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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3F6F it is the complementary color #50C090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3F6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3F6F shade: #B43F6A, #C5517D, #D66390, #E775A3 and #F887B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3F6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3F6F shade: #AF3F6F, #9E2D5C, #8D1B49, #7C0936 and #6B0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3F6F shade: #B03F6F, #B03F51 and #B03F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3F6F shade: #B03F6F, #B03F8E, #B03FAC, #953FB0 and #773FB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3F6F shade matches the following richer shades: #B03F6F, #C32C6D, #D6186A and #EA0567

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3F6F shade: #B03F6F, #9C5272, #896675, #767978 and #628D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3F6F shade: #B03FAC, #B03F8E, #B03F70, #B03F52 and #B04A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3F6F shade: #732949, #91345C, #B03F6F, #C25684 and #CD749A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3F6F shade: #AF3F6F, #B0953F and #3F9DB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3F6F shade: #AF3F6F, #70B03F and #3F70B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3F6F shade: #AF3F6F, #B0953F, #3FB07F and #3F59B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3F6F shade: #AF3F6F, #A8B03F, #3FB07F and #473FB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 37 / 31

HEX #AF3F6F

RGB 175 63 111

HSL 334.29, 0.47%, 0.47%

LAB 43.97, 50.02, -3.3

 

Complementary color

CMYK 58 / 0 / 25 / 25

HEX #50C090

RGB 80 192 144

HSL 154.29, 0.47%, 0.53%

LAB 70.47, -43.25, 14.81

 

CMYK 0 / 65 / 41 / 29

HEX #B43F6A

RGB 180 63 106

HSL 337.95, 0.48%, 0.48%

LAB 44.66, 51.03, 0.9

 

CMYK 0 / 59 / 37 / 23

HEX #C5517D

RGB 197 81 125

HSL 337.24, 0.5%, 0.55%

LAB 50.96, 50.55, -1.1

 

CMYK 0 / 54 / 33 / 16

HEX #D66390

RGB 214 99 144

HSL 336.52, 0.58%, 0.61%

LAB 57.3, 49.87, -2.73

 

CMYK 0 / 49 / 29 / 9

HEX #E775A3

RGB 231 117 163

HSL 335.79, 0.7%, 0.68%

LAB 63.64, 49.1, -4.09

 

CMYK 0 / 46 / 27 / 3

HEX #F887B6

RGB 248 135 182

HSL 335.04, 0.89%, 0.75%

LAB 69.94, 48.29, -5.26

 

CMYK 0 / 64 / 37 / 31

HEX #AF3F6F

RGB 175 63 111

HSL 334.29, 0.47%, 0.47%

LAB 43.97, 50.02, -3.3

 

CMYK 0 / 72 / 42 / 38

HEX #9E2D5C

RGB 158 45 92

HSL 335.04, 0.56%, 0.4%

LAB 37.7, 50.1, -0.98

 

CMYK 0 / 81 / 48 / 45

HEX #8D1B49

RGB 141 27 73

HSL 335.79, 0.68%, 0.33%

LAB 31.64, 49.45, 2.11

 

CMYK 0 / 93 / 56 / 51

HEX #7C0936

RGB 124 9 54

HSL 336.52, 0.86%, 0.26%

LAB 26, 47.5, 6.33

 

CMYK 0 / 100 / 67 / 58

HEX #6B0023

RGB 107 0 35

HSL 340.37, 1%, 0.21%

LAB 21.01, 43.55, 12.1

 

CMYK 0 / 64 / 37 / 31

HEX #B03F6F

RGB 176 63 111

HSL 334.51, 0.47%, 0.47%

LAB 44.14, 50.33, -3.03

 

CMYK 0 / 64 / 54 / 31

HEX #B03F51

RGB 176 63 81

HSL 350.44, 0.47%, 0.47%

LAB 43.33, 47.34, 14.37

 

CMYK 0 / 64 / 64 / 31

HEX #B03F3F

RGB 176 63 63

HSL 0, 0.47%, 0.47%

LAB 42.98, 46.02, 24.93

 

CMYK 0 / 64 / 37 / 31

HEX #B03F6F

RGB 176 63 111

HSL 334.51, 0.47%, 0.47%

LAB 44.14, 50.33, -3.03

 

CMYK 0 / 64 / 19 / 31

HEX #B03F8E

RGB 176 63 142

HSL 318.05, 0.47%, 0.47%

LAB 45.27, 54.38, -20.23

 

CMYK 0 / 64 / 2 / 31

HEX #B03FAC

RGB 176 63 172

HSL 302.12, 0.47%, 0.47%

LAB 46.66, 59.11, -35.96

 

CMYK 15 / 64 / 0 / 31

HEX #953FB0

RGB 149 63 176

HSL 285.66, 0.47%, 0.47%

LAB 42.88, 53.23, -44.57

 

CMYK 32 / 64 / 0 / 31

HEX #773FB0

RGB 119 63 176

HSL 269.73, 0.47%, 0.47%

LAB 38.92, 46.22, -51.15

 

CMYK 0 / 64 / 37 / 31

HEX #B03F6F

RGB 176 63 111

HSL 334.51, 0.47%, 0.47%

LAB 44.14, 50.33, -3.03

 

CMYK 0 / 77 / 44 / 24

HEX #C32C6D

RGB 195 44 109

HSL 334.17, 0.63%, 0.47%

LAB 44.95, 62.54, -0.21

 

CMYK 0 / 89 / 50 / 16

HEX #D6186A

RGB 214 24 106

HSL 334.11, 0.8%, 0.47%

LAB 46.96, 71.52, 5.02

 

CMYK 0 / 98 / 56 / 8

HEX #EA0567

RGB 234 5 103

HSL 334.32, 0.96%, 0.47%

LAB 50.19, 77.9, 12

 

CMYK 0 / 64 / 37 / 31

HEX #B03F6F

RGB 176 63 111

HSL 334.51, 0.47%, 0.47%

LAB 44.14, 50.33, -3.03

 

CMYK 0 / 47 / 27 / 39

HEX #9C5272

RGB 156 82 114

HSL 334.05, 0.31%, 0.47%

LAB 44.68, 34.65, -4.4

 

CMYK 0 / 26 / 15 / 46

HEX #896675

RGB 137 102 117

HSL 334.29, 0.15%, 0.47%

LAB 47.11, 16.57, -2.9

 

CMYK 2 / 0 / 1 / 53

HEX #767978

RGB 118 121 120

HSL 160, 0.01%, 0.47%

LAB 50.55, -1.33, 0.15

 

CMYK 30 / 0 / 13 / 45

HEX #628D7A

RGB 98 141 122

HSL 153.49, 0.18%, 0.47%

LAB 55.13, -19.05, 5.43

 

CMYK 0 / 64 / 2 / 31

HEX #B03FAC

RGB 176 63 172

HSL 302.12, 0.47%, 0.47%

LAB 46.66, 59.11, -35.96

 

CMYK 0 / 64 / 19 / 31

HEX #B03F8E

RGB 176 63 142

HSL 318.05, 0.47%, 0.47%

LAB 45.27, 54.38, -20.23

 

CMYK 0 / 64 / 36 / 31

HEX #B03F70

RGB 176 63 112

HSL 333.98, 0.47%, 0.47%

LAB 44.17, 50.45, -3.6

 

CMYK 0 / 64 / 53 / 31

HEX #B03F52

RGB 176 63 82

HSL 349.91, 0.47%, 0.47%

LAB 43.35, 47.43, 13.78

 

CMYK 0 / 58 / 64 / 31

HEX #B04A3F

RGB 176 74 63

HSL 5.84, 0.47%, 0.47%

LAB 44.92, 40.87, 27.36

 

CMYK 0 / 64 / 37 / 55

HEX #732949

RGB 115 41 73

HSL 334.05, 0.47%, 0.31%

LAB 28.67, 35.89, -2.82

 

CMYK 0 / 64 / 37 / 43

HEX #91345C

RGB 145 52 92

HSL 334.19, 0.47%, 0.39%

LAB 36.46, 43.1, -3.06

 

CMYK 0 / 64 / 37 / 31

HEX #B03F6F

RGB 176 63 111

HSL 334.51, 0.47%, 0.47%

LAB 44.14, 50.33, -3.03

 

CMYK 0 / 56 / 32 / 24

HEX #C25684

RGB 194 86 132

HSL 334.44, 0.47%, 0.55%

LAB 51.6, 48.07, -4.4

 

CMYK 0 / 43 / 25 / 20

HEX #CD749A

RGB 205 116 154

HSL 334.38, 0.47%, 0.63%

LAB 59.71, 39.58, -5.12

 

CMYK 0 / 64 / 37 / 31

HEX #AF3F6F

RGB 175 63 111

HSL 334.29, 0.47%, 0.47%

LAB 43.97, 50.02, -3.3

 

CMYK 0 / 15 / 64 / 31

HEX #B0953F

RGB 176 149 63

HSL 45.66, 0.47%, 0.47%

LAB 62.58, 0.02, 47.89

 

CMYK 64 / 11 / 0 / 31

HEX #3F9DB0

RGB 63 157 176

HSL 190.09, 0.47%, 0.47%

LAB 60.16, -21.56, -18.08

 

CMYK 0 / 64 / 37 / 31

HEX #AF3F6F

RGB 175 63 111

HSL 334.29, 0.47%, 0.47%

LAB 43.97, 50.02, -3.3

 

CMYK 36 / 0 / 64 / 31

HEX #70B03F

RGB 112 176 63

HSL 93.98, 0.47%, 0.47%

LAB 65.64, -39.83, 49.88

 

CMYK 64 / 36 / 0 / 31

HEX #3F70B0

RGB 63 112 176

HSL 213.98, 0.47%, 0.47%

LAB 46.68, 4.04, -38.99

 

CMYK 0 / 64 / 37 / 31

HEX #AF3F6F

RGB 175 63 111

HSL 334.29, 0.47%, 0.47%

LAB 43.97, 50.02, -3.3

 

CMYK 0 / 15 / 64 / 31

HEX #B0953F

RGB 176 149 63

HSL 45.66, 0.47%, 0.47%

LAB 62.58, 0.02, 47.89

 

CMYK 64 / 0 / 28 / 31

HEX #3FB07F

RGB 63 176 127

HSL 153.98, 0.47%, 0.47%

LAB 64.68, -43.53, 15.91

 

CMYK 64 / 49 / 0 / 31

HEX #3F59B0

RGB 63 89 176

HSL 226.19, 0.47%, 0.47%

LAB 40.14, 18.62, -49.43

 

CMYK 0 / 64 / 37 / 31

HEX #AF3F6F

RGB 175 63 111

HSL 334.29, 0.47%, 0.47%

LAB 43.97, 50.02, -3.3

 

CMYK 5 / 0 / 64 / 31

HEX #A8B03F

RGB 168 176 63

HSL 64.25, 0.47%, 0.47%

LAB 69.28, -17.69, 54.87

 

CMYK 64 / 0 / 28 / 31

HEX #3FB07F

RGB 63 176 127

HSL 153.98, 0.47%, 0.47%

LAB 64.68, -43.53, 15.91

 

CMYK 60 / 64 / 0 / 31

HEX #473FB0

RGB 71 63 176

HSL 244.25, 0.47%, 0.47%

LAB 34.04, 36.6, -59.28

 

Description

Color code: HEX #AF3F6F | qconv.com Color code: HEX #AF3F6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 63 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 63 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 37 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 37% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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