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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEB253 it is the complementary color #514DAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEB253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEB253 shade: #B3B24E, #C4C461, #D5D674, #E6E887 and #F7FA9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEB253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEB253 shade: #AEB253, #9DA040, #8C8E2D, #7B7C1A and #6A6A07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEB253 shade: #ADB152, #B19B52, #B18252, #B16852 and #B15252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEB253 shade: #ADB152, #93B152, #7AB152, #60B152 and #52B15E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEB253 shade matches the following richer shades: #ADB152, #C0C53E, #D2D92A and #E5EE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEB253 shade: #ADB152, #9B9D66, #88897B, #75748F and #6360A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEB253 shade: #B18252, #B19B52, #AEB152, #95B152 and #7BB152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEB253 shade: #777A37, #939743, #ADB152, #BABE6F and #C8CB8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEB253 shade: #AEB253, #52B168 and #8E52B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEB253 shade: #AEB253, #52AEB1 and #B152AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEB253 shade: #AEB253, #52B168, #5552B1 and #B1529B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEB253 shade: #AEB253, #52B185, #5552B1 and #B1527E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 53 / 30

HEX #AEB253

RGB 174 178 83

HSL 62.53, 0.38%, 0.51%

LAB 70.5, -14.68, 47.37

 

Complementary color

CMYK 53 / 55 / 0 / 33

HEX #514DAC

RGB 81 77 172

HSL 242.53, 0.38%, 0.49%

LAB 37.91, 28.48, -50.6

 

CMYK 0 / 1 / 56 / 30

HEX #B3B24E

RGB 179 178 78

HSL 59.41, 0.4%, 0.5%

LAB 70.85, -12.99, 50.22

 

CMYK 0 / 0 / 51 / 23

HEX #C4C461

RGB 196 196 97

HSL 60, 0.46%, 0.57%

LAB 77.33, -13.55, 49.13

 

CMYK 0 / 0 / 46 / 16

HEX #D5D674

RGB 213 214 116

HSL 60.61, 0.54%, 0.65%

LAB 83.7, -14.02, 47.98

 

CMYK 1 / 0 / 42 / 9

HEX #E6E887

RGB 230 232 135

HSL 61.24, 0.68%, 0.72%

LAB 89.99, -14.4, 46.83

 

CMYK 1 / 0 / 38 / 2

HEX #F7FA9A

RGB 247 250 154

HSL 61.88, 0.91%, 0.79%

LAB 96.19, -14.73, 45.68

 

CMYK 2 / 0 / 53 / 30

HEX #AEB253

RGB 174 178 83

HSL 62.53, 0.38%, 0.51%

LAB 70.5, -14.68, 47.37

 

CMYK 2 / 0 / 60 / 37

HEX #9DA040

RGB 157 160 64

HSL 61.88, 0.43%, 0.44%

LAB 63.9, -14.1, 48.39

 

CMYK 1 / 0 / 68 / 44

HEX #8C8E2D

RGB 140 142 45

HSL 61.24, 0.52%, 0.37%

LAB 57.18, -13.36, 49.13

 

CMYK 1 / 0 / 79 / 51

HEX #7B7C1A

RGB 123 124 26

HSL 60.61, 0.65%, 0.29%

LAB 50.34, -12.39, 49.2

 

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

CMYK 2 / 0 / 54 / 31

HEX #ADB152

RGB 173 177 82

HSL 62.53, 0.38%, 0.51%

LAB 70.13, -14.67, 47.4

 

CMYK 0 / 12 / 54 / 31

HEX #B19B52

RGB 177 155 82

HSL 46.11, 0.38%, 0.51%

LAB 64.48, -1.35, 40.85

 

CMYK 0 / 27 / 54 / 31

HEX #B18252

RGB 177 130 82

HSL 30.32, 0.38%, 0.51%

LAB 57.96, 12.45, 32.9

 

CMYK 0 / 41 / 54 / 31

HEX #B16852

RGB 177 104 82

HSL 13.89, 0.38%, 0.51%

LAB 51.68, 26.96, 24.91

 

CMYK 0 / 54 / 54 / 31

HEX #B15252

RGB 177 82 82

HSL 0, 0.38%, 0.51%

LAB 46.96, 38.7, 18.7

 

CMYK 2 / 0 / 54 / 31

HEX #ADB152

RGB 173 177 82

HSL 62.53, 0.38%, 0.51%

LAB 70.13, -14.67, 47.4

 

CMYK 17 / 0 / 54 / 31

HEX #93B152

RGB 147 177 82

HSL 78.95, 0.38%, 0.51%

LAB 68.21, -25.29, 44.67

 

CMYK 31 / 0 / 54 / 31

HEX #7AB152

RGB 122 177 82

HSL 94.74, 0.38%, 0.51%

LAB 66.67, -34.8, 42.46

 

CMYK 46 / 0 / 54 / 31

HEX #60B152

RGB 96 177 82

HSL 111.16, 0.38%, 0.51%

LAB 65.39, -43.5, 40.63

 

CMYK 54 / 0 / 47 / 31

HEX #52B15E

RGB 82 177 94

HSL 127.58, 0.38%, 0.51%

LAB 65, -45.8, 34.02

 

CMYK 2 / 0 / 54 / 31

HEX #ADB152

RGB 173 177 82

HSL 62.53, 0.38%, 0.51%

LAB 70.13, -14.67, 47.4

 

CMYK 3 / 0 / 69 / 23

HEX #C0C53E

RGB 192 197 62

HSL 62.22, 0.54%, 0.51%

LAB 76.97, -18.18, 63.74

 

CMYK 3 / 0 / 81 / 15

HEX #D2D92A

RGB 210 217 42

HSL 62.4, 0.7%, 0.51%

LAB 83.7, -21.31, 76.77

 

CMYK 4 / 0 / 91 / 7

HEX #E5EE15

RGB 229 238 21

HSL 62.49, 0.86%, 0.51%

LAB 90.72, -23.98, 87.01

 

CMYK 2 / 0 / 54 / 31

HEX #ADB152

RGB 173 177 82

HSL 62.53, 0.38%, 0.51%

LAB 70.13, -14.67, 47.4

 

CMYK 1 / 0 / 35 / 38

HEX #9B9D66

RGB 155 157 102

HSL 62.18, 0.22%, 0.51%

LAB 63.38, -9.56, 28.57

 

CMYK 1 / 0 / 10 / 46

HEX #88897B

RGB 136 137 123

HSL 64.29, 0.06%, 0.51%

LAB 56.64, -3, 7.38

 

CMYK 18 / 19 / 0 / 44

HEX #75748F

RGB 117 116 143

HSL 242.22, 0.11%, 0.51%

LAB 49.8, 6.33, -14.53

 

CMYK 39 / 41 / 0 / 36

HEX #6360A3

RGB 99 96 163

HSL 242.69, 0.27%, 0.51%

LAB 43.75, 18.2, -35.86

 

CMYK 0 / 27 / 54 / 31

HEX #B18252

RGB 177 130 82

HSL 30.32, 0.38%, 0.51%

LAB 57.96, 12.45, 32.9

 

CMYK 0 / 12 / 54 / 31

HEX #B19B52

RGB 177 155 82

HSL 46.11, 0.38%, 0.51%

LAB 64.48, -1.35, 40.85

 

CMYK 2 / 0 / 54 / 31

HEX #AEB152

RGB 174 177 82

HSL 61.89, 0.38%, 0.51%

LAB 70.21, -14.25, 47.51

 

CMYK 16 / 0 / 54 / 31

HEX #95B152

RGB 149 177 82

HSL 77.68, 0.38%, 0.51%

LAB 68.35, -24.5, 44.86

 

CMYK 31 / 0 / 54 / 31

HEX #7BB152

RGB 123 177 82

HSL 94.11, 0.38%, 0.51%

LAB 66.72, -34.44, 42.54

 

CMYK 2 / 0 / 55 / 52

HEX #777A37

RGB 119 122 55

HSL 62.69, 0.38%, 0.35%

LAB 49.64, -11.19, 35.78

 

CMYK 3 / 0 / 56 / 41

HEX #939743

RGB 147 151 67

HSL 62.86, 0.39%, 0.43%

LAB 60.55, -13.45, 43.01

 

CMYK 2 / 0 / 54 / 31

HEX #ADB152

RGB 173 177 82

HSL 62.53, 0.38%, 0.51%

LAB 70.13, -14.67, 47.4

 

CMYK 2 / 0 / 42 / 25

HEX #BABE6F

RGB 186 190 111

HSL 63.04, 0.38%, 0.59%

LAB 75.09, -13.19, 39.34

 

CMYK 1 / 0 / 32 / 20

HEX #C8CB8B

RGB 200 203 139

HSL 62.81, 0.38%, 0.67%

LAB 80.1, -11.03, 31.65

 

CMYK 2 / 0 / 53 / 30

HEX #AEB253

RGB 174 178 83

HSL 62.53, 0.38%, 0.51%

LAB 70.5, -14.68, 47.37

 

CMYK 54 / 0 / 41 / 31

HEX #52B168

RGB 82 177 104

HSL 133.89, 0.38%, 0.51%

LAB 65.15, -44.19, 29.02

 

CMYK 20 / 54 / 0 / 31

HEX #8E52B1

RGB 142 82 177

HSL 277.89, 0.38%, 0.51%

LAB 45.58, 42.07, -40.92

 

CMYK 2 / 0 / 53 / 30

HEX #AEB253

RGB 174 178 83

HSL 62.53, 0.38%, 0.51%

LAB 70.5, -14.68, 47.37

 

CMYK 54 / 2 / 0 / 31

HEX #52AEB1

RGB 82 174 177

HSL 181.89, 0.38%, 0.51%

LAB 65.94, -26.32, -9.88

 

CMYK 0 / 54 / 2 / 31

HEX #B152AE

RGB 177 82 174

HSL 301.89, 0.38%, 0.51%

LAB 50.02, 51.21, -31.86

 

CMYK 2 / 0 / 53 / 30

HEX #AEB253

RGB 174 178 83

HSL 62.53, 0.38%, 0.51%

LAB 70.5, -14.68, 47.37

 

CMYK 54 / 0 / 41 / 31

HEX #52B168

RGB 82 177 104

HSL 133.89, 0.38%, 0.51%

LAB 65.15, -44.19, 29.02

 

CMYK 52 / 54 / 0 / 31

HEX #5552B1

RGB 85 82 177

HSL 241.89, 0.38%, 0.51%

LAB 39.82, 27.8, -50.47

 

CMYK 0 / 54 / 12 / 31

HEX #B1529B

RGB 177 82 155

HSL 313.89, 0.38%, 0.51%

LAB 49.19, 47.96, -21.96

 

CMYK 2 / 0 / 53 / 30

HEX #AEB253

RGB 174 178 83

HSL 62.53, 0.38%, 0.51%

LAB 70.5, -14.68, 47.37

 

CMYK 54 / 0 / 25 / 31

HEX #52B185

RGB 82 177 133

HSL 152.21, 0.38%, 0.51%

LAB 65.7, -38.6, 14.13

 

CMYK 52 / 54 / 0 / 31

HEX #5552B1

RGB 85 82 177

HSL 241.89, 0.38%, 0.51%

LAB 39.82, 27.8, -50.47

 

CMYK 0 / 54 / 29 / 31

HEX #B1527E

RGB 177 82 126

HSL 332.21, 0.38%, 0.51%

LAB 48.12, 43.62, -6.25

 

Description

Color code: HEX #AEB253 | qconv.com Color code: HEX #AEB253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 178 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 178 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 53 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 53% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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