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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEAB04 it is the complementary color #5154FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEAB04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEAB04 shade: #B3AB00, #C4BD12, #D5CF25, #E6E138 and #F7F34B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEAB04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEAB04 shade: #AEAB04, #9D9900, #8C8700, #7B7500 and #6A6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEAB04 shade: #AEAB03, #AE7D03, #AE4F03, #AE2103 and #AE0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEAB04 shade: #AEAB03, #83AE03, #55AE03, #27AE03 and #03AE0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEAB04 shade matches the following richer shades: #AEAB03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEAB04 shade: #AEAB03, #A09D12, #929020, #83822E and #75743D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEAB04 shade: #AE4D03, #AE7B03, #AEA903, #86AE03 and #59AE03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEAB04 shade: #5E5C01, #868402, #AEAB03, #D7D304 and #FAF50A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEAB04 shade: #AEAB04, #03AE20 and #6403AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEAB04 shade: #AEAB04, #03AEA9 and #A903AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEAB04 shade: #AEAB04, #03AE20, #0309AE and #AE0392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEAB04 shade: #AEAB04, #03AE53, #0309AE and #AE035E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 98 / 32

HEX #AEAB04

RGB 174 171 4

HSL 58.94, 0.96%, 0.35%

LAB 68.12, -14.6, 69.84

 

Complementary color

CMYK 68 / 67 / 0 / 2

HEX #5154FB

RGB 81 84 251

HSL 238.94, 0.96%, 0.65%

LAB 45.71, 49.94, -83.3

 

CMYK 0 / 4 / 100 / 30

HEX #B3AB00

RGB 179 171 0

HSL 57.32, 1%, 0.35%

LAB 68.54, -12.43, 70.84

 

CMYK 0 / 4 / 91 / 23

HEX #C4BD12

RGB 196 189 18

HSL 57.64, 0.83%, 0.42%

LAB 74.93, -13.95, 74.06

 

CMYK 0 / 3 / 83 / 16

HEX #D5CF25

RGB 213 207 37

HSL 57.95, 0.7%, 0.49%

LAB 81.24, -15.27, 76

 

CMYK 0 / 2 / 76 / 10

HEX #E6E138

RGB 230 225 56

HSL 58.28, 0.78%, 0.56%

LAB 87.47, -16.4, 76.82

 

CMYK 0 / 2 / 70 / 3

HEX #F7F34B

RGB 247 243 75

HSL 58.6, 0.91%, 0.63%

LAB 93.62, -17.37, 76.91

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB04

RGB 174 171 4

HSL 58.94, 0.96%, 0.35%

LAB 68.12, -14.6, 69.84

 

CMYK 0 / 3 / 100 / 38

HEX #9D9900

RGB 157 153 0

HSL 58.47, 1%, 0.31%

LAB 61.61, -12.91, 64.93

 

CMYK 0 / 4 / 100 / 45

HEX #8C8700

RGB 140 135 0

HSL 57.86, 1%, 0.27%

LAB 54.97, -11.13, 59.42

 

CMYK 0 / 5 / 100 / 52

HEX #7B7500

RGB 123 117 0

HSL 57.07, 1%, 0.24%

LAB 48.18, -9.27, 53.78

 

CMYK 0 / 7 / 100 / 58

HEX #6A6300

RGB 106 99 0

HSL 56.04, 1%, 0.21%

LAB 41.2, -7.35, 47.99

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB03

RGB 174 171 3

HSL 58.95, 0.97%, 0.35%

LAB 68.12, -14.61, 69.96

 

CMYK 0 / 28 / 98 / 32

HEX #AE7D03

RGB 174 125 3

HSL 42.81, 0.97%, 0.35%

LAB 55.76, 10.22, 61.06

 

CMYK 0 / 55 / 98 / 32

HEX #AE4F03

RGB 174 79 3

HSL 26.67, 0.97%, 0.35%

LAB 45.08, 35.45, 54.02

 

CMYK 0 / 81 / 98 / 32

HEX #AE2103

RGB 174 33 3

HSL 10.53, 0.97%, 0.35%

LAB 38.01, 54.42, 50.08

 

CMYK 0 / 98 / 98 / 32

HEX #AE0303

RGB 174 3 3

HSL 0, 0.97%, 0.35%

LAB 36.12, 59.82, 49.2

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB03

RGB 174 171 3

HSL 58.95, 0.97%, 0.35%

LAB 68.12, -14.61, 69.96

 

CMYK 25 / 0 / 98 / 32

HEX #83AE03

RGB 131 174 3

HSL 75.09, 0.97%, 0.35%

LAB 65.83, -34.45, 66.84

 

CMYK 51 / 0 / 98 / 32

HEX #55AE03

RGB 85 174 3

HSL 91.23, 0.97%, 0.35%

LAB 63.52, -50.91, 64.04

 

CMYK 78 / 0 / 98 / 32

HEX #27AE03

RGB 39 174 3

HSL 107.37, 0.97%, 0.35%

LAB 62.26, -61.32, 62.51

 

CMYK 98 / 0 / 92 / 32

HEX #03AE0E

RGB 3 174 14

HSL 123.86, 0.97%, 0.35%

LAB 61.93, -64.2, 60.59

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB03

RGB 174 171 3

HSL 58.95, 0.97%, 0.35%

LAB 68.12, -14.61, 69.96

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB03

RGB 174 171 3

HSL 58.95, 0.97%, 0.35%

LAB 68.12, -14.61, 69.96

 

CMYK 0 / 2 / 89 / 37

HEX #A09D12

RGB 160 157 18

HSL 58.73, 0.8%, 0.35%

LAB 63.04, -13.36, 63.37

 

CMYK 0 / 1 / 78 / 43

HEX #929020

RGB 146 144 32

HSL 58.95, 0.64%, 0.35%

LAB 58.19, -12.38, 55.11

 

CMYK 0 / 1 / 65 / 49

HEX #83822E

RGB 131 130 46

HSL 59.29, 0.48%, 0.35%

LAB 52.94, -10.88, 44.06

 

CMYK 0 / 1 / 48 / 54

HEX #75743D

RGB 117 116 61

HSL 58.93, 0.31%, 0.35%

LAB 47.76, -8.15, 30.35

 

CMYK 0 / 56 / 98 / 32

HEX #AE4D03

RGB 174 77 3

HSL 25.96, 0.97%, 0.35%

LAB 44.68, 36.47, 53.78

 

CMYK 0 / 29 / 98 / 32

HEX #AE7B03

RGB 174 123 3

HSL 42.11, 0.97%, 0.35%

LAB 55.25, 11.34, 60.71

 

CMYK 0 / 3 / 98 / 32

HEX #AEA903

RGB 174 169 3

HSL 58.25, 0.97%, 0.35%

LAB 67.56, -13.58, 69.55

 

CMYK 23 / 0 / 98 / 32

HEX #86AE03

RGB 134 174 3

HSL 74.04, 0.97%, 0.35%

LAB 66.02, -33.23, 67.07

 

CMYK 49 / 0 / 98 / 32

HEX #59AE03

RGB 89 174 3

HSL 89.82, 0.97%, 0.35%

LAB 63.67, -49.68, 64.23

 

CMYK 0 / 2 / 99 / 63

HEX #5E5C01

RGB 94 92 1

HSL 58.71, 0.98%, 0.19%

LAB 37.91, -9.21, 44.78

 

CMYK 0 / 1 / 99 / 47

HEX #868402

RGB 134 132 2

HSL 59.09, 0.97%, 0.27%

LAB 53.57, -12.26, 57.8

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB03

RGB 174 171 3

HSL 58.95, 0.97%, 0.35%

LAB 68.12, -14.61, 69.96

 

CMYK 0 / 2 / 98 / 16

HEX #D7D304

RGB 215 211 4

HSL 58.86, 0.96%, 0.43%

LAB 82.4, -16.95, 81.92

 

CMYK 0 / 2 / 96 / 2

HEX #FAF50A

RGB 250 245 10

HSL 58.75, 0.96%, 0.51%

LAB 94.16, -18.77, 91.41

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB04

RGB 174 171 4

HSL 58.94, 0.96%, 0.35%

LAB 68.12, -14.6, 69.84

 

CMYK 98 / 0 / 82 / 32

HEX #03AE20

RGB 3 174 32

HSL 130.18, 0.97%, 0.35%

LAB 61.99, -63.4, 56.63

 

CMYK 43 / 98 / 0 / 32

HEX #6403AE

RGB 100 3 174

HSL 274.04, 0.97%, 0.35%

LAB 28.98, 63.26, -66.27

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB04

RGB 174 171 4

HSL 58.94, 0.96%, 0.35%

LAB 68.12, -14.6, 69.84

 

CMYK 98 / 0 / 3 / 32

HEX #03AEA9

RGB 3 174 169

HSL 178.25, 0.97%, 0.35%

LAB 64.29, -37.52, -8.03

 

CMYK 3 / 98 / 0 / 32

HEX #A903AE

RGB 169 3 174

HSL 298.25, 0.97%, 0.35%

LAB 40.5, 72.64, -47.02

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB04

RGB 174 171 4

HSL 58.94, 0.96%, 0.35%

LAB 68.12, -14.6, 69.84

 

CMYK 98 / 0 / 82 / 32

HEX #03AE20

RGB 3 174 32

HSL 130.18, 0.97%, 0.35%

LAB 61.99, -63.4, 56.63

 

CMYK 98 / 95 / 0 / 32

HEX #0309AE

RGB 3 9 174

HSL 237.89, 0.97%, 0.35%

LAB 21.1, 57.15, -79.6

 

CMYK 0 / 98 / 16 / 32

HEX #AE0392

RGB 174 3 146

HSL 309.82, 0.97%, 0.35%

LAB 39.81, 69.53, -31.18

 

CMYK 0 / 2 / 98 / 32

HEX #AEAB04

RGB 174 171 4

HSL 58.94, 0.96%, 0.35%

LAB 68.12, -14.6, 69.84

 

CMYK 98 / 0 / 52 / 32

HEX #03AE53

RGB 3 174 83

HSL 148.07, 0.97%, 0.35%

LAB 62.44, -57.85, 36.08

 

CMYK 98 / 95 / 0 / 32

HEX #0309AE

RGB 3 9 174

HSL 237.89, 0.97%, 0.35%

LAB 21.1, 57.15, -79.6

 

CMYK 0 / 98 / 46 / 32

HEX #AE035E

RGB 174 3 94

HSL 328.07, 0.97%, 0.35%

LAB 37.61, 63.85, -2.01

 

Description

Color code: HEX #AEAB04 | qconv.com Color code: HEX #AEAB04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 171 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 171 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 98 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 98% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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