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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF0FCB it is the complementary color #50F034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF0FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF0FCB shade: #B40FC6, #C521D9, #D633EC, #E745FF and #F857FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF0FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF0FCB shade: #AF0FCB, #9E00B8, #8D00A5, #7C0092 and #6B007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF0FCB shade: #AF0FCB, #CB0FB5, #CB0F82, #CB0F4F and #CB0F1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF0FCB shade: #AF0FCB, #7C0FCB, #4A0FCB, #170FCB and #0F0FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF0FCB shade matches the following richer shades: #AF0FCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF0FCB shade: #AF0FCB, #A321BA, #9632A8, #8A4496 and #7E5684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF0FCB shade: #4B0FCB, #7D0FCB, #AF0FCB, #CB0FB5 and #CB0F83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF0FCB shade: #6D097F, #8E0CA5, #AF0FCB, #CD17ED and #D53DF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF0FCB shade: #AF0FCB, #CB180F and #0FCB64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF0FCB shade: #AF0FCB, #CBAF0F and #0FCBAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF0FCB shade: #AF0FCB, #CB180F, #2BCB0F and #0FC2CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF0FCB shade: #AF0FCB, #CB510F, #2BCB0F and #0F89CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

Complementary color

CMYK 67 / 0 / 78 / 6

HEX #50F034

RGB 80 240 52

HSL 111.06, 0.86%, 0.57%

LAB 84.11, -72.82, 72.12

 

CMYK 9 / 92 / 0 / 22

HEX #B40FC6

RGB 180 15 198

HSL 294.1, 0.86%, 0.42%

LAB 44.41, 76.95, -54.76

 

CMYK 9 / 85 / 0 / 15

HEX #C521D9

RGB 197 33 217

HSL 293.48, 0.74%, 0.49%

LAB 49.46, 79.94, -57.43

 

CMYK 9 / 78 / 0 / 7

HEX #D633EC

RGB 214 51 236

HSL 292.86, 0.83%, 0.56%

LAB 54.78, 81.86, -59.49

 

CMYK 9 / 73 / 0 / 0

HEX #E745FF

RGB 231 69 255

HSL 292.26, 1%, 0.64%

LAB 60.31, 82.98, -61.08

 

CMYK 3 / 66 / 0 / 0

HEX #F857FF

RGB 248 87 255

HSL 297.5, 1%, 0.67%

LAB 64.96, 80.37, -53.52

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 14 / 100 / 0 / 28

HEX #9E00B8

RGB 158 0 184

HSL 291.52, 1%, 0.36%

LAB 39.12, 72.86, -55.27

 

CMYK 15 / 100 / 0 / 35

HEX #8D00A5

RGB 141 0 165

HSL 291.27, 1%, 0.32%

LAB 34.76, 67.14, -51.13

 

CMYK 15 / 100 / 0 / 43

HEX #7C0092

RGB 124 0 146

HSL 290.96, 1%, 0.29%

LAB 30.3, 61.29, -46.91

 

CMYK 16 / 100 / 0 / 50

HEX #6B007F

RGB 107 0 127

HSL 290.55, 1%, 0.25%

LAB 25.74, 55.3, -42.59

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 0 / 93 / 11 / 20

HEX #CB0FB5

RGB 203 15 181

HSL 307.02, 0.86%, 0.43%

LAB 47.46, 78.38, -39.7

 

CMYK 0 / 93 / 36 / 20

HEX #CB0F82

RGB 203 15 130

HSL 323.3, 0.86%, 0.43%

LAB 45.15, 72.36, -12.68

 

CMYK 0 / 93 / 61 / 20

HEX #CB0F4F

RGB 203 15 79

HSL 339.57, 0.86%, 0.43%

LAB 43.66, 68.3, 16.91

 

CMYK 0 / 93 / 86 / 20

HEX #CB0F1C

RGB 203 15 28

HSL 355.85, 0.86%, 0.43%

LAB 42.95, 66.32, 46.24

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 39 / 93 / 0 / 20

HEX #7C0FCB

RGB 124 15 203

HSL 274.79, 0.86%, 0.43%

LAB 35.87, 70.13, -71.96

 

CMYK 64 / 93 / 0 / 20

HEX #4A0FCB

RGB 74 15 203

HSL 258.83, 0.86%, 0.43%

LAB 29.69, 65.71, -82.37

 

CMYK 89 / 93 / 0 / 20

HEX #170FCB

RGB 23 15 203

HSL 242.55, 0.86%, 0.43%

LAB 26.26, 63.72, -88.17

 

CMYK 93 / 93 / 0 / 20

HEX #0F0FCB

RGB 15 15 203

HSL 240, 0.86%, 0.43%

LAB 26.03, 63.6, -88.57

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 12 / 82 / 0 / 27

HEX #A321BA

RGB 163 33 186

HSL 290.98, 0.7%, 0.43%

LAB 41.88, 68.8, -51.96

 

CMYK 11 / 70 / 0 / 34

HEX #9632A8

RGB 150 50 168

HSL 290.85, 0.54%, 0.43%

LAB 40.56, 57.45, -43.52

 

CMYK 8 / 55 / 0 / 41

HEX #8A4496

RGB 138 68 150

HSL 291.22, 0.38%, 0.43%

LAB 40.8, 42.59, -32.46

 

CMYK 5 / 35 / 0 / 48

HEX #7E5684

RGB 126 86 132

HSL 292.17, 0.21%, 0.43%

LAB 42.4, 24.93, -19.19

 

CMYK 63 / 93 / 0 / 20

HEX #4B0FCB

RGB 75 15 203

HSL 259.15, 0.86%, 0.43%

LAB 29.79, 65.77, -82.21

 

CMYK 38 / 93 / 0 / 20

HEX #7D0FCB

RGB 125 15 203

HSL 275.11, 0.86%, 0.43%

LAB 36.01, 70.25, -71.72

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 0 / 93 / 11 / 20

HEX #CB0FB5

RGB 203 15 181

HSL 307.02, 0.86%, 0.43%

LAB 47.46, 78.38, -39.7

 

CMYK 0 / 93 / 35 / 20

HEX #CB0F83

RGB 203 15 131

HSL 322.98, 0.86%, 0.43%

LAB 45.19, 72.46, -13.24

 

CMYK 14 / 93 / 0 / 50

HEX #6D097F

RGB 109 9 127

HSL 290.85, 0.87%, 0.27%

LAB 26.67, 53.94, -41.05

 

CMYK 14 / 93 / 0 / 35

HEX #8E0CA5

RGB 142 12 165

HSL 290.98, 0.86%, 0.35%

LAB 35.46, 65.74, -49.99

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 14 / 90 / 0 / 7

HEX #CD17ED

RGB 205 23 237

HSL 291.03, 0.86%, 0.51%

LAB 51.5, 86.12, -65.41

 

CMYK 11 / 75 / 0 / 6

HEX #D53DF0

RGB 213 61 240

HSL 290.95, 0.86%, 0.59%

LAB 55.86, 79.48, -60.01

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 0 / 88 / 93 / 20

HEX #CB180F

RGB 203 24 15

HSL 2.87, 0.86%, 0.43%

LAB 43.34, 64.77, 52.17

 

CMYK 93 / 0 / 51 / 20

HEX #0FCB64

RGB 15 203 100

HSL 147.13, 0.86%, 0.43%

LAB 72.05, -64.14, 39.58

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 0 / 14 / 93 / 20

HEX #CBAF0F

RGB 203 175 15

HSL 51.06, 0.86%, 0.43%

LAB 71.82, -3.7, 72.39

 

CMYK 93 / 0 / 14 / 20

HEX #0FCBAF

RGB 15 203 175

HSL 171.06, 0.86%, 0.43%

LAB 73.49, -47.99, 2.2

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 0 / 88 / 93 / 20

HEX #CB180F

RGB 203 24 15

HSL 2.87, 0.86%, 0.43%

LAB 43.34, 64.77, 52.17

 

CMYK 79 / 0 / 93 / 20

HEX #2BCB0F

RGB 43 203 15

HSL 111.06, 0.86%, 0.43%

LAB 71.73, -69.13, 68.84

 

CMYK 93 / 4 / 0 / 20

HEX #0FC2CB

RGB 15 194 203

HSL 182.87, 0.86%, 0.43%

LAB 71.55, -35.94, -15.88

 

CMYK 14 / 93 / 0 / 20

HEX #AF0FCB

RGB 175 15 203

HSL 291.06, 0.86%, 0.43%

LAB 43.9, 76.99, -58.53

 

CMYK 0 / 60 / 93 / 20

HEX #CB510F

RGB 203 81 15

HSL 21.06, 0.86%, 0.43%

LAB 50.23, 45.84, 56.7

 

CMYK 79 / 0 / 93 / 20

HEX #2BCB0F

RGB 43 203 15

HSL 111.06, 0.86%, 0.43%

LAB 71.73, -69.13, 68.84

 

CMYK 93 / 33 / 0 / 20

HEX #0F89CB

RGB 15 137 203

HSL 201.06, 0.86%, 0.43%

LAB 54.35, -6.22, -42.45

 

Description

Color code: HEX #AF0FCB | qconv.com Color code: HEX #AF0FCB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 15 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 15 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 93 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 93% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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