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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEF715 it is the complementary color #5108EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEF715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEF715 shade: #B3F710, #C4FF23, #D5FF36, #E6FF49 and #F7FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEF715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEF715 shade: #AEF715, #9DE502, #8CD300, #7BC100 and #6AAF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEF715 shade: #AEF617, #EAF617, #F6C617, #F68A17 and #F64E17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEF715 shade: #AEF617, #72F617, #36F617, #17F635 and #17F671

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEF715 shade matches the following richer shades: #AEF617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEF715 shade: #AEF617, #A7E32B, #A0CF3E, #9ABC51 and #93A965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEF715 shade: #F6C617, #EBF617, #B0F617, #74F617 and #39F617

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEF715 shade: #7CB506, #98DD08, #AEF617, #BCF83F and #CAF967

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEF715 shade: #AEF715, #17F68A and #E417F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEF715 shade: #AEF715, #17B0F6 and #F617B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEF715 shade: #AEF715, #17F68A, #5E17F6 and #F61783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEF715 shade: #AEF715, #17F6CD, #5E17F6 and #F61740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 91 / 3

HEX #AEF715

RGB 174 247 21

HSL 79.38, 0.93%, 0.53%

LAB 89.66, -49.53, 84.67

 

Complementary color

CMYK 65 / 97 / 0 / 8

HEX #5108EA

RGB 81 8 234

HSL 259.38, 0.93%, 0.47%

LAB 33.7, 74.67, -93.57

 

CMYK 28 / 0 / 94 / 3

HEX #B3F710

RGB 179 247 16

HSL 77.66, 0.94%, 0.52%

LAB 89.93, -47.78, 85.56

 

CMYK 23 / 0 / 86 / 0

HEX #C4FF23

RGB 196 255 35

HSL 76.09, 1%, 0.57%

LAB 93.18, -44.49, 85.91

 

CMYK 16 / 0 / 79 / 0

HEX #D5FF36

RGB 213 255 54

HSL 72.54, 1%, 0.61%

LAB 94.28, -37.42, 83.06

 

CMYK 10 / 0 / 71 / 0

HEX #E6FF49

RGB 230 255 73

HSL 68.24, 1%, 0.64%

LAB 95.51, -29.97, 78.98

 

CMYK 3 / 0 / 64 / 0

HEX #F7FF5C

RGB 247 255 92

HSL 62.94, 1%, 0.68%

LAB 96.85, -22.23, 73.94

 

CMYK 30 / 0 / 91 / 3

HEX #AEF715

RGB 174 247 21

HSL 79.38, 0.93%, 0.53%

LAB 89.66, -49.53, 84.67

 

CMYK 31 / 0 / 99 / 10

HEX #9DE502

RGB 157 229 2

HSL 79.03, 0.98%, 0.45%

LAB 83.55, -48.47, 81.26

 

CMYK 34 / 0 / 100 / 17

HEX #8CD300

RGB 140 211 0

HSL 80.19, 1%, 0.41%

LAB 77.38, -47.18, 76.3

 

CMYK 36 / 0 / 100 / 24

HEX #7BC100

RGB 123 193 0

HSL 81.76, 1%, 0.38%

LAB 71.11, -45.84, 71.08

 

CMYK 39 / 0 / 100 / 31

HEX #6AAF00

RGB 106 175 0

HSL 83.66, 1%, 0.34%

LAB 64.74, -44.45, 65.78

 

CMYK 29 / 0 / 91 / 4

HEX #AEF617

RGB 174 246 23

HSL 79.37, 0.93%, 0.53%

LAB 89.38, -49.08, 84.19

 

CMYK 5 / 0 / 91 / 4

HEX #EAF617

RGB 234 246 23

HSL 63.23, 0.93%, 0.53%

LAB 93.22, -25.69, 88.86

 

CMYK 0 / 20 / 91 / 4

HEX #F6C617

RGB 246 198 23

HSL 47.09, 0.93%, 0.53%

LAB 81.86, 3.14, 80.57

 

CMYK 0 / 44 / 91 / 4

HEX #F68A17

RGB 246 138 23

HSL 30.94, 0.93%, 0.53%

LAB 67.9, 34.46, 70.17

 

CMYK 0 / 68 / 91 / 4

HEX #F64E17

RGB 246 78 23

HSL 14.8, 0.93%, 0.53%

LAB 57.18, 62.02, 62.57

 

CMYK 29 / 0 / 91 / 4

HEX #AEF617

RGB 174 246 23

HSL 79.37, 0.93%, 0.53%

LAB 89.38, -49.08, 84.19

 

CMYK 54 / 0 / 91 / 4

HEX #72F617

RGB 114 246 23

HSL 95.52, 0.93%, 0.53%

LAB 86.78, -68.15, 80.98

 

CMYK 78 / 0 / 91 / 4

HEX #36F617

RGB 54 246 23

HSL 111.66, 0.93%, 0.53%

LAB 85.38, -79.87, 79.25

 

CMYK 91 / 0 / 78 / 4

HEX #17F635

RGB 23 246 53

HSL 128.07, 0.93%, 0.53%

LAB 85.18, -81.33, 72.58

 

CMYK 91 / 0 / 54 / 4

HEX #17F671

RGB 23 246 113

HSL 144.22, 0.93%, 0.53%

LAB 85.65, -75.41, 50.08

 

CMYK 29 / 0 / 91 / 4

HEX #AEF617

RGB 174 246 23

HSL 79.37, 0.93%, 0.53%

LAB 89.38, -49.08, 84.19

 

CMYK 29 / 0 / 91 / 4

HEX #AEF617

RGB 174 246 23

HSL 79.37, 0.93%, 0.53%

LAB 89.38, -49.08, 84.19

 

CMYK 26 / 0 / 81 / 11

HEX #A7E32B

RGB 167 227 43

HSL 79.57, 0.77%, 0.53%

LAB 83.61, -43.05, 75.33

 

CMYK 23 / 0 / 70 / 19

HEX #A0CF3E

RGB 160 207 62

HSL 79.45, 0.6%, 0.53%

LAB 77.55, -35.92, 63.58

 

CMYK 18 / 0 / 57 / 26

HEX #9ABC51

RGB 154 188 81

HSL 79.07, 0.44%, 0.53%

LAB 71.85, -27.96, 49.47

 

CMYK 13 / 0 / 40 / 34

HEX #93A965

RGB 147 169 101

HSL 79.41, 0.28%, 0.53%

LAB 66.15, -19.16, 32.56

 

CMYK 0 / 20 / 91 / 4

HEX #F6C617

RGB 246 198 23

HSL 47.09, 0.93%, 0.53%

LAB 81.86, 3.14, 80.57

 

CMYK 4 / 0 / 91 / 4

HEX #EBF617

RGB 235 246 23

HSL 62.96, 0.93%, 0.53%

LAB 93.29, -25.28, 88.94

 

CMYK 28 / 0 / 91 / 4

HEX #B0F617

RGB 176 246 23

HSL 78.83, 0.93%, 0.53%

LAB 89.49, -48.35, 84.32

 

CMYK 53 / 0 / 91 / 4

HEX #74F617

RGB 116 246 23

HSL 94.98, 0.93%, 0.53%

LAB 86.84, -67.62, 81.06

 

CMYK 77 / 0 / 91 / 4

HEX #39F617

RGB 57 246 23

HSL 110.85, 0.93%, 0.53%

LAB 85.42, -79.48, 79.31

 

CMYK 31 / 0 / 97 / 29

HEX #7CB506

RGB 124 181 6

HSL 79.54, 0.94%, 0.37%

LAB 67.54, -40.27, 67.62

 

CMYK 31 / 0 / 96 / 13

HEX #98DD08

RGB 152 221 8

HSL 79.44, 0.93%, 0.45%

LAB 80.96, -46.88, 78.61

 

CMYK 29 / 0 / 91 / 4

HEX #AEF617

RGB 174 246 23

HSL 79.37, 0.93%, 0.53%

LAB 89.38, -49.08, 84.19

 

CMYK 24 / 0 / 75 / 3

HEX #BCF83F

RGB 188 248 63

HSL 79.46, 0.93%, 0.61%

LAB 90.86, -43.45, 76.8

 

CMYK 19 / 0 / 59 / 2

HEX #CAF967

RGB 202 249 103

HSL 79.32, 0.92%, 0.69%

LAB 92.26, -36.1, 63.66

 

CMYK 30 / 0 / 91 / 3

HEX #AEF715

RGB 174 247 21

HSL 79.38, 0.93%, 0.53%

LAB 89.66, -49.53, 84.67

 

CMYK 91 / 0 / 44 / 4

HEX #17F68A

RGB 23 246 138

HSL 150.94, 0.93%, 0.53%

LAB 85.97, -71.52, 38.6

 

CMYK 7 / 91 / 0 / 4

HEX #E417F6

RGB 228 23 246

HSL 295.16, 0.93%, 0.53%

LAB 55.85, 91.06, -63.26

 

CMYK 30 / 0 / 91 / 3

HEX #AEF715

RGB 174 247 21

HSL 79.38, 0.93%, 0.53%

LAB 89.66, -49.53, 84.67

 

CMYK 91 / 28 / 0 / 4

HEX #17B0F6

RGB 23 176 246

HSL 198.83, 0.93%, 0.53%

LAB 67.94, -12.11, -44.9

 

CMYK 0 / 91 / 28 / 4

HEX #F617B0

RGB 246 23 176

HSL 318.83, 0.93%, 0.53%

LAB 55.42, 85.14, -23.76

 

CMYK 30 / 0 / 91 / 3

HEX #AEF715

RGB 174 247 21

HSL 79.38, 0.93%, 0.53%

LAB 89.66, -49.53, 84.67

 

CMYK 91 / 0 / 44 / 4

HEX #17F68A

RGB 23 246 138

HSL 150.94, 0.93%, 0.53%

LAB 85.97, -71.52, 38.6

 

CMYK 62 / 91 / 0 / 4

HEX #5E17F6

RGB 94 23 246

HSL 259.1, 0.93%, 0.53%

LAB 37.2, 75.61, -94.51

 

CMYK 0 / 91 / 47 / 4

HEX #F61783

RGB 246 23 131

HSL 330.94, 0.93%, 0.53%

LAB 53.86, 80.94, 0.56

 

CMYK 30 / 0 / 91 / 3

HEX #AEF715

RGB 174 247 21

HSL 79.38, 0.93%, 0.53%

LAB 89.66, -49.53, 84.67

 

CMYK 91 / 0 / 17 / 4

HEX #17F6CD

RGB 23 246 205

HSL 168.97, 0.93%, 0.53%

LAB 87.24, -57.26, 6.19

 

CMYK 62 / 91 / 0 / 4

HEX #5E17F6

RGB 94 23 246

HSL 259.1, 0.93%, 0.53%

LAB 37.2, 75.61, -94.51

 

CMYK 0 / 91 / 74 / 4

HEX #F61740

RGB 246 23 64

HSL 348.97, 0.93%, 0.53%

LAB 52.48, 77.12, 38.9

 

Description

Color code: HEX #AEF715 | qconv.com Color code: HEX #AEF715 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 247 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 247 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 91 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 91% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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