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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF00F0 it is the complementary color #50FF0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF00F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF00F0 shade: #B400EB, #C512FE, #D624FF, #E736FF and #F848FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF00F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF00F0 shade: #AF00F0, #9E00DD, #8D00CA, #7C00B7 and #6B00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF00F0 shade: #AE00EF, #EF00EF, #EF00AF, #EF006E and #EF002E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF00F0 shade: #AE00EF, #6E00EF, #2D00EF and #0000EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF00F0 shade matches the following richer shades: #AE00EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF00F0 shade: #AE00EF, #A513DC, #9D26C8, #943AB5 and #8B4DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF00F0 shade: #2B00EF, #6B00EF, #AB00EF, #EB00EF and #EF00B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF00F0 shade: #72009D, #9000C6, #AE00EF, #C019FF and #CC43FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF00F0 shade: #AF00F0, #EF0013 and #00EF4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF00F0 shade: #AF00F0, #EFAB00 and #00EFAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF00F0 shade: #AF00F0, #EF0013, #43EF00 and #00EFDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF00F0 shade: #AF00F0, #EF3300, #43EF00 and #00BBEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 100 / 0 / 6

HEX #AF00F0

RGB 175 0 240

HSL 283.75, 1%, 0.47%

LAB 46.18, 84.83, -75.96

 

Complementary color

CMYK 69 / 0 / 94 / 0

HEX #50FF0F

RGB 80 255 15

HSL 103.75, 1%, 0.53%

LAB 88.57, -78.7, 83.02

 

CMYK 23 / 100 / 0 / 8

HEX #B400EB

RGB 180 0 235

HSL 285.96, 1%, 0.46%

LAB 46.58, 84.56, -72.46

 

CMYK 22 / 93 / 0 / 0

HEX #C512FE

RGB 197 18 254

HSL 285.51, 0.99%, 0.53%

LAB 51.22, 88.46, -75.45

 

CMYK 16 / 86 / 0 / 0

HEX #D624FF

RGB 214 36 255

HSL 288.77, 1%, 0.57%

LAB 54.84, 88.38, -70.01

 

CMYK 9 / 79 / 0 / 0

HEX #E736FF

RGB 231 54 255

HSL 292.84, 1%, 0.61%

LAB 58.83, 87.23, -63.44

 

CMYK 3 / 72 / 0 / 0

HEX #F848FF

RGB 248 72 255

HSL 297.7, 1%, 0.64%

LAB 63.19, 85.39, -56.33

 

CMYK 27 / 100 / 0 / 6

HEX #AF00F0

RGB 175 0 240

HSL 283.75, 1%, 0.47%

LAB 46.18, 84.83, -75.96

 

CMYK 29 / 100 / 0 / 13

HEX #9E00DD

RGB 158 0 221

HSL 282.9, 1%, 0.43%

LAB 41.98, 79.37, -72.14

 

CMYK 30 / 100 / 0 / 21

HEX #8D00CA

RGB 141 0 202

HSL 281.88, 1%, 0.4%

LAB 37.71, 73.82, -68.26

 

CMYK 32 / 100 / 0 / 28

HEX #7C00B7

RGB 124 0 183

HSL 280.66, 1%, 0.36%

LAB 33.36, 68.18, -64.31

 

CMYK 35 / 100 / 0 / 36

HEX #6B00A4

RGB 107 0 164

HSL 279.15, 1%, 0.32%

LAB 28.92, 62.44, -60.3

 

CMYK 27 / 100 / 0 / 6

HEX #AE00EF

RGB 174 0 239

HSL 283.68, 1%, 0.47%

LAB 45.95, 84.53, -75.79

 

CMYK 0 / 100 / 0 / 6

HEX #EF00EF

RGB 239 0 239

HSL 300, 1%, 0.47%

LAB 56.67, 93.55, -57.93

 

CMYK 0 / 100 / 27 / 6

HEX #EF00AF

RGB 239 0 175

HSL 316.07, 1%, 0.47%

LAB 53.43, 85.54, -26.35

 

CMYK 0 / 100 / 54 / 6

HEX #EF006E

RGB 239 0 110

HSL 332.38, 1%, 0.47%

LAB 51.24, 79.84, 9.33

 

CMYK 0 / 100 / 81 / 6

HEX #EF002E

RGB 239 0 46

HSL 348.45, 1%, 0.47%

LAB 50.15, 76.92, 46.15

 

CMYK 27 / 100 / 0 / 6

HEX #AE00EF

RGB 174 0 239

HSL 283.68, 1%, 0.47%

LAB 45.95, 84.53, -75.79

 

CMYK 54 / 100 / 0 / 6

HEX #6E00EF

RGB 110 0 239

HSL 267.62, 1%, 0.47%

LAB 37.02, 78.52, -90.81

 

CMYK 81 / 100 / 0 / 6

HEX #2D00EF

RGB 45 0 239

HSL 251.3, 1%, 0.47%

LAB 31.32, 75.85, -100.44

 

CMYK 100 / 100 / 0 / 6

HEX #0000EF

RGB 0 0 239

HSL 240, 1%, 0.47%

LAB 29.99, 75.41, -102.7

 

CMYK 27 / 100 / 0 / 6

HEX #AE00EF

RGB 174 0 239

HSL 283.68, 1%, 0.47%

LAB 45.95, 84.53, -75.79

 

CMYK 27 / 100 / 0 / 6

HEX #AE00EF

RGB 174 0 239

HSL 283.68, 1%, 0.47%

LAB 45.95, 84.53, -75.79

 

CMYK 25 / 91 / 0 / 14

HEX #A513DC

RGB 165 19 220

HSL 283.58, 0.84%, 0.47%

LAB 43.7, 77.99, -68.71

 

CMYK 22 / 81 / 0 / 22

HEX #9D26C8

RGB 157 38 200

HSL 284.07, 0.68%, 0.47%

LAB 42.35, 68.97, -59.44

 

CMYK 18 / 68 / 0 / 29

HEX #943AB5

RGB 148 58 181

HSL 283.9, 0.51%, 0.47%

LAB 42.24, 56.25, -48.55

 

CMYK 14 / 52 / 0 / 36

HEX #8B4DA2

RGB 139 77 162

HSL 283.76, 0.36%, 0.47%

LAB 43.37, 40.62, -35.59

 

CMYK 82 / 100 / 0 / 6

HEX #2B00EF

RGB 43 0 239

HSL 250.79, 1%, 0.47%

LAB 31.22, 75.82, -100.61

 

CMYK 55 / 100 / 0 / 6

HEX #6B00EF

RGB 107 0 239

HSL 266.86, 1%, 0.47%

LAB 36.66, 78.33, -91.4

 

CMYK 28 / 100 / 0 / 6

HEX #AB00EF

RGB 171 0 239

HSL 282.93, 1%, 0.47%

LAB 45.48, 84.17, -76.57

 

CMYK 2 / 100 / 0 / 6

HEX #EB00EF

RGB 235 0 239

HSL 299, 1%, 0.47%

LAB 55.98, 92.93, -59.07

 

CMYK 0 / 100 / 25 / 6

HEX #EF00B3

RGB 239 0 179

HSL 315.06, 1%, 0.47%

LAB 53.61, 85.98, -28.43

 

CMYK 27 / 100 / 0 / 38

HEX #72009D

RGB 114 0 157

HSL 283.57, 1%, 0.31%

LAB 29.44, 61.91, -55.14

 

CMYK 27 / 100 / 0 / 22

HEX #9000C6

RGB 144 0 198

HSL 283.64, 1%, 0.39%

LAB 37.85, 73.44, -65.67

 

CMYK 27 / 100 / 0 / 6

HEX #AE00EF

RGB 174 0 239

HSL 283.68, 1%, 0.47%

LAB 45.95, 84.53, -75.79

 

CMYK 25 / 90 / 0 / 0

HEX #C019FF

RGB 192 25 255

HSL 283.57, 1%, 0.55%

LAB 50.83, 87.06, -76.68

 

CMYK 20 / 74 / 0 / 0

HEX #CC43FF

RGB 204 67 255

HSL 283.72, 1%, 0.63%

LAB 56.16, 78.55, -67.95

 

CMYK 27 / 100 / 0 / 6

HEX #AF00F0

RGB 175 0 240

HSL 283.75, 1%, 0.47%

LAB 46.18, 84.83, -75.96

 

CMYK 0 / 100 / 92 / 6

HEX #EF0013

RGB 239 0 19

HSL 355.23, 1%, 0.47%

LAB 49.98, 76.43, 58.59

 

CMYK 100 / 0 / 69 / 6

HEX #00EF4B

RGB 0 239 75

HSL 138.83, 1%, 0.47%

LAB 83.04, -78.57, 63.12

 

CMYK 27 / 100 / 0 / 6

HEX #AF00F0

RGB 175 0 240

HSL 283.75, 1%, 0.47%

LAB 46.18, 84.83, -75.96

 

CMYK 0 / 28 / 100 / 6

HEX #EFAB00

RGB 239 171 0

HSL 42.93, 1%, 0.47%

LAB 74.49, 14, 77.78

 

CMYK 100 / 0 / 28 / 6

HEX #00EFAB

RGB 0 239 171

HSL 162.93, 1%, 0.47%

LAB 84.32, -63.35, 19.7

 

CMYK 27 / 100 / 0 / 6

HEX #AF00F0

RGB 175 0 240

HSL 283.75, 1%, 0.47%

LAB 46.18, 84.83, -75.96

 

CMYK 0 / 100 / 92 / 6

HEX #EF0013

RGB 239 0 19

HSL 355.23, 1%, 0.47%

LAB 49.98, 76.43, 58.59

 

CMYK 72 / 0 / 100 / 6

HEX #43EF00

RGB 67 239 0

HSL 103.18, 1%, 0.47%

LAB 83.4, -76.4, 79.97

 

CMYK 100 / 0 / 8 / 6

HEX #00EFDB

RGB 0 239 219

HSL 174.98, 1%, 0.47%

LAB 85.43, -51.42, -3.79

 

CMYK 27 / 100 / 0 / 6

HEX #AF00F0

RGB 175 0 240

HSL 283.75, 1%, 0.47%

LAB 46.18, 84.83, -75.96

 

CMYK 0 / 79 / 100 / 6

HEX #EF3300

RGB 239 51 0

HSL 12.8, 1%, 0.47%

LAB 52.64, 68.5, 65.05

 

CMYK 72 / 0 / 100 / 6

HEX #43EF00

RGB 67 239 0

HSL 103.18, 1%, 0.47%

LAB 83.4, -76.4, 79.97

 

CMYK 100 / 22 / 0 / 6

HEX #00BBEF

RGB 0 187 239

HSL 193.05, 1%, 0.47%

LAB 70.71, -21.11, -36.77

 

Description

Color code: HEX #AF00F0 | qconv.com Color code: HEX #AF00F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, none green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 0 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 100 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 100% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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