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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF1CD7 it is the complementary color #50E328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF1CD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF1CD7 shade: #B41CD2, #C52EE5, #D640F8, #E752FF and #F864FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF1CD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF1CD7 shade: #AF1CD7, #9E0AC4, #8D00B1, #7C009E and #6B008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF1CD7 shade: #B01CD8, #D81CCE, #D81C9B, #D81C68 and #D81C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF1CD7 shade: #B01CD8, #7D1CD8, #4A1CD8 and #1C1CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF1CD7 shade matches the following richer shades: #B01CD8 and #BB08EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF1CD7 shade: #B01CD8, #A52FC4, #9943B1, #8E579D and #836B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF1CD7 shade: #4B1CD8, #7D1CD8, #AF1CD8, #D81CCF and #D81C9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF1CD7 shade: #74128F, #9217B4, #B01CD8, #C038E5 and #CB5DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF1CD7 shade: #AF1CD7, #D81C1F and #1CD864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF1CD7 shade: #AF1CD7, #D8AF1C and #1CD8AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF1CD7 shade: #AF1CD7, #D81C1F, #44D81C and #1CD8D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF1CD7 shade: #AF1CD7, #D8511C, #44D81C and #1CA3D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 87 / 0 / 16

HEX #AF1CD7

RGB 175 28 215

HSL 287.17, 0.77%, 0.48%

LAB 45.43, 77.01, -62.97

 

Complementary color

CMYK 65 / 0 / 82 / 11

HEX #50E328

RGB 80 227 40

HSL 107.17, 0.77%, 0.52%

LAB 80.07, -69.31, 71.56

 

CMYK 14 / 87 / 0 / 18

HEX #B41CD2

RGB 180 28 210

HSL 290.11, 0.76%, 0.47%

LAB 45.89, 76.93, -59.31

 

CMYK 14 / 80 / 0 / 10

HEX #C52EE5

RGB 197 46 229

HSL 289.51, 0.78%, 0.54%

LAB 51.25, 78.96, -61.38

 

CMYK 14 / 74 / 0 / 3

HEX #D640F8

RGB 214 64 248

HSL 288.91, 0.93%, 0.61%

LAB 56.82, 80.12, -62.93

 

CMYK 9 / 68 / 0 / 0

HEX #E752FF

RGB 231 82 255

HSL 291.68, 1%, 0.66%

LAB 61.86, 78.55, -58.59

 

CMYK 3 / 61 / 0 / 0

HEX #F864FF

RGB 248 100 255

HSL 297.29, 1%, 0.7%

LAB 66.74, 75.39, -50.69

 

CMYK 19 / 87 / 0 / 16

HEX #AF1CD7

RGB 175 28 215

HSL 287.17, 0.77%, 0.48%

LAB 45.43, 77.01, -62.97

 

CMYK 19 / 95 / 0 / 23

HEX #9E0AC4

RGB 158 10 196

HSL 287.74, 0.9%, 0.4%

LAB 40.36, 73.84, -60.31

 

CMYK 20 / 100 / 0 / 31

HEX #8D00B1

RGB 141 0 177

HSL 287.8, 1%, 0.35%

LAB 35.67, 69.23, -56.85

 

CMYK 22 / 100 / 0 / 38

HEX #7C009E

RGB 124 0 158

HSL 287.09, 1%, 0.31%

LAB 31.24, 63.45, -52.74

 

CMYK 23 / 100 / 0 / 45

HEX #6B008B

RGB 107 0 139

HSL 286.19, 1%, 0.27%

LAB 26.71, 57.53, -48.55

 

CMYK 19 / 87 / 0 / 15

HEX #B01CD8

RGB 176 28 216

HSL 287.23, 0.77%, 0.48%

LAB 45.66, 77.34, -63.16

 

CMYK 0 / 87 / 5 / 15

HEX #D81CCE

RGB 216 28 206

HSL 303.19, 0.77%, 0.48%

LAB 51.71, 82.46, -47.35

 

CMYK 0 / 87 / 28 / 15

HEX #D81C9B

RGB 216 28 155

HSL 319.47, 0.77%, 0.48%

LAB 49.25, 75.95, -21.33

 

CMYK 0 / 87 / 52 / 15

HEX #D81C68

RGB 216 28 104

HSL 335.74, 0.77%, 0.48%

LAB 47.53, 71.19, 7.12

 

CMYK 0 / 87 / 75 / 15

HEX #D81C35

RGB 216 28 53

HSL 352.02, 0.77%, 0.48%

LAB 46.56, 68.4, 36.98

 

CMYK 19 / 87 / 0 / 15

HEX #B01CD8

RGB 176 28 216

HSL 287.23, 0.77%, 0.48%

LAB 45.66, 77.34, -63.16

 

CMYK 42 / 87 / 0 / 15

HEX #7D1CD8

RGB 125 28 216

HSL 270.96, 0.77%, 0.48%

LAB 38.11, 70.33, -75.8

 

CMYK 66 / 87 / 0 / 15

HEX #4A1CD8

RGB 74 28 216

HSL 254.68, 0.77%, 0.48%

LAB 32.36, 65.52, -85.49

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD8

RGB 28 28 216

HSL 240, 0.77%, 0.48%

LAB 29.5, 63.38, -90.32

 

CMYK 19 / 87 / 0 / 15

HEX #B01CD8

RGB 176 28 216

HSL 287.23, 0.77%, 0.48%

LAB 45.66, 77.34, -63.16

 

CMYK 21 / 97 / 0 / 7

HEX #BB08EC

RGB 187 8 236

HSL 287.11, 0.93%, 0.48%

LAB 48, 84.96, -70.66

 

CMYK 19 / 87 / 0 / 15

HEX #B01CD8

RGB 176 28 216

HSL 287.23, 0.77%, 0.48%

LAB 45.66, 77.34, -63.16

 

CMYK 16 / 76 / 0 / 23

HEX #A52FC4

RGB 165 47 196

HSL 287.52, 0.61%, 0.48%

LAB 44.26, 66.9, -53.96

 

CMYK 14 / 62 / 0 / 31

HEX #9943B1

RGB 153 67 177

HSL 286.91, 0.45%, 0.48%

LAB 44.18, 52.55, -43.06

 

CMYK 10 / 45 / 0 / 38

HEX #8E579D

RGB 142 87 157

HSL 287.14, 0.29%, 0.48%

LAB 45.64, 34.91, -29.02

 

CMYK 4 / 22 / 0 / 46

HEX #836B89

RGB 131 107 137

HSL 288, 0.12%, 0.48%

LAB 48.44, 15.26, -12.92

 

CMYK 65 / 87 / 0 / 15

HEX #4B1CD8

RGB 75 28 216

HSL 255, 0.77%, 0.48%

LAB 32.45, 65.59, -85.34

 

CMYK 42 / 87 / 0 / 15

HEX #7D1CD8

RGB 125 28 216

HSL 270.96, 0.77%, 0.48%

LAB 38.11, 70.33, -75.8

 

CMYK 19 / 87 / 0 / 15

HEX #AF1CD8

RGB 175 28 216

HSL 286.91, 0.77%, 0.48%

LAB 45.5, 77.19, -63.43

 

CMYK 0 / 87 / 4 / 15

HEX #D81CCF

RGB 216 28 207

HSL 302.87, 0.77%, 0.48%

LAB 51.76, 82.6, -47.84

 

CMYK 0 / 87 / 28 / 15

HEX #D81C9C

RGB 216 28 156

HSL 319.15, 0.77%, 0.48%

LAB 49.29, 76.06, -21.86

 

CMYK 19 / 87 / 0 / 44

HEX #74128F

RGB 116 18 143

HSL 287.04, 0.78%, 0.32%

LAB 29.74, 56.3, -46.04

 

CMYK 19 / 87 / 0 / 29

HEX #9217B4

RGB 146 23 180

HSL 287.01, 0.77%, 0.4%

LAB 37.88, 67.13, -55.02

 

CMYK 19 / 87 / 0 / 15

HEX #B01CD8

RGB 176 28 216

HSL 287.23, 0.77%, 0.48%

LAB 45.66, 77.34, -63.16

 

CMYK 16 / 76 / 0 / 10

HEX #C038E5

RGB 192 56 229

HSL 287.17, 0.77%, 0.56%

LAB 51.49, 75.16, -61.03

 

CMYK 13 / 60 / 0 / 9

HEX #CB5DE9

RGB 203 93 233

HSL 287.14, 0.76%, 0.64%

LAB 58.42, 63.79, -52.09

 

CMYK 19 / 87 / 0 / 16

HEX #AF1CD7

RGB 175 28 215

HSL 287.17, 0.77%, 0.48%

LAB 45.43, 77.01, -62.97

 

CMYK 0 / 87 / 86 / 15

HEX #D81C1F

RGB 216 28 31

HSL 359.04, 0.77%, 0.48%

LAB 46.35, 67.79, 48.71

 

CMYK 87 / 0 / 54 / 15

HEX #1CD864

RGB 28 216 100

HSL 142.98, 0.77%, 0.48%

LAB 76.24, -67.55, 44.74

 

CMYK 19 / 87 / 0 / 16

HEX #AF1CD7

RGB 175 28 215

HSL 287.17, 0.77%, 0.48%

LAB 45.43, 77.01, -62.97

 

CMYK 0 / 19 / 87 / 15

HEX #D8AF1C

RGB 216 175 28

HSL 46.91, 0.77%, 0.48%

LAB 73.12, 2.25, 71.52

 

CMYK 87 / 0 / 19 / 15

HEX #1CD8AF

RGB 28 216 175

HSL 166.91, 0.77%, 0.48%

LAB 77.55, -52.63, 8.08

 

CMYK 19 / 87 / 0 / 16

HEX #AF1CD7

RGB 175 28 215

HSL 287.17, 0.77%, 0.48%

LAB 45.43, 77.01, -62.97

 

CMYK 0 / 87 / 86 / 15

HEX #D81C1F

RGB 216 28 31

HSL 359.04, 0.77%, 0.48%

LAB 46.35, 67.79, 48.71

 

CMYK 69 / 0 / 87 / 15

HEX #44D81C

RGB 68 216 28

HSL 107.23, 0.77%, 0.48%

LAB 76.33, -68.68, 70.79

 

CMYK 87 / 0 / 1 / 15

HEX #1CD8D5

RGB 28 216 213

HSL 179.04, 0.77%, 0.48%

LAB 78.56, -42.34, -10.77

 

CMYK 19 / 87 / 0 / 16

HEX #AF1CD7

RGB 175 28 215

HSL 287.17, 0.77%, 0.48%

LAB 45.43, 77.01, -62.97

 

CMYK 0 / 63 / 87 / 15

HEX #D8511C

RGB 216 81 28

HSL 16.91, 0.77%, 0.48%

LAB 52.47, 50.77, 55.02

 

CMYK 69 / 0 / 87 / 15

HEX #44D81C

RGB 68 216 28

HSL 107.23, 0.77%, 0.48%

LAB 76.33, -68.68, 70.79

 

CMYK 87 / 25 / 0 / 15

HEX #1CA3D8

RGB 28 163 216

HSL 196.91, 0.77%, 0.48%

LAB 62.84, -15.39, -36.4

 

Description

Color code: HEX #AF1CD7 | qconv.com Color code: HEX #AF1CD7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 28 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 28 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 87 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 87% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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