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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4BC4 it is the complementary color #50B43B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4BC4 shade: #B44BBF, #C55DD2, #D66FE5, #E781F8 and #F893FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4BC4 shade: #AF4BC4, #9E39B1, #8D279E, #7C158B and #6B0378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4BC4 shade: #AF4AC4, #C44AB8, #C44A97, #C44A76 and #C44A55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4BC4 shade: #AF4AC4, #8E4AC4, #6D4AC4, #4C4AC4 and #4A4AC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4BC4 shade matches the following richer shades: #AF4AC4, #BB36D7, #C823EB and #D50FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4BC4 shade: #AF4AC4, #A25DB0, #95709D, #89848A and #7C9776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4BC4 shade: #6C4AC4, #8D4AC4, #AD4AC4, #C44ABA and #C44A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4BC4 shade: #7D2E8D, #9838AC, #AF4AC4, #BC69CE and #CA88D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4BC4 shade: #AF4BC4, #C44C4A and #4AC47C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4BC4 shade: #AF4BC4, #C4AD4A and #4AC4AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4BC4 shade: #AF4BC4, #C44C4A, #60C44A and #4AC2C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4BC4 shade: #AF4BC4, #C4704A, #60C44A and #4A9DC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 62 / 0 / 23

HEX #AF4BC4

RGB 175 75 196

HSL 289.59, 0.51%, 0.53%

LAB 49.66, 58.04, -45.24

 

Complementary color

CMYK 56 / 0 / 67 / 29

HEX #50B43B

RGB 80 180 59

HSL 109.59, 0.51%, 0.47%

LAB 65.49, -51.78, 51.01

 

CMYK 6 / 61 / 0 / 25

HEX #B44BBF

RGB 180 75 191

HSL 294.31, 0.48%, 0.52%

LAB 50.09, 58.33, -41.61

 

CMYK 6 / 56 / 0 / 18

HEX #C55DD2

RGB 197 93 210

HSL 293.33, 0.57%, 0.59%

LAB 56.44, 57.95, -42.33

 

CMYK 7 / 52 / 0 / 10

HEX #D66FE5

RGB 214 111 229

HSL 292.37, 0.69%, 0.67%

LAB 62.78, 57.39, -42.87

 

CMYK 7 / 48 / 0 / 3

HEX #E781F8

RGB 231 129 248

HSL 291.43, 0.89%, 0.74%

LAB 69.09, 56.73, -43.32

 

CMYK 3 / 42 / 0 / 0

HEX #F893FF

RGB 248 147 255

HSL 296.11, 1%, 0.79%

LAB 74.85, 53.81, -37.98

 

CMYK 11 / 62 / 0 / 23

HEX #AF4BC4

RGB 175 75 196

HSL 289.59, 0.51%, 0.53%

LAB 49.66, 58.04, -45.24

 

CMYK 11 / 68 / 0 / 31

HEX #9E39B1

RGB 158 57 177

HSL 290.5, 0.51%, 0.46%

LAB 43.32, 58.15, -44.4

 

CMYK 11 / 75 / 0 / 38

HEX #8D279E

RGB 141 39 158

HSL 291.43, 0.6%, 0.39%

LAB 37.08, 57.7, -43.17

 

CMYK 11 / 85 / 0 / 45

HEX #7C158B

RGB 124 21 139

HSL 292.37, 0.74%, 0.31%

LAB 31.08, 56.26, -41.33

 

CMYK 11 / 98 / 0 / 53

HEX #6B0378

RGB 107 3 120

HSL 293.33, 0.95%, 0.24%

LAB 25.4, 53.47, -38.68

 

CMYK 11 / 62 / 0 / 23

HEX #AF4AC4

RGB 175 74 196

HSL 289.67, 0.51%, 0.53%

LAB 49.49, 58.48, -45.5

 

CMYK 0 / 62 / 6 / 23

HEX #C44AB8

RGB 196 74 184

HSL 305.9, 0.51%, 0.53%

LAB 51.94, 61.61, -34.48

 

CMYK 0 / 62 / 23 / 23

HEX #C44A97

RGB 196 74 151

HSL 322.13, 0.51%, 0.53%

LAB 50.53, 56.65, -17.28

 

CMYK 0 / 62 / 40 / 23

HEX #C44A76

RGB 196 74 118

HSL 338.36, 0.51%, 0.53%

LAB 49.42, 52.59, 0.84

 

CMYK 0 / 62 / 57 / 23

HEX #C44A55

RGB 196 74 85

HSL 354.59, 0.51%, 0.53%

LAB 48.62, 49.54, 19.66

 

CMYK 11 / 62 / 0 / 23

HEX #AF4AC4

RGB 175 74 196

HSL 289.67, 0.51%, 0.53%

LAB 49.49, 58.48, -45.5

 

CMYK 28 / 62 / 0 / 23

HEX #8E4AC4

RGB 142 74 196

HSL 273.44, 0.51%, 0.53%

LAB 45.13, 50.64, -52.73

 

CMYK 44 / 62 / 0 / 23

HEX #6D4AC4

RGB 109 74 196

HSL 257.21, 0.51%, 0.53%

LAB 41.43, 43.37, -58.88

 

CMYK 61 / 62 / 0 / 23

HEX #4C4AC4

RGB 76 74 196

HSL 240.98, 0.51%, 0.53%

LAB 38.59, 37.26, -63.63

 

CMYK 62 / 62 / 0 / 23

HEX #4A4AC4

RGB 74 74 196

HSL 240, 0.51%, 0.53%

LAB 38.44, 36.94, -63.87

 

CMYK 11 / 62 / 0 / 23

HEX #AF4AC4

RGB 175 74 196

HSL 289.67, 0.51%, 0.53%

LAB 49.49, 58.48, -45.5

 

CMYK 13 / 75 / 0 / 16

HEX #BB36D7

RGB 187 54 215

HSL 289.57, 0.67%, 0.53%

LAB 49.63, 72.33, -56.1

 

CMYK 15 / 85 / 0 / 8

HEX #C823EB

RGB 200 35 235

HSL 289.5, 0.83%, 0.53%

LAB 51.24, 83.02, -64.74

 

CMYK 16 / 94 / 0 / 0

HEX #D50FFE

RGB 213 15 254

HSL 289.71, 0.99%, 0.53%

LAB 53.65, 90.94, -71.39

 

CMYK 11 / 62 / 0 / 23

HEX #AF4AC4

RGB 175 74 196

HSL 289.67, 0.51%, 0.53%

LAB 49.49, 58.48, -45.5

 

CMYK 8 / 47 / 0 / 31

HEX #A25DB0

RGB 162 93 176

HSL 289.88, 0.34%, 0.53%

LAB 50.27, 41.62, -32.78

 

CMYK 5 / 29 / 0 / 38

HEX #95709D

RGB 149 112 157

HSL 289.33, 0.19%, 0.53%

LAB 52.3, 22.83, -18.67

 

CMYK 1 / 4 / 0 / 46

HEX #89848A

RGB 137 132 138

HSL 290, 0.02%, 0.53%

LAB 55.74, 3.05, -2.56

 

CMYK 18 / 0 / 22 / 41

HEX #7C9776

RGB 124 151 118

HSL 109.09, 0.14%, 0.53%

LAB 59.64, -16.05, 14.32

 

CMYK 45 / 62 / 0 / 23

HEX #6C4AC4

RGB 108 74 196

HSL 256.72, 0.51%, 0.53%

LAB 41.33, 43.16, -59.05

 

CMYK 28 / 62 / 0 / 23

HEX #8D4AC4

RGB 141 74 196

HSL 272.95, 0.51%, 0.53%

LAB 45.01, 50.4, -52.93

 

CMYK 12 / 62 / 0 / 23

HEX #AD4AC4

RGB 173 74 196

HSL 288.69, 0.51%, 0.53%

LAB 49.21, 58, -45.96

 

CMYK 0 / 62 / 5 / 23

HEX #C44ABA

RGB 196 74 186

HSL 304.92, 0.51%, 0.53%

LAB 52.04, 61.93, -35.49

 

CMYK 0 / 62 / 22 / 23

HEX #C44A99

RGB 196 74 153

HSL 321.15, 0.51%, 0.53%

LAB 50.61, 56.93, -18.35

 

CMYK 11 / 67 / 0 / 45

HEX #7D2E8D

RGB 125 46 141

HSL 289.89, 0.51%, 0.37%

LAB 34.47, 48.02, -37.12

 

CMYK 12 / 67 / 0 / 33

HEX #9838AC

RGB 152 56 172

HSL 289.66, 0.51%, 0.45%

LAB 41.97, 56.22, -43.63

 

CMYK 11 / 62 / 0 / 23

HEX #AF4AC4

RGB 175 74 196

HSL 289.67, 0.51%, 0.53%

LAB 49.49, 58.48, -45.5

 

CMYK 9 / 49 / 0 / 19

HEX #BC69CE

RGB 188 105 206

HSL 289.31, 0.51%, 0.61%

LAB 57.32, 48.83, -38.75

 

CMYK 6 / 37 / 0 / 15

HEX #CA88D8

RGB 202 136 216

HSL 289.5, 0.51%, 0.69%

LAB 65.84, 38.52, -30.96

 

CMYK 11 / 62 / 0 / 23

HEX #AF4BC4

RGB 175 75 196

HSL 289.59, 0.51%, 0.53%

LAB 49.66, 58.04, -45.24

 

CMYK 0 / 61 / 62 / 23

HEX #C44C4A

RGB 196 76 74

HSL 0.98, 0.51%, 0.53%

LAB 48.76, 47.86, 26.39

 

CMYK 62 / 0 / 37 / 23

HEX #4AC47C

RGB 74 196 124

HSL 144.59, 0.51%, 0.53%

LAB 71.14, -50.19, 26.37

 

CMYK 11 / 62 / 0 / 23

HEX #AF4BC4

RGB 175 75 196

HSL 289.59, 0.51%, 0.53%

LAB 49.66, 58.04, -45.24

 

CMYK 0 / 12 / 62 / 23

HEX #C4AD4A

RGB 196 173 74

HSL 48.69, 0.51%, 0.53%

LAB 70.95, -3.42, 52.57

 

CMYK 62 / 0 / 12 / 23

HEX #4AC4AD

RGB 74 196 173

HSL 168.69, 0.51%, 0.53%

LAB 72.2, -39.32, 1.52

 

CMYK 11 / 62 / 0 / 23

HEX #AF4BC4

RGB 175 75 196

HSL 289.59, 0.51%, 0.53%

LAB 49.66, 58.04, -45.24

 

CMYK 0 / 61 / 62 / 23

HEX #C44C4A

RGB 196 76 74

HSL 0.98, 0.51%, 0.53%

LAB 48.76, 47.86, 26.39

 

CMYK 51 / 0 / 62 / 23

HEX #60C44A

RGB 96 196 74

HSL 109.18, 0.51%, 0.53%

LAB 71.19, -52.07, 51.05

 

CMYK 62 / 1 / 0 / 23

HEX #4AC2C4

RGB 74 194 196

HSL 180.98, 0.51%, 0.53%

LAB 72.25, -32.24, -10.93

 

CMYK 11 / 62 / 0 / 23

HEX #AF4BC4

RGB 175 75 196

HSL 289.59, 0.51%, 0.53%

LAB 49.66, 58.04, -45.24

 

CMYK 0 / 43 / 62 / 23

HEX #C4704A

RGB 196 112 74

HSL 18.69, 0.51%, 0.53%

LAB 55.91, 29.72, 35.25

 

CMYK 51 / 0 / 62 / 23

HEX #60C44A

RGB 96 196 74

HSL 109.18, 0.51%, 0.53%

LAB 71.19, -52.07, 51.05

 

CMYK 62 / 20 / 0 / 23

HEX #4A9DC4

RGB 74 157 196

HSL 199.18, 0.51%, 0.53%

LAB 61.27, -13.36, -27.61

 

Description

Color code: HEX #AF4BC4 | qconv.com Color code: HEX #AF4BC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 75 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 75 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 62 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 62% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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