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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED203 it is the complementary color #512DFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AED203 shade: #B3D200, #C4E411, #D5F624, #E6FF37 and #F7FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AED203 shade: #AED203, #9DC000, #8CAE00, #7B9C00 and #6A8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AED203 shade: #AED203, #D2BF03, #D28703, #D24F03 and #D21603

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AED203 shade: #AED203, #76D203, #3ED203, #06D203 and #03D237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AED203 shade matches the following richer shades: #AED203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AED203 shade: #AED203, #A3C114, #98B025, #8C9F37 and #818D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AED203 shade: #D28603, #D2BE03, #B0D203, #78D203 and #41D203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AED203 shade: #6B8101, #8DAA02, #AED203, #D0FB04 and #D7FB2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AED203 shade: #AED203, #03D24F and #A203D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AED203 shade: #AED203, #03B0D2 and #D203B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AED203 shade: #AED203, #03D24F, #2503D2 and #D20386

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AED203 shade: #AED203, #03D28D, #2503D2 and #D20348

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

Complementary color

CMYK 68 / 82 / 0 / 1

HEX #512DFC

RGB 81 45 252

HSL 250.43, 0.97%, 0.58%

LAB 38.99, 69.51, -94.94

 

CMYK 15 / 0 / 100 / 18

HEX #B3D200

RGB 179 210 0

HSL 68.86, 1%, 0.41%

LAB 79.43, -31.6, 78.88

 

CMYK 14 / 0 / 93 / 11

HEX #C4E411

RGB 196 228 17

HSL 69.1, 0.86%, 0.48%

LAB 85.64, -32.83, 82.52

 

CMYK 13 / 0 / 85 / 4

HEX #D5F624

RGB 213 246 36

HSL 69.43, 0.92%, 0.55%

LAB 91.77, -33.9, 84.99

 

CMYK 10 / 0 / 78 / 0

HEX #E6FF37

RGB 230 255 55

HSL 67.5, 1%, 0.61%

LAB 95.42, -30.71, 84.25

 

CMYK 3 / 0 / 71 / 0

HEX #F7FF4A

RGB 247 255 74

HSL 62.65, 1%, 0.65%

LAB 96.73, -23.16, 80.26

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 18 / 0 / 100 / 25

HEX #9DC000

RGB 157 192 0

HSL 70.94, 1%, 0.38%

LAB 72.8, -32.23, 73.24

 

CMYK 20 / 0 / 100 / 32

HEX #8CAE00

RGB 140 174 0

HSL 71.72, 1%, 0.34%

LAB 66.4, -30.81, 67.91

 

CMYK 21 / 0 / 100 / 39

HEX #7B9C00

RGB 123 156 0

HSL 72.69, 1%, 0.31%

LAB 59.88, -29.38, 62.48

 

CMYK 23 / 0 / 100 / 46

HEX #6A8A00

RGB 106 138 0

HSL 73.91, 1%, 0.27%

LAB 53.21, -27.93, 56.93

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 0 / 9 / 99 / 18

HEX #D2BF03

RGB 210 191 3

HSL 54.49, 0.97%, 0.42%

LAB 76.66, -9.05, 77.63

 

CMYK 0 / 36 / 99 / 18

HEX #D28703

RGB 210 135 3

HSL 38.26, 0.97%, 0.42%

LAB 62.54, 20.74, 67.74

 

CMYK 0 / 62 / 99 / 18

HEX #D24F03

RGB 210 79 3

HSL 22.03, 0.97%, 0.42%

LAB 51.04, 49.16, 60.6

 

CMYK 0 / 90 / 99 / 18

HEX #D21603

RGB 210 22 3

HSL 5.51, 0.97%, 0.42%

LAB 44.63, 66.85, 57.4

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 44 / 0 / 99 / 18

HEX #76D203

RGB 118 210 3

HSL 86.67, 0.97%, 0.42%

LAB 76.04, -54.28, 74.51

 

CMYK 70 / 0 / 99 / 18

HEX #3ED203

RGB 62 210 3

HSL 102.9, 0.97%, 0.42%

LAB 74.27, -68.52, 72.35

 

CMYK 97 / 0 / 99 / 18

HEX #06D203

RGB 6 210 3

HSL 119.13, 0.97%, 0.42%

LAB 73.64, -74.16, 71.58

 

CMYK 99 / 0 / 74 / 18

HEX #03D237

RGB 3 210 55

HSL 135.07, 0.97%, 0.42%

LAB 73.8, -72.02, 60.79

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 16 / 0 / 90 / 24

HEX #A3C114

RGB 163 193 20

HSL 70.4, 0.81%, 0.42%

LAB 73.53, -29.93, 71.55

 

CMYK 14 / 0 / 79 / 31

HEX #98B025

RGB 152 176 37

HSL 70.36, 0.65%, 0.42%

LAB 67.92, -25.85, 62.56

 

CMYK 12 / 0 / 65 / 38

HEX #8C9F37

RGB 140 159 55

HSL 70.96, 0.49%, 0.42%

LAB 62.21, -21.5, 50.14

 

CMYK 9 / 0 / 49 / 45

HEX #818D48

RGB 129 141 72

HSL 70.43, 0.32%, 0.42%

LAB 56.27, -15.38, 35.11

 

CMYK 0 / 36 / 99 / 18

HEX #D28603

RGB 210 134 3

HSL 37.97, 0.97%, 0.42%

LAB 62.3, 21.28, 67.58

 

CMYK 0 / 10 / 99 / 18

HEX #D2BE03

RGB 210 190 3

HSL 54.2, 0.97%, 0.42%

LAB 76.4, -8.54, 77.44

 

CMYK 16 / 0 / 99 / 18

HEX #B0D203

RGB 176 210 3

HSL 69.86, 0.97%, 0.42%

LAB 79.23, -32.79, 78.36

 

CMYK 43 / 0 / 99 / 18

HEX #78D203

RGB 120 210 3

HSL 86.09, 0.97%, 0.42%

LAB 76.13, -53.63, 74.62

 

CMYK 69 / 0 / 99 / 18

HEX #41D203

RGB 65 210 3

HSL 102.03, 0.97%, 0.42%

LAB 74.33, -67.97, 72.43

 

CMYK 17 / 0 / 99 / 49

HEX #6B8101

RGB 107 129 1

HSL 70.31, 0.98%, 0.25%

LAB 50.49, -23.03, 54.7

 

CMYK 17 / 0 / 99 / 33

HEX #8DAA02

RGB 141 170 2

HSL 70.36, 0.98%, 0.34%

LAB 65.29, -28.46, 66.84

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 17 / 0 / 98 / 2

HEX #D0FB04

RGB 208 251 4

HSL 70.45, 0.97%, 0.5%

LAB 92.76, -38.6, 89.46

 

CMYK 14 / 0 / 82 / 2

HEX #D7FB2C

RGB 215 251 44

HSL 70.43, 0.96%, 0.58%

LAB 93.29, -35.17, 84.66

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 99 / 0 / 62 / 18

HEX #03D24F

RGB 3 210 79

HSL 142.03, 0.97%, 0.42%

LAB 73.98, -69.67, 51.58

 

CMYK 23 / 99 / 0 / 18

HEX #A203D2

RGB 162 3 210

HSL 286.09, 0.97%, 0.42%

LAB 41.84, 77.58, -66.01

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 99 / 16 / 0 / 18

HEX #03B0D2

RGB 3 176 210

HSL 189.86, 0.97%, 0.42%

LAB 66.31, -25.3, -27.72

 

CMYK 0 / 99 / 16 / 18

HEX #D203B0

RGB 210 3 176

HSL 309.86, 0.97%, 0.42%

LAB 48.14, 80.04, -35.61

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 99 / 0 / 62 / 18

HEX #03D24F

RGB 3 210 79

HSL 142.03, 0.97%, 0.42%

LAB 73.98, -69.67, 51.58

 

CMYK 82 / 99 / 0 / 18

HEX #2503D2

RGB 37 3 210

HSL 249.86, 0.97%, 0.42%

LAB 27.05, 68.22, -90.92

 

CMYK 0 / 99 / 36 / 18

HEX #D20386

RGB 210 3 134

HSL 322.03, 0.97%, 0.42%

LAB 46.3, 75.34, -13.26

 

CMYK 17 / 0 / 99 / 18

HEX #AED203

RGB 174 210 3

HSL 70.43, 0.97%, 0.42%

LAB 79.1, -33.6, 78.2

 

CMYK 99 / 0 / 33 / 18

HEX #03D28D

RGB 3 210 141

HSL 160, 0.97%, 0.42%

LAB 74.85, -59.32, 22.29

 

CMYK 82 / 99 / 0 / 18

HEX #2503D2

RGB 37 3 210

HSL 249.86, 0.97%, 0.42%

LAB 27.05, 68.22, -90.92

 

CMYK 0 / 99 / 66 / 18

HEX #D20348

RGB 210 3 72

HSL 340, 0.97%, 0.42%

LAB 44.57, 70.75, 22.76

 

Description

Color code: HEX #AED203 | qconv.com Color code: HEX #AED203 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 210 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 210 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 99 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 99% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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