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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEA137 it is the complementary color #515EC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEA137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEA137 shade: #B3A132, #C4B345, #D5C558, #E6D76B and #F7E97E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEA137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEA137 shade: #AEA137, #9D8F24, #8C7D11, #7B6B00 and #6A5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEA137 shade: #AEA137, #AE8137, #AE6137, #AE4037 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEA137 shade: #AEA137, #9BAE37, #7BAE37, #5AAE37 and #3AAE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEA137 shade matches the following richer shades: #AEA137, #C0AF24 and #D3BE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEA137 shade: #AEA137, #9B9249, #89845C, #76756E and #646781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEA137 shade: #AE6037, #AE8037, #AEA037, #9CAE37 and #7CAE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEA137 shade: #6F6723, #8F842D, #AEA137, #C5B849 and #CFC468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEA137 shade: #AEA137, #37AE41 and #7037AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEA137 shade: #AEA137, #37AEA0 and #A037AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEA137 shade: #AEA137, #37AE41, #3745AE and #AE37A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEA137 shade: #AEA137, #37AE64, #3745AE and #AE3780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

Complementary color

CMYK 60 / 53 / 0 / 22

HEX #515EC8

RGB 81 94 200

HSL 233.45, 0.52%, 0.55%

LAB 44.12, 27.02, -56.95

 

CMYK 0 / 10 / 72 / 30

HEX #B3A132

RGB 179 161 50

HSL 51.63, 0.56%, 0.45%

LAB 65.98, -5.87, 57.07

 

CMYK 0 / 9 / 65 / 23

HEX #C4B345

RGB 196 179 69

HSL 51.97, 0.52%, 0.52%

LAB 72.5, -6.89, 56.44

 

CMYK 0 / 8 / 59 / 16

HEX #D5C558

RGB 213 197 88

HSL 52.32, 0.6%, 0.59%

LAB 78.92, -7.74, 55.5

 

CMYK 0 / 7 / 53 / 10

HEX #E6D76B

RGB 230 215 107

HSL 52.68, 0.71%, 0.66%

LAB 85.24, -8.46, 54.42

 

CMYK 0 / 6 / 49 / 3

HEX #F7E97E

RGB 247 233 126

HSL 53.06, 0.88%, 0.73%

LAB 91.49, -9.07, 53.27

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 0 / 9 / 77 / 38

HEX #9D8F24

RGB 157 143 36

HSL 53.06, 0.63%, 0.38%

LAB 58.92, -6.7, 54.79

 

CMYK 0 / 11 / 88 / 45

HEX #8C7D11

RGB 140 125 17

HSL 52.68, 0.78%, 0.31%

LAB 52.16, -5.32, 54.02

 

CMYK 0 / 13 / 100 / 52

HEX #7B6B00

RGB 123 107 0

HSL 52.2, 1%, 0.24%

LAB 45.26, -3.64, 51.69

 

CMYK 0 / 16 / 100 / 58

HEX #6A5900

RGB 106 89 0

HSL 50.38, 1%, 0.21%

LAB 38.21, -1.51, 45.86

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 0 / 26 / 68 / 32

HEX #AE8137

RGB 174 129 55

HSL 37.31, 0.52%, 0.45%

LAB 57.05, 9.68, 45.58

 

CMYK 0 / 44 / 68 / 32

HEX #AE6137

RGB 174 97 55

HSL 21.18, 0.52%, 0.45%

LAB 49.28, 27.55, 36.99

 

CMYK 0 / 63 / 68 / 32

HEX #AE4037

RGB 174 64 55

HSL 4.54, 0.52%, 0.45%

LAB 42.67, 44.38, 29.26

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 11 / 0 / 68 / 32

HEX #9BAE37

RGB 155 174 55

HSL 69.58, 0.52%, 0.45%

LAB 67.66, -22.69, 56.14

 

CMYK 29 / 0 / 68 / 32

HEX #7BAE37

RGB 123 174 55

HSL 85.71, 0.52%, 0.45%

LAB 65.56, -35.55, 53.31

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 67 / 0 / 68 / 32

HEX #3AAE37

RGB 58 174 55

HSL 118.49, 0.52%, 0.45%

LAB 62.88, -55.19, 49.67

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 0 / 9 / 81 / 25

HEX #C0AF24

RGB 192 175 36

HSL 53.46, 0.68%, 0.45%

LAB 70.87, -8.08, 66.69

 

CMYK 0 / 10 / 92 / 17

HEX #D3BE11

RGB 211 190 17

HSL 53.51, 0.85%, 0.45%

LAB 76.51, -7.95, 75.98

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 0 / 6 / 53 / 39

HEX #9B9249

RGB 155 146 73

HSL 53.41, 0.36%, 0.45%

LAB 59.9, -6.78, 39.46

 

CMYK 0 / 4 / 33 / 46

HEX #89845C

RGB 137 132 92

HSL 53.33, 0.2%, 0.45%

LAB 54.65, -4.68, 22.32

 

CMYK 0 / 1 / 7 / 54

HEX #76756E

RGB 118 117 110

HSL 52.5, 0.04%, 0.45%

LAB 49.13, -0.98, 3.99

 

CMYK 22 / 20 / 0 / 49

HEX #646781

RGB 100 103 129

HSL 233.79, 0.13%, 0.45%

LAB 44.23, 4.89, -14.8

 

CMYK 0 / 45 / 68 / 32

HEX #AE6037

RGB 174 96 55

HSL 20.67, 0.52%, 0.45%

LAB 49.06, 28.1, 36.73

 

CMYK 0 / 26 / 68 / 32

HEX #AE8037

RGB 174 128 55

HSL 36.81, 0.52%, 0.45%

LAB 56.79, 10.24, 45.31

 

CMYK 0 / 8 / 68 / 32

HEX #AEA037

RGB 174 160 55

HSL 52.94, 0.52%, 0.45%

LAB 65.29, -7.28, 54.22

 

CMYK 10 / 0 / 68 / 32

HEX #9CAE37

RGB 156 174 55

HSL 69.08, 0.52%, 0.45%

LAB 67.74, -22.27, 56.24

 

CMYK 29 / 0 / 68 / 32

HEX #7CAE37

RGB 124 174 55

HSL 85.21, 0.52%, 0.45%

LAB 65.62, -35.17, 53.39

 

CMYK 0 / 7 / 68 / 56

HEX #6F6723

RGB 111 103 35

HSL 53.68, 0.52%, 0.29%

LAB 43.07, -5.8, 38.12

 

CMYK 0 / 8 / 69 / 44

HEX #8F842D

RGB 143 132 45

HSL 53.27, 0.52%, 0.37%

LAB 54.59, -6.6, 46.56

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 0 / 7 / 63 / 23

HEX #C5B849

RGB 197 184 73

HSL 53.71, 0.52%, 0.53%

LAB 73.95, -8.81, 56.3

 

CMYK 0 / 5 / 50 / 19

HEX #CFC468

RGB 207 196 104

HSL 53.59, 0.52%, 0.61%

LAB 78.31, -8.43, 47.16

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 68 / 0 / 63 / 32

HEX #37AE41

RGB 55 174 65

HSL 125.04, 0.52%, 0.45%

LAB 62.9, -54.74, 45.37

 

CMYK 36 / 68 / 0 / 32

HEX #7037AE

RGB 112 55 174

HSL 268.74, 0.52%, 0.45%

LAB 36.43, 48.28, -54.03

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 68 / 0 / 8 / 32

HEX #37AEA0

RGB 55 174 160

HSL 172.94, 0.52%, 0.45%

LAB 64.66, -35.85, -2.39

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 68 / 0 / 63 / 32

HEX #37AE41

RGB 55 174 65

HSL 125.04, 0.52%, 0.45%

LAB 62.9, -54.74, 45.37

 

CMYK 68 / 60 / 0 / 32

HEX #3745AE

RGB 55 69 174

HSL 232.94, 0.52%, 0.45%

LAB 34.24, 29.62, -57.82

 

CMYK 0 / 68 / 6 / 32

HEX #AE37A4

RGB 174 55 164

HSL 305.04, 0.52%, 0.45%

LAB 44.82, 60.43, -34.15

 

CMYK 0 / 7 / 68 / 32

HEX #AEA137

RGB 174 161 55

HSL 53.45, 0.52%, 0.45%

LAB 65.56, -7.81, 54.5

 

CMYK 68 / 0 / 43 / 32

HEX #37AE64

RGB 55 174 100

HSL 142.69, 0.52%, 0.45%

LAB 63.35, -49.6, 28.62

 

CMYK 68 / 60 / 0 / 32

HEX #3745AE

RGB 55 69 174

HSL 232.94, 0.52%, 0.45%

LAB 34.24, 29.62, -57.82

 

CMYK 0 / 68 / 26 / 32

HEX #AE3780

RGB 174 55 128

HSL 323.19, 0.52%, 0.45%

LAB 43.2, 55.14, -14.92

 

Description

Color code: HEX #AEA137 | qconv.com Color code: HEX #AEA137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 161 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 161 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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