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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED826 it is the complementary color #5127D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED826. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AED826 shade: #B3D821, #C4EA34, #D5FC47, #E6FF5A and #F7FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED826. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AED826 shade: #AED826, #9DC613, #8CB400, #7BA200 and #6A9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AED826 shade: #AED826, #D8D226, #D8A226, #D87226 and #D84226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AED826 shade: #AED826, #7ED826, #4ED826, #26D82E and #26D85E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AED826 shade matches the following richer shades: #AED826 and #B9ED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AED826 shade: #AED826, #A3C43A, #98AF4F, #8D9A64 and #838678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AED826 shade: #D8A326, #D8D226, #AFD826, #7FD826 and #4FD826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AED826 shade: #769219, #92B520, #AED826, #BBDE49 and #C8E56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AED826 shade: #AED826, #26D873 and #BA26D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AED826 shade: #AED826, #26AFD8 and #D826AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AED826 shade: #AED826, #26D873, #4F26D8 and #D8268B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AED826 shade: #AED826, #26D8A9, #4F26D8 and #D82655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

Complementary color

CMYK 63 / 82 / 0 / 15

HEX #5127D9

RGB 81 39 217

HSL 254.16, 0.7%, 0.5%

LAB 34.42, 62.41, -82.64

 

CMYK 17 / 0 / 85 / 15

HEX #B3D821

RGB 179 216 33

HSL 72.13, 0.73%, 0.49%

LAB 81.18, -33.81, 75.84

 

CMYK 16 / 0 / 78 / 8

HEX #C4EA34

RGB 196 234 52

HSL 72.53, 0.81%, 0.56%

LAB 87.4, -34.65, 77.01

 

CMYK 15 / 0 / 72 / 1

HEX #D5FC47

RGB 213 252 71

HSL 72.93, 0.97%, 0.63%

LAB 93.55, -35.34, 77.35

 

CMYK 10 / 0 / 65 / 0

HEX #E6FF5A

RGB 230 255 90

HSL 69.09, 1%, 0.68%

LAB 95.61, -29.05, 73.04

 

CMYK 3 / 0 / 57 / 0

HEX #F7FF6D

RGB 247 255 109

HSL 63.29, 1%, 0.71%

LAB 96.98, -21.13, 67.24

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 21 / 0 / 90 / 22

HEX #9DC613

RGB 157 198 19

HSL 73.74, 0.82%, 0.43%

LAB 74.57, -34.72, 72.39

 

CMYK 22 / 0 / 100 / 29

HEX #8CB400

RGB 140 180 0

HSL 73.33, 1%, 0.35%

LAB 68.18, -33.61, 69.26

 

CMYK 24 / 0 / 100 / 36

HEX #7BA200

RGB 123 162 0

HSL 74.44, 1%, 0.32%

LAB 61.7, -32.21, 63.86

 

CMYK 26 / 0 / 100 / 44

HEX #6A9000

RGB 106 144 0

HSL 75.83, 1%, 0.28%

LAB 55.08, -30.79, 58.35

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 0 / 3 / 82 / 15

HEX #D8D226

RGB 216 210 38

HSL 57.98, 0.7%, 0.5%

LAB 82.29, -15.47, 76.74

 

CMYK 0 / 25 / 82 / 15

HEX #D8A226

RGB 216 162 38

HSL 41.8, 0.7%, 0.5%

LAB 69.88, 9.42, 66.18

 

CMYK 0 / 47 / 82 / 15

HEX #D87226

RGB 216 114 38

HSL 25.62, 0.7%, 0.5%

LAB 58.76, 35.05, 56.47

 

CMYK 0 / 69 / 82 / 15

HEX #D84226

RGB 216 66 38

HSL 9.44, 0.7%, 0.5%

LAB 50.26, 57.16, 48.78

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 42 / 0 / 82 / 15

HEX #7ED826

RGB 126 216 38

HSL 90.34, 0.7%, 0.5%

LAB 78.28, -53.15, 71.04

 

CMYK 64 / 0 / 82 / 15

HEX #4ED826

RGB 78 216 38

HSL 106.52, 0.7%, 0.5%

LAB 76.6, -66.26, 68.9

 

CMYK 82 / 0 / 79 / 15

HEX #26D82E

RGB 38 216 46

HSL 122.7, 0.7%, 0.5%

LAB 75.9, -72.17, 65.81

 

CMYK 82 / 0 / 56 / 15

HEX #26D85E

RGB 38 216 94

HSL 138.88, 0.7%, 0.5%

LAB 76.27, -67.53, 47.6

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 22 / 0 / 93 / 7

HEX #B9ED11

RGB 185 237 17

HSL 74.18, 0.87%, 0.5%

LAB 87.45, -41.21, 83.64

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 17 / 0 / 70 / 23

HEX #A3C43A

RGB 163 196 58

HSL 74.35, 0.54%, 0.5%

LAB 74.55, -29.87, 62.12

 

CMYK 13 / 0 / 55 / 31

HEX #98AF4F

RGB 152 175 79

HSL 74.38, 0.38%, 0.5%

LAB 67.95, -22.58, 45.88

 

CMYK 8 / 0 / 35 / 40

HEX #8D9A64

RGB 141 154 100

HSL 74.44, 0.21%, 0.5%

LAB 61.39, -13.9, 26.85

 

CMYK 2 / 0 / 10 / 47

HEX #838678

RGB 131 134 120

HSL 72.86, 0.06%, 0.5%

LAB 55.31, -3.78, 7.15

HEX #838678

CMYK 0 / 25 / 82 / 15

HEX #D8A326

RGB 216 163 38

HSL 42.13, 0.7%, 0.5%

LAB 70.13, 8.88, 66.39

 

CMYK 0 / 3 / 82 / 15

HEX #D8D226

RGB 216 210 38

HSL 57.98, 0.7%, 0.5%

LAB 82.29, -15.47, 76.74

 

CMYK 19 / 0 / 82 / 15

HEX #AFD826

RGB 175 216 38

HSL 73.82, 0.7%, 0.5%

LAB 80.94, -35.25, 74.4

 

CMYK 41 / 0 / 82 / 15

HEX #7FD826

RGB 127 216 38

HSL 90, 0.7%, 0.5%

LAB 78.32, -52.83, 71.1

 

CMYK 63 / 0 / 82 / 15

HEX #4FD826

RGB 79 216 38

HSL 106.18, 0.7%, 0.5%

LAB 76.63, -66.05, 68.93

 

CMYK 19 / 0 / 83 / 43

HEX #769219

RGB 118 146 25

HSL 73.88, 0.71%, 0.34%

LAB 56.56, -26.04, 54.95

 

CMYK 19 / 0 / 82 / 29

HEX #92B520

RGB 146 181 32

HSL 74.09, 0.7%, 0.42%

LAB 68.94, -30.92, 64.7

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 16 / 0 / 67 / 13

HEX #BBDE49

RGB 187 222 73

HSL 74.09, 0.69%, 0.58%

LAB 83.59, -31.62, 66.18

 

CMYK 13 / 0 / 53 / 10

HEX #C8E56C

RGB 200 229 108

HSL 74.38, 0.7%, 0.66%

LAB 86.7, -27.18, 55.08

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 82 / 0 / 47 / 15

HEX #26D873

RGB 38 216 115

HSL 145.96, 0.7%, 0.5%

LAB 76.53, -64.39, 37.87

 

CMYK 14 / 82 / 0 / 15

HEX #BA26D8

RGB 186 38 216

HSL 289.89, 0.7%, 0.5%

LAB 47.99, 76.82, -59.32

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 82 / 19 / 0 / 15

HEX #26AFD8

RGB 38 175 216

HSL 193.82, 0.7%, 0.5%

LAB 66.54, -21.03, -30.64

 

CMYK 0 / 82 / 19 / 15

HEX #D826AF

RGB 216 38 175

HSL 313.82, 0.7%, 0.5%

LAB 50.78, 76.41, -30.8

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 82 / 0 / 47 / 15

HEX #26D873

RGB 38 216 115

HSL 145.96, 0.7%, 0.5%

LAB 76.53, -64.39, 37.87

 

CMYK 63 / 82 / 0 / 15

HEX #4F26D8

RGB 79 38 216

HSL 253.82, 0.7%, 0.5%

LAB 34, 62.36, -82.76

 

CMYK 0 / 82 / 36 / 15

HEX #D8268B

RGB 216 38 139

HSL 325.96, 0.7%, 0.5%

LAB 49.31, 72.27, -11.63

 

CMYK 19 / 0 / 82 / 15

HEX #AED826

RGB 174 216 38

HSL 74.16, 0.7%, 0.5%

LAB 80.88, -35.65, 74.32

 

CMYK 82 / 0 / 22 / 15

HEX #26D8A9

RGB 38 216 169

HSL 164.16, 0.7%, 0.5%

LAB 77.51, -53.37, 11.23

 

CMYK 63 / 82 / 0 / 15

HEX #4F26D8

RGB 79 38 216

HSL 253.82, 0.7%, 0.5%

LAB 34, 62.36, -82.76

 

CMYK 0 / 82 / 61 / 15

HEX #D82655

RGB 216 38 85

HSL 344.16, 0.7%, 0.5%

LAB 47.8, 67.86, 19.2

 

Description

Color code: HEX #AED826 | qconv.com Color code: HEX #AED826 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 216 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 216 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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