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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEF3E2 it is the complementary color #510C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEF3E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEF3E2 shade: #B3F3DD, #C4FFF0, #D5FFFF, #E6FFFF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEF3E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEF3E2 shade: #AEF3E2, #9DE1CF, #8CCFBC, #7BBDA9 and #6AAB96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEF3E2 shade: #AFF3E2, #AFF3D0, #AFF3BD, #B2F3AF and #C5F3AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEF3E2 shade: #AFF3E2, #AFF1F3, #AFDFF3, #AFCCF3 and #AFBAF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEF3E2 shade matches the following richer shades: #AFF3E2 and #A7FAE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEF3E2 shade: #AFF3E2, #B6EBDE, #BDE4DA, #C5DCD7 and #CCD5D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEF3E2 shade: #AFF3BD, #AFF3CF, #AFF3E2, #AFF1F3 and #AFDFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEF3E2 shade: #67E8C8, #8BEDD5, #AFF3E2, #D3F8EF and #F6FDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEF3E2 shade: #AEF3E2, #AFB2F3 and #F3C6AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEF3E2 shade: #AEF3E2, #E2AFF3 and #F3E2AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEF3E2 shade: #AEF3E2, #AFB2F3, #F3AFC0 and #F3EFAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEF3E2 shade: #AEF3E2, #C0AFF3, #F3AFC0 and #E2F3AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 7 / 5

HEX #AEF3E2

RGB 174 243 226

HSL 165.22, 0.74%, 0.82%

LAB 91.05, -24.93, 1.29

 

Complementary color

CMYK 0 / 85 / 64 / 68

HEX #510C1D

RGB 81 12 29

HSL 345.22, 0.74%, 0.18%

LAB 16.01, 32.2, 8.66

 

CMYK 26 / 0 / 9 / 5

HEX #B3F3DD

RGB 179 243 221

HSL 159.38, 0.73%, 0.83%

LAB 91.19, -24.49, 4.13

 

CMYK 23 / 0 / 6 / 0

HEX #C4FFF0

RGB 196 255 240

HSL 164.75, 1%, 0.88%

LAB 95.81, -21.43, 1.12

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 28 / 0 / 7 / 5

HEX #AEF3E2

RGB 174 243 226

HSL 165.22, 0.74%, 0.82%

LAB 91.05, -24.93, 1.29

 

CMYK 30 / 0 / 8 / 12

HEX #9DE1CF

RGB 157 225 207

HSL 164.12, 0.53%, 0.75%

LAB 84.75, -25.1, 1.98

 

CMYK 32 / 0 / 9 / 19

HEX #8CCFBC

RGB 140 207 188

HSL 162.99, 0.41%, 0.68%

LAB 78.36, -25.28, 2.7

 

CMYK 35 / 0 / 11 / 26

HEX #7BBDA9

RGB 123 189 169

HSL 161.82, 0.33%, 0.61%

LAB 71.87, -25.48, 3.46

 

CMYK 38 / 0 / 12 / 33

HEX #6AAB96

RGB 106 171 150

HSL 160.62, 0.28%, 0.54%

LAB 65.27, -25.69, 4.28

 

CMYK 28 / 0 / 7 / 5

HEX #AFF3E2

RGB 175 243 226

HSL 165, 0.74%, 0.82%

LAB 91.1, -24.64, 1.37

 

CMYK 28 / 0 / 14 / 5

HEX #AFF3D0

RGB 175 243 208

HSL 149.12, 0.74%, 0.82%

LAB 90.67, -28.25, 10.11

 

CMYK 28 / 0 / 22 / 5

HEX #AFF3BD

RGB 175 243 189

HSL 132.35, 0.74%, 0.82%

LAB 90.27, -31.75, 19.37

 

CMYK 27 / 0 / 28 / 5

HEX #B2F3AF

RGB 178 243 175

HSL 117.35, 0.74%, 0.82%

LAB 90.17, -33.15, 26.42

 

CMYK 19 / 0 / 28 / 5

HEX #C5F3AF

RGB 197 243 175

HSL 100.59, 0.74%, 0.82%

LAB 91.26, -26.82, 28.1

 

CMYK 28 / 0 / 7 / 5

HEX #AFF3E2

RGB 175 243 226

HSL 165, 0.74%, 0.82%

LAB 91.1, -24.64, 1.37

 

CMYK 28 / 1 / 0 / 5

HEX #AFF1F3

RGB 175 241 243

HSL 181.76, 0.74%, 0.82%

LAB 91.01, -20.01, -7.62

 

CMYK 28 / 8 / 0 / 5

HEX #AFDFF3

RGB 175 223 243

HSL 197.65, 0.74%, 0.82%

LAB 86.19, -10.96, -14.8

 

CMYK 28 / 16 / 0 / 5

HEX #AFCCF3

RGB 175 204 243

HSL 214.41, 0.74%, 0.82%

LAB 81.17, -1.03, -22.38

 

CMYK 28 / 23 / 0 / 5

HEX #AFBAF3

RGB 175 186 243

HSL 230.29, 0.74%, 0.82%

LAB 76.5, 8.7, -29.51

 

CMYK 28 / 0 / 7 / 5

HEX #AFF3E2

RGB 175 243 226

HSL 165, 0.74%, 0.82%

LAB 91.1, -24.64, 1.37

 

CMYK 33 / 0 / 8 / 2

HEX #A7FAE6

RGB 167 250 230

HSL 165.54, 0.89%, 0.82%

LAB 92.71, -29.4, 1.59

 

CMYK 28 / 0 / 7 / 5

HEX #AFF3E2

RGB 175 243 226

HSL 165, 0.74%, 0.82%

LAB 91.1, -24.64, 1.37

 

CMYK 23 / 0 / 6 / 8

HEX #B6EBDE

RGB 182 235 222

HSL 165.28, 0.57%, 0.82%

LAB 89.22, -19.48, 0.77

 

CMYK 17 / 0 / 4 / 11

HEX #BDE4DA

RGB 189 228 218

HSL 164.62, 0.42%, 0.82%

LAB 87.66, -14.63, 0.64

 

CMYK 10 / 0 / 2 / 14

HEX #C5DCD7

RGB 197 220 215

HSL 166.96, 0.25%, 0.82%

LAB 85.99, -8.59, -0.16

 

CMYK 4 / 0 / 1 / 16

HEX #CCD5D3

RGB 204 213 211

HSL 166.67, 0.1%, 0.82%

LAB 84.55, -3.41, -0.08

 

CMYK 28 / 0 / 22 / 5

HEX #AFF3BD

RGB 175 243 189

HSL 132.35, 0.74%, 0.82%

LAB 90.27, -31.75, 19.37

 

CMYK 28 / 0 / 15 / 5

HEX #AFF3CF

RGB 175 243 207

HSL 148.24, 0.74%, 0.82%

LAB 90.65, -28.44, 10.6

 

CMYK 28 / 0 / 7 / 5

HEX #AFF3E2

RGB 175 243 226

HSL 165, 0.74%, 0.82%

LAB 91.1, -24.64, 1.37

 

CMYK 28 / 1 / 0 / 5

HEX #AFF1F3

RGB 175 241 243

HSL 181.76, 0.74%, 0.82%

LAB 91.01, -20.01, -7.62

 

CMYK 28 / 8 / 0 / 5

HEX #AFDFF3

RGB 175 223 243

HSL 197.65, 0.74%, 0.82%

LAB 86.19, -10.96, -14.8

 

CMYK 56 / 0 / 14 / 9

HEX #67E8C8

RGB 103 232 200

HSL 165.12, 0.74%, 0.66%

LAB 84.36, -43.26, 4.83

 

CMYK 41 / 0 / 10 / 7

HEX #8BEDD5

RGB 139 237 213

HSL 165.31, 0.73%, 0.74%

LAB 87.42, -34.37, 2.59

 

CMYK 28 / 0 / 7 / 5

HEX #AFF3E2

RGB 175 243 226

HSL 165, 0.74%, 0.82%

LAB 91.1, -24.64, 1.37

 

CMYK 15 / 0 / 4 / 3

HEX #D3F8EF

RGB 211 248 239

HSL 165.41, 0.73%, 0.9%

LAB 94.83, -13.61, 0.32

 

CMYK 3 / 0 / 0 / 1

HEX #F6FDFC

RGB 246 253 252

HSL 171.43, 0.64%, 0.98%

LAB 98.78, -2.47, -0.33

 

CMYK 28 / 0 / 7 / 5

HEX #AEF3E2

RGB 174 243 226

HSL 165.22, 0.74%, 0.82%

LAB 91.05, -24.93, 1.29

 

CMYK 28 / 27 / 0 / 5

HEX #AFB2F3

RGB 175 178 243

HSL 237.35, 0.74%, 0.82%

LAB 74.46, 13.11, -32.65

 

CMYK 0 / 19 / 28 / 5

HEX #F3C6AF

RGB 243 198 175

HSL 20.29, 0.74%, 0.82%

LAB 83.2, 12.7, 17.55

 

CMYK 28 / 0 / 7 / 5

HEX #AEF3E2

RGB 174 243 226

HSL 165.22, 0.74%, 0.82%

LAB 91.05, -24.93, 1.29

 

CMYK 7 / 28 / 0 / 5

HEX #E2AFF3

RGB 226 175 243

HSL 285, 0.74%, 0.82%

LAB 78.05, 30.26, -26.76

 

CMYK 0 / 7 / 28 / 5

HEX #F3E2AF

RGB 243 226 175

HSL 45, 0.74%, 0.82%

LAB 90.11, -1.8, 27.08

 

CMYK 28 / 0 / 7 / 5

HEX #AEF3E2

RGB 174 243 226

HSL 165.22, 0.74%, 0.82%

LAB 91.05, -24.93, 1.29

 

CMYK 28 / 27 / 0 / 5

HEX #AFB2F3

RGB 175 178 243

HSL 237.35, 0.74%, 0.82%

LAB 74.46, 13.11, -32.65

 

CMYK 0 / 28 / 21 / 5

HEX #F3AFC0

RGB 243 175 192

HSL 345, 0.74%, 0.82%

LAB 78.18, 27.23, 1.25

 

CMYK 0 / 2 / 28 / 5

HEX #F3EFAF

RGB 243 239 175

HSL 56.47, 0.74%, 0.82%

LAB 93.4, -8.35, 31.53

 

CMYK 28 / 0 / 7 / 5

HEX #AEF3E2

RGB 174 243 226

HSL 165.22, 0.74%, 0.82%

LAB 91.05, -24.93, 1.29

 

CMYK 21 / 28 / 0 / 5

HEX #C0AFF3

RGB 192 175 243

HSL 255, 0.74%, 0.82%

LAB 75.04, 19.78, -31.65

 

CMYK 0 / 28 / 21 / 5

HEX #F3AFC0

RGB 243 175 192

HSL 345, 0.74%, 0.82%

LAB 78.18, 27.23, 1.25

 

CMYK 7 / 0 / 28 / 5

HEX #E2F3AF

RGB 226 243 175

HSL 75, 0.74%, 0.82%

LAB 93.17, -16.58, 31.01

 

Description

Color code: HEX #AEF3E2 | qconv.com Color code: HEX #AEF3E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 243 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 243 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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