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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF05CA it is the complementary color #50FA35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF05CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF05CA shade: #B405C5, #C517D8, #D629EB, #E73BFE and #F84DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF05CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF05CA shade: #AF05CA, #9E00B7, #8D00A4, #7C0091 and #6B007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF05CA shade: #B005CB, #CB05B1, #CB057B, #CB0546 and #CB0510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF05CA shade: #B005CB, #7B05CB, #4505CB, #0F05CB and #0505CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF05CA shade matches the following richer shades: #B005CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF05CA shade: #B005CB, #A416BA, #9827AA, #8B3799 and #7F4888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF05CA shade: #4405CB, #7905CB, #AE05CB, #CB05B4 and #CB057F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF05CA shade: #6A037B, #8D04A3, #B005CB, #D306F4 and #DD2AF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF05CA shade: #AF05CA, #CB0F05 and #05CB5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF05CA shade: #AF05CA, #CBAE05 and #05CBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF05CA shade: #AF05CA, #CB0F05, #23CB05 and #05C1CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF05CA shade: #AF05CA, #CB4A05, #23CB05 and #0586CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 98 / 0 / 21

HEX #AF05CA

RGB 175 5 202

HSL 291.78, 0.95%, 0.41%

LAB 43.49, 77.83, -58.61

 

Complementary color

CMYK 68 / 0 / 79 / 2

HEX #50FA35

RGB 80 250 53

HSL 111.78, 0.95%, 0.59%

LAB 87.16, -75.87, 74.72

 

CMYK 9 / 97 / 0 / 23

HEX #B405C5

RGB 180 5 197

HSL 294.69, 0.95%, 0.4%

LAB 44.01, 77.78, -54.82

 

CMYK 9 / 89 / 0 / 15

HEX #C517D8

RGB 197 23 216

HSL 294.09, 0.81%, 0.47%

LAB 48.81, 81.49, -57.9

 

CMYK 9 / 83 / 0 / 8

HEX #D629EB

RGB 214 41 235

HSL 293.51, 0.83%, 0.54%

LAB 53.9, 84.09, -60.35

 

CMYK 9 / 77 / 0 / 0

HEX #E73BFE

RGB 231 59 254

HSL 292.92, 0.99%, 0.61%

LAB 59.23, 85.76, -62.26

 

CMYK 3 / 70 / 0 / 0

HEX #F84DFF

RGB 248 77 255

HSL 297.64, 1%, 0.65%

LAB 63.74, 83.81, -55.45

 

CMYK 13 / 98 / 0 / 21

HEX #AF05CA

RGB 175 5 202

HSL 291.78, 0.95%, 0.41%

LAB 43.49, 77.83, -58.61

 

CMYK 14 / 100 / 0 / 28

HEX #9E00B7

RGB 158 0 183

HSL 291.8, 1%, 0.36%

LAB 39.05, 72.69, -54.8

 

CMYK 14 / 100 / 0 / 36

HEX #8D00A4

RGB 141 0 164

HSL 291.59, 1%, 0.32%

LAB 34.69, 66.97, -50.65

 

CMYK 14 / 100 / 0 / 43

HEX #7C0091

RGB 124 0 145

HSL 291.31, 1%, 0.28%

LAB 30.23, 61.12, -46.41

 

CMYK 15 / 100 / 0 / 51

HEX #6B007E

RGB 107 0 126

HSL 290.95, 1%, 0.25%

LAB 25.66, 55.12, -42.08

 

CMYK 13 / 98 / 0 / 20

HEX #B005CB

RGB 176 5 203

HSL 291.82, 0.95%, 0.41%

LAB 43.73, 78.15, -58.79

 

CMYK 0 / 98 / 13 / 20

HEX #CB05B1

RGB 203 5 177

HSL 307.88, 0.95%, 0.41%

LAB 46.95, 78.74, -38.16

 

CMYK 0 / 98 / 39 / 20

HEX #CB057B

RGB 203 5 123

HSL 324.24, 0.95%, 0.41%

LAB 44.57, 72.64, -9.26

 

CMYK 0 / 98 / 66 / 20

HEX #CB0546

RGB 203 5 70

HSL 340.3, 0.95%, 0.41%

LAB 43.13, 68.81, 21.86

 

CMYK 0 / 98 / 92 / 20

HEX #CB0510

RGB 203 5 16

HSL 356.67, 0.95%, 0.41%

LAB 42.52, 67.14, 51.28

 

CMYK 13 / 98 / 0 / 20

HEX #B005CB

RGB 176 5 203

HSL 291.82, 0.95%, 0.41%

LAB 43.73, 78.15, -58.79

 

CMYK 39 / 98 / 0 / 20

HEX #7B05CB

RGB 123 5 203

HSL 275.76, 0.95%, 0.41%

LAB 35.26, 71.4, -72.96

 

CMYK 66 / 98 / 0 / 20

HEX #4505CB

RGB 69 5 203

HSL 259.39, 0.95%, 0.41%

LAB 28.6, 67.24, -84.19

 

CMYK 93 / 98 / 0 / 20

HEX #0F05CB

RGB 15 5 203

HSL 243.03, 0.95%, 0.41%

LAB 25.33, 65.76, -89.74

 

CMYK 98 / 98 / 0 / 20

HEX #0505CB

RGB 5 5 203

HSL 240, 0.95%, 0.41%

LAB 25.11, 65.68, -90.1

 

CMYK 13 / 98 / 0 / 20

HEX #B005CB

RGB 176 5 203

HSL 291.82, 0.95%, 0.41%

LAB 43.73, 78.15, -58.79

 

CMYK 13 / 98 / 0 / 20

HEX #B005CB

RGB 176 5 203

HSL 291.82, 0.95%, 0.41%

LAB 43.73, 78.15, -58.79

 

CMYK 12 / 88 / 0 / 27

HEX #A416BA

RGB 164 22 186

HSL 291.95, 0.79%, 0.41%

LAB 41.23, 71.33, -52.99

 

CMYK 11 / 77 / 0 / 33

HEX #9827AA

RGB 152 39 170

HSL 291.76, 0.63%, 0.41%

LAB 39.63, 62.16, -46.19

 

CMYK 9 / 64 / 0 / 40

HEX #8B3799

RGB 139 55 153

HSL 291.43, 0.47%, 0.41%

LAB 38.76, 49.82, -37.48

 

CMYK 7 / 47 / 0 / 47

HEX #7F4888

RGB 127 72 136

HSL 291.56, 0.31%, 0.41%

LAB 39.45, 34.23, -26.18

 

CMYK 67 / 98 / 0 / 20

HEX #4405CB

RGB 68 5 203

HSL 259.09, 0.95%, 0.41%

LAB 28.51, 67.19, -84.35

 

CMYK 40 / 98 / 0 / 20

HEX #7905CB

RGB 121 5 203

HSL 275.15, 0.95%, 0.41%

LAB 34.97, 71.19, -73.45

 

CMYK 14 / 98 / 0 / 20

HEX #AE05CB

RGB 174 5 203

HSL 291.21, 0.95%, 0.41%

LAB 43.39, 77.85, -59.36

 

CMYK 0 / 98 / 11 / 20

HEX #CB05B4

RGB 203 5 180

HSL 306.97, 0.95%, 0.41%

LAB 47.11, 79.13, -39.68

 

CMYK 0 / 98 / 37 / 20

HEX #CB057F

RGB 203 5 127

HSL 323.03, 0.95%, 0.41%

LAB 44.71, 73.02, -11.5

 

CMYK 14 / 98 / 0 / 52

HEX #6A037B

RGB 106 3 123

HSL 291.5, 0.95%, 0.25%

LAB 25.44, 53.84, -40.54

 

CMYK 13 / 98 / 0 / 36

HEX #8D04A3

RGB 141 4 163

HSL 291.7, 0.95%, 0.33%

LAB 34.79, 66.28, -49.88

 

CMYK 13 / 98 / 0 / 20

HEX #B005CB

RGB 176 5 203

HSL 291.82, 0.95%, 0.41%

LAB 43.73, 78.15, -58.79

 

CMYK 14 / 98 / 0 / 4

HEX #D306F4

RGB 211 6 244

HSL 291.68, 0.95%, 0.49%

LAB 52.41, 89.73, -67.83

 

CMYK 11 / 83 / 0 / 2

HEX #DD2AF9

RGB 221 42 249

HSL 291.88, 0.95%, 0.57%

LAB 55.96, 87.32, -64.82

 

CMYK 13 / 98 / 0 / 21

HEX #AF05CA

RGB 175 5 202

HSL 291.78, 0.95%, 0.41%

LAB 43.49, 77.83, -58.61

 

CMYK 0 / 93 / 98 / 20

HEX #CB0F05

RGB 203 15 5

HSL 3.03, 0.95%, 0.41%

LAB 42.84, 66.01, 55.11

 

CMYK 98 / 0 / 54 / 20

HEX #05CB5E

RGB 5 203 94

HSL 146.97, 0.95%, 0.41%

LAB 71.93, -65.45, 42.32

 

CMYK 13 / 98 / 0 / 21

HEX #AF05CA

RGB 175 5 202

HSL 291.78, 0.95%, 0.41%

LAB 43.49, 77.83, -58.61

 

CMYK 0 / 14 / 98 / 20

HEX #CBAE05

RGB 203 174 5

HSL 51.21, 0.95%, 0.41%

LAB 71.54, -3.29, 73.41

 

CMYK 98 / 0 / 14 / 20

HEX #05CBAE

RGB 5 203 174

HSL 171.21, 0.95%, 0.41%

LAB 73.42, -48.58, 2.64

 

CMYK 13 / 98 / 0 / 21

HEX #AF05CA

RGB 175 5 202

HSL 291.78, 0.95%, 0.41%

LAB 43.49, 77.83, -58.61

 

CMYK 0 / 93 / 98 / 20

HEX #CB0F05

RGB 203 15 5

HSL 3.03, 0.95%, 0.41%

LAB 42.84, 66.01, 55.11

 

CMYK 83 / 0 / 98 / 20

HEX #23CB05

RGB 35 203 5

HSL 110.91, 0.95%, 0.41%

LAB 71.61, -70.28, 69.82

 

CMYK 98 / 5 / 0 / 20

HEX #05C1CB

RGB 5 193 203

HSL 183.03, 0.95%, 0.41%

LAB 71.2, -35.78, -16.42

 

CMYK 13 / 98 / 0 / 21

HEX #AF05CA

RGB 175 5 202

HSL 291.78, 0.95%, 0.41%

LAB 43.49, 77.83, -58.61

 

CMYK 0 / 64 / 98 / 20

HEX #CB4A05

RGB 203 74 5

HSL 20.91, 0.95%, 0.41%

LAB 49.01, 48.88, 58.35

 

CMYK 83 / 0 / 98 / 20

HEX #23CB05

RGB 35 203 5

HSL 110.91, 0.95%, 0.41%

LAB 71.61, -70.28, 69.82

 

CMYK 98 / 34 / 0 / 20

HEX #0586CB

RGB 5 134 203

HSL 200.91, 0.95%, 0.41%

LAB 53.38, -4.82, -43.99

 

Description

Color code: HEX #AF05CA | qconv.com Color code: HEX #AF05CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 5 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 5 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 98 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 98% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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