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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3593 it is the complementary color #50CA6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3593 shade: #B4358E, #C547A1, #D659B4, #E76BC7 and #F87DDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3593 shade: #AF3593, #9E2380, #8D116D, #7C005A and #6B0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3593 shade: #B03494, #B03472, #B03451 and #B03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3593 shade: #B03494, #AB34B0, #8A34B0, #6834B0 and #4734B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3593 shade matches the following richer shades: #B03494, #C3229E and #D50FA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3593 shade: #B03494, #9E478A, #8B5980, #796C76 and #667F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3593 shade: #8934B0, #AA34B0, #B03495, #B03474 and #B03453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3593 shade: #71215E, #902B79, #B03494, #C746AA and #D166B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3593 shade: #AF3593, #B06834 and #34B099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3593 shade: #AF3593, #95B034 and #3495B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3593 shade: #AF3593, #B06834, #34B04F and #347DB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3593 shade: #AF3593, #B08D34, #34B04F and #3457B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 16 / 31

HEX #AF3593

RGB 175 53 147

HSL 313.77, 0.54%, 0.45%

LAB 43.9, 58.81, -25.39

 

Complementary color

CMYK 60 / 0 / 47 / 21

HEX #50CA6C

RGB 80 202 108

HSL 133.77, 0.54%, 0.55%

LAB 72.91, -54, 36.92

 

CMYK 0 / 71 / 21 / 29

HEX #B4358E

RGB 180 53 142

HSL 317.95, 0.55%, 0.46%

LAB 44.52, 59.39, -21.33

 

CMYK 0 / 64 / 18 / 23

HEX #C547A1

RGB 197 71 161

HSL 317.14, 0.52%, 0.53%

LAB 50.63, 59.6, -23.04

 

CMYK 0 / 58 / 16 / 16

HEX #D659B4

RGB 214 89 180

HSL 316.32, 0.6%, 0.59%

LAB 56.82, 59.39, -24.38

 

CMYK 0 / 54 / 14 / 9

HEX #E76BC7

RGB 231 107 199

HSL 315.48, 0.72%, 0.66%

LAB 63.03, 58.94, -25.47

 

CMYK 0 / 50 / 12 / 3

HEX #F87DDA

RGB 248 125 218

HSL 314.63, 0.9%, 0.73%

LAB 69.25, 58.36, -26.37

 

CMYK 0 / 70 / 16 / 31

HEX #AF3593

RGB 175 53 147

HSL 313.77, 0.54%, 0.45%

LAB 43.9, 58.81, -25.39

 

CMYK 0 / 78 / 19 / 38

HEX #9E2380

RGB 158 35 128

HSL 314.63, 0.64%, 0.38%

LAB 37.9, 57.97, -23.32

 

CMYK 0 / 88 / 23 / 45

HEX #8D116D

RGB 141 17 109

HSL 315.48, 0.78%, 0.31%

LAB 32.19, 56.02, -20.48

 

CMYK 0 / 100 / 27 / 51

HEX #7C005A

RGB 124 0 90

HSL 316.45, 1%, 0.24%

LAB 26.8, 52.79, -16.76

 

CMYK 0 / 100 / 34 / 58

HEX #6B0047

RGB 107 0 71

HSL 320.19, 1%, 0.21%

LAB 22.23, 46.77, -11.32

 

CMYK 0 / 70 / 16 / 31

HEX #B03494

RGB 176 52 148

HSL 313.55, 0.54%, 0.45%

LAB 43.98, 59.58, -25.85

 

CMYK 0 / 70 / 35 / 31

HEX #B03472

RGB 176 52 114

HSL 330, 0.54%, 0.45%

LAB 42.61, 55.14, -7.14

 

CMYK 0 / 70 / 54 / 31

HEX #B03451

RGB 176 52 81

HSL 345.97, 0.54%, 0.45%

LAB 41.66, 51.9, 12.07

 

CMYK 0 / 70 / 70 / 31

HEX #B03434

RGB 176 52 52

HSL 0, 0.54%, 0.45%

LAB 41.11, 49.99, 29.26

 

CMYK 0 / 70 / 16 / 31

HEX #B03494

RGB 176 52 148

HSL 313.55, 0.54%, 0.45%

LAB 43.98, 59.58, -25.85

 

CMYK 3 / 70 / 0 / 31

HEX #AB34B0

RGB 171 52 176

HSL 297.58, 0.54%, 0.45%

LAB 44.59, 62.84, -41.66

 

CMYK 22 / 70 / 0 / 31

HEX #8A34B0

RGB 138 52 176

HSL 281.61, 0.54%, 0.45%

LAB 39.57, 55.6, -49.97

 

CMYK 41 / 70 / 0 / 31

HEX #6834B0

RGB 104 52 176

HSL 265.16, 0.54%, 0.45%

LAB 35.07, 48.7, -57.47

 

CMYK 60 / 70 / 0 / 31

HEX #4734B0

RGB 71 52 176

HSL 249.19, 0.54%, 0.45%

LAB 31.65, 43.09, -63.2

 

CMYK 0 / 70 / 16 / 31

HEX #B03494

RGB 176 52 148

HSL 313.55, 0.54%, 0.45%

LAB 43.98, 59.58, -25.85

 

CMYK 0 / 83 / 19 / 24

HEX #C3229E

RGB 195 34 158

HSL 313.79, 0.7%, 0.45%

LAB 45.93, 70.64, -28.57

 

CMYK 0 / 93 / 21 / 16

HEX #D50FA8

RGB 213 15 168

HSL 313.64, 0.87%, 0.45%

LAB 48.65, 78.6, -30.03

 

CMYK 0 / 70 / 16 / 31

HEX #B03494

RGB 176 52 148

HSL 313.55, 0.54%, 0.45%

LAB 43.98, 59.58, -25.85

 

CMYK 0 / 55 / 13 / 38

HEX #9E478A

RGB 158 71 138

HSL 313.79, 0.38%, 0.45%

LAB 43.67, 44.79, -20.51

 

CMYK 0 / 36 / 8 / 45

HEX #8B5980

RGB 139 89 128

HSL 313.2, 0.22%, 0.45%

LAB 44.51, 26.94, -13.4

 

CMYK 0 / 11 / 2 / 53

HEX #796C76

RGB 121 108 118

HSL 313.85, 0.06%, 0.45%

LAB 47.1, 7.03, -3.7

 

CMYK 20 / 0 / 15 / 50

HEX #667F6C

RGB 102 127 108

HSL 134.4, 0.11%, 0.45%

LAB 50.79, -13.1, 7.37

 

CMYK 22 / 70 / 0 / 31

HEX #8934B0

RGB 137 52 176

HSL 281.13, 0.54%, 0.45%

LAB 39.43, 55.39, -50.21

 

CMYK 3 / 70 / 0 / 31

HEX #AA34B0

RGB 170 52 176

HSL 297.1, 0.54%, 0.45%

LAB 44.43, 62.61, -41.92

 

CMYK 0 / 70 / 15 / 31

HEX #B03495

RGB 176 52 149

HSL 313.06, 0.54%, 0.45%

LAB 44.03, 59.73, -26.38

 

CMYK 0 / 70 / 34 / 31

HEX #B03474

RGB 176 52 116

HSL 329.03, 0.54%, 0.45%

LAB 42.68, 55.37, -8.28

 

CMYK 0 / 70 / 53 / 31

HEX #B03453

RGB 176 52 83

HSL 345, 0.54%, 0.45%

LAB 41.71, 52.06, 10.88

 

CMYK 0 / 71 / 17 / 56

HEX #71215E

RGB 113 33 94

HSL 314.25, 0.55%, 0.29%

LAB 27.86, 41.95, -17.91

 

CMYK 0 / 70 / 16 / 44

HEX #902B79

RGB 144 43 121

HSL 313.66, 0.54%, 0.37%

LAB 36.06, 50.64, -22.01

 

CMYK 0 / 70 / 16 / 31

HEX #B03494

RGB 176 52 148

HSL 313.55, 0.54%, 0.45%

LAB 43.98, 59.58, -25.85

 

CMYK 0 / 65 / 15 / 22

HEX #C746AA

RGB 199 70 170

HSL 313.49, 0.54%, 0.53%

LAB 51.18, 61.85, -27.46

 

CMYK 0 / 51 / 12 / 18

HEX #D166B8

RGB 209 102 184

HSL 314.02, 0.54%, 0.61%

LAB 58.53, 52.51, -24.12

 

CMYK 0 / 70 / 16 / 31

HEX #AF3593

RGB 175 53 147

HSL 313.77, 0.54%, 0.45%

LAB 43.9, 58.81, -25.39

 

CMYK 0 / 41 / 70 / 31

HEX #B06834

RGB 176 104 52

HSL 25.16, 0.54%, 0.45%

LAB 51.13, 24.36, 40.69

 

CMYK 70 / 0 / 13 / 31

HEX #34B099

RGB 52 176 153

HSL 168.87, 0.54%, 0.45%

LAB 65.03, -39.07, 2.02

 

CMYK 0 / 70 / 16 / 31

HEX #AF3593

RGB 175 53 147

HSL 313.77, 0.54%, 0.45%

LAB 43.9, 58.81, -25.39

 

CMYK 15 / 0 / 70 / 31

HEX #95B034

RGB 149 176 52

HSL 73.06, 0.54%, 0.45%

LAB 67.79, -26.35, 57.28

 

CMYK 70 / 15 / 0 / 31

HEX #3495B0

RGB 52 149 176

HSL 193.06, 0.54%, 0.45%

LAB 57.42, -19.09, -22.29

 

CMYK 0 / 70 / 16 / 31

HEX #AF3593

RGB 175 53 147

HSL 313.77, 0.54%, 0.45%

LAB 43.9, 58.81, -25.39

 

CMYK 0 / 41 / 70 / 31

HEX #B06834

RGB 176 104 52

HSL 25.16, 0.54%, 0.45%

LAB 51.13, 24.36, 40.69

 

CMYK 70 / 0 / 55 / 31

HEX #34B04F

RGB 52 176 79

HSL 133.06, 0.54%, 0.45%

LAB 63.63, -54.23, 39.64

 

CMYK 70 / 29 / 0 / 31

HEX #347DB0

RGB 52 125 176

HSL 204.68, 0.54%, 0.45%

LAB 50.13, -5.66, -33.59

 

CMYK 0 / 70 / 16 / 31

HEX #AF3593

RGB 175 53 147

HSL 313.77, 0.54%, 0.45%

LAB 43.9, 58.81, -25.39

 

CMYK 0 / 20 / 70 / 31

HEX #B08D34

RGB 176 141 52

HSL 43.06, 0.54%, 0.45%

LAB 60.36, 3.74, 50.5

 

CMYK 70 / 0 / 55 / 31

HEX #34B04F

RGB 52 176 79

HSL 133.06, 0.54%, 0.45%

LAB 63.63, -54.23, 39.64

 

CMYK 70 / 51 / 0 / 31

HEX #3457B0

RGB 52 87 176

HSL 223.06, 0.54%, 0.45%

LAB 39.04, 18.12, -51.23

 

Description

Color code: HEX #AF3593 | qconv.com Color code: HEX #AF3593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 53 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 53 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 16 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 16% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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