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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEAD2C it is the complementary color #5152D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEAD2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEAD2C shade: #B3AD27, #C4BF3A, #D5D14D, #E6E360 and #F7F573

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEAD2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEAD2C shade: #AEAD2C, #9D9B19, #8C8906, #7B7700 and #6A6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEAD2C shade: #AFAE2B, #AF8A2B, #AF672B, #AF432B and #AF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEAD2C shade: #AFAE2B, #8CAF2B, #69AF2B, #46AF2B and #2BAF35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEAD2C shade matches the following richer shades: #AFAE2B, #C1BF1A and #D2D108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEAD2C shade: #AFAE2B, #9D9C3D, #8B8B4F, #7A7A61 and #686872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEAD2C shade: #AF672B, #AF8A2B, #AFAD2B, #8EAF2B and #6BAF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEAD2C shade: #6D6C1B, #8E8D23, #AFAE2B, #CDCB37 and #D5D458

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEAD2C shade: #AEAD2C, #2BAF43 and #782BAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEAD2C shade: #AEAD2C, #2BAFAD and #AD2BAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEAD2C shade: #AEAD2C, #2BAF43, #2B2EAF and #AF2B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEAD2C shade: #AEAD2C, #2BAF6B, #2B2EAF and #AF2B6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 75 / 32

HEX #AEAD2C

RGB 174 173 44

HSL 59.54, 0.6%, 0.43%

LAB 68.8, -14.62, 61.78

 

Complementary color

CMYK 62 / 61 / 0 / 17

HEX #5152D3

RGB 81 82 211

HSL 239.54, 0.6%, 0.57%

LAB 41.98, 38.11, -66.76

 

CMYK 0 / 3 / 78 / 30

HEX #B3AD27

RGB 179 173 39

HSL 57.43, 0.64%, 0.43%

LAB 69.2, -12.64, 63.9

 

CMYK 0 / 3 / 70 / 23

HEX #C4BF3A

RGB 196 191 58

HSL 57.83, 0.54%, 0.5%

LAB 75.64, -13.68, 64.02

 

CMYK 0 / 2 / 64 / 16

HEX #D5D14D

RGB 213 209 77

HSL 58.24, 0.62%, 0.57%

LAB 81.99, -14.54, 63.55

 

CMYK 0 / 1 / 58 / 10

HEX #E6E360

RGB 230 227 96

HSL 58.66, 0.73%, 0.64%

LAB 88.26, -15.26, 62.75

 

CMYK 0 / 1 / 53 / 3

HEX #F7F573

RGB 247 245 115

HSL 59.09, 0.89%, 0.71%

LAB 94.45, -15.88, 61.78

 

CMYK 0 / 1 / 75 / 32

HEX #AEAD2C

RGB 174 173 44

HSL 59.54, 0.6%, 0.43%

LAB 68.8, -14.62, 61.78

 

CMYK 0 / 1 / 84 / 38

HEX #9D9B19

RGB 157 155 25

HSL 59.09, 0.73%, 0.36%

LAB 62.24, -13.48, 61.04

 

CMYK 0 / 2 / 96 / 45

HEX #8C8906

RGB 140 137 6

HSL 58.66, 0.92%, 0.29%

LAB 55.56, -12.09, 58.83

 

CMYK 0 / 3 / 100 / 52

HEX #7B7700

RGB 123 119 0

HSL 58.05, 1%, 0.24%

LAB 48.77, -10.38, 54.21

 

CMYK 0 / 5 / 100 / 58

HEX #6A6500

RGB 106 101 0

HSL 57.17, 1%, 0.21%

LAB 41.8, -8.49, 48.43

 

CMYK 0 / 1 / 75 / 31

HEX #AFAE2B

RGB 175 174 43

HSL 59.55, 0.61%, 0.43%

LAB 69.16, -14.74, 62.47

 

CMYK 0 / 21 / 75 / 31

HEX #AF8A2B

RGB 175 138 43

HSL 43.18, 0.61%, 0.43%

LAB 59.4, 4.5, 53.26

 

CMYK 0 / 41 / 75 / 31

HEX #AF672B

RGB 175 103 43

HSL 27.27, 0.61%, 0.43%

LAB 50.67, 24.03, 44.6

 

CMYK 0 / 62 / 75 / 31

HEX #AF432B

RGB 175 67 43

HSL 10.91, 0.61%, 0.43%

LAB 43.22, 42.76, 36.78

 

CMYK 0 / 75 / 75 / 31

HEX #AF2B2B

RGB 175 43 43

HSL 0, 0.61%, 0.43%

LAB 39.61, 52.56, 32.82

 

CMYK 0 / 1 / 75 / 31

HEX #AFAE2B

RGB 175 174 43

HSL 59.55, 0.61%, 0.43%

LAB 69.16, -14.74, 62.47

 

CMYK 20 / 0 / 75 / 31

HEX #8CAF2B

RGB 140 175 43

HSL 75.91, 0.61%, 0.43%

LAB 66.83, -30.06, 59.35

 

CMYK 40 / 0 / 75 / 31

HEX #69AF2B

RGB 105 175 43

HSL 91.82, 0.61%, 0.43%

LAB 64.83, -43.34, 56.74

 

CMYK 60 / 0 / 75 / 31

HEX #46AF2B

RGB 70 175 43

HSL 107.73, 0.61%, 0.43%

LAB 63.46, -53.81, 54.92

 

CMYK 75 / 0 / 70 / 31

HEX #2BAF35

RGB 43 175 53

HSL 124.55, 0.61%, 0.43%

LAB 62.87, -58.41, 50.37

 

CMYK 0 / 1 / 75 / 31

HEX #AFAE2B

RGB 175 174 43

HSL 59.55, 0.61%, 0.43%

LAB 69.16, -14.74, 62.47

 

CMYK 0 / 1 / 87 / 24

HEX #C1BF1A

RGB 193 191 26

HSL 59.28, 0.76%, 0.43%

LAB 75.25, -16.1, 72.79

 

CMYK 0 / 0 / 96 / 18

HEX #D2D108

RGB 210 209 8

HSL 59.7, 0.93%, 0.43%

LAB 81.47, -18.05, 80.68

 

CMYK 0 / 1 / 75 / 31

HEX #AFAE2B

RGB 175 174 43

HSL 59.55, 0.61%, 0.43%

LAB 69.16, -14.74, 62.47

 

CMYK 0 / 1 / 61 / 38

HEX #9D9C3D

RGB 157 156 61

HSL 59.38, 0.44%, 0.43%

LAB 62.74, -12.22, 48.49

 

CMYK 0 / 0 / 43 / 45

HEX #8B8B4F

RGB 139 139 79

HSL 60, 0.28%, 0.43%

LAB 56.6, -9.28, 32.01

 

CMYK 0 / 0 / 20 / 52

HEX #7A7A61

RGB 122 122 97

HSL 60, 0.11%, 0.43%

LAB 50.59, -4.54, 13.73

 

CMYK 9 / 9 / 0 / 55

HEX #686872

RGB 104 104 114

HSL 240, 0.05%, 0.43%

LAB 44.32, 2.15, -5.59

 

CMYK 0 / 41 / 75 / 31

HEX #AF672B

RGB 175 103 43

HSL 27.27, 0.61%, 0.43%

LAB 50.67, 24.03, 44.6

 

CMYK 0 / 21 / 75 / 31

HEX #AF8A2B

RGB 175 138 43

HSL 43.18, 0.61%, 0.43%

LAB 59.4, 4.5, 53.26

 

CMYK 0 / 1 / 75 / 31

HEX #AFAD2B

RGB 175 173 43

HSL 59.09, 0.61%, 0.43%

LAB 68.88, -14.22, 62.21

 

CMYK 19 / 0 / 75 / 31

HEX #8EAF2B

RGB 142 175 43

HSL 75, 0.61%, 0.43%

LAB 66.96, -29.24, 59.53

 

CMYK 39 / 0 / 75 / 31

HEX #6BAF2B

RGB 107 175 43

HSL 90.91, 0.61%, 0.43%

LAB 64.93, -42.64, 56.87

 

CMYK 0 / 1 / 75 / 57

HEX #6D6C1B

RGB 109 108 27

HSL 59.27, 0.6%, 0.27%

LAB 44.31, -10.06, 42.76

 

CMYK 0 / 1 / 75 / 44

HEX #8E8D23

RGB 142 141 35

HSL 59.44, 0.6%, 0.35%

LAB 57, -12.46, 52.86

 

CMYK 0 / 1 / 75 / 31

HEX #AFAE2B

RGB 175 174 43

HSL 59.55, 0.61%, 0.43%

LAB 69.16, -14.74, 62.47

 

CMYK 0 / 1 / 73 / 20

HEX #CDCB37

RGB 205 203 55

HSL 59.2, 0.6%, 0.51%

LAB 79.59, -16.04, 69.12

 

CMYK 0 / 0 / 59 / 16

HEX #D5D458

RGB 213 212 88

HSL 59.52, 0.6%, 0.59%

LAB 82.88, -15.32, 59.89

 

CMYK 0 / 1 / 75 / 32

HEX #AEAD2C

RGB 174 173 44

HSL 59.54, 0.6%, 0.43%

LAB 68.8, -14.62, 61.78

 

CMYK 75 / 0 / 62 / 31

HEX #2BAF43

RGB 43 175 67

HSL 130.91, 0.61%, 0.43%

LAB 62.99, -56.91, 44.5

 

CMYK 31 / 75 / 0 / 31

HEX #782BAF

RGB 120 43 175

HSL 275, 0.61%, 0.43%

LAB 35.63, 55.53, -55.88

 

CMYK 0 / 1 / 75 / 32

HEX #AEAD2C

RGB 174 173 44

HSL 59.54, 0.6%, 0.43%

LAB 68.8, -14.62, 61.78

 

CMYK 75 / 0 / 1 / 31

HEX #2BAFAD

RGB 43 175 173

HSL 179.09, 0.61%, 0.43%

LAB 65.11, -34.17, -8.99

 

CMYK 1 / 75 / 0 / 31

HEX #AD2BAF

RGB 173 43 175

HSL 299.09, 0.61%, 0.43%

LAB 43.81, 66.09, -42.28

 

CMYK 0 / 1 / 75 / 32

HEX #AEAD2C

RGB 174 173 44

HSL 59.54, 0.6%, 0.43%

LAB 68.8, -14.62, 61.78

 

CMYK 75 / 0 / 62 / 31

HEX #2BAF43

RGB 43 175 67

HSL 130.91, 0.61%, 0.43%

LAB 62.99, -56.91, 44.5

 

CMYK 75 / 74 / 0 / 31

HEX #2B2EAF

RGB 43 46 175

HSL 238.64, 0.61%, 0.43%

LAB 28.28, 42.88, -68.22

 

CMYK 0 / 75 / 14 / 31

HEX #AF2B97

RGB 175 43 151

HSL 310.91, 0.61%, 0.43%

LAB 42.88, 62.81, -29.39

 

CMYK 0 / 1 / 75 / 32

HEX #AEAD2C

RGB 174 173 44

HSL 59.54, 0.6%, 0.43%

LAB 68.8, -14.62, 61.78

 

CMYK 75 / 0 / 39 / 31

HEX #2BAF6B

RGB 43 175 107

HSL 149.09, 0.61%, 0.43%

LAB 63.54, -50.58, 25.11

 

CMYK 75 / 74 / 0 / 31

HEX #2B2EAF

RGB 43 46 175

HSL 238.64, 0.61%, 0.43%

LAB 28.28, 42.88, -68.22

 

CMYK 0 / 75 / 37 / 31

HEX #AF2B6F

RGB 175 43 111

HSL 329.09, 0.61%, 0.43%

LAB 41.2, 57.69, -7.41

 

Description

Color code: HEX #AEAD2C | qconv.com Color code: HEX #AEAD2C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 173 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 173 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 75 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 75% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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