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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3B72 it is the complementary color #50C48D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3B72 shade: #B43B6D, #C54D80, #D65F93, #E771A6 and #F883B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3B72 shade: #AF3B72, #9E295F, #8D174C, #7C0539 and #6B0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3B72 shade: #AF3A72, #AF3A52 and #AF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3B72 shade: #AF3A72, #AF3A91, #AE3AAF, #8E3AAF and #6F3AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3B72 shade matches the following richer shades: #AF3A72, #C22771, #D51470 and #E8016F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3B72 shade: #AF3A72, #9C4D73, #896074, #777375 and #648676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3B72 shade: #AD3AAF, #AF3A92, #AF3A73, #AF3A54 and #AF403A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3B72 shade: #72264A, #91305E, #AF3A72, #C44F86 and #CE6E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3B72 shade: #AF3B72, #AF8E3A and #3AA2AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3B72 shade: #AF3B72, #73AF3A and #3A73AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3B72 shade: #AF3B72, #AF8E3A, #3AAF77 and #3A5BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3B72 shade: #AF3B72, #ADAF3A, #3AAF77 and #3C3AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 35 / 31

HEX #AF3B72

RGB 175 59 114

HSL 331.55, 0.5%, 0.46%

LAB 43.44, 52.07, -5.92

 

Complementary color

CMYK 59 / 0 / 28 / 23

HEX #50C48D

RGB 80 196 141

HSL 151.55, 0.5%, 0.54%

LAB 71.63, -45.59, 18.04

 

CMYK 0 / 67 / 39 / 29

HEX #B43B6D

RGB 180 59 109

HSL 335.21, 0.51%, 0.47%

LAB 44.14, 53.01, -1.71

 

CMYK 0 / 61 / 35 / 23

HEX #C54D80

RGB 197 77 128

HSL 334.5, 0.51%, 0.54%

LAB 50.38, 52.71, -3.76

 

CMYK 0 / 56 / 31 / 16

HEX #D65F93

RGB 214 95 147

HSL 333.78, 0.59%, 0.61%

LAB 56.67, 52.14, -5.42

 

CMYK 0 / 51 / 28 / 9

HEX #E771A6

RGB 231 113 166

HSL 333.05, 0.71%, 0.67%

LAB 62.97, 51.44, -6.79

 

CMYK 0 / 47 / 25 / 3

HEX #F883B9

RGB 248 131 185

HSL 332.31, 0.89%, 0.74%

LAB 69.25, 50.67, -7.96

 

CMYK 0 / 66 / 35 / 31

HEX #AF3B72

RGB 175 59 114

HSL 331.55, 0.5%, 0.46%

LAB 43.44, 52.07, -5.92

 

CMYK 0 / 74 / 40 / 38

HEX #9E295F

RGB 158 41 95

HSL 332.31, 0.59%, 0.39%

LAB 37.26, 51.9, -3.52

 

CMYK 0 / 84 / 46 / 45

HEX #8D174C

RGB 141 23 76

HSL 333.05, 0.72%, 0.32%

LAB 31.34, 50.86, -0.31

 

CMYK 0 / 96 / 54 / 51

HEX #7C0539

RGB 124 5 57

HSL 333.78, 0.92%, 0.25%

LAB 25.83, 48.48, 4.03

 

CMYK 0 / 100 / 64 / 58

HEX #6B0026

RGB 107 0 38

HSL 338.69, 1%, 0.21%

LAB 21.08, 43.74, 10.07

 

CMYK 0 / 67 / 35 / 31

HEX #AF3A72

RGB 175 58 114

HSL 331.28, 0.5%, 0.46%

LAB 43.29, 52.48, -6.15

 

CMYK 0 / 67 / 53 / 31

HEX #AF3A52

RGB 175 58 82

HSL 347.69, 0.5%, 0.46%

LAB 42.38, 49.25, 12.42

 

CMYK 0 / 67 / 67 / 31

HEX #AF3A3A

RGB 175 58 58

HSL 0, 0.5%, 0.46%

LAB 41.92, 47.54, 26.59

 

CMYK 0 / 67 / 35 / 31

HEX #AF3A72

RGB 175 58 114

HSL 331.28, 0.5%, 0.46%

LAB 43.29, 52.48, -6.15

 

CMYK 0 / 67 / 17 / 31

HEX #AF3A91

RGB 175 58 145

HSL 315.38, 0.5%, 0.46%

LAB 44.5, 56.59, -23.25

 

CMYK 1 / 67 / 0 / 31

HEX #AE3AAF

RGB 174 58 175

HSL 299.49, 0.5%, 0.46%

LAB 45.8, 61.12, -39.12

 

CMYK 19 / 67 / 0 / 31

HEX #8E3AAF

RGB 142 58 175

HSL 283.08, 0.5%, 0.46%

LAB 41.01, 53.65, -47.03

 

CMYK 37 / 67 / 0 / 31

HEX #6F3AAF

RGB 111 58 175

HSL 267.18, 0.5%, 0.46%

LAB 36.93, 46.81, -53.82

 

CMYK 0 / 67 / 35 / 31

HEX #AF3A72

RGB 175 58 114

HSL 331.28, 0.5%, 0.46%

LAB 43.29, 52.48, -6.15

 

CMYK 0 / 80 / 42 / 24

HEX #C22771

RGB 194 39 113

HSL 331.35, 0.67%, 0.46%

LAB 44.39, 64.07, -3.52

 

CMYK 0 / 91 / 47 / 16

HEX #D51470

RGB 213 20 112

HSL 331.4, 0.83%, 0.46%

LAB 46.73, 72.35, 0.96

 

CMYK 0 / 100 / 52 / 9

HEX #E8016F

RGB 232 1 111

HSL 331.43, 0.99%, 0.46%

LAB 49.89, 78.29, 6.61

 

CMYK 0 / 67 / 35 / 31

HEX #AF3A72

RGB 175 58 114

HSL 331.28, 0.5%, 0.46%

LAB 43.29, 52.48, -6.15

 

CMYK 0 / 51 / 26 / 39

HEX #9C4D73

RGB 156 77 115

HSL 331.14, 0.34%, 0.46%

LAB 43.67, 37.47, -6.52

 

CMYK 0 / 30 / 15 / 46

HEX #896074

RGB 137 96 116

HSL 330.73, 0.18%, 0.46%

LAB 45.56, 19.93, -4.59

 

CMYK 0 / 3 / 2 / 53

HEX #777375

RGB 119 115 117

HSL 330, 0.02%, 0.46%

LAB 48.84, 1.93, -0.56

 

CMYK 25 / 0 / 12 / 47

HEX #648676

RGB 100 134 118

HSL 151.76, 0.15%, 0.46%

LAB 53.02, -15.52, 4.74

 

CMYK 1 / 67 / 0 / 31

HEX #AD3AAF

RGB 173 58 175

HSL 298.97, 0.5%, 0.46%

LAB 45.64, 60.88, -39.38

 

CMYK 0 / 67 / 17 / 31

HEX #AF3A92

RGB 175 58 146

HSL 314.87, 0.5%, 0.46%

LAB 44.54, 56.74, -23.78

 

CMYK 0 / 67 / 34 / 31

HEX #AF3A73

RGB 175 58 115

HSL 330.77, 0.5%, 0.46%

LAB 43.33, 52.6, -6.71

 

CMYK 0 / 67 / 52 / 31

HEX #AF3A54

RGB 175 58 84

HSL 346.67, 0.5%, 0.46%

LAB 42.43, 49.42, 11.24

 

CMYK 0 / 63 / 67 / 31

HEX #AF403A

RGB 175 64 58

HSL 3.08, 0.5%, 0.46%

LAB 42.89, 44.91, 27.79

 

CMYK 0 / 67 / 35 / 55

HEX #72264A

RGB 114 38 74

HSL 331.58, 0.5%, 0.3%

LAB 28, 37.12, -4.5

 

CMYK 0 / 67 / 35 / 43

HEX #91305E

RGB 145 48 94

HSL 331.55, 0.5%, 0.38%

LAB 35.87, 45.13, -5.21

 

CMYK 0 / 67 / 35 / 31

HEX #AF3A72

RGB 175 58 114

HSL 331.28, 0.5%, 0.46%

LAB 43.29, 52.48, -6.15

 

CMYK 0 / 60 / 32 / 23

HEX #C44F86

RGB 196 79 134

HSL 331.79, 0.5%, 0.54%

LAB 50.74, 52.23, -6.83

 

CMYK 0 / 47 / 24 / 19

HEX #CE6E9C

RGB 206 110 156

HSL 331.25, 0.49%, 0.62%

LAB 58.67, 43.32, -7.8

 

CMYK 0 / 66 / 35 / 31

HEX #AF3B72

RGB 175 59 114

HSL 331.55, 0.5%, 0.46%

LAB 43.44, 52.07, -5.92

 

CMYK 0 / 19 / 67 / 31

HEX #AF8E3A

RGB 175 142 58

HSL 43.08, 0.5%, 0.46%

LAB 60.57, 3.09, 48

 

CMYK 67 / 7 / 0 / 31

HEX #3AA2AF

RGB 58 162 175

HSL 186.67, 0.5%, 0.46%

LAB 61.51, -25.24, -15.48

 

CMYK 0 / 66 / 35 / 31

HEX #AF3B72

RGB 175 59 114

HSL 331.55, 0.5%, 0.46%

LAB 43.44, 52.07, -5.92

 

CMYK 34 / 0 / 67 / 31

HEX #73AF3A

RGB 115 175 58

HSL 90.77, 0.5%, 0.46%

LAB 65.44, -38.74, 51.83

 

CMYK 67 / 34 / 0 / 31

HEX #3A73AF

RGB 58 115 175

HSL 210.77, 0.5%, 0.46%

LAB 47.31, 0.95, -37.44

 

CMYK 0 / 66 / 35 / 31

HEX #AF3B72

RGB 175 59 114

HSL 331.55, 0.5%, 0.46%

LAB 43.44, 52.07, -5.92

 

CMYK 0 / 19 / 67 / 31

HEX #AF8E3A

RGB 175 142 58

HSL 43.08, 0.5%, 0.46%

LAB 60.57, 3.09, 48

 

CMYK 67 / 0 / 32 / 31

HEX #3AAF77

RGB 58 175 119

HSL 151.28, 0.5%, 0.46%

LAB 64.07, -45.75, 19.42

 

CMYK 67 / 48 / 0 / 31

HEX #3A5BAF

RGB 58 91 175

HSL 223.08, 0.5%, 0.46%

LAB 40.37, 16.1, -48.48

 

CMYK 0 / 66 / 35 / 31

HEX #AF3B72

RGB 175 59 114

HSL 331.55, 0.5%, 0.46%

LAB 43.44, 52.07, -5.92

 

CMYK 1 / 0 / 67 / 31

HEX #ADAF3A

RGB 173 175 58

HSL 61.03, 0.5%, 0.46%

LAB 69.36, -15.36, 57.13

 

CMYK 67 / 0 / 32 / 31

HEX #3AAF77

RGB 58 175 119

HSL 151.28, 0.5%, 0.46%

LAB 64.07, -45.75, 19.42

 

CMYK 66 / 67 / 0 / 31

HEX #3C3AAF

RGB 60 58 175

HSL 241.03, 0.5%, 0.46%

LAB 31.99, 37.64, -62.07

 

Description

Color code: HEX #AF3B72 | qconv.com Color code: HEX #AF3B72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 59 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 59 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 35 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 35% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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