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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEB45D it is the complementary color #514BA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEB45D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEB45D shade: #B3B458, #C4C66B, #D5D87E, #E6EA91 and #F7FCA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEB45D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEB45D shade: #AEB45D, #9DA24A, #8C9037, #7B7E24 and #6A6C11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEB45D shade: #AFB55E, #B5A35E, #B58C5E, #B5745E and #B55E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEB45D shade: #AFB55E, #97B55E, #80B55E, #68B55E and #5EB56B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEB45D shade matches the following richer shades: #AFB55E, #BFC84B, #CFDB38 and #E0EE25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEB45D shade: #AFB55E, #9EA271, #8E8F84, #7E7C97 and #6D69AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEB45D shade: #B58C5E, #B5A35E, #AFB55E, #98B55E and #81B55E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEB45D shade: #7F843C, #9AA049, #AFB55E, #BDC27A and #CBCF96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEB45D shade: #AEB45D, #5EB575 and #985EB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEB45D shade: #AEB45D, #5EAFB5 and #B55EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEB45D shade: #AEB45D, #5EB575, #645EB5 and #B55E9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEB45D shade: #AEB45D, #5EB58F, #645EB5 and #B55E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 48 / 29

HEX #AEB45D

RGB 174 180 93

HSL 64.14, 0.37%, 0.54%

LAB 71.17, -14.79, 43.31

 

Complementary color

CMYK 50 / 54 / 0 / 36

HEX #514BA2

RGB 81 75 162

HSL 244.14, 0.37%, 0.46%

LAB 36.72, 26.54, -46.54

 

CMYK 1 / 0 / 51 / 29

HEX #B3B458

RGB 179 180 88

HSL 60.65, 0.38%, 0.53%

LAB 71.51, -13.19, 46.25

 

CMYK 1 / 0 / 46 / 22

HEX #C4C66B

RGB 196 198 107

HSL 61.32, 0.44%, 0.6%

LAB 77.98, -13.65, 45.09

 

CMYK 1 / 0 / 42 / 15

HEX #D5D87E

RGB 213 216 126

HSL 62, 0.54%, 0.67%

LAB 84.36, -14.02, 43.92

 

CMYK 2 / 0 / 38 / 8

HEX #E6EA91

RGB 230 234 145

HSL 62.7, 0.68%, 0.74%

LAB 90.65, -14.34, 42.76

 

CMYK 2 / 0 / 35 / 1

HEX #F7FCA4

RGB 247 252 164

HSL 63.41, 0.94%, 0.82%

LAB 96.85, -14.6, 41.64

 

CMYK 3 / 0 / 48 / 29

HEX #AEB45D

RGB 174 180 93

HSL 64.14, 0.37%, 0.54%

LAB 71.17, -14.79, 43.31

 

CMYK 3 / 0 / 54 / 36

HEX #9DA24A

RGB 157 162 74

HSL 63.41, 0.37%, 0.46%

LAB 64.57, -14.33, 44.46

 

CMYK 3 / 0 / 62 / 44

HEX #8C9037

RGB 140 144 55

HSL 62.7, 0.45%, 0.39%

LAB 57.84, -13.75, 45.47

 

CMYK 2 / 0 / 71 / 51

HEX #7B7E24

RGB 123 126 36

HSL 62, 0.56%, 0.32%

LAB 50.99, -12.97, 46.12

 

CMYK 2 / 0 / 84 / 58

HEX #6A6C11

RGB 106 108 17

HSL 61.32, 0.73%, 0.25%

LAB 43.99, -11.93, 45.85

 

CMYK 3 / 0 / 48 / 29

HEX #AFB55E

RGB 175 181 94

HSL 64.14, 0.37%, 0.54%

LAB 71.53, -14.79, 43.28

 

CMYK 0 / 10 / 48 / 29

HEX #B5A35E

RGB 181 163 94

HSL 47.59, 0.37%, 0.54%

LAB 67.15, -2.85, 38.04

 

CMYK 0 / 23 / 48 / 29

HEX #B58C5E

RGB 181 140 94

HSL 31.72, 0.37%, 0.54%

LAB 61.12, 9.72, 30.47

 

CMYK 0 / 36 / 48 / 29

HEX #B5745E

RGB 181 116 94

HSL 15.17, 0.37%, 0.54%

LAB 55.2, 23.09, 22.75

 

CMYK 0 / 48 / 48 / 29

HEX #B55E5E

RGB 181 94 94

HSL 0, 0.37%, 0.54%

LAB 50.26, 35.09, 16.1

 

CMYK 3 / 0 / 48 / 29

HEX #AFB55E

RGB 175 181 94

HSL 64.14, 0.37%, 0.54%

LAB 71.53, -14.79, 43.28

 

CMYK 17 / 0 / 48 / 29

HEX #97B55E

RGB 151 181 94

HSL 80.69, 0.37%, 0.54%

LAB 69.78, -24.43, 40.74

 

CMYK 29 / 0 / 48 / 29

HEX #80B55E

RGB 128 181 94

HSL 96.55, 0.37%, 0.54%

LAB 68.35, -33.08, 38.66

 

CMYK 43 / 0 / 48 / 29

HEX #68B55E

RGB 104 181 94

HSL 113.1, 0.37%, 0.54%

LAB 67.13, -41.16, 36.88

 

CMYK 48 / 0 / 41 / 29

HEX #5EB56B

RGB 94 181 107

HSL 128.97, 0.37%, 0.54%

LAB 66.89, -42.17, 29.8

 

CMYK 3 / 0 / 48 / 29

HEX #AFB55E

RGB 175 181 94

HSL 64.14, 0.37%, 0.54%

LAB 71.53, -14.79, 43.28

 

CMYK 5 / 0 / 63 / 22

HEX #BFC84B

RGB 191 200 75

HSL 64.32, 0.53%, 0.54%

LAB 77.81, -19.31, 59.43

 

CMYK 5 / 0 / 74 / 14

HEX #CFDB38

RGB 207 219 56

HSL 64.42, 0.69%, 0.54%

LAB 84.08, -23.01, 73.05

 

CMYK 6 / 0 / 84 / 7

HEX #E0EE25

RGB 224 238 37

HSL 64.18, 0.86%, 0.54%

LAB 90.38, -25.73, 83.96

 

CMYK 3 / 0 / 48 / 29

HEX #AFB55E

RGB 175 181 94

HSL 64.14, 0.37%, 0.54%

LAB 71.53, -14.79, 43.28

 

CMYK 2 / 0 / 30 / 36

HEX #9EA271

RGB 158 162 113

HSL 64.9, 0.21%, 0.54%

LAB 65.2, -9.57, 25.07

 

CMYK 1 / 0 / 8 / 44

HEX #8E8F84

RGB 142 143 132

HSL 65.45, 0.05%, 0.54%

LAB 59.03, -2.44, 5.72

 

CMYK 17 / 18 / 0 / 41

HEX #7E7C97

RGB 126 124 151

HSL 244.44, 0.11%, 0.54%

LAB 53.04, 6.57, -14.24

 

CMYK 36 / 38 / 0 / 33

HEX #6D69AA

RGB 109 105 170

HSL 243.69, 0.28%, 0.54%

LAB 47.31, 17.47, -34.31

 

CMYK 0 / 23 / 48 / 29

HEX #B58C5E

RGB 181 140 94

HSL 31.72, 0.37%, 0.54%

LAB 61.12, 9.72, 30.47

 

CMYK 0 / 10 / 48 / 29

HEX #B5A35E

RGB 181 163 94

HSL 47.59, 0.37%, 0.54%

LAB 67.15, -2.85, 38.04

 

CMYK 3 / 0 / 48 / 29

HEX #AFB55E

RGB 175 181 94

HSL 64.14, 0.37%, 0.54%

LAB 71.53, -14.79, 43.28

 

CMYK 16 / 0 / 48 / 29

HEX #98B55E

RGB 152 181 94

HSL 80, 0.37%, 0.54%

LAB 69.85, -24.04, 40.84

 

CMYK 29 / 0 / 48 / 29

HEX #81B55E

RGB 129 181 94

HSL 95.86, 0.37%, 0.54%

LAB 68.4, -32.72, 38.74

 

CMYK 4 / 0 / 55 / 48

HEX #7F843C

RGB 127 132 60

HSL 64.17, 0.38%, 0.38%

LAB 53.32, -12.63, 37.7

 

CMYK 4 / 0 / 54 / 37

HEX #9AA049

RGB 154 160 73

HSL 64.14, 0.37%, 0.46%

LAB 63.75, -14.65, 43.94

 

CMYK 3 / 0 / 48 / 29

HEX #AFB55E

RGB 175 181 94

HSL 64.14, 0.37%, 0.54%

LAB 71.53, -14.79, 43.28

 

CMYK 3 / 0 / 37 / 24

HEX #BDC27A

RGB 189 194 122

HSL 64.17, 0.37%, 0.62%

LAB 76.56, -12.8, 35.65

 

CMYK 2 / 0 / 28 / 19

HEX #CBCF96

RGB 203 207 150

HSL 64.21, 0.37%, 0.7%

LAB 81.58, -10.49, 27.95

 

CMYK 3 / 0 / 48 / 29

HEX #AEB45D

RGB 174 180 93

HSL 64.14, 0.37%, 0.54%

LAB 71.17, -14.79, 43.31

 

CMYK 48 / 0 / 35 / 29

HEX #5EB575

RGB 94 181 117

HSL 135.86, 0.37%, 0.54%

LAB 67.06, -40.46, 24.73

 

CMYK 16 / 48 / 0 / 29

HEX #985EB5

RGB 152 94 181

HSL 280, 0.37%, 0.54%

LAB 49.52, 39.2, -36.96

 

CMYK 3 / 0 / 48 / 29

HEX #AEB45D

RGB 174 180 93

HSL 64.14, 0.37%, 0.54%

LAB 71.17, -14.79, 43.31

 

CMYK 48 / 3 / 0 / 29

HEX #5EAFB5

RGB 94 175 181

HSL 184.14, 0.37%, 0.54%

LAB 66.81, -23.1, -10.75

 

CMYK 0 / 48 / 3 / 29

HEX #B55EAF

RGB 181 94 175

HSL 304.14, 0.37%, 0.54%

LAB 52.87, 46.58, -27.97

 

CMYK 3 / 0 / 48 / 29

HEX #AEB45D

RGB 174 180 93

HSL 64.14, 0.37%, 0.54%

LAB 71.17, -14.79, 43.31

 

CMYK 48 / 0 / 35 / 29

HEX #5EB575

RGB 94 181 117

HSL 135.86, 0.37%, 0.54%

LAB 67.06, -40.46, 24.73

 

CMYK 45 / 48 / 0 / 29

HEX #645EB5

RGB 100 94 181

HSL 244.14, 0.37%, 0.54%

LAB 44.31, 25.04, -45.55

 

CMYK 0 / 48 / 13 / 29

HEX #B55E9D

RGB 181 94 157

HSL 316.55, 0.37%, 0.54%

LAB 52.13, 43.49, -18.58

 

CMYK 3 / 0 / 48 / 29

HEX #AEB45D

RGB 174 180 93

HSL 64.14, 0.37%, 0.54%

LAB 71.17, -14.79, 43.31

 

CMYK 48 / 0 / 21 / 29

HEX #5EB58F

RGB 94 181 143

HSL 153.79, 0.37%, 0.54%

LAB 67.58, -35.29, 11.37

 

CMYK 45 / 48 / 0 / 29

HEX #645EB5

RGB 100 94 181

HSL 244.14, 0.37%, 0.54%

LAB 44.31, 25.04, -45.55

 

CMYK 0 / 48 / 28 / 29

HEX #B55E83

RGB 181 94 131

HSL 334.48, 0.37%, 0.54%

LAB 51.23, 39.53, -4.56

 

Description

Color code: HEX #AEB45D | qconv.com Color code: HEX #AEB45D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 180 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 180 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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