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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED151 it is the complementary color #512EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AED151 shade: #B3D14C, #C4E35F, #D5F572, #E6FF85 and #F7FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AED151 shade: #AED151, #9DBF3E, #8CAD2B, #7B9B18 and #6A8905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AED151 shade: #AED051, #D0D051, #D0AF51, #D08C51 and #D06A51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AED151 shade: #AED051, #8BD051, #69D051, #51D05C and #51D07E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AED151 shade matches the following richer shades: #AED051, #B6E240 and #BEF42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AED151 shade: #AED051, #A6BF63, #9EAD75, #969B86 and #8E8998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AED151 shade: #D0AF51, #D0D051, #AFD051, #8DD051 and #6BD051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AED151 shade: #83A42B, #9DC534, #AED051, #BDD972 and #CCE292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AED151 shade: #AED151, #51D08D and #BF51D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AED151 shade: #AED151, #51AFD0 and #D051AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AED151 shade: #AED151, #51D08D, #7351D0 and #D05195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AED151 shade: #AED151, #51D0B3, #7351D0 and #D0516F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 61 / 18

HEX #AED151

RGB 174 209 81

HSL 76.41, 0.58%, 0.57%

LAB 79.15, -30.09, 58

 

Complementary color

CMYK 53 / 74 / 0 / 32

HEX #512EAE

RGB 81 46 174

HSL 256.41, 0.58%, 0.43%

LAB 31.25, 47.23, -62.62

 

CMYK 14 / 0 / 64 / 18

HEX #B3D14C

RGB 179 209 76

HSL 73.53, 0.59%, 0.56%

LAB 79.45, -28.48, 60.5

 

CMYK 14 / 0 / 58 / 11

HEX #C4E35F

RGB 196 227 95

HSL 74.09, 0.7%, 0.63%

LAB 85.76, -28.88, 59.71

 

CMYK 13 / 0 / 53 / 4

HEX #D5F572

RGB 213 245 114

HSL 74.66, 0.87%, 0.7%

LAB 91.98, -29.19, 58.75

 

CMYK 10 / 0 / 48 / 0

HEX #E6FF85

RGB 230 255 133

HSL 72.3, 1%, 0.76%

LAB 96.01, -25.7, 55.16

 

CMYK 3 / 0 / 40 / 0

HEX #F7FF98

RGB 247 255 152

HSL 64.66, 1%, 0.8%

LAB 97.45, -17.37, 48.24

 

CMYK 17 / 0 / 61 / 18

HEX #AED151

RGB 174 209 81

HSL 76.41, 0.58%, 0.57%

LAB 79.15, -30.09, 58

 

CMYK 18 / 0 / 68 / 25

HEX #9DBF3E

RGB 157 191 62

HSL 75.81, 0.51%, 0.5%

LAB 72.75, -29.67, 58.64

 

CMYK 19 / 0 / 75 / 32

HEX #8CAD2B

RGB 140 173 43

HSL 75.23, 0.6%, 0.42%

LAB 66.24, -29.11, 58.79

 

CMYK 21 / 0 / 85 / 39

HEX #7B9B18

RGB 123 155 24

HSL 74.66, 0.73%, 0.35%

LAB 59.63, -28.35, 58.04

 

CMYK 23 / 0 / 96 / 46

HEX #6A8905

RGB 106 137 5

HSL 74.09, 0.93%, 0.28%

LAB 52.91, -27.34, 55.81

 

CMYK 16 / 0 / 61 / 18

HEX #AED051

RGB 174 208 81

HSL 76.06, 0.57%, 0.57%

LAB 78.87, -29.62, 57.69

 

CMYK 0 / 0 / 61 / 18

HEX #D0D051

RGB 208 208 81

HSL 60, 0.57%, 0.57%

LAB 81.36, -15.86, 61.1

 

CMYK 0 / 16 / 61 / 18

HEX #D0AF51

RGB 208 175 81

HSL 44.41, 0.57%, 0.57%

LAB 72.67, 1.12, 51.58

 

CMYK 0 / 33 / 61 / 18

HEX #D08C51

RGB 208 140 81

HSL 27.87, 0.57%, 0.57%

LAB 63.97, 19.99, 41.55

 

CMYK 0 / 49 / 61 / 18

HEX #D06A51

RGB 208 106 81

HSL 11.81, 0.57%, 0.57%

LAB 56.4, 38.12, 32.37

 

CMYK 16 / 0 / 61 / 18

HEX #AED051

RGB 174 208 81

HSL 76.06, 0.57%, 0.57%

LAB 78.87, -29.62, 57.69

 

CMYK 33 / 0 / 61 / 18

HEX #8BD051

RGB 139 208 81

HSL 92.6, 0.57%, 0.57%

LAB 76.8, -42.67, 54.81

 

CMYK 50 / 0 / 61 / 18

HEX #69D051

RGB 105 208 81

HSL 108.66, 0.57%, 0.57%

LAB 75.27, -53.48, 52.68

 

CMYK 61 / 0 / 56 / 18

HEX #51D05C

RGB 81 208 92

HSL 125.2, 0.57%, 0.57%

LAB 74.59, -58.27, 46.74

 

CMYK 61 / 0 / 39 / 18

HEX #51D07E

RGB 81 208 126

HSL 141.26, 0.57%, 0.57%

LAB 75.06, -53.13, 30.56

 

CMYK 16 / 0 / 61 / 18

HEX #AED051

RGB 174 208 81

HSL 76.06, 0.57%, 0.57%

LAB 78.87, -29.62, 57.69

 

CMYK 19 / 0 / 72 / 11

HEX #B6E240

RGB 182 226 64

HSL 76.3, 0.74%, 0.57%

LAB 84.33, -35.93, 70.06

 

CMYK 22 / 0 / 81 / 4

HEX #BEF42E

RGB 190 244 46

HSL 76.36, 0.9%, 0.57%

LAB 89.79, -41.66, 80.56

 

CMYK 16 / 0 / 61 / 18

HEX #AED051

RGB 174 208 81

HSL 76.06, 0.57%, 0.57%

LAB 78.87, -29.62, 57.69

 

CMYK 13 / 0 / 48 / 25

HEX #A6BF63

RGB 166 191 99

HSL 76.3, 0.42%, 0.57%

LAB 73.72, -22.93, 43.31

 

CMYK 9 / 0 / 32 / 32

HEX #9EAD75

RGB 158 173 117

HSL 76.07, 0.25%, 0.57%

LAB 68.34, -14.8, 27.09

 

CMYK 3 / 0 / 14 / 39

HEX #969B86

RGB 150 155 134

HSL 74.29, 0.1%, 0.57%

LAB 63.05, -5.68, 10.4

 

CMYK 7 / 10 / 0 / 40

HEX #8E8998

RGB 142 137 152

HSL 260, 0.07%, 0.57%

LAB 57.95, 4.86, -7.31

 

CMYK 0 / 16 / 61 / 18

HEX #D0AF51

RGB 208 175 81

HSL 44.41, 0.57%, 0.57%

LAB 72.67, 1.12, 51.58

 

CMYK 0 / 0 / 61 / 18

HEX #D0D051

RGB 208 208 81

HSL 60, 0.57%, 0.57%

LAB 81.36, -15.86, 61.1

 

CMYK 16 / 0 / 61 / 18

HEX #AFD051

RGB 175 208 81

HSL 75.59, 0.57%, 0.57%

LAB 78.94, -29.22, 57.78

 

CMYK 32 / 0 / 61 / 18

HEX #8DD051

RGB 141 208 81

HSL 91.65, 0.57%, 0.57%

LAB 76.9, -41.97, 54.96

 

CMYK 49 / 0 / 61 / 18

HEX #6BD051

RGB 107 208 81

HSL 107.72, 0.57%, 0.57%

LAB 75.35, -52.91, 52.79

 

CMYK 20 / 0 / 74 / 36

HEX #83A42B

RGB 131 164 43

HSL 76.36, 0.58%, 0.41%

LAB 62.97, -28.49, 55.43

 

CMYK 20 / 0 / 74 / 23

HEX #9DC534

RGB 157 197 52

HSL 76.55, 0.58%, 0.49%

LAB 74.41, -33.07, 63.96

 

CMYK 16 / 0 / 61 / 18

HEX #AED051

RGB 174 208 81

HSL 76.06, 0.57%, 0.57%

LAB 78.87, -29.62, 57.69

 

CMYK 13 / 0 / 47 / 15

HEX #BDD972

RGB 189 217 114

HSL 76.31, 0.58%, 0.65%

LAB 82.73, -25.1, 47.36

 

CMYK 10 / 0 / 35 / 11

HEX #CCE292

RGB 204 226 146

HSL 76.5, 0.58%, 0.73%

LAB 86.66, -20.13, 36.74

 

CMYK 17 / 0 / 61 / 18

HEX #AED151

RGB 174 209 81

HSL 76.41, 0.58%, 0.57%

LAB 79.15, -30.09, 58

 

CMYK 61 / 0 / 32 / 18

HEX #51D08D

RGB 81 208 141

HSL 148.35, 0.57%, 0.57%

LAB 75.32, -50.34, 23.11

 

CMYK 8 / 61 / 0 / 18

HEX #BF51D0

RGB 191 81 208

HSL 291.97, 0.57%, 0.57%

LAB 53.51, 61.53, -45.87

 

CMYK 17 / 0 / 61 / 18

HEX #AED151

RGB 174 209 81

HSL 76.41, 0.58%, 0.57%

LAB 79.15, -30.09, 58

 

CMYK 61 / 16 / 0 / 18

HEX #51AFD0

RGB 81 175 208

HSL 195.59, 0.57%, 0.57%

LAB 67.25, -17.99, -25.06

 

CMYK 0 / 61 / 16 / 18

HEX #D051AF

RGB 208 81 175

HSL 315.59, 0.57%, 0.57%

LAB 54.44, 60.46, -25.23

 

CMYK 17 / 0 / 61 / 18

HEX #AED151

RGB 174 209 81

HSL 76.41, 0.58%, 0.57%

LAB 79.15, -30.09, 58

 

CMYK 61 / 0 / 32 / 18

HEX #51D08D

RGB 81 208 141

HSL 148.35, 0.57%, 0.57%

LAB 75.32, -50.34, 23.11

 

CMYK 45 / 61 / 0 / 18

HEX #7351D0

RGB 115 81 208

HSL 256.06, 0.57%, 0.57%

LAB 44.35, 44.03, -61.06

 

CMYK 0 / 61 / 28 / 18

HEX #D05195

RGB 208 81 149

HSL 327.87, 0.57%, 0.57%

LAB 53.45, 56.88, -11.49

 

CMYK 17 / 0 / 61 / 18

HEX #AED151

RGB 174 209 81

HSL 76.41, 0.58%, 0.57%

LAB 79.15, -30.09, 58

 

CMYK 61 / 0 / 14 / 18

HEX #51D0B3

RGB 81 208 179

HSL 166.3, 0.57%, 0.57%

LAB 76.14, -41.92, 4.02

 

CMYK 45 / 61 / 0 / 18

HEX #7351D0

RGB 115 81 208

HSL 256.06, 0.57%, 0.57%

LAB 44.35, 44.03, -61.06

 

CMYK 0 / 61 / 47 / 18

HEX #D0516F

RGB 208 81 111

HSL 345.83, 0.57%, 0.57%

LAB 52.33, 52.65, 9.48

 

Description

Color code: HEX #AED151 | qconv.com Color code: HEX #AED151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 209 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 209 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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