.53%, 0.37%

LAB 37.24, 32.91, 28.05

 

CMYK 0 / 56 / 70 / 31

HEX #AF4D35

RGB 175 77 53

HSL 11.8, 0.54%, 0.45%

LAB 45.19, 38.4, 33.43

 

CMYK 0 / 52 / 64 / 22

HEX #C66047

RGB 198 96 71

HSL 11.81, 0.53%, 0.53%

LAB 52.76, 38.71, 33.16

 

CMYK 0 / 41 / 50 / 18

HEX #D07B67

RGB 208 123 103

HSL 11.43, 0.53%, 0.61%

LAB 60.39, 30.97, 25.14

 

CMYK 0 / 56 / 69 / 31

HEX #AF4D36

RGB 175 77 54

HSL 11.4, 0.53%, 0.45%

LAB 45.2, 38.46, 32.88

 

CMYK 27 / 0 / 70 / 31

HEX #80AF35

RGB 128 175 53

HSL 83.11, 0.54%, 0.45%

LAB 66.14, -34.23, 54.79

 

CMYK 70 / 54 / 0 / 31

HEX #3550AF

RGB 53 80 175

HSL 226.72, 0.54%, 0.45%

LAB 37.1, 22.49, -53.78

 

CMYK 0 / 56 / 69 / 31

HEX #AF4D36

RGB 175 77 54

HSL 11.4, 0.53%, 0.45%

LAB 45.2, 38.46, 32.88

 

CMYK 70 / 0 / 57 / 31

HEX #35AF4C

RGB 53 175 76

HSL 131.31, 0.54%, 0.45%

LAB 63.29, -54.1, 40.69

 

CMYK 57 / 70 / 0 / 31

HEX #4C35AF

RGB 76 53 175

HSL 251.31, 0.54%, 0.45%

LAB 32.21, 42.98, -61.67

 

CMYK 0 / 56 / 69 / 31

HEX #AF4D36

RGB 175 77 54

HSL 11.4, 0.53%, 0.45%

LAB 45.2, 38.46, 32.88

 

CMYK 27 / 0 / 70 / 31

HEX #80AF35

RGB 128 175 53

HSL 83.11, 0.54%, 0.45%

LAB 66.14, -34.23, 54.79

 

CMYK 70 / 13 / 0 / 31

HEX #3599AF

RGB 53 153 175

HSL 190.82, 0.54%, 0.45%

LAB 58.63, -21.37, -19.87

 

CMYK 43 / 70 / 0 / 31

HEX #6435AF

RGB 100 53 175

HSL 263.11, 0.54%, 0.45%

LAB 34.7, 47.18, -57.49

 

CMYK 0 / 56 / 69 / 31

HEX #AF4D36

RGB 175 77 54

HSL 11.4, 0.53%, 0.45%

LAB 45.2, 38.46, 32.88

 

CMYK 47 / 0 / 70 / 31

HEX #5CAF35

RGB 92 175 53

HSL 100.82, 0.54%, 0.45%

LAB 64.32, -46.89, 52.33

 

CMYK 70 / 13 / 0 / 31

HEX #3599AF

RGB 53 153 175

HSL 190.82, 0.54%, 0.45%

LAB 58.63, -21.37, -19.87

 

CMYK 22 / 70 / 0 / 31

HEX #8935AF

RGB 137 53 175

HSL 281.31, 0.54%, 0.45%

LAB 39.51, 54.75, -49.48

 

Description

Color code: HEX #AF4D36 | qconv.com Color code: HEX #AF4D36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 77 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 77 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 69 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 69% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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