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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3EE4 it is the complementary color #50C11B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3EE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3EE4 shade: #B43EDF, #C550F2, #D662FF, #E774FF and #F886FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3EE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3EE4 shade: #AF3EE4, #9E2CD1, #8D1ABE, #7C08AB and #6B0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3EE4 shade: #AF3FE3, #DB3FE3, #E33FBF, #E33F93 and #E33F66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3EE4 shade: #AF3FE3, #823FE3, #563FE3 and #3F3FE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3EE4 shade matches the following richer shades: #AF3FE3 and #B52DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3EE4 shade: #AF3FE3, #A850D1, #A262C0, #9B74AE and #95869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3EE4 shade: #553FE3, #803FE3, #AC3FE3, #D83FE3 and #E33FC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3EE4 shade: #841AB6, #9E1FDA, #AF3FE3, #BE63E8 and #CD87ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3EE4 shade: #AF3EE4, #E33F55 and #3FE36A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3EE4 shade: #AF3EE4, #E3AC3F and #3FE3AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3EE4 shade: #AF3EE4, #E33F55, #75E33F and #3FE3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3EE4 shade: #AF3EE4, #E35A3F, #75E33F and #3FC8E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

Complementary color

CMYK 59 / 0 / 86 / 24

HEX #50C11B

RGB 80 193 27

HSL 100.84, 0.75%, 0.43%

LAB 69.42, -58.52, 65.09

 

CMYK 19 / 72 / 0 / 13

HEX #B43EDF

RGB 180 62 223

HSL 283.98, 0.72%, 0.56%

LAB 50.07, 69.68, -60

 

CMYK 19 / 67 / 0 / 5

HEX #C550F2

RGB 197 80 242

HSL 283.33, 0.86%, 0.63%

LAB 56.11, 69.8, -60.86

 

CMYK 16 / 62 / 0 / 0

HEX #D662FF

RGB 214 98 255

HSL 284.33, 1%, 0.69%

LAB 61.87, 68.38, -58.71

 

CMYK 9 / 55 / 0 / 0

HEX #E774FF

RGB 231 116 255

HSL 289.64, 1%, 0.73%

LAB 67.05, 64.28, -50.35

 

CMYK 3 / 47 / 0 / 0

HEX #F886FF

RGB 248 134 255

HSL 296.53, 1%, 0.76%

LAB 72.38, 60.22, -41.83

 

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

CMYK 24 / 79 / 0 / 18

HEX #9E2CD1

RGB 158 44 209

HSL 281.45, 0.65%, 0.5%

LAB 43.76, 69.09, -62.34

 

CMYK 26 / 86 / 0 / 25

HEX #8D1ABE

RGB 141 26 190

HSL 282.07, 0.76%, 0.42%

LAB 38.06, 67.58, -60.67

 

CMYK 27 / 95 / 0 / 33

HEX #7C08AB

RGB 124 8 171

HSL 282.7, 0.91%, 0.35%

LAB 32.7, 64.72, -58.23

 

CMYK 30 / 100 / 0 / 40

HEX #6B0098

RGB 107 0 152

HSL 282.24, 1%, 0.3%

LAB 27.83, 60.04, -54.77

 

CMYK 23 / 72 / 0 / 11

HEX #AF3FE3

RGB 175 63 227

HSL 280.98, 0.75%, 0.57%

LAB 49.76, 69.13, -62.81

 

CMYK 4 / 72 / 0 / 11

HEX #DB3FE3

RGB 219 63 227

HSL 297.07, 0.75%, 0.57%

LAB 56.25, 77.86, -52.04

 

CMYK 0 / 72 / 16 / 11

HEX #E33FBF

RGB 227 63 191

HSL 313.17, 0.75%, 0.57%

LAB 55.73, 74.23, -32.25

 

CMYK 0 / 72 / 35 / 11

HEX #E33F93

RGB 227 63 147

HSL 329.27, 0.75%, 0.57%

LAB 54.02, 68.86, -9.14

 

CMYK 0 / 72 / 55 / 11

HEX #E33F66

RGB 227 63 102

HSL 345.73, 0.75%, 0.57%

LAB 52.78, 64.81, 15.98

 

CMYK 23 / 72 / 0 / 11

HEX #AF3FE3

RGB 175 63 227

HSL 280.98, 0.75%, 0.57%

LAB 49.76, 69.13, -62.81

 

CMYK 43 / 72 / 0 / 11

HEX #823FE3

RGB 130 63 227

HSL 264.51, 0.75%, 0.57%

LAB 44.01, 61.04, -72.4

 

CMYK 62 / 72 / 0 / 11

HEX #563FE3

RGB 86 63 227

HSL 248.41, 0.75%, 0.57%

LAB 39.71, 54.65, -79.61

 

CMYK 72 / 72 / 0 / 11

HEX #3F3FE3

RGB 63 63 227

HSL 240, 0.75%, 0.57%

LAB 38.12, 52.19, -82.29

 

CMYK 23 / 72 / 0 / 11

HEX #AF3FE3

RGB 175 63 227

HSL 280.98, 0.75%, 0.57%

LAB 49.76, 69.13, -62.81

 

CMYK 26 / 82 / 0 / 4

HEX #B52DF5

RGB 181 45 245

HSL 280.8, 0.91%, 0.57%

LAB 49.85, 79.52, -72.76

 

CMYK 23 / 72 / 0 / 11

HEX #AF3FE3

RGB 175 63 227

HSL 280.98, 0.75%, 0.57%

LAB 49.76, 69.13, -62.81

 

CMYK 20 / 62 / 0 / 18

HEX #A850D1

RGB 168 80 209

HSL 280.93, 0.58%, 0.57%

LAB 50.29, 56.66, -51.75

 

CMYK 16 / 49 / 0 / 25

HEX #A262C0

RGB 162 98 192

HSL 280.85, 0.43%, 0.57%

LAB 52.09, 42.28, -39.19

 

CMYK 11 / 33 / 0 / 32

HEX #9B74AE

RGB 155 116 174

HSL 280.34, 0.26%, 0.57%

LAB 54.57, 26.13, -25

 

CMYK 4 / 14 / 0 / 39

HEX #95869C

RGB 149 134 156

HSL 280.91, 0.1%, 0.57%

LAB 57.88, 9.89, -9.64

 

CMYK 63 / 72 / 0 / 11

HEX #553FE3

RGB 85 63 227

HSL 248.05, 0.75%, 0.57%

LAB 39.63, 54.53, -79.74

 

CMYK 44 / 72 / 0 / 11

HEX #803FE3

RGB 128 63 227

HSL 263.78, 0.75%, 0.57%

LAB 43.79, 60.71, -72.78

 

CMYK 24 / 72 / 0 / 11

HEX #AC3FE3

RGB 172 63 227

HSL 279.88, 0.75%, 0.57%

LAB 49.34, 68.56, -63.5

 

CMYK 5 / 72 / 0 / 11

HEX #D83FE3

RGB 216 63 227

HSL 295.98, 0.75%, 0.57%

LAB 55.79, 77.25, -52.81

 

CMYK 0 / 72 / 15 / 11

HEX #E33FC2

RGB 227 63 194

HSL 312.07, 0.75%, 0.57%

LAB 55.87, 74.64, -33.76

 

CMYK 27 / 86 / 0 / 29

HEX #841AB6

RGB 132 26 182

HSL 280.77, 0.75%, 0.41%

LAB 36.03, 64.62, -59.31

 

CMYK 28 / 86 / 0 / 15

HEX #9E1FDA

RGB 158 31 218

HSL 280.75, 0.75%, 0.49%

LAB 43.23, 74.38, -68.39

 

CMYK 23 / 72 / 0 / 11

HEX #AF3FE3

RGB 175 63 227

HSL 280.98, 0.75%, 0.57%

LAB 49.76, 69.13, -62.81

 

CMYK 18 / 57 / 0 / 9

HEX #BE63E8

RGB 190 99 232

HSL 281.05, 0.74%, 0.65%

LAB 57.75, 57.63, -52.7

 

CMYK 14 / 43 / 0 / 7

HEX #CD87ED

RGB 205 135 237

HSL 281.18, 0.74%, 0.73%

LAB 66.84, 44.19, -41.01

 

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

CMYK 0 / 72 / 63 / 11

HEX #E33F55

RGB 227 63 85

HSL 351.95, 0.75%, 0.57%

LAB 52.44, 63.69, 25.69

 

CMYK 72 / 0 / 53 / 11

HEX #3FE36A

RGB 63 227 106

HSL 135.73, 0.75%, 0.57%

LAB 80.2, -66.38, 46.83

 

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

CMYK 0 / 24 / 72 / 11

HEX #E3AC3F

RGB 227 172 63

HSL 39.88, 0.75%, 0.57%

LAB 73.67, 9.79, 61.11

 

CMYK 72 / 0 / 24 / 11

HEX #3FE3AC

RGB 63 227 172

HSL 159.88, 0.75%, 0.57%

LAB 81.28, -54.33, 15.01

 

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

CMYK 0 / 72 / 63 / 11

HEX #E33F55

RGB 227 63 85

HSL 351.95, 0.75%, 0.57%

LAB 52.44, 63.69, 25.69

 

CMYK 48 / 0 / 72 / 11

HEX #75E33F

RGB 117 227 63

HSL 100.24, 0.75%, 0.57%

LAB 81.33, -58.78, 66.34

 

CMYK 72 / 0 / 10 / 11

HEX #3FE3CD

RGB 63 227 205

HSL 171.95, 0.75%, 0.57%

LAB 82.06, -46.29, -1.29

 

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

CMYK 0 / 60 / 72 / 11

HEX #E35A3F

RGB 227 90 63

HSL 9.88, 0.75%, 0.57%

LAB 56.09, 51.81, 42.58

 

CMYK 48 / 0 / 72 / 11

HEX #75E33F

RGB 117 227 63

HSL 100.24, 0.75%, 0.57%

LAB 81.33, -58.78, 66.34

 

CMYK 72 / 12 / 0 / 11

HEX #3FC8E3

RGB 63 200 227

HSL 189.88, 0.75%, 0.57%

LAB 74.77, -27.59, -23.97

 

Description

Color code: HEX #AF3EE4 | qconv.com Color code: HEX #AF3EE4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 62 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 62 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 73 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 73% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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