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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC729 it is the complementary color #5138D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC729 shade: #B3C724, #C4D937, #D5EB4A, #E6FD5D and #F7FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC729 shade: #AEC729, #9DB516, #8CA303, #7B9100 and #6A7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC729 shade: #ADC628, #C6B528, #C68A28, #C65F28 and #C63528

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC729 shade: #ADC628, #83C628, #58C628, #2DC628 and #28C64E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC729 shade matches the following richer shades: #ADC628, #BBDA15 and #C8ED01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC729 shade: #ADC628, #A0B33C, #93A04F, #868C62 and #787976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC729 shade: #C68A28, #C6B428, #AFC628, #85C628 and #5AC628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC729 shade: #72821A, #8FA421, #ADC628, #C0D840 and #CBDF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC729 shade: #AEC729, #28C660 and #9F28C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC729 shade: #AEC729, #28AFC6 and #C628AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC729 shade: #AEC729, #28C660, #4028C6 and #C6288F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC729 shade: #AEC729, #28C68F, #4028C6 and #C62860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 79 / 22

HEX #AEC729

RGB 174 199 41

HSL 69.49, 0.66%, 0.47%

LAB 76.07, -27.62, 69.32

 

Complementary color

CMYK 62 / 74 / 0 / 16

HEX #5138D6

RGB 81 56 214

HSL 249.49, 0.66%, 0.53%

LAB 36.8, 53.8, -76.97

 

CMYK 10 / 0 / 82 / 22

HEX #B3C724

RGB 179 199 36

HSL 67.36, 0.69%, 0.46%

LAB 76.41, -25.72, 71.08

 

CMYK 10 / 0 / 75 / 15

HEX #C4D937

RGB 196 217 55

HSL 67.78, 0.68%, 0.53%

LAB 82.72, -26.61, 71.81

 

CMYK 9 / 0 / 69 / 8

HEX #D5EB4A

RGB 213 235 74

HSL 68.2, 0.8%, 0.61%

LAB 88.95, -27.33, 71.8

 

CMYK 9 / 0 / 63 / 1

HEX #E6FD5D

RGB 230 253 93

HSL 68.63, 0.98%, 0.68%

LAB 95.1, -27.93, 71.35

 

CMYK 3 / 0 / 56 / 0

HEX #F7FF70

RGB 247 255 112

HSL 63.36, 1%, 0.72%

LAB 97.01, -20.92, 65.99

 

CMYK 13 / 0 / 79 / 22

HEX #AEC729

RGB 174 199 41

HSL 69.49, 0.66%, 0.47%

LAB 76.07, -27.62, 69.32

 

CMYK 13 / 0 / 88 / 29

HEX #9DB516

RGB 157 181 22

HSL 69.06, 0.78%, 0.4%

LAB 69.66, -26.65, 67.88

 

CMYK 14 / 0 / 98 / 36

HEX #8CA303

RGB 140 163 3

HSL 68.63, 0.96%, 0.33%

LAB 63.16, -25.48, 65.06

 

CMYK 15 / 0 / 100 / 43

HEX #7B9100

RGB 123 145 0

HSL 69.1, 1%, 0.28%

LAB 56.55, -24.02, 59.97

 

CMYK 17 / 0 / 100 / 50

HEX #6A7F00

RGB 106 127 0

HSL 69.92, 1%, 0.25%

LAB 49.79, -22.48, 54.34

 

CMYK 13 / 0 / 80 / 22

HEX #ADC628

RGB 173 198 40

HSL 69.49, 0.66%, 0.47%

LAB 75.72, -27.6, 69.25

 

CMYK 0 / 9 / 80 / 22

HEX #C6B528

RGB 198 181 40

HSL 53.54, 0.66%, 0.47%

LAB 73.03, -8.44, 67.64

 

CMYK 0 / 30 / 80 / 22

HEX #C68A28

RGB 198 138 40

HSL 37.22, 0.66%, 0.47%

LAB 61.94, 14.61, 57.71

 

CMYK 0 / 52 / 80 / 22

HEX #C65F28

RGB 198 95 40

HSL 20.89, 0.66%, 0.47%

LAB 52.22, 37.69, 48.63

 

CMYK 0 / 73 / 80 / 22

HEX #C63528

RGB 198 53 40

HSL 4.94, 0.66%, 0.47%

LAB 45.23, 56.21, 41.79

 

CMYK 13 / 0 / 80 / 22

HEX #ADC628

RGB 173 198 40

HSL 69.49, 0.66%, 0.47%

LAB 75.72, -27.6, 69.25

 

CMYK 34 / 0 / 80 / 22

HEX #83C628

RGB 131 198 40

HSL 85.44, 0.66%, 0.47%

LAB 73.13, -44, 65.96

 

CMYK 56 / 0 / 80 / 22

HEX #58C628

RGB 88 198 40

HSL 101.77, 0.66%, 0.47%

LAB 71.29, -57.62, 63.59

 

CMYK 77 / 0 / 80 / 22

HEX #2DC628

RGB 45 198 40

HSL 118.1, 0.66%, 0.47%

LAB 70.25, -66.35, 62.23

 

CMYK 80 / 0 / 61 / 22

HEX #28C64E

RGB 40 198 78

HSL 134.43, 0.66%, 0.47%

LAB 70.45, -63.57, 48.07

 

CMYK 13 / 0 / 80 / 22

HEX #ADC628

RGB 173 198 40

HSL 69.49, 0.66%, 0.47%

LAB 75.72, -27.6, 69.25

 

CMYK 14 / 0 / 90 / 15

HEX #BBDA15

RGB 187 218 21

HSL 69.44, 0.82%, 0.47%

LAB 82.25, -31.78, 79.07

 

CMYK 16 / 0 / 100 / 7

HEX #C8ED01

RGB 200 237 1

HSL 69.41, 0.99%, 0.47%

LAB 88.38, -35.5, 86.14

 

CMYK 13 / 0 / 80 / 22

HEX #ADC628

RGB 173 198 40

HSL 69.49, 0.66%, 0.47%

LAB 75.72, -27.6, 69.25

 

CMYK 11 / 0 / 66 / 30

HEX #A0B33C

RGB 160 179 60

HSL 69.58, 0.5%, 0.47%

LAB 69.5, -22.76, 56.14

 

CMYK 8 / 0 / 51 / 37

HEX #93A04F

RGB 147 160 79

HSL 69.63, 0.34%, 0.47%

LAB 63.27, -17.04, 40.29

 

CMYK 4 / 0 / 30 / 45

HEX #868C62

RGB 134 140 98

HSL 68.57, 0.18%, 0.47%

LAB 56.79, -9.5, 21.76

 

CMYK 1 / 0 / 2 / 53

HEX #787976

RGB 120 121 118

HSL 80, 0.01%, 0.47%

LAB 50.66, -0.97, 1.5

 

CMYK 0 / 30 / 80 / 22

HEX #C68A28

RGB 198 138 40

HSL 37.22, 0.66%, 0.47%

LAB 61.94, 14.61, 57.71

 

CMYK 0 / 9 / 80 / 22

HEX #C6B428

RGB 198 180 40

HSL 53.16, 0.66%, 0.47%

LAB 72.76, -7.92, 67.4

 

CMYK 12 / 0 / 80 / 22

HEX #AFC628

RGB 175 198 40

HSL 68.73, 0.66%, 0.47%

LAB 75.86, -26.77, 69.43

 

CMYK 33 / 0 / 80 / 22

HEX #85C628

RGB 133 198 40

HSL 84.68, 0.66%, 0.47%

LAB 73.24, -43.27, 66.09

 

CMYK 55 / 0 / 80 / 22

HEX #5AC628

RGB 90 198 40

HSL 101.01, 0.66%, 0.47%

LAB 71.36, -57.08, 63.68

 

CMYK 12 / 0 / 80 / 49

HEX #72821A

RGB 114 130 26

HSL 69.23, 0.67%, 0.31%

LAB 51.4, -19.67, 49.9

 

CMYK 13 / 0 / 80 / 36

HEX #8FA421

RGB 143 164 33

HSL 69.62, 0.66%, 0.39%

LAB 63.75, -23.93, 59.74

 

CMYK 13 / 0 / 80 / 22

HEX #ADC628

RGB 173 198 40

HSL 69.49, 0.66%, 0.47%

LAB 75.72, -27.6, 69.25

 

CMYK 11 / 0 / 70 / 15

HEX #C0D840

RGB 192 216 64

HSL 69.47, 0.66%, 0.55%

LAB 82.21, -27.32, 68.2

 

CMYK 9 / 0 / 56 / 13

HEX #CBDF63

RGB 203 223 99

HSL 69.68, 0.66%, 0.63%

LAB 85.19, -23.91, 57.44

 

CMYK 13 / 0 / 79 / 22

HEX #AEC729

RGB 174 199 41

HSL 69.49, 0.66%, 0.47%

LAB 76.07, -27.62, 69.32

 

CMYK 80 / 0 / 52 / 22

HEX #28C660

RGB 40 198 96

HSL 141.27, 0.66%, 0.47%

LAB 70.65, -61.11, 39.86

 

CMYK 20 / 80 / 0 / 22

HEX #9F28C6

RGB 159 40 198

HSL 285.19, 0.66%, 0.47%

LAB 42.71, 68.36, -57.67

 

CMYK 13 / 0 / 79 / 22

HEX #AEC729

RGB 174 199 41

HSL 69.49, 0.66%, 0.47%

LAB 76.07, -27.62, 69.32

 

CMYK 80 / 12 / 0 / 22

HEX #28AFC6

RGB 40 175 198

HSL 188.73, 0.66%, 0.47%

LAB 65.89, -26.77, -21.69

 

CMYK 0 / 80 / 12 / 22

HEX #C628AF

RGB 198 40 175

HSL 308.73, 0.66%, 0.47%

LAB 47.78, 72.16, -35.73

 

CMYK 13 / 0 / 79 / 22

HEX #AEC729

RGB 174 199 41

HSL 69.49, 0.66%, 0.47%

LAB 76.07, -27.62, 69.32

 

CMYK 80 / 0 / 52 / 22

HEX #28C660

RGB 40 198 96

HSL 141.27, 0.66%, 0.47%

LAB 70.65, -61.11, 39.86

 

CMYK 68 / 80 / 0 / 22

HEX #4028C6

RGB 64 40 198

HSL 249.11, 0.66%, 0.47%

LAB 31.08, 55.13, -77.17

 

CMYK 0 / 80 / 28 / 22

HEX #C6288F

RGB 198 40 143

HSL 320.89, 0.66%, 0.47%

LAB 46.32, 68.01, -18.9

 

CMYK 13 / 0 / 79 / 22

HEX #AEC729

RGB 174 199 41

HSL 69.49, 0.66%, 0.47%

LAB 76.07, -27.62, 69.32

 

CMYK 80 / 0 / 28 / 22

HEX #28C68F

RGB 40 198 143

HSL 159.11, 0.66%, 0.47%

LAB 71.43, -52.18, 16.57

 

CMYK 68 / 80 / 0 / 22

HEX #4028C6

RGB 64 40 198

HSL 249.11, 0.66%, 0.47%

LAB 31.08, 55.13, -77.17

 

CMYK 0 / 80 / 52 / 22

HEX #C62860

RGB 198 40 96

HSL 338.73, 0.66%, 0.47%

LAB 44.76, 63.36, 7.65

 

Description

Color code: HEX #AEC729 | qconv.com Color code: HEX #AEC729 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 199 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 199 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 79% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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