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Color name
HEX #AF112B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF112B it is the complementary color #50EED4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF112B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF112B shade: #B41126, #C52339, #D6354C, #E7475F and #F85972

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF112B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF112B shade: #AF112B, #9E0018, #8D0005, #7C0000 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF112B shade: #B0112B and #B01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF112B shade: #B0112B, #B01156, #B01181, #B011AC and #8911B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF112B shade matches the following richer shades: #B0112B and #C00121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF112B shade: #B0112B, #A02136, #913040, #81404B and #715055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF112B shade: #B01180, #B01156, #B0112B, #B02111 and #B04B11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF112B shade: #650A19, #8A0D22, #B0112B, #D51534 and #E92A49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF112B shade: #AF112B, #ABB011 and #116BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF112B shade: #AF112B, #2BB011 and #112BB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF112B shade: #AF112B, #ABB011, #11B095 and #1611B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF112B shade: #AF112B, #7BB011, #11B095 and #4611B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 75 / 31

HEX #AF112B

RGB 175 17 43

HSL 350.13, 0.82%, 0.38%

LAB 37.28, 59.15, 30.2

 

Complementary color

CMYK 66 / 0 / 11 / 7

HEX #50EED4

RGB 80 238 212

HSL 170.13, 0.82%, 0.62%

LAB 85.81, -46.94, 0.55

 

CMYK 0 / 91 / 79 / 29

HEX #B41126

RGB 180 17 38

HSL 352.27, 0.83%, 0.39%

LAB 38.28, 60.3, 34.62

 

CMYK 0 / 82 / 71 / 23

HEX #C52339

RGB 197 35 57

HSL 351.85, 0.7%, 0.45%

LAB 43.31, 61.97, 29.85

 

CMYK 0 / 75 / 64 / 16

HEX #D6354C

RGB 214 53 76

HSL 351.43, 0.66%, 0.52%

LAB 48.72, 62.65, 25.8

 

CMYK 0 / 69 / 59 / 9

HEX #E7475F

RGB 231 71 95

HSL 351, 0.77%, 0.59%

LAB 54.37, 62.68, 22.41

 

CMYK 0 / 64 / 54 / 3

HEX #F85972

RGB 248 89 114

HSL 350.57, 0.92%, 0.66%

LAB 60.17, 62.29, 19.58

 

CMYK 0 / 90 / 75 / 31

HEX #AF112B

RGB 175 17 43

HSL 350.13, 0.82%, 0.38%

LAB 37.28, 59.15, 30.2

 

CMYK 0 / 100 / 85 / 38

HEX #9E0018

RGB 158 0 24

HSL 350.89, 1%, 0.31%

LAB 32.56, 56.42, 35.48

 

CMYK 0 / 100 / 96 / 45

HEX #8D0005

RGB 141 0 5

HSL 357.87, 1%, 0.28%

LAB 28.57, 51.62, 39.85

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 90 / 76 / 31

HEX #B0112B

RGB 176 17 43

HSL 350.19, 0.82%, 0.38%

LAB 37.49, 59.42, 30.5

 

CMYK 0 / 90 / 90 / 31

HEX #B01111

RGB 176 17 17

HSL 0, 0.82%, 0.38%

LAB 37.25, 58.71, 44.53

 

CMYK 0 / 90 / 76 / 31

HEX #B0112B

RGB 176 17 43

HSL 350.19, 0.82%, 0.38%

LAB 37.49, 59.42, 30.5

 

CMYK 0 / 90 / 51 / 31

HEX #B01156

RGB 176 17 86

HSL 333.96, 0.82%, 0.38%

LAB 38.38, 61.92, 4.28

 

CMYK 0 / 90 / 27 / 31

HEX #B01181

RGB 176 17 129

HSL 317.74, 0.82%, 0.38%

LAB 39.94, 66.18, -20.5

 

CMYK 0 / 90 / 2 / 31

HEX #B011AC

RGB 176 17 172

HSL 301.51, 0.82%, 0.38%

LAB 42.17, 71.97, -43.09

 

CMYK 22 / 90 / 0 / 31

HEX #8911B0

RGB 137 17 176

HSL 285.28, 0.82%, 0.38%

LAB 35.7, 66.15, -56.23

 

CMYK 0 / 90 / 76 / 31

HEX #B0112B

RGB 176 17 43

HSL 350.19, 0.82%, 0.38%

LAB 37.49, 59.42, 30.5

 

CMYK 0 / 99 / 83 / 25

HEX #C00121

RGB 192 1 33

HSL 349.95, 0.99%, 0.38%

LAB 40.14, 65.1, 40.21

 

CMYK 0 / 90 / 76 / 31

HEX #B0112B

RGB 176 17 43

HSL 350.19, 0.82%, 0.38%

LAB 37.49, 59.42, 30.5

 

CMYK 0 / 79 / 66 / 37

HEX #A02136

RGB 160 33 54

HSL 350.08, 0.66%, 0.38%

LAB 35.65, 51.75, 20.6

 

CMYK 0 / 67 / 56 / 43

HEX #913040

RGB 145 48 64

HSL 350.1, 0.5%, 0.38%

LAB 35.01, 42.03, 12.82

 

CMYK 0 / 50 / 42 / 49

HEX #81404B

RGB 129 64 75

HSL 349.85, 0.34%, 0.38%

LAB 35.68, 29.17, 6.31

 

CMYK 0 / 29 / 25 / 56

HEX #715055

RGB 113 80 85

HSL 350.91, 0.17%, 0.38%

LAB 37.67, 14.66, 2.57

 

CMYK 0 / 90 / 27 / 31

HEX #B01180

RGB 176 17 128

HSL 318.11, 0.82%, 0.38%

LAB 39.9, 66.06, -19.95

 

CMYK 0 / 90 / 51 / 31

HEX #B01156

RGB 176 17 86

HSL 333.96, 0.82%, 0.38%

LAB 38.38, 61.92, 4.28

 

CMYK 0 / 90 / 76 / 31

HEX #B0112B

RGB 176 17 43

HSL 350.19, 0.82%, 0.38%

LAB 37.49, 59.42, 30.5

 

CMYK 0 / 81 / 90 / 31

HEX #B02111

RGB 176 33 17

HSL 6.04, 0.82%, 0.38%

LAB 38.48, 55.21, 45.44

 

CMYK 0 / 57 / 90 / 31

HEX #B04B11

RGB 176 75 17

HSL 21.89, 0.82%, 0.38%

LAB 44.66, 38.48, 50.04

 

CMYK 0 / 90 / 75 / 60

HEX #650A19

RGB 101 10 25

HSL 350.11, 0.82%, 0.22%

LAB 20.26, 38.86, 17.87

 

CMYK 0 / 91 / 75 / 46

HEX #8A0D22

RGB 138 13 34

HSL 349.92, 0.83%, 0.3%

LAB 28.92, 49.41, 24.16

 

CMYK 0 / 90 / 76 / 31

HEX #B0112B

RGB 176 17 43

HSL 350.19, 0.82%, 0.38%

LAB 37.49, 59.42, 30.5

 

CMYK 0 / 90 / 76 / 16

HEX #D51534

RGB 213 21 52

HSL 350.31, 0.82%, 0.46%

LAB 45.54, 68.74, 36.26

 

CMYK 0 / 82 / 69 / 9

HEX #E92A49

RGB 233 42 73

HSL 350.26, 0.81%, 0.54%

LAB 51.22, 70.79, 31.5

 

CMYK 0 / 90 / 75 / 31

HEX #AF112B

RGB 175 17 43

HSL 350.13, 0.82%, 0.38%

LAB 37.28, 59.15, 30.2

 

CMYK 3 / 0 / 90 / 31

HEX #ABB011

RGB 171 176 17

HSL 61.89, 0.82%, 0.38%

LAB 69.29, -18.28, 68.91

 

CMYK 90 / 39 / 0 / 31

HEX #116BB0

RGB 17 107 176

HSL 206.04, 0.82%, 0.38%

LAB 43.9, 1.56, -43.49

 

CMYK 0 / 90 / 75 / 31

HEX #AF112B

RGB 175 17 43

HSL 350.13, 0.82%, 0.38%

LAB 37.28, 59.15, 30.2

 

CMYK 76 / 0 / 90 / 31

HEX #2BB011

RGB 43 176 17

HSL 110.19, 0.82%, 0.38%

LAB 63.01, -60.97, 61.18

 

CMYK 90 / 76 / 0 / 31

HEX #112BB0

RGB 17 43 176

HSL 230.19, 0.82%, 0.38%

LAB 26.68, 43.34, -71.49

 

CMYK 0 / 90 / 75 / 31

HEX #AF112B

RGB 175 17 43

HSL 350.13, 0.82%, 0.38%

LAB 37.28, 59.15, 30.2

 

CMYK 3 / 0 / 90 / 31

HEX #ABB011

RGB 171 176 17

HSL 61.89, 0.82%, 0.38%

LAB 69.29, -18.28, 68.91

 

CMYK 90 / 0 / 15 / 31

HEX #11B095

RGB 17 176 149

HSL 169.81, 0.82%, 0.38%

LAB 64.44, -43.56, 3.32

 

CMYK 88 / 90 / 0 / 31

HEX #1611B0

RGB 22 17 176

HSL 241.89, 0.82%, 0.38%

LAB 22.67, 55.73, -78.15

 

CMYK 0 / 90 / 75 / 31

HEX #AF112B

RGB 175 17 43

HSL 350.13, 0.82%, 0.38%

LAB 37.28, 59.15, 30.2

 

CMYK 30 / 0 / 90 / 31

HEX #7BB011

RGB 123 176 17

HSL 80, 0.82%, 0.38%

LAB 65.98, -38.25, 64.86

 

CMYK 90 / 0 / 15 / 31

HEX #11B095

RGB 17 176 149

HSL 169.81, 0.82%, 0.38%

LAB 64.44, -43.56, 3.32

 

CMYK 60 / 90 / 0 / 31

HEX #4611B0

RGB 70 17 176

HSL 260, 0.82%, 0.38%

LAB 26.27, 58.2, -72.08

 

Description

Color code: HEX #AF112B | qconv.com Color code: HEX #AF112B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 17 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 17 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 75 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 75% 31% C M Y K

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Provide designers and agencies with accurate color values.

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