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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF0F6A it is the complementary color #50F095. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF0F6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF0F6A shade: #B40F65, #C52178, #D6338B, #E7459E and #F857B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF0F6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF0F6A shade: #AF0F6A, #9E0057, #8D0044, #7C0031 and #6B001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF0F6A shade: #AD0F69, #AD0F3E, #AD0F13 and #AD0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF0F6A shade: #AD0F69, #AD0F93, #9C0FAD, #710FAD and #460FAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF0F6A shade matches the following richer shades: #AD0F69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF0F6A shade: #AD0F69, #9E1E67, #8F2D65, #7F3C62 and #704C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF0F6A shade: #9B0FAD, #AD0F95, #AD0F6B, #AD0F41 and #AD0F17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF0F6A shade: #61083B, #870B52, #AD0F69, #D31280 and #EB2395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF0F6A shade: #AF0F6A, #AD700F and #0FAAAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF0F6A shade: #AF0F6A, #6BAD0F and #0F6BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF0F6A shade: #AF0F6A, #AD700F, #0FAD51 and #0F4BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF0F6A shade: #AF0F6A, #ADA00F, #0FAD51 and #0F1CAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 39 / 31

HEX #AF0F6A

RGB 175 15 106

HSL 325.88, 0.84%, 0.37%

LAB 38.72, 63.76, -7.99

 

Complementary color

CMYK 67 / 0 / 38 / 6

HEX #50F095

RGB 80 240 149

HSL 145.88, 0.84%, 0.63%

LAB 85.1, -61.4, 32.14

 

CMYK 0 / 92 / 44 / 29

HEX #B40F65

RGB 180 15 101

HSL 328.73, 0.85%, 0.38%

LAB 39.55, 64.45, -3.47

 

CMYK 0 / 83 / 39 / 23

HEX #C52178

RGB 197 33 120

HSL 328.17, 0.71%, 0.45%

LAB 44.68, 66.97, -7.36

 

CMYK 0 / 76 / 35 / 16

HEX #D6338B

RGB 214 51 139

HSL 327.61, 0.67%, 0.52%

LAB 50.13, 68.41, -10.43

 

CMYK 0 / 70 / 32 / 9

HEX #E7459E

RGB 231 69 158

HSL 327.04, 0.77%, 0.59%

LAB 55.8, 69.09, -12.88

 

CMYK 0 / 65 / 29 / 3

HEX #F857B1

RGB 248 87 177

HSL 326.46, 0.92%, 0.66%

LAB 61.61, 69.26, -14.88

 

CMYK 0 / 91 / 39 / 31

HEX #AF0F6A

RGB 175 15 106

HSL 325.88, 0.84%, 0.37%

LAB 38.72, 63.76, -7.99

 

CMYK 0 / 100 / 45 / 38

HEX #9E0057

RGB 158 0 87

HSL 326.96, 1%, 0.31%

LAB 33.89, 59.98, -3.36

 

CMYK 0 / 100 / 52 / 45

HEX #8D0044

RGB 141 0 68

HSL 331.06, 1%, 0.28%

LAB 29.61, 54.42, 2.5

 

CMYK 0 / 100 / 60 / 51

HEX #7C0031

RGB 124 0 49

HSL 336.29, 1%, 0.24%

LAB 25.28, 48.83, 8.77

 

CMYK 0 / 100 / 72 / 58

HEX #6B001E

RGB 107 0 30

HSL 343.18, 1%, 0.21%

LAB 20.9, 43.26, 15.49

 

CMYK 0 / 91 / 39 / 32

HEX #AD0F69

RGB 173 15 105

HSL 325.82, 0.84%, 0.37%

LAB 38.28, 63.2, -8.05

 

CMYK 0 / 91 / 64 / 32

HEX #AD0F3E

RGB 173 15 62

HSL 342.15, 0.84%, 0.37%

LAB 37.07, 59.85, 17.82

 

CMYK 0 / 91 / 89 / 32

HEX #AD0F13

RGB 173 15 19

HSL 358.48, 0.84%, 0.37%

LAB 36.5, 58.25, 42.77

 

CMYK 0 / 91 / 91 / 32

HEX #AD0F0F

RGB 173 15 15

HSL 0, 0.84%, 0.37%

LAB 36.48, 58.19, 44.57

 

CMYK 0 / 91 / 39 / 32

HEX #AD0F69

RGB 173 15 105

HSL 325.82, 0.84%, 0.37%

LAB 38.28, 63.2, -8.05

 

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

CMYK 10 / 91 / 0 / 32

HEX #9C0FAD

RGB 156 15 173

HSL 293.54, 0.84%, 0.37%

LAB 38.6, 68.96, -49.6

 

CMYK 35 / 91 / 0 / 32

HEX #710FAD

RGB 113 15 173

HSL 277.22, 0.84%, 0.37%

LAB 31.51, 62.54, -61.44

 

CMYK 60 / 91 / 0 / 32

HEX #460FAD

RGB 70 15 173

HSL 260.89, 0.84%, 0.37%

LAB 25.75, 57.97, -71.14

 

CMYK 0 / 91 / 39 / 32

HEX #AD0F69

RGB 173 15 105

HSL 325.82, 0.84%, 0.37%

LAB 38.28, 63.2, -8.05

 

CMYK 0 / 91 / 39 / 32

HEX #AD0F69

RGB 173 15 105

HSL 325.82, 0.84%, 0.37%

LAB 38.28, 63.2, -8.05

 

CMYK 0 / 81 / 35 / 38

HEX #9E1E67

RGB 158 30 103

HSL 325.78, 0.68%, 0.37%

LAB 36.32, 56.26, -10.02

 

CMYK 0 / 69 / 29 / 44

HEX #8F2D65

RGB 143 45 101

HSL 325.71, 0.52%, 0.37%

LAB 35.31, 46.69, -10.54

 

CMYK 0 / 53 / 23 / 50

HEX #7F3C62

RGB 127 60 98

HSL 325.97, 0.36%, 0.37%

LAB 35.25, 33.84, -8.98

 

CMYK 0 / 32 / 14 / 56

HEX #704C60

RGB 112 76 96

HSL 326.67, 0.19%, 0.37%

LAB 36.85, 18.61, -5.54

 

CMYK 10 / 91 / 0 / 32

HEX #9B0FAD

RGB 155 15 173

HSL 293.16, 0.84%, 0.37%

LAB 38.42, 68.79, -49.89

 

CMYK 0 / 91 / 14 / 32

HEX #AD0F95

RGB 173 15 149

HSL 309.11, 0.84%, 0.37%

LAB 40.24, 68.39, -32.35

 

CMYK 0 / 91 / 38 / 32

HEX #AD0F6B

RGB 173 15 107

HSL 325.06, 0.84%, 0.37%

LAB 38.35, 63.4, -9.21

 

CMYK 0 / 91 / 62 / 32

HEX #AD0F41

RGB 173 15 65

HSL 341.01, 0.84%, 0.37%

LAB 37.13, 60.02, 15.97

 

CMYK 0 / 91 / 87 / 32

HEX #AD0F17

RGB 173 15 23

HSL 356.96, 0.84%, 0.37%

LAB 36.53, 58.33, 40.8

 

CMYK 0 / 92 / 39 / 62

HEX #61083B

RGB 97 8 59

HSL 325.62, 0.85%, 0.21%

LAB 20.17, 41.03, -6.36

 

CMYK 0 / 92 / 39 / 47

HEX #870B52

RGB 135 11 82

HSL 325.65, 0.85%, 0.29%

LAB 29.41, 52.52, -7.27

 

CMYK 0 / 91 / 39 / 32

HEX #AD0F69

RGB 173 15 105

HSL 325.82, 0.84%, 0.37%

LAB 38.28, 63.2, -8.05

 

CMYK 0 / 91 / 39 / 17

HEX #D31280

RGB 211 18 128

HSL 325.8, 0.84%, 0.45%

LAB 46.76, 73.55, -8.87

 

CMYK 0 / 85 / 37 / 8

HEX #EB2395

RGB 235 35 149

HSL 325.8, 0.83%, 0.53%

LAB 52.99, 78.23, -11.73

 

CMYK 0 / 91 / 39 / 31

HEX #AF0F6A

RGB 175 15 106

HSL 325.88, 0.84%, 0.37%

LAB 38.72, 63.76, -7.99

 

CMYK 0 / 35 / 91 / 32

HEX #AD700F

RGB 173 112 15

HSL 36.84, 0.84%, 0.37%

LAB 52.41, 17.24, 56.27

 

CMYK 91 / 2 / 0 / 32

HEX #0FAAAD

RGB 15 170 173

HSL 181.14, 0.84%, 0.37%

LAB 63.23, -34, -11.83

 

CMYK 0 / 91 / 39 / 31

HEX #AF0F6A

RGB 175 15 106

HSL 325.88, 0.84%, 0.37%

LAB 38.72, 63.76, -7.99

 

CMYK 38 / 0 / 91 / 32

HEX #6BAD0F

RGB 107 173 15

HSL 85.06, 0.84%, 0.37%

LAB 64.2, -42.97, 63.37

 

CMYK 91 / 38 / 0 / 32

HEX #0F6BAD

RGB 15 107 173

HSL 205.06, 0.84%, 0.37%

LAB 43.7, 0.26, -42.05

 

CMYK 0 / 91 / 39 / 31

HEX #AF0F6A

RGB 175 15 106

HSL 325.88, 0.84%, 0.37%

LAB 38.72, 63.76, -7.99

 

CMYK 0 / 35 / 91 / 32

HEX #AD700F

RGB 173 112 15

HSL 36.84, 0.84%, 0.37%

LAB 52.41, 17.24, 56.27

 

CMYK 91 / 0 / 53 / 32

HEX #0FAD51

RGB 15 173 81

HSL 145.06, 0.84%, 0.37%

LAB 62.15, -57.24, 36.74

 

CMYK 91 / 57 / 0 / 32

HEX #0F4BAD

RGB 15 75 173

HSL 217.22, 0.84%, 0.37%

LAB 34.3, 21.25, -57.2

 

CMYK 0 / 91 / 39 / 31

HEX #AF0F6A

RGB 175 15 106

HSL 325.88, 0.84%, 0.37%

LAB 38.72, 63.76, -7.99

 

CMYK 0 / 8 / 91 / 32

HEX #ADA00F

RGB 173 160 15

HSL 55.06, 0.84%, 0.37%

LAB 65.01, -9.16, 65.96

 

CMYK 91 / 0 / 53 / 32

HEX #0FAD51

RGB 15 173 81

HSL 145.06, 0.84%, 0.37%

LAB 62.15, -57.24, 36.74

 

CMYK 91 / 84 / 0 / 32

HEX #0F1CAD

RGB 15 28 173

HSL 235.06, 0.84%, 0.37%

LAB 23.5, 50.26, -74.97

 

Description

Color code: HEX #AF0F6A | qconv.com Color code: HEX #AF0F6A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 15 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 15 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 39 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 39% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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