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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEE915 it is the complementary color #5116EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEE915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEE915 shade: #B3E910, #C4FB23, #D5FF36, #E6FF49 and #F7FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEE915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEE915 shade: #AEE915, #9DD702, #8CC500, #7BB300 and #6AA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEE915 shade: #AEE915, #E7E915, #E9B215, #E97915 and #E93F15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEE915 shade: #AEE915, #75E915, #3CE915, #15E928 and #15E961

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEE915 shade matches the following richer shades: #AEE915 and #B7FD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEE915 shade: #AEE915, #A5D42A, #9CC03E, #92AB53 and #899668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEE915 shade: #E9B015, #E9E915, #B0E915, #78E915 and #40E915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEE915 shade: #759D0E, #92C312, #AEE915, #BBEC3B and #C8F061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEE915 shade: #AEE915, #15E978 and #CD15E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEE915 shade: #AEE915, #15B0E9 and #E915B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEE915 shade: #AEE915, #15E978, #4E15E9 and #E91586

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEE915 shade: #AEE915, #15E9B7, #4E15E9 and #E91547

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

Complementary color

CMYK 65 / 91 / 0 / 8

HEX #5116EA

RGB 81 22 234

HSL 256.7, 0.83%, 0.5%

LAB 34.53, 72.15, -92.19

 

CMYK 23 / 0 / 93 / 9

HEX #B3E910

RGB 179 233 16

HSL 74.93, 0.87%, 0.49%

LAB 85.96, -41.78, 82.43

 

CMYK 22 / 0 / 86 / 2

HEX #C4FB23

RGB 196 251 35

HSL 75.28, 0.96%, 0.56%

LAB 92.07, -42.76, 84.99

 

CMYK 16 / 0 / 79 / 0

HEX #D5FF36

RGB 213 255 54

HSL 72.54, 1%, 0.61%

LAB 94.28, -37.42, 83.06

 

CMYK 10 / 0 / 71 / 0

HEX #E6FF49

RGB 230 255 73

HSL 68.24, 1%, 0.64%

LAB 95.51, -29.97, 78.98

 

CMYK 3 / 0 / 64 / 0

HEX #F7FF5C

RGB 247 255 92

HSL 62.94, 1%, 0.68%

LAB 96.85, -22.23, 73.94

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 27 / 0 / 99 / 16

HEX #9DD702

RGB 157 215 2

HSL 76.34, 0.98%, 0.43%

LAB 79.48, -42.53, 78.13

 

CMYK 29 / 0 / 100 / 23

HEX #8CC500

RGB 140 197 0

HSL 77.36, 1%, 0.39%

LAB 73.23, -41.23, 73.1

 

CMYK 31 / 0 / 100 / 30

HEX #7BB300

RGB 123 179 0

HSL 78.77, 1%, 0.35%

LAB 66.86, -39.88, 67.81

 

CMYK 34 / 0 / 100 / 37

HEX #6AA100

RGB 106 161 0

HSL 80.5, 1%, 0.32%

LAB 60.39, -38.5, 62.42

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 1 / 0 / 91 / 9

HEX #E7E915

RGB 231 233 21

HSL 60.57, 0.83%, 0.5%

LAB 89.54, -20.76, 86.17

 

CMYK 0 / 24 / 91 / 9

HEX #E9B215

RGB 233 178 21

HSL 44.43, 0.83%, 0.5%

LAB 75.59, 7.94, 75.59

 

CMYK 0 / 48 / 91 / 9

HEX #E97915

RGB 233 121 21

HSL 28.3, 0.83%, 0.5%

LAB 62.55, 37.9, 65.96

 

CMYK 0 / 73 / 91 / 9

HEX #E93F15

RGB 233 63 21

HSL 11.89, 0.83%, 0.5%

LAB 52.88, 63.26, 59.18

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 50 / 0 / 91 / 9

HEX #75E915

RGB 117 233 21

HSL 92.83, 0.83%, 0.5%

LAB 82.97, -62.82, 78.15

 

CMYK 74 / 0 / 91 / 9

HEX #3CE915

RGB 60 233 21

HSL 108.96, 0.83%, 0.5%

LAB 81.45, -75.37, 76.27

 

CMYK 91 / 0 / 83 / 9

HEX #15E928

RGB 21 233 40

HSL 125.38, 0.83%, 0.5%

LAB 81.07, -78.6, 72.15

 

CMYK 91 / 0 / 58 / 9

HEX #15E961

RGB 21 233 97

HSL 141.51, 0.83%, 0.5%

LAB 81.46, -73.67, 52.31

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 28 / 0 / 100 / 1

HEX #B7FD01

RGB 183 253 1

HSL 76.67, 0.99%, 0.5%

LAB 91.83, -48.98, 88.32

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 22 / 0 / 80 / 17

HEX #A5D42A

RGB 165 212 42

HSL 76.59, 0.67%, 0.5%

LAB 79.19, -37.23, 71.61

 

CMYK 19 / 0 / 68 / 25

HEX #9CC03E

RGB 156 192 62

HSL 76.62, 0.51%, 0.5%

LAB 72.97, -30.54, 58.84

 

CMYK 15 / 0 / 51 / 33

HEX #92AB53

RGB 146 171 83

HSL 77.05, 0.35%, 0.5%

LAB 66.41, -22.63, 42.04

 

CMYK 9 / 0 / 31 / 41

HEX #899668

RGB 137 150 104

HSL 76.96, 0.18%, 0.5%

LAB 60.01, -12.81, 22.77

 

CMYK 0 / 24 / 91 / 9

HEX #E9B015

RGB 233 176 21

HSL 43.87, 0.83%, 0.5%

LAB 75.09, 8.99, 75.22

 

CMYK 0 / 0 / 91 / 9

HEX #E9E915

RGB 233 233 21

HSL 60, 0.83%, 0.5%

LAB 89.7, -19.93, 86.35

 

CMYK 24 / 0 / 91 / 9

HEX #B0E915

RGB 176 233 21

HSL 76.13, 0.83%, 0.5%

LAB 85.79, -42.85, 81.61

 

CMYK 48 / 0 / 91 / 9

HEX #78E915

RGB 120 233 21

HSL 91.98, 0.83%, 0.5%

LAB 83.09, -61.95, 78.29

 

CMYK 73 / 0 / 91 / 9

HEX #40E915

RGB 64 233 21

HSL 107.83, 0.83%, 0.5%

LAB 81.52, -74.75, 76.36

 

CMYK 25 / 0 / 91 / 38

HEX #759D0E

RGB 117 157 14

HSL 76.78, 0.84%, 0.34%

LAB 59.82, -32.07, 60.18

 

CMYK 25 / 0 / 91 / 24

HEX #92C312

RGB 146 195 18

HSL 76.61, 0.83%, 0.42%

LAB 73.01, -37.74, 71

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 21 / 0 / 75 / 7

HEX #BBEC3B

RGB 187 236 59

HSL 76.61, 0.82%, 0.58%

LAB 87.42, -38.75, 74.76

 

CMYK 17 / 0 / 60 / 6

HEX #C8F061

RGB 200 240 97

HSL 76.78, 0.83%, 0.66%

LAB 89.61, -33.23, 63.21

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 91 / 0 / 48 / 9

HEX #15E978

RGB 21 233 120

HSL 148.02, 0.83%, 0.5%

LAB 81.73, -70.38, 41.95

 

CMYK 12 / 91 / 0 / 9

HEX #CD15E9

RGB 205 21 233

HSL 292.08, 0.83%, 0.5%

LAB 51.15, 85.73, -63.73

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 91 / 24 / 0 / 9

HEX #15B0E9

RGB 21 176 233

HSL 196.13, 0.83%, 0.5%

LAB 67.35, -16.78, -38.73

 

CMYK 0 / 91 / 24 / 9

HEX #E915B0

RGB 233 21 176

HSL 316.13, 0.83%, 0.5%

LAB 52.94, 82.79, -27.78

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 91 / 0 / 48 / 9

HEX #15E978

RGB 21 233 120

HSL 148.02, 0.83%, 0.5%

LAB 81.73, -70.38, 41.95

 

CMYK 67 / 91 / 0 / 9

HEX #4E15E9

RGB 78 21 233

HSL 256.13, 0.83%, 0.5%

LAB 34.06, 71.96, -92.4

 

CMYK 0 / 91 / 42 / 9

HEX #E91586

RGB 233 21 134

HSL 328.02, 0.83%, 0.5%

LAB 51.36, 78.56, -5.21

 

CMYK 25 / 0 / 91 / 9

HEX #AEE915

RGB 174 233 21

HSL 76.7, 0.83%, 0.5%

LAB 85.67, -43.61, 81.47

 

CMYK 91 / 0 / 21 / 9

HEX #15E9B7

RGB 21 233 183

HSL 165.85, 0.83%, 0.5%

LAB 82.84, -57.69, 11.38

 

CMYK 67 / 91 / 0 / 9

HEX #4E15E9

RGB 78 21 233

HSL 256.13, 0.83%, 0.5%

LAB 34.06, 71.96, -92.4

 

CMYK 0 / 91 / 70 / 9

HEX #E91547

RGB 233 21 71

HSL 345.85, 0.83%, 0.5%

LAB 49.88, 74.47, 31.05

 

Description

Color code: HEX #AEE915 | qconv.com Color code: HEX #AEE915 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 233 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 233 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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