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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF18FB it is the complementary color #50E704. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF18FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF18FB shade: #B418F6, #C52AFF, #D63CFF, #E74EFF and #F860FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF18FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF18FB shade: #AF18FB, #9E06E8, #8D00D5, #7C00C2 and #6B00AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF18FB shade: #AF17FB, #EC17FB, #FB17CC, #FB178F and #FB1752

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF18FB shade: #AF17FB, #7117FB, #3417FB and #1717FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF18FB shade matches the following richer shades: #AF17FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF18FB shade: #AF17FB, #A92AE8, #A23DD5, #9C50C2 and #9663AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF18FB shade: #3217FB, #6F17FB, #AB17FB, #E817FB and #FB17D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF18FB shade: #7F02BD, #9A03E6, #AF17FB, #BD40FC and #CB69FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF18FB shade: #AF18FB, #FB173A and #17FB50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF18FB shade: #AF18FB, #FBAB17 and #17FBAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF18FB shade: #AF18FB, #FB173A, #67FB17 and #17FBD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF18FB shade: #AF18FB, #FB3A17, #67FB17 and #17D9FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 90 / 0 / 2

HEX #AF18FB

RGB 175 24 251

HSL 279.91, 0.97%, 0.54%

LAB 47.92, 84.28, -79.3

 

Complementary color

CMYK 65 / 0 / 98 / 9

HEX #50E704

RGB 80 231 4

HSL 99.91, 0.97%, 0.46%

LAB 81.22, -71.55, 78

 

CMYK 27 / 90 / 0 / 4

HEX #B418F6

RGB 180 24 246

HSL 282.16, 0.93%, 0.53%

LAB 48.27, 84, -75.89

 

CMYK 23 / 84 / 0 / 0

HEX #C52AFF

RGB 197 42 255

HSL 283.66, 1%, 0.58%

LAB 52.67, 84.55, -73.65

 

CMYK 16 / 76 / 0 / 0

HEX #D63CFF

RGB 214 60 255

HSL 287.38, 1%, 0.62%

LAB 56.83, 82.58, -66.8

 

CMYK 9 / 69 / 0 / 0

HEX #E74EFF

RGB 231 78 255

HSL 291.86, 1%, 0.65%

LAB 61.36, 79.98, -59.4

 

CMYK 3 / 62 / 0 / 0

HEX #F860FF

RGB 248 96 255

HSL 297.36, 1%, 0.69%

LAB 66.17, 76.98, -51.6

 

CMYK 30 / 90 / 0 / 2

HEX #AF18FB

RGB 175 24 251

HSL 279.91, 0.97%, 0.54%

LAB 47.92, 84.28, -79.3

 

CMYK 32 / 97 / 0 / 9

HEX #9E06E8

RGB 158 6 232

HSL 280.35, 0.95%, 0.47%

LAB 43.1, 80.82, -76.58

 

CMYK 34 / 100 / 0 / 16

HEX #8D00D5

RGB 141 0 213

HSL 279.72, 1%, 0.42%

LAB 38.67, 75.92, -73.07

 

CMYK 36 / 100 / 0 / 24

HEX #7C00C2

RGB 124 0 194

HSL 278.35, 1%, 0.38%

LAB 34.36, 70.35, -69.18

 

CMYK 39 / 100 / 0 / 31

HEX #6B00AF

RGB 107 0 175

HSL 276.69, 1%, 0.34%

LAB 29.96, 64.69, -65.21

 

CMYK 30 / 91 / 0 / 2

HEX #AF17FB

RGB 175 23 251

HSL 280, 0.97%, 0.54%

LAB 47.87, 84.44, -79.38

 

CMYK 6 / 91 / 0 / 2

HEX #EC17FB

RGB 236 23 251

HSL 296.05, 0.97%, 0.54%

LAB 57.47, 93.06, -63.36

 

CMYK 0 / 91 / 19 / 2

HEX #FB17CC

RGB 251 23 204

HSL 312.37, 0.97%, 0.54%

LAB 57.54, 89.28, -36.59

 

CMYK 0 / 91 / 43 / 2

HEX #FB178F

RGB 251 23 143

HSL 328.42, 0.97%, 0.54%

LAB 55.18, 83.02, -4.57

 

CMYK 0 / 91 / 67 / 2

HEX #FB1752

RGB 251 23 82

HSL 344.47, 0.97%, 0.54%

LAB 53.74, 79.06, 30.06

 

CMYK 30 / 91 / 0 / 2

HEX #AF17FB

RGB 175 23 251

HSL 280, 0.97%, 0.54%

LAB 47.87, 84.44, -79.38

 

CMYK 55 / 91 / 0 / 2

HEX #7117FB

RGB 113 23 251

HSL 263.68, 0.97%, 0.54%

LAB 39.73, 78.12, -93.07

 

CMYK 79 / 91 / 0 / 2

HEX #3417FB

RGB 52 23 251

HSL 247.63, 0.97%, 0.54%

LAB 34.62, 74.87, -101.71

 

CMYK 91 / 91 / 0 / 2

HEX #1717FB

RGB 23 23 251

HSL 240, 0.97%, 0.54%

LAB 33.48, 74.25, -103.64

 

CMYK 30 / 91 / 0 / 2

HEX #AF17FB

RGB 175 23 251

HSL 280, 0.97%, 0.54%

LAB 47.87, 84.44, -79.38

 

CMYK 30 / 91 / 0 / 2

HEX #AF17FB

RGB 175 23 251

HSL 280, 0.97%, 0.54%

LAB 47.87, 84.44, -79.38

 

CMYK 27 / 82 / 0 / 9

HEX #A92AE8

RGB 169 42 232

HSL 280.11, 0.81%, 0.54%

LAB 46.87, 75.98, -70.37

 

CMYK 24 / 71 / 0 / 16

HEX #A23DD5

RGB 162 61 213

HSL 279.87, 0.64%, 0.54%

LAB 46.74, 64.53, -59.79

 

CMYK 20 / 59 / 0 / 24

HEX #9C50C2

RGB 156 80 194

HSL 280, 0.48%, 0.54%

LAB 47.88, 50.54, -47.06

 

CMYK 14 / 43 / 0 / 31

HEX #9663AF

RGB 150 99 175

HSL 280.26, 0.32%, 0.54%

LAB 50.1, 34.49, -32.57

 

CMYK 80 / 91 / 0 / 2

HEX #3217FB

RGB 50 23 251

HSL 247.11, 0.97%, 0.54%

LAB 34.51, 74.81, -101.89

 

CMYK 56 / 91 / 0 / 2

HEX #6F17FB

RGB 111 23 251

HSL 263.16, 0.97%, 0.54%

LAB 39.51, 77.97, -93.44

 

CMYK 32 / 91 / 0 / 2

HEX #AB17FB

RGB 171 23 251

HSL 278.95, 0.97%, 0.54%

LAB 47.28, 83.95, -80.37

 

CMYK 8 / 91 / 0 / 2

HEX #E817FB

RGB 232 23 251

HSL 295, 0.97%, 0.54%

LAB 56.81, 92.44, -64.46

 

CMYK 0 / 91 / 17 / 2

HEX #FB17D1

RGB 251 23 209

HSL 311.05, 0.97%, 0.54%

LAB 57.78, 89.89, -39.08

 

CMYK 33 / 99 / 0 / 26

HEX #7F02BD

RGB 127 2 189

HSL 280.11, 0.98%, 0.37%

LAB 34.46, 69.43, -66.05

 

CMYK 33 / 99 / 0 / 10

HEX #9A03E6

RGB 154 3 230

HSL 279.91, 0.97%, 0.46%

LAB 42.23, 80.28, -76.9

 

CMYK 30 / 91 / 0 / 2

HEX #AF17FB

RGB 175 23 251

HSL 280, 0.97%, 0.54%

LAB 47.87, 84.44, -79.38

 

CMYK 25 / 75 / 0 / 1

HEX #BD40FC

RGB 189 64 252

HSL 279.89, 0.97%, 0.62%

LAB 53.51, 76.31, -70.68

 

CMYK 19 / 58 / 0 / 1

HEX #CB69FC

RGB 203 105 252

HSL 280, 0.96%, 0.7%

LAB 61.51, 62.01, -57.72

 

CMYK 30 / 90 / 0 / 2

HEX #AF18FB

RGB 175 24 251

HSL 279.91, 0.97%, 0.54%

LAB 47.92, 84.28, -79.3

 

CMYK 0 / 91 / 77 / 2

HEX #FB173A

RGB 251 23 58

HSL 350.79, 0.97%, 0.54%

LAB 53.41, 78.14, 43.63

 

CMYK 91 / 0 / 68 / 2

HEX #17FB50

RGB 23 251 80

HSL 135, 0.97%, 0.54%

LAB 86.88, -80.67, 65.34

 

CMYK 30 / 90 / 0 / 2

HEX #AF18FB

RGB 175 24 251

HSL 279.91, 0.97%, 0.54%

LAB 47.92, 84.28, -79.3

 

CMYK 0 / 32 / 91 / 2

HEX #FBAB17

RGB 251 171 23

HSL 38.95, 0.97%, 0.54%

LAB 75.88, 19.35, 76.32

 

CMYK 91 / 0 / 32 / 2

HEX #17FBAB

RGB 23 251 171

HSL 158.95, 0.97%, 0.54%

LAB 88.02, -66.94, 24.82

 

CMYK 30 / 90 / 0 / 2

HEX #AF18FB

RGB 175 24 251

HSL 279.91, 0.97%, 0.54%

LAB 47.92, 84.28, -79.3

 

CMYK 0 / 91 / 77 / 2

HEX #FB173A

RGB 251 23 58

HSL 350.79, 0.97%, 0.54%

LAB 53.41, 78.14, 43.63

 

CMYK 59 / 0 / 91 / 2

HEX #67FB17

RGB 103 251 23

HSL 98.95, 0.97%, 0.54%

LAB 87.94, -72.56, 81.81

 

CMYK 91 / 0 / 14 / 2

HEX #17FBD9

RGB 23 251 217

HSL 171.05, 0.97%, 0.54%

LAB 89.01, -56.19, 2.51

 

CMYK 30 / 90 / 0 / 2

HEX #AF18FB

RGB 175 24 251

HSL 279.91, 0.97%, 0.54%

LAB 47.92, 84.28, -79.3

 

CMYK 0 / 77 / 91 / 2

HEX #FB3A17

RGB 251 58 23

HSL 9.21, 0.97%, 0.54%

LAB 55.68, 70.2, 61.99

 

CMYK 59 / 0 / 91 / 2

HEX #67FB17

RGB 103 251 23

HSL 98.95, 0.97%, 0.54%

LAB 87.94, -72.56, 81.81

 

CMYK 91 / 14 / 0 / 2

HEX #17D9FB

RGB 23 217 251

HSL 188.95, 0.97%, 0.54%

LAB 80.05, -31.44, -28.79

 

Description

Color code: HEX #AF18FB | qconv.com Color code: HEX #AF18FB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 24 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 24 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 90 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 90% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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