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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF1300 it is the complementary color #50ECFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF1300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF1300 shade: #B41300, #C5250E, #D63721, #E74934 and #F85B47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF1300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF1300 shade: #AF1300, #9E0100, #8D0000, #7C0000 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF1300 shade: #AD1200 and #AD0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF1300 shade: #AD1200, #AD4100, #AD7000, #AD9F00 and #8CAD00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF1300 shade matches the following richer shades: #AD1200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF1300 shade: #AD1200, #9F1D0E, #91281C, #83332A and #753E38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF1300 shade: #AD004B, #AD001C, #AD1100, #AD3F00 and #AD6D00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF1300 shade: #5A0900, #840E00, #AD1200, #D61700 and #FF1C00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF1300 shade: #AF1300, #79AD00 and #0034AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF1300 shade: #AF1300, #00AD11 and #1100AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF1300 shade: #AF1300, #79AD00, #009CAD and #3400AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF1300 shade: #AF1300, #45AD00, #009CAD and #6800AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 100 / 31

HEX #AF1300

RGB 175 19 0

HSL 6.51, 1%, 0.34%

LAB 37.08, 57.88, 50.98

 

Complementary color

CMYK 69 / 7 / 0 / 0

HEX #50ECFF

RGB 80 236 255

HSL 186.51, 1%, 0.66%

LAB 86.46, -34.41, -21.06

 

CMYK 0 / 89 / 100 / 29

HEX #B41300

RGB 180 19 0

HSL 6.33, 1%, 0.35%

LAB 38.14, 59.26, 52.06

 

CMYK 0 / 81 / 93 / 23

HEX #C5250E

RGB 197 37 14

HSL 7.54, 0.87%, 0.41%

LAB 43.1, 60.26, 51.76

 

CMYK 0 / 74 / 85 / 16

HEX #D63721

RGB 214 55 33

HSL 7.29, 0.73%, 0.48%

LAB 48.43, 60.31, 49.38

 

CMYK 0 / 68 / 77 / 9

HEX #E74934

RGB 231 73 52

HSL 7.04, 0.79%, 0.55%

LAB 54.03, 59.77, 46.36

 

CMYK 0 / 63 / 71 / 3

HEX #F85B47

RGB 248 91 71

HSL 6.78, 0.93%, 0.63%

LAB 59.79, 58.89, 43.4

 

CMYK 0 / 89 / 100 / 31

HEX #AF1300

RGB 175 19 0

HSL 6.51, 1%, 0.34%

LAB 37.08, 57.88, 50.98

 

CMYK 0 / 99 / 100 / 38

HEX #9E0100

RGB 158 1 0

HSL 0.38, 1%, 0.31%

LAB 32.46, 55.88, 46.47

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 90 / 100 / 32

HEX #AD1200

RGB 173 18 0

HSL 6.24, 1%, 0.34%

LAB 36.59, 57.51, 50.51

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 90 / 100 / 32

HEX #AD1200

RGB 173 18 0

HSL 6.24, 1%, 0.34%

LAB 36.59, 57.51, 50.51

 

CMYK 0 / 62 / 100 / 32

HEX #AD4100

RGB 173 65 0

HSL 22.54, 1%, 0.34%

LAB 42.25, 41.89, 53.18

 

CMYK 0 / 35 / 100 / 32

HEX #AD7000

RGB 173 112 0

HSL 38.84, 1%, 0.34%

LAB 52.37, 17.02, 59.28

 

CMYK 0 / 8 / 100 / 32

HEX #AD9F00

RGB 173 159 0

HSL 55.14, 1%, 0.34%

LAB 64.71, -8.85, 67.82

 

CMYK 19 / 0 / 100 / 32

HEX #8CAD00

RGB 140 173 0

HSL 71.45, 1%, 0.34%

LAB 66.11, -30.34, 67.69

 

CMYK 0 / 90 / 100 / 32

HEX #AD1200

RGB 173 18 0

HSL 6.24, 1%, 0.34%

LAB 36.59, 57.51, 50.51

 

CMYK 0 / 90 / 100 / 32

HEX #AD1200

RGB 173 18 0

HSL 6.24, 1%, 0.34%

LAB 36.59, 57.51, 50.51

 

CMYK 0 / 82 / 91 / 38

HEX #9F1D0E

RGB 159 29 14

HSL 6.21, 0.84%, 0.34%

LAB 34.56, 51.16, 42.26

 

CMYK 0 / 72 / 81 / 43

HEX #91281C

RGB 145 40 28

HSL 6.15, 0.68%, 0.34%

LAB 33.18, 43.26, 32.89

 

CMYK 0 / 61 / 68 / 49

HEX #83332A

RGB 131 51 42

HSL 6.07, 0.51%, 0.34%

LAB 32.61, 33.84, 23.19

 

CMYK 0 / 47 / 52 / 54

HEX #753E38

RGB 117 62 56

HSL 5.9, 0.35%, 0.34%

LAB 32.95, 23.26, 14.35

 

CMYK 0 / 100 / 57 / 32

HEX #AD004B

RGB 173 0 75

HSL 333.99, 1%, 0.34%

LAB 36.73, 62.51, 8.95

 

CMYK 0 / 100 / 84 / 32

HEX #AD001C

RGB 173 0 28

HSL 350.29, 1%, 0.34%

LAB 35.92, 60.34, 37.55

 

CMYK 0 / 90 / 100 / 32

HEX #AD1100

RGB 173 17 0

HSL 5.9, 1%, 0.34%

LAB 36.53, 57.68, 50.49

 

CMYK 0 / 64 / 100 / 32

HEX #AD3F00

RGB 173 63 0

HSL 21.85, 1%, 0.34%

LAB 41.91, 42.82, 52.99

 

CMYK 0 / 37 / 100 / 32

HEX #AD6D00

RGB 173 109 0

HSL 37.8, 1%, 0.34%

LAB 51.63, 18.7, 58.8

 

CMYK 0 / 90 / 100 / 65

HEX #5A0900

RGB 90 9 0

HSL 6, 1%, 0.18%

LAB 17.32, 34.75, 26.57

 

CMYK 0 / 89 / 100 / 48

HEX #840E00

RGB 132 14 0

HSL 6.36, 1%, 0.26%

LAB 27.35, 46.58, 40.04

 

CMYK 0 / 90 / 100 / 32

HEX #AD1200

RGB 173 18 0

HSL 6.24, 1%, 0.34%

LAB 36.59, 57.51, 50.51

 

CMYK 0 / 89 / 100 / 16

HEX #D61700

RGB 214 23 0

HSL 6.45, 1%, 0.42%

LAB 45.51, 67.72, 59.2

 

CMYK 0 / 89 / 100 / 0

HEX #FF1C00

RGB 255 28 0

HSL 6.59, 1%, 0.5%

LAB 54.12, 77.54, 67.54

 

CMYK 0 / 89 / 100 / 31

HEX #AF1300

RGB 175 19 0

HSL 6.51, 1%, 0.34%

LAB 37.08, 57.88, 50.98

 

CMYK 30 / 0 / 100 / 32

HEX #79AD00

RGB 121 173 0

HSL 78.03, 1%, 0.34%

LAB 64.92, -38.01, 66.27

 

CMYK 100 / 70 / 0 / 32

HEX #0034AD

RGB 0 52 173

HSL 221.97, 1%, 0.34%

LAB 28.04, 36.11, -67.46

 

CMYK 0 / 89 / 100 / 31

HEX #AF1300

RGB 175 19 0

HSL 6.51, 1%, 0.34%

LAB 37.08, 57.88, 50.98

 

CMYK 100 / 0 / 90 / 32

HEX #00AD11

RGB 0 173 17

HSL 125.9, 1%, 0.34%

LAB 61.59, -63.98, 59.78

 

CMYK 90 / 100 / 0 / 32

HEX #1100AD

RGB 17 0 173

HSL 245.9, 1%, 0.34%

LAB 20.58, 59.36, -79.85

 

CMYK 0 / 89 / 100 / 31

HEX #AF1300

RGB 175 19 0

HSL 6.51, 1%, 0.34%

LAB 37.08, 57.88, 50.98

 

CMYK 30 / 0 / 100 / 32

HEX #79AD00

RGB 121 173 0

HSL 78.03, 1%, 0.34%

LAB 64.92, -38.01, 66.27

 

CMYK 100 / 10 / 0 / 32

HEX #009CAD

RGB 0 156 173

HSL 185.9, 1%, 0.34%

LAB 58.78, -27.79, -18.57

 

CMYK 70 / 100 / 0 / 32

HEX #3400AD

RGB 52 0 173

HSL 258.03, 1%, 0.34%

LAB 22.82, 60.23, -76.06

 

CMYK 0 / 89 / 100 / 31

HEX #AF1300

RGB 175 19 0

HSL 6.51, 1%, 0.34%

LAB 37.08, 57.88, 50.98

 

CMYK 60 / 0 / 100 / 32

HEX #45AD00

RGB 69 173 0

HSL 96.07, 1%, 0.34%

LAB 62.64, -55.05, 63.5

 

CMYK 100 / 10 / 0 / 32

HEX #009CAD

RGB 0 156 173

HSL 185.9, 1%, 0.34%

LAB 58.78, -27.79, -18.57

 

CMYK 40 / 100 / 0 / 32

HEX #6800AD

RGB 104 0 173

HSL 276.07, 1%, 0.34%

LAB 29.31, 63.96, -65.1

 

Description

Color code: HEX #AF1300 | qconv.com Color code: HEX #AF1300 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 19 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 19 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 100 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 100% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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