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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEF5EE it is the complementary color #510A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEF5EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEF5EE shade: #B3F5E9, #C4FFFC, #D5FFFF, #E6FFFF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEF5EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEF5EE shade: #AEF5EE, #9DE3DB, #8CD1C8, #7BBFB5 and #6AADA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEF5EE shade: #ADF4ED, #ADF4DA, #ADF4C7, #ADF4B3 and #B9F4AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEF5EE shade: #ADF4ED, #ADE8F4, #ADD5F4, #ADC2F4 and #ADAEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEF5EE shade matches the following richer shades: #ADF4ED and #A5FCF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEF5EE shade: #ADF4ED, #B4EDE7, #BCE6E1, #C3DEDB and #CBD7D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEF5EE shade: #ADF4C7, #ADF4DA, #ADF4ED, #ADE8F4 and #ADD5F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEF5EE shade: #63EBDE, #88F0E6, #ADF4ED, #D2F9F5 and #F6FDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEF5EE shade: #AEF5EE, #B4ADF4 and #F4D1AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEF5EE shade: #AEF5EE, #EDADF4 and #F4EDAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEF5EE shade: #AEF5EE, #B4ADF4, #F4ADB4 and #EDF4AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEF5EE shade: #AEF5EE, #C9ADF4, #F4ADB4 and #D8F4AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 3 / 4

HEX #AEF5EE

RGB 174 245 238

HSL 174.08, 0.78%, 0.82%

LAB 91.9, -23.34, -3.71

 

Complementary color

CMYK 0 / 88 / 79 / 68

HEX #510A11

RGB 81 10 17

HSL 354.08, 0.78%, 0.18%

LAB 15.52, 32.09, 16.35

 

CMYK 27 / 0 / 5 / 4

HEX #B3F5E9

RGB 179 245 233

HSL 169.09, 0.77%, 0.83%

LAB 92.03, -22.99, -0.88

 

CMYK 23 / 0 / 1 / 0

HEX #C4FFFC

RGB 196 255 252

HSL 176.95, 1%, 0.88%

LAB 96.11, -18.98, -4.61

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 29 / 0 / 3 / 4

HEX #AEF5EE

RGB 174 245 238

HSL 174.08, 0.78%, 0.82%

LAB 91.9, -23.34, -3.71

 

CMYK 31 / 0 / 4 / 11

HEX #9DE3DB

RGB 157 227 219

HSL 173.14, 0.56%, 0.75%

LAB 85.62, -23.47, -3.09

 

CMYK 33 / 0 / 4 / 18

HEX #8CD1C8

RGB 140 209 200

HSL 172.17, 0.43%, 0.68%

LAB 79.24, -23.61, -2.45

 

CMYK 36 / 0 / 5 / 25

HEX #7BBFB5

RGB 123 191 181

HSL 171.18, 0.35%, 0.62%

LAB 72.77, -23.75, -1.78

 

CMYK 39 / 0 / 6 / 32

HEX #6AADA2

RGB 106 173 162

HSL 170.15, 0.29%, 0.55%

LAB 66.18, -23.9, -1.07

 

CMYK 29 / 0 / 3 / 4

HEX #ADF4ED

RGB 173 244 237

HSL 174.08, 0.76%, 0.82%

LAB 91.55, -23.36, -3.7

 

CMYK 29 / 0 / 11 / 4

HEX #ADF4DA

RGB 173 244 218

HSL 158.03, 0.76%, 0.82%

LAB 91.07, -27.34, 5.48

 

CMYK 29 / 0 / 18 / 4

HEX #ADF4C7

RGB 173 244 199

HSL 141.97, 0.76%, 0.82%

LAB 90.65, -31.02, 14.72

 

CMYK 29 / 0 / 27 / 4

HEX #ADF4B3

RGB 173 244 179

HSL 125.07, 0.76%, 0.82%

LAB 90.25, -34.55, 24.45

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AD

RGB 185 244 173

HSL 109.86, 0.76%, 0.82%

LAB 90.79, -31.64, 28.36

 

CMYK 29 / 0 / 3 / 4

HEX #ADF4ED

RGB 173 244 237

HSL 174.08, 0.76%, 0.82%

LAB 91.55, -23.36, -3.7

 

CMYK 29 / 5 / 0 / 4

HEX #ADE8F4

RGB 173 232 244

HSL 190.14, 0.76%, 0.82%

LAB 88.51, -15.86, -11.87

 

CMYK 29 / 13 / 0 / 4

HEX #ADD5F4

RGB 173 213 244

HSL 206.2, 0.76%, 0.82%

LAB 83.44, -6.12, -19.47

 

CMYK 29 / 20 / 0 / 4

HEX #ADC2F4

RGB 173 194 244

HSL 222.25, 0.76%, 0.82%

LAB 78.46, 4.01, -27.05

 

CMYK 29 / 29 / 0 / 4

HEX #ADAEF4

RGB 173 174 244

HSL 239.15, 0.76%, 0.82%

LAB 73.34, 15, -34.93

 

CMYK 29 / 0 / 3 / 4

HEX #ADF4ED

RGB 173 244 237

HSL 174.08, 0.76%, 0.82%

LAB 91.55, -23.36, -3.7

 

CMYK 35 / 0 / 4 / 1

HEX #A5FCF3

RGB 165 252 243

HSL 173.79, 0.94%, 0.82%

LAB 93.49, -28.05, -4.01

 

CMYK 29 / 0 / 3 / 4

HEX #ADF4ED

RGB 173 244 237

HSL 174.08, 0.76%, 0.82%

LAB 91.55, -23.36, -3.7

 

CMYK 24 / 0 / 3 / 7

HEX #B4EDE7

RGB 180 237 231

HSL 173.68, 0.61%, 0.82%

LAB 89.88, -19.2, -2.99

 

CMYK 18 / 0 / 2 / 10

HEX #BCE6E1

RGB 188 230 225

HSL 172.86, 0.46%, 0.82%

LAB 88.31, -14.54, -2.09

 

CMYK 12 / 0 / 1 / 13

HEX #C3DEDB

RGB 195 222 219

HSL 173.33, 0.29%, 0.82%

LAB 86.48, -9.48, -1.56

 

CMYK 6 / 0 / 1 / 16

HEX #CBD7D5

RGB 203 215 213

HSL 170, 0.13%, 0.82%

LAB 85.05, -4.41, -0.42

 

CMYK 29 / 0 / 18 / 4

HEX #ADF4C7

RGB 173 244 199

HSL 141.97, 0.76%, 0.82%

LAB 90.65, -31.02, 14.72

 

CMYK 29 / 0 / 11 / 4

HEX #ADF4DA

RGB 173 244 218

HSL 158.03, 0.76%, 0.82%

LAB 91.07, -27.34, 5.48

 

CMYK 29 / 0 / 3 / 4

HEX #ADF4ED

RGB 173 244 237

HSL 174.08, 0.76%, 0.82%

LAB 91.55, -23.36, -3.7

 

CMYK 29 / 5 / 0 / 4

HEX #ADE8F4

RGB 173 232 244

HSL 190.14, 0.76%, 0.82%

LAB 88.51, -15.86, -11.87

 

CMYK 29 / 13 / 0 / 4

HEX #ADD5F4

RGB 173 213 244

HSL 206.2, 0.76%, 0.82%

LAB 83.44, -6.12, -19.47

 

CMYK 58 / 0 / 6 / 8

HEX #63EBDE

RGB 99 235 222

HSL 174.26, 0.77%, 0.65%

LAB 85.68, -39.98, -4.84

 

CMYK 43 / 0 / 4 / 6

HEX #88F0E6

RGB 136 240 230

HSL 174.23, 0.78%, 0.74%

LAB 88.58, -32.6, -4.63

 

CMYK 29 / 0 / 3 / 4

HEX #ADF4ED

RGB 173 244 237

HSL 174.08, 0.76%, 0.82%

LAB 91.55, -23.36, -3.7

 

CMYK 16 / 0 / 2 / 2

HEX #D2F9F5

RGB 210 249 245

HSL 173.85, 0.76%, 0.9%

LAB 95.18, -13.25, -2.28

 

CMYK 3 / 0 / 0 / 1

HEX #F6FDFD

RGB 246 253 253

HSL 180, 0.64%, 0.98%

LAB 98.8, -2.29, -0.81

 

CMYK 29 / 0 / 3 / 4

HEX #AEF5EE

RGB 174 245 238

HSL 174.08, 0.78%, 0.82%

LAB 91.9, -23.34, -3.71

 

CMYK 26 / 29 / 0 / 4

HEX #B4ADF4

RGB 180 173 244

HSL 245.92, 0.76%, 0.82%

LAB 73.62, 17.57, -34.45

 

CMYK 0 / 14 / 29 / 4

HEX #F4D1AD

RGB 244 209 173

HSL 30.42, 0.76%, 0.82%

LAB 85.93, 7.06, 22.41

 

CMYK 29 / 0 / 3 / 4

HEX #AEF5EE

RGB 174 245 238

HSL 174.08, 0.78%, 0.82%

LAB 91.9, -23.34, -3.71

 

CMYK 3 / 29 / 0 / 4

HEX #EDADF4

RGB 237 173 244

HSL 294.08, 0.76%, 0.82%

LAB 78.71, 34.98, -26.2

 

CMYK 0 / 3 / 29 / 4

HEX #F4EDAD

RGB 244 237 173

HSL 54.08, 0.76%, 0.82%

LAB 92.93, -7.23, 31.93

 

CMYK 29 / 0 / 3 / 4

HEX #AEF5EE

RGB 174 245 238

HSL 174.08, 0.78%, 0.82%

LAB 91.9, -23.34, -3.71

 

CMYK 26 / 29 / 0 / 4

HEX #B4ADF4

RGB 180 173 244

HSL 245.92, 0.76%, 0.82%

LAB 73.62, 17.57, -34.45

 

CMYK 0 / 29 / 26 / 4

HEX #F4ADB4

RGB 244 173 180

HSL 354.08, 0.76%, 0.82%

LAB 77.53, 26.94, 6.84

 

CMYK 3 / 0 / 29 / 4

HEX #EDF4AD

RGB 237 244 173

HSL 65.92, 0.76%, 0.82%

LAB 94.19, -13.31, 33.52

 

CMYK 29 / 0 / 3 / 4

HEX #AEF5EE

RGB 174 245 238

HSL 174.08, 0.78%, 0.82%

LAB 91.9, -23.34, -3.71

 

CMYK 18 / 29 / 0 / 4

HEX #C9ADF4

RGB 201 173 244

HSL 263.66, 0.76%, 0.82%

LAB 75.35, 23.82, -31.64

 

CMYK 0 / 29 / 26 / 4

HEX #F4ADB4

RGB 244 173 180

HSL 354.08, 0.76%, 0.82%

LAB 77.53, 26.94, 6.84

 

CMYK 11 / 0 / 29 / 4

HEX #D8F4AD

RGB 216 244 173

HSL 83.66, 0.76%, 0.82%

LAB 92.71, -20.94, 31.28

 

Description

Color code: HEX #AEF5EE | qconv.com Color code: HEX #AEF5EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 245 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 245 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 3 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 3% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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