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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF19BB it is the complementary color #50E644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF19BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF19BB shade: #B419B6, #C52BC9, #D63DDC, #E74FEF and #F861FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF19BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF19BB shade: #AF19BB, #9E07A8, #8D0095, #7C0082 and #6B006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF19BB shade: #B019BC, #BC199C, #BC1970, #BC1944 and #BC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF19BB shade: #B019BC, #8419BC, #5819BC, #2C19BC and #1919BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF19BB shade matches the following richer shades: #B019BC and #BF08CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF19BB shade: #B019BC, #A12BAB, #923C99, #844D88 and #755F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF19BB shade: #5819BC, #8319BC, #AE19BC, #BC199E and #BC1973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF19BB shade: #6C0F73, #8E1498, #B019BC, #D21FE0 and #D943E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF19BB shade: #AF19BB, #BC2C19 and #19BC6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF19BB shade: #AF19BB, #BCAE19 and #19BCAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF19BB shade: #AF19BB, #BC2C19, #27BC19 and #19A9BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF19BB shade: #AF19BB, #BC5D19, #27BC19 and #1978BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 87 / 0 / 27

HEX #AF19BB

RGB 175 25 187

HSL 295.56, 0.76%, 0.42%

LAB 43.36, 72.83, -50.06

 

Complementary color

CMYK 65 / 0 / 70 / 10

HEX #50E644

RGB 80 230 68

HSL 115.56, 0.76%, 0.58%

LAB 81.14, -68.52, 63.99

 

CMYK 1 / 86 / 0 / 29

HEX #B419B6

RGB 180 25 182

HSL 299.24, 0.76%, 0.41%

LAB 43.91, 72.92, -46.19

 

CMYK 2 / 79 / 0 / 21

HEX #C52BC9

RGB 197 43 201

HSL 298.48, 0.65%, 0.48%

LAB 49.27, 75.09, -48.54

 

CMYK 3 / 72 / 0 / 14

HEX #D63DDC

RGB 214 61 220

HSL 297.74, 0.69%, 0.55%

LAB 54.87, 76.34, -50.33

 

CMYK 3 / 67 / 0 / 6

HEX #E74FEF

RGB 231 79 239

HSL 297, 0.83%, 0.62%

LAB 60.62, 76.94, -51.71

 

CMYK 3 / 62 / 0 / 0

HEX #F861FF

RGB 248 97 255

HSL 297.34, 1%, 0.69%

LAB 66.31, 76.59, -51.38

 

CMYK 6 / 87 / 0 / 27

HEX #AF19BB

RGB 175 25 187

HSL 295.56, 0.76%, 0.42%

LAB 43.36, 72.83, -50.06

 

CMYK 6 / 96 / 0 / 34

HEX #9E07A8

RGB 158 7 168

HSL 296.27, 0.92%, 0.34%

LAB 38.28, 69.46, -47.1

 

CMYK 5 / 100 / 0 / 42

HEX #8D0095

RGB 141 0 149

HSL 296.78, 1%, 0.29%

LAB 33.63, 64.48, -43.23

 

CMYK 5 / 100 / 0 / 49

HEX #7C0082

RGB 124 0 130

HSL 297.23, 1%, 0.25%

LAB 29.15, 58.58, -38.81

 

CMYK 4 / 100 / 0 / 56

HEX #6B006F

RGB 107 0 111

HSL 297.84, 1%, 0.22%

LAB 24.56, 52.52, -34.26

 

CMYK 6 / 87 / 0 / 26

HEX #B019BC

RGB 176 25 188

HSL 295.58, 0.77%, 0.42%

LAB 43.59, 73.16, -50.27

 

CMYK 0 / 87 / 17 / 26

HEX #BC199C

RGB 188 25 156

HSL 311.78, 0.77%, 0.42%

LAB 43.93, 70.74, -30.6

 

CMYK 0 / 87 / 40 / 26

HEX #BC1970

RGB 188 25 112

HSL 327.98, 0.77%, 0.42%

LAB 42.09, 65.7, -6.45

 

CMYK 0 / 87 / 64 / 26

HEX #BC1944

RGB 188 25 68

HSL 344.17, 0.77%, 0.42%

LAB 40.9, 62.33, 19.62

 

CMYK 0 / 87 / 87 / 26

HEX #BC1919

RGB 188 25 25

HSL 0, 0.77%, 0.42%

LAB 40.34, 60.68, 44.28

 

CMYK 6 / 87 / 0 / 26

HEX #B019BC

RGB 176 25 188

HSL 295.58, 0.77%, 0.42%

LAB 43.59, 73.16, -50.27

 

CMYK 30 / 87 / 0 / 26

HEX #8419BC

RGB 132 25 188

HSL 279.39, 0.77%, 0.42%

LAB 36.43, 66.07, -62.2

 

CMYK 53 / 87 / 0 / 26

HEX #5819BC

RGB 88 25 188

HSL 263.19, 0.77%, 0.42%

LAB 30.4, 60.54, -72.32

 

CMYK 77 / 87 / 0 / 26

HEX #2C19BC

RGB 44 25 188

HSL 246.99, 0.77%, 0.42%

LAB 26.34, 57.15, -79.18

 

CMYK 87 / 87 / 0 / 26

HEX #1919BC

RGB 25 25 188

HSL 240, 0.77%, 0.42%

LAB 25.36, 56.39, -80.83

 

CMYK 6 / 87 / 0 / 26

HEX #B019BC

RGB 176 25 188

HSL 295.58, 0.77%, 0.42%

LAB 43.59, 73.16, -50.27

 

CMYK 7 / 96 / 0 / 20

HEX #BF08CD

RGB 191 8 205

HSL 295.74, 0.92%, 0.42%

LAB 46.52, 80.48, -55.31

 

CMYK 6 / 87 / 0 / 26

HEX #B019BC

RGB 176 25 188

HSL 295.58, 0.77%, 0.42%

LAB 43.59, 73.16, -50.27

 

CMYK 6 / 75 / 0 / 33

HEX #A12BAB

RGB 161 43 171

HSL 295.31, 0.6%, 0.42%

LAB 41.6, 62.89, -43.55

 

CMYK 5 / 61 / 0 / 40

HEX #923C99

RGB 146 60 153

HSL 295.48, 0.44%, 0.42%

LAB 40.64, 49.33, -34.44

 

CMYK 3 / 43 / 0 / 47

HEX #844D88

RGB 132 77 136

HSL 295.93, 0.28%, 0.42%

LAB 41.2, 33, -23.4

 

CMYK 2 / 20 / 0 / 53

HEX #755F77

RGB 117 95 119

HSL 295, 0.11%, 0.42%

LAB 43.21, 13.53, -10.15

 

CMYK 53 / 87 / 0 / 26

HEX #5819BC

RGB 88 25 188

HSL 263.19, 0.77%, 0.42%

LAB 30.4, 60.54, -72.32

 

CMYK 30 / 87 / 0 / 26

HEX #8319BC

RGB 131 25 188

HSL 279.02, 0.77%, 0.42%

LAB 36.27, 65.93, -62.46

 

CMYK 7 / 87 / 0 / 26

HEX #AE19BC

RGB 174 25 188

HSL 294.85, 0.77%, 0.42%

LAB 43.25, 72.82, -50.83

 

CMYK 0 / 87 / 16 / 26

HEX #BC199E

RGB 188 25 158

HSL 311.04, 0.77%, 0.42%

LAB 44.02, 71, -31.64

 

CMYK 0 / 87 / 39 / 26

HEX #BC1973

RGB 188 25 115

HSL 326.87, 0.77%, 0.42%

LAB 42.19, 66, -8.16

 

CMYK 6 / 87 / 0 / 55

HEX #6C0F73

RGB 108 15 115

HSL 295.8, 0.77%, 0.25%

LAB 26.06, 50.33, -34.41

 

CMYK 7 / 87 / 0 / 40

HEX #8E1498

RGB 142 20 152

HSL 295.45, 0.77%, 0.34%

LAB 35.04, 62.12, -42.79

 

CMYK 6 / 87 / 0 / 26

HEX #B019BC

RGB 176 25 188

HSL 295.58, 0.77%, 0.42%

LAB 43.59, 73.16, -50.27

 

CMYK 6 / 86 / 0 / 12

HEX #D21FE0

RGB 210 31 224

HSL 295.65, 0.76%, 0.5%

LAB 51.91, 83.61, -57.37

 

CMYK 5 / 71 / 0 / 10

HEX #D943E5

RGB 217 67 229

HSL 295.56, 0.76%, 0.58%

LAB 56.51, 76.48, -52.77

 

CMYK 6 / 87 / 0 / 27

HEX #AF19BB

RGB 175 25 187

HSL 295.56, 0.76%, 0.42%

LAB 43.36, 72.83, -50.06

 

CMYK 0 / 77 / 87 / 26

HEX #BC2C19

RGB 188 44 25

HSL 6.99, 0.77%, 0.42%

LAB 42.1, 55.71, 45.74

 

CMYK 87 / 0 / 42 / 26

HEX #19BC6D

RGB 25 188 109

HSL 150.92, 0.77%, 0.42%

LAB 67.48, -56.88, 29.22

 

CMYK 6 / 87 / 0 / 27

HEX #AF19BB

RGB 175 25 187

HSL 295.56, 0.76%, 0.42%

LAB 43.36, 72.83, -50.06

 

CMYK 0 / 7 / 87 / 26

HEX #BCAE19

RGB 188 174 25

HSL 54.85, 0.77%, 0.42%

LAB 70.2, -9.62, 68.73

 

CMYK 87 / 0 / 7 / 26

HEX #19BCAE

RGB 25 188 174

HSL 174.85, 0.77%, 0.42%

LAB 68.92, -41.35, -3.93

 

CMYK 6 / 87 / 0 / 27

HEX #AF19BB

RGB 175 25 187

HSL 295.56, 0.76%, 0.42%

LAB 43.36, 72.83, -50.06

 

CMYK 0 / 77 / 87 / 26

HEX #BC2C19

RGB 188 44 25

HSL 6.99, 0.77%, 0.42%

LAB 42.1, 55.71, 45.74

 

CMYK 79 / 0 / 87 / 26

HEX #27BC19

RGB 39 188 25

HSL 114.85, 0.77%, 0.42%

LAB 66.88, -64.89, 62.93

 

CMYK 87 / 10 / 0 / 26

HEX #19A9BC

RGB 25 169 188

HSL 186.99, 0.77%, 0.42%

LAB 63.52, -28.2, -19.78

 

CMYK 6 / 87 / 0 / 27

HEX #AF19BB

RGB 175 25 187

HSL 295.56, 0.76%, 0.42%

LAB 43.36, 72.83, -50.06

 

CMYK 0 / 51 / 87 / 26

HEX #BC5D19

RGB 188 93 25

HSL 25.03, 0.77%, 0.42%

LAB 50.2, 34.26, 52.43

 

CMYK 79 / 0 / 87 / 26

HEX #27BC19

RGB 39 188 25

HSL 114.85, 0.77%, 0.42%

LAB 66.88, -64.89, 62.93

 

CMYK 87 / 36 / 0 / 26

HEX #1978BC

RGB 25 120 188

HSL 205.03, 0.77%, 0.42%

LAB 48.6, -1.25, -42.98

 

Description

Color code: HEX #AF19BB | qconv.com Color code: HEX #AF19BB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 25 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 25 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 87 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 87% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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