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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2496 it is the complementary color #50DB69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2496 shade: #B42491, #C536A4, #D648B7, #E75ACA and #F86CDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2496 shade: #AF2496, #9E1283, #8D0070, #7C005D and #6B004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2496 shade: #AD2394, #AD236F, #AD234A, #AD2325 and #AD2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2496 shade: #AD2394, #A123AD, #7B23AD, #5623AD and #3123AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2496 shade matches the following richer shades: #AD2394, #BE129F and #CF01AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2496 shade: #AD2394, #9C3489, #8B457F, #7A5674 and #696769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2496 shade: #7A23AD, #9F23AD, #AD2396, #AD2371 and #AD234C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2496 shade: #69155A, #8B1C77, #AD2394, #CF2AB2 and #D949BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2496 shade: #AF2496, #AD5623 and #23AD8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2496 shade: #AF2496, #96AD23 and #2396AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2496 shade: #AF2496, #AD5623, #23AD3A and #237AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2496 shade: #AF2496, #AD7F23, #23AD3A and #2351AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 14 / 31

HEX #AF2496

RGB 175 36 150

HSL 310.79, 0.66%, 0.41%

LAB 42.12, 64.7, -29.97

 

Complementary color

CMYK 63 / 0 / 52 / 14

HEX #50DB69

RGB 80 219 105

HSL 130.79, 0.66%, 0.59%

LAB 78.1, -60.75, 44.84

 

CMYK 0 / 80 / 19 / 29

HEX #B42491

RGB 180 36 145

HSL 314.58, 0.67%, 0.42%

LAB 42.78, 65.14, -25.85

 

CMYK 0 / 73 / 17 / 23

HEX #C536A4

RGB 197 54 164

HSL 313.85, 0.57%, 0.49%

LAB 48.5, 66.34, -28.12

 

CMYK 0 / 66 / 14 / 16

HEX #D648B7

RGB 214 72 183

HSL 313.1, 0.63%, 0.56%

LAB 54.4, 66.83, -29.86

 

CMYK 0 / 61 / 13 / 9

HEX #E75ACA

RGB 231 90 202

HSL 312.34, 0.75%, 0.63%

LAB 60.4, 66.85, -31.24

 

CMYK 0 / 56 / 11 / 3

HEX #F86CDD

RGB 248 108 221

HSL 311.57, 0.91%, 0.7%

LAB 66.45, 66.59, -32.36

 

CMYK 0 / 79 / 14 / 31

HEX #AF2496

RGB 175 36 150

HSL 310.79, 0.66%, 0.41%

LAB 42.12, 64.7, -29.97

 

CMYK 0 / 89 / 17 / 38

HEX #9E1283

RGB 158 18 131

HSL 311.57, 0.8%, 0.35%

LAB 36.63, 62.45, -27.16

 

CMYK 0 / 100 / 21 / 45

HEX #8D0070

RGB 141 0 112

HSL 312.34, 1%, 0.28%

LAB 31.42, 59.08, -23.59

 

CMYK 0 / 100 / 25 / 51

HEX #7C005D

RGB 124 0 93

HSL 315, 1%, 0.24%

LAB 26.95, 53.16, -18.51

 

CMYK 0 / 100 / 31 / 58

HEX #6B004A

RGB 107 0 74

HSL 318.5, 1%, 0.21%

LAB 22.37, 47.13, -13.16

 

CMYK 0 / 80 / 14 / 32

HEX #AD2394

RGB 173 35 148

HSL 310.87, 0.66%, 0.41%

LAB 41.57, 64.24, -29.65

 

CMYK 0 / 80 / 36 / 32

HEX #AD236F

RGB 173 35 111

HSL 326.96, 0.66%, 0.41%

LAB 39.97, 59.59, -9.29

 

CMYK 0 / 80 / 57 / 32

HEX #AD234A

RGB 173 35 74

HSL 343.04, 0.66%, 0.41%

LAB 38.87, 56.23, 12.55

 

CMYK 0 / 80 / 79 / 32

HEX #AD2325

RGB 173 35 37

HSL 359.13, 0.66%, 0.41%

LAB 38.23, 54.26, 34.72

 

CMYK 0 / 80 / 80 / 32

HEX #AD2323

RGB 173 35 35

HSL 0, 0.66%, 0.41%

LAB 38.21, 54.19, 35.84

 

CMYK 0 / 80 / 14 / 32

HEX #AD2394

RGB 173 35 148

HSL 310.87, 0.66%, 0.41%

LAB 41.57, 64.24, -29.65

 

CMYK 7 / 80 / 0 / 32

HEX #A123AD

RGB 161 35 173

HSL 294.78, 0.66%, 0.41%

LAB 40.89, 65.64, -45.87

 

CMYK 29 / 80 / 0 / 32

HEX #7B23AD

RGB 123 35 173

HSL 278.26, 0.66%, 0.41%

LAB 34.86, 58.62, -55.9

 

CMYK 50 / 80 / 0 / 32

HEX #5623AD

RGB 86 35 173

HSL 262.17, 0.66%, 0.41%

LAB 29.91, 52.84, -64.21

 

CMYK 72 / 80 / 0 / 32

HEX #3123AD

RGB 49 35 173

HSL 246.09, 0.66%, 0.41%

LAB 26.37, 48.69, -70.17

 

CMYK 0 / 80 / 14 / 32

HEX #AD2394

RGB 173 35 148

HSL 310.87, 0.66%, 0.41%

LAB 41.57, 64.24, -29.65

 

CMYK 0 / 91 / 16 / 25

HEX #BE129F

RGB 190 18 159

HSL 310.81, 0.83%, 0.41%

LAB 44.06, 72.64, -32.15

 

CMYK 0 / 100 / 18 / 19

HEX #CF01AA

RGB 207 1 170

HSL 310.78, 0.99%, 0.41%

LAB 47.22, 78.91, -33.54

 

CMYK 0 / 80 / 14 / 32

HEX #AD2394

RGB 173 35 148

HSL 310.87, 0.66%, 0.41%

LAB 41.57, 64.24, -29.65

 

CMYK 0 / 67 / 12 / 39

HEX #9C3489

RGB 156 52 137

HSL 310.96, 0.5%, 0.41%

LAB 40.13, 52.72, -25.41

 

CMYK 0 / 50 / 9 / 45

HEX #8B457F

RGB 139 69 127

HSL 310.29, 0.34%, 0.41%

LAB 40.04, 37.95, -19.62

 

CMYK 0 / 30 / 5 / 52

HEX #7A5674

RGB 122 86 116

HSL 310, 0.17%, 0.41%

LAB 41.3, 20.21, -11.14

 

CMYK 0 / 2 / 0 / 59

HEX #696769

RGB 105 103 105

HSL 300, 0.01%, 0.41%

LAB 43.83, 1.19, -0.85

 

CMYK 29 / 80 / 0 / 32

HEX #7A23AD

RGB 122 35 173

HSL 277.83, 0.66%, 0.41%

LAB 34.72, 58.45, -56.15

 

CMYK 8 / 80 / 0 / 32

HEX #9F23AD

RGB 159 35 173

HSL 293.91, 0.66%, 0.41%

LAB 40.56, 65.26, -46.43

 

CMYK 0 / 80 / 13 / 32

HEX #AD2396

RGB 173 35 150

HSL 310, 0.66%, 0.41%

LAB 41.67, 64.52, -30.7

 

CMYK 0 / 80 / 35 / 32

HEX #AD2371

RGB 173 35 113

HSL 326.09, 0.66%, 0.41%

LAB 40.05, 59.81, -10.43

 

CMYK 0 / 80 / 56 / 32

HEX #AD234C

RGB 173 35 76

HSL 342.17, 0.66%, 0.41%

LAB 38.91, 56.37, 11.34

 

CMYK 0 / 80 / 14 / 59

HEX #69155A

RGB 105 21 90

HSL 310.71, 0.67%, 0.25%

LAB 24.57, 43.7, -20.53

 

CMYK 0 / 80 / 14 / 45

HEX #8B1C77

RGB 139 28 119

HSL 310.81, 0.66%, 0.33%

LAB 33.25, 54.24, -25.21

 

CMYK 0 / 80 / 14 / 32

HEX #AD2394

RGB 173 35 148

HSL 310.87, 0.66%, 0.41%

LAB 41.57, 64.24, -29.65

 

CMYK 0 / 80 / 14 / 19

HEX #CF2AB2

RGB 207 42 178

HSL 310.55, 0.66%, 0.49%

LAB 49.66, 73.98, -34.43

 

CMYK 0 / 66 / 12 / 15

HEX #D949BF

RGB 217 73 191

HSL 310.83, 0.65%, 0.57%

LAB 55.36, 68.37, -32.95

 

CMYK 0 / 79 / 14 / 31

HEX #AF2496

RGB 175 36 150

HSL 310.79, 0.66%, 0.41%

LAB 42.12, 64.7, -29.97

 

CMYK 0 / 50 / 80 / 32

HEX #AD5623

RGB 173 86 35

HSL 22.17, 0.66%, 0.41%

LAB 46.53, 32.11, 44.13

 

CMYK 80 / 0 / 18 / 32

HEX #23AD8D

RGB 35 173 141

HSL 166.09, 0.66%, 0.41%

LAB 63.48, -43.01, 6.42

 

CMYK 0 / 79 / 14 / 31

HEX #AF2496

RGB 175 36 150

HSL 310.79, 0.66%, 0.41%

LAB 42.12, 64.7, -29.97

 

CMYK 13 / 0 / 80 / 32

HEX #96AD23

RGB 150 173 35

HSL 70, 0.66%, 0.41%

LAB 66.89, -25.31, 62.17

 

CMYK 80 / 13 / 0 / 32

HEX #2396AD

RGB 35 150 173

HSL 190, 0.66%, 0.41%

LAB 57.26, -22.68, -20.87

 

CMYK 0 / 79 / 14 / 31

HEX #AF2496

RGB 175 36 150

HSL 310.79, 0.66%, 0.41%

LAB 42.12, 64.7, -29.97

 

CMYK 0 / 50 / 80 / 32

HEX #AD5623

RGB 173 86 35

HSL 22.17, 0.66%, 0.41%

LAB 46.53, 32.11, 44.13

 

CMYK 80 / 0 / 66 / 32

HEX #23AD3A

RGB 35 173 58

HSL 130, 0.66%, 0.41%

LAB 62.13, -58.39, 47.46

 

CMYK 80 / 29 / 0 / 32

HEX #237AAD

RGB 35 122 173

HSL 202.17, 0.66%, 0.41%

LAB 48.63, -7.2, -34.24

 

CMYK 0 / 79 / 14 / 31

HEX #AF2496

RGB 175 36 150

HSL 310.79, 0.66%, 0.41%

LAB 42.12, 64.7, -29.97

 

CMYK 0 / 27 / 80 / 32

HEX #AD7F23

RGB 173 127 35

HSL 40, 0.66%, 0.41%

LAB 56.27, 9.38, 53.3

 

CMYK 80 / 0 / 66 / 32

HEX #23AD3A

RGB 35 173 58

HSL 130, 0.66%, 0.41%

LAB 62.13, -58.39, 47.46

 

CMYK 80 / 53 / 0 / 32

HEX #2351AD

RGB 35 81 173

HSL 220, 0.66%, 0.41%

LAB 36.48, 18.77, -53.63

 

Description

Color code: HEX #AF2496 | qconv.com Color code: HEX #AF2496 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 36 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 36 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 14% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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