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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4AB8 it is the complementary color #50B547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4AB8 shade: #B44AB3, #C55CC6, #D66ED9, #E780EC and #F892FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4AB8 shade: #AF4AB8, #9E38A5, #8D2692, #7C147F and #6B026C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4AB8 shade: #B04BB9, #B94BA4, #B94B86, #B94B69 and #B94B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4AB8 shade: #B04BB9, #924BB9, #744BB9, #574BB9 and #4B4BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4AB8 shade matches the following richer shades: #B04BB9, #C036CD, #D122E1 and #E20EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4AB8 shade: #B04BB9, #9F5FA4, #8E7390, #7D877C and #6C9B68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4AB8 shade: #754BB9, #924BB9, #AF4BB9, #B94BA4 and #B94B87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4AB8 shade: #79317F, #953D9D, #B04BB9, #BD68C4 and #CA86D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4AB8 shade: #AF4AB8, #B9574B and #4BB983

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4AB8 shade: #AF4AB8, #B9AF4B and #4BB9AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4AB8 shade: #AF4AB8, #B9574B, #54B94B and #4BACB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4AB8 shade: #AF4AB8, #B9784B, #54B94B and #4B8BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 60 / 0 / 28

HEX #AF4AB8

RGB 175 74 184

HSL 295.09, 0.44%, 0.51%

LAB 48.85, 56.23, -39.56

 

Complementary color

CMYK 56 / 0 / 61 / 29

HEX #50B547

RGB 80 181 71

HSL 115.09, 0.44%, 0.49%

LAB 65.91, -50.94, 46.27

 

CMYK 0 / 59 / 1 / 29

HEX #B44AB3

RGB 180 74 179

HSL 300.57, 0.42%, 0.5%

LAB 49.32, 56.62, -35.85

 

CMYK 1 / 54 / 0 / 22

HEX #C55CC6

RGB 197 92 198

HSL 299.43, 0.48%, 0.57%

LAB 55.69, 56.24, -36.67

 

CMYK 1 / 49 / 0 / 15

HEX #D66ED9

RGB 214 110 217

HSL 298.32, 0.58%, 0.64%

LAB 62.05, 55.67, -37.31

 

CMYK 2 / 46 / 0 / 7

HEX #E780EC

RGB 231 128 236

HSL 297.22, 0.74%, 0.71%

LAB 68.38, 55.02, -37.84

 

CMYK 3 / 43 / 0 / 0

HEX #F892FF

RGB 248 146 255

HSL 296.15, 1%, 0.79%

LAB 74.66, 54.31, -38.29

 

CMYK 5 / 60 / 0 / 28

HEX #AF4AB8

RGB 175 74 184

HSL 295.09, 0.44%, 0.51%

LAB 48.85, 56.23, -39.56

 

CMYK 4 / 66 / 0 / 35

HEX #9E38A5

RGB 158 56 165

HSL 296.15, 0.49%, 0.43%

LAB 42.48, 56.34, -38.6

 

CMYK 3 / 74 / 0 / 43

HEX #8D2692

RGB 141 38 146

HSL 297.22, 0.59%, 0.36%

LAB 36.22, 55.87, -37.24

 

CMYK 2 / 84 / 0 / 50

HEX #7C147F

RGB 124 20 127

HSL 298.32, 0.73%, 0.29%

LAB 30.2, 54.4, -35.24

 

CMYK 1 / 98 / 0 / 58

HEX #6B026C

RGB 107 2 108

HSL 299.43, 0.96%, 0.22%

LAB 24.49, 51.61, -32.43

 

CMYK 5 / 59 / 0 / 27

HEX #B04BB9

RGB 176 75 185

HSL 295.09, 0.44%, 0.51%

LAB 49.21, 56.22, -39.56

 

CMYK 0 / 59 / 11 / 27

HEX #B94BA4

RGB 185 75 164

HSL 311.45, 0.44%, 0.51%

LAB 49.53, 55.02, -26.66

 

CMYK 0 / 59 / 28 / 27

HEX #B94B86

RGB 185 75 134

HSL 327.82, 0.44%, 0.51%

LAB 48.35, 50.63, -10.6

 

CMYK 0 / 59 / 43 / 27

HEX #B94B69

RGB 185 75 105

HSL 343.64, 0.44%, 0.51%

LAB 47.45, 47.17, 5.64

 

CMYK 0 / 59 / 59 / 27

HEX #B94B4B

RGB 185 75 75

HSL 0, 0.44%, 0.51%

LAB 46.78, 44.51, 22.89

 

CMYK 5 / 59 / 0 / 27

HEX #B04BB9

RGB 176 75 185

HSL 295.09, 0.44%, 0.51%

LAB 49.21, 56.22, -39.56

 

CMYK 21 / 59 / 0 / 27

HEX #924BB9

RGB 146 75 185

HSL 278.73, 0.44%, 0.51%

LAB 45.15, 48.59, -46.27

 

CMYK 37 / 59 / 0 / 27

HEX #744BB9

RGB 116 75 185

HSL 262.36, 0.44%, 0.51%

LAB 41.61, 41.33, -52.14

 

CMYK 53 / 59 / 0 / 27

HEX #574BB9

RGB 87 75 185

HSL 246.55, 0.44%, 0.51%

LAB 38.83, 35.08, -56.76

 

CMYK 59 / 59 / 0 / 27

HEX #4B4BB9

RGB 75 75 185

HSL 240, 0.44%, 0.51%

LAB 37.9, 32.83, -58.32

 

CMYK 5 / 59 / 0 / 27

HEX #B04BB9

RGB 176 75 185

HSL 295.09, 0.44%, 0.51%

LAB 49.21, 56.22, -39.56

 

CMYK 6 / 74 / 0 / 20

HEX #C036CD

RGB 192 54 205

HSL 294.83, 0.6%, 0.51%

LAB 49.8, 71.58, -50.05

 

CMYK 7 / 85 / 0 / 12

HEX #D122E1

RGB 209 34 225

HSL 294.97, 0.76%, 0.51%

LAB 51.99, 83.06, -57.81

 

CMYK 8 / 94 / 0 / 4

HEX #E20EF5

RGB 226 14 245

HSL 295.06, 0.92%, 0.51%

LAB 55.15, 91.5, -63.84

 

CMYK 5 / 59 / 0 / 27

HEX #B04BB9

RGB 176 75 185

HSL 295.09, 0.44%, 0.51%

LAB 49.21, 56.22, -39.56

 

CMYK 3 / 42 / 0 / 36

HEX #9F5FA4

RGB 159 95 164

HSL 295.65, 0.27%, 0.51%

LAB 49.78, 37.21, -26.55

 

CMYK 1 / 20 / 0 / 44

HEX #8E7390

RGB 142 115 144

HSL 295.86, 0.12%, 0.51%

LAB 51.87, 15.95, -11.78

 

CMYK 7 / 0 / 8 / 47

HEX #7D877C

RGB 125 135 124

HSL 114.55, 0.04%, 0.51%

LAB 55.22, -5.87, 4.65

 

CMYK 30 / 0 / 33 / 39

HEX #6C9B68

RGB 108 155 104

HSL 115.29, 0.2%, 0.51%

LAB 59.55, -26.27, 21.83

 

CMYK 37 / 59 / 0 / 27

HEX #754BB9

RGB 117 75 185

HSL 262.91, 0.44%, 0.51%

LAB 41.72, 41.56, -51.96

 

CMYK 21 / 59 / 0 / 27

HEX #924BB9

RGB 146 75 185

HSL 278.73, 0.44%, 0.51%

LAB 45.15, 48.59, -46.27

 

CMYK 5 / 59 / 0 / 27

HEX #AF4BB9

RGB 175 75 185

HSL 294.55, 0.44%, 0.51%

LAB 49.07, 55.96, -39.8

 

CMYK 0 / 59 / 11 / 27

HEX #B94BA4

RGB 185 75 164

HSL 311.45, 0.44%, 0.51%

LAB 49.53, 55.02, -26.66

 

CMYK 0 / 59 / 27 / 27

HEX #B94B87

RGB 185 75 135

HSL 327.27, 0.44%, 0.51%

LAB 48.38, 50.76, -11.15

 

CMYK 5 / 61 / 0 / 50

HEX #79317F

RGB 121 49 127

HSL 295.38, 0.44%, 0.35%

LAB 33.55, 42.81, -29.95

 

CMYK 5 / 61 / 0 / 38

HEX #953D9D

RGB 149 61 157

HSL 295, 0.44%, 0.43%

LAB 41.47, 50.41, -35.5

 

CMYK 5 / 59 / 0 / 27

HEX #B04BB9

RGB 176 75 185

HSL 295.09, 0.44%, 0.51%

LAB 49.21, 56.22, -39.56

 

CMYK 4 / 47 / 0 / 23

HEX #BD68C4

RGB 189 104 196

HSL 295.43, 0.44%, 0.59%

LAB 56.79, 47.69, -33.88

 

CMYK 3 / 36 / 0 / 18

HEX #CA86D0

RGB 202 134 208

HSL 295.14, 0.44%, 0.67%

LAB 65.09, 38.05, -27.67

 

CMYK 5 / 60 / 0 / 28

HEX #AF4AB8

RGB 175 74 184

HSL 295.09, 0.44%, 0.51%

LAB 48.85, 56.23, -39.56

 

CMYK 0 / 53 / 59 / 27

HEX #B9574B

RGB 185 87 75

HSL 6.55, 0.44%, 0.51%

LAB 49.05, 38.6, 25.82

 

CMYK 59 / 0 / 29 / 27

HEX #4BB983

RGB 75 185 131

HSL 150.55, 0.44%, 0.51%

LAB 67.9, -44.08, 18.24

 

CMYK 5 / 60 / 0 / 28

HEX #AF4AB8

RGB 175 74 184

HSL 295.09, 0.44%, 0.51%

LAB 48.85, 56.23, -39.56

 

CMYK 0 / 5 / 59 / 27

HEX #B9AF4B

RGB 185 175 75

HSL 54.55, 0.44%, 0.51%

LAB 70.51, -9.11, 51.35

 

CMYK 59 / 0 / 5 / 27

HEX #4BB9AF

RGB 75 185 175

HSL 174.55, 0.44%, 0.51%

LAB 68.96, -33.56, -4.31

 

CMYK 5 / 60 / 0 / 28

HEX #AF4AB8

RGB 175 74 184

HSL 295.09, 0.44%, 0.51%

LAB 48.85, 56.23, -39.56

 

CMYK 0 / 53 / 59 / 27

HEX #B9574B

RGB 185 87 75

HSL 6.55, 0.44%, 0.51%

LAB 49.05, 38.6, 25.82

 

CMYK 55 / 0 / 59 / 27

HEX #54B94B

RGB 84 185 75

HSL 115.09, 0.44%, 0.51%

LAB 67.35, -50.98, 46.13

 

CMYK 59 / 7 / 0 / 27

HEX #4BACB9

RGB 75 172 185

HSL 187.09, 0.44%, 0.51%

LAB 65.36, -24.41, -15.21

 

CMYK 5 / 60 / 0 / 28

HEX #AF4AB8

RGB 175 74 184

HSL 295.09, 0.44%, 0.51%

LAB 48.85, 56.23, -39.56

 

CMYK 0 / 35 / 59 / 27

HEX #B9784B

RGB 185 120 75

HSL 24.55, 0.44%, 0.51%

LAB 56.34, 20.85, 34.91

 

CMYK 55 / 0 / 59 / 27

HEX #54B94B

RGB 84 185 75

HSL 115.09, 0.44%, 0.51%

LAB 67.35, -50.98, 46.13

 

CMYK 59 / 25 / 0 / 27

HEX #4B8BB9

RGB 75 139 185

HSL 205.09, 0.44%, 0.51%

LAB 55.55, -6.64, -30.25

 

Description

Color code: HEX #AF4AB8 | qconv.com Color code: HEX #AF4AB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 74 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 74 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 60 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 60% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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