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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEA9DE it is the complementary color #515621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEA9DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEA9DE shade: #B3A9D9, #C4BBEC, #D5CDFF, #E6DFFF and #F7F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEA9DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEA9DE shade: #AEA9DE, #9D97CB, #8C85B8, #7B73A5 and #6A6192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEA9DE shade: #AEA9DE, #BDA9DE, #CBA9DE, #D9A9DE and #DEA9D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEA9DE shade: #AEA9DE and #A9A9DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEA9DE shade matches the following richer shades: #AEA9DE, #A7A0E8, #9F96F1 and #978DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEA9DE shade: #AEA9DE, #B6B3D5, #BEBCCB, #C6C6C2 and #CDCFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEA9DE shade: #A9C1DE, #A9B3DE, #AEA9DE, #BCA9DE and #CAA9DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEA9DE shade: #766EC8, #928CD3, #AEA9DE, #CBC7EA and #E7E5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEA9DE shade: #AEA9DE, #DEA9CF and #BADEA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEA9DE shade: #AEA9DE, #DEAEA9 and #A9DEAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEA9DE shade: #AEA9DE, #DEA9CF, #DADEA9 and #A9DEB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEA9DE shade: #AEA9DE, #DEA9BF, #DADEA9 and #A9DEC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

Complementary color

CMYK 6 / 0 / 62 / 66

HEX #515621

RGB 81 86 33

HSL 65.66, 0.45%, 0.23%

LAB 35.03, -10.43, 29.57

 

CMYK 18 / 22 / 0 / 15

HEX #B3A9D9

RGB 179 169 217

HSL 252.5, 0.39%, 0.76%

LAB 71.53, 13.27, -22.96

 

CMYK 17 / 21 / 0 / 7

HEX #C4BBEC

RGB 196 187 236

HSL 251.02, 0.56%, 0.83%

LAB 78.07, 12.88, -23.19

 

CMYK 16 / 20 / 0 / 0

HEX #D5CDFF

RGB 213 205 255

HSL 249.6, 1%, 0.9%

LAB 84.5, 12.52, -23.45

 

CMYK 10 / 13 / 0 / 0

HEX #E6DFFF

RGB 230 223 255

HSL 253.13, 1%, 0.94%

LAB 90.24, 8.33, -14.66

 

CMYK 3 / 5 / 0 / 0

HEX #F7F1FF

RGB 247 241 255

HSL 265.71, 1%, 0.97%

LAB 95.96, 4.5, -6.01

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 23 / 26 / 0 / 20

HEX #9D97CB

RGB 157 151 203

HSL 246.92, 0.33%, 0.69%

LAB 64.65, 13.28, -25.91

 

CMYK 24 / 28 / 0 / 28

HEX #8C85B8

RGB 140 133 184

HSL 248.24, 0.26%, 0.62%

LAB 57.86, 13.76, -25.78

 

CMYK 25 / 30 / 0 / 35

HEX #7B73A5

RGB 123 115 165

HSL 249.6, 0.22%, 0.55%

LAB 50.91, 14.31, -25.69

 

CMYK 27 / 34 / 0 / 43

HEX #6A6192

RGB 106 97 146

HSL 251.02, 0.2%, 0.48%

LAB 43.78, 14.94, -25.64

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 15 / 24 / 0 / 13

HEX #BDA9DE

RGB 189 169 222

HSL 262.64, 0.45%, 0.77%

LAB 72.54, 17.52, -24.08

 

CMYK 9 / 24 / 0 / 13

HEX #CBA9DE

RGB 203 169 222

HSL 278.49, 0.45%, 0.77%

LAB 73.77, 22, -22.1

 

CMYK 2 / 24 / 0 / 13

HEX #D9A9DE

RGB 217 169 222

HSL 294.34, 0.45%, 0.77%

LAB 75.08, 26.56, -19.99

 

CMYK 0 / 24 / 4 / 13

HEX #DEA9D5

RGB 222 169 213

HSL 310.19, 0.45%, 0.77%

LAB 75.27, 26.56, -14.74

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 24 / 24 / 0 / 13

HEX #A9A9DE

RGB 169 169 222

HSL 240, 0.45%, 0.77%

LAB 70.93, 11.32, -26.69

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 28 / 31 / 0 / 9

HEX #A7A0E8

RGB 167 160 232

HSL 245.83, 0.61%, 0.77%

LAB 68.88, 18.17, -35.34

 

CMYK 34 / 38 / 0 / 5

HEX #9F96F1

RGB 159 150 241

HSL 245.93, 0.76%, 0.77%

LAB 66.16, 23.89, -44.57

 

CMYK 40 / 44 / 0 / 2

HEX #978DFB

RGB 151 141 251

HSL 245.45, 0.93%, 0.77%

LAB 63.83, 29.66, -53.78

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 15 / 16 / 0 / 16

HEX #B6B3D5

RGB 182 179 213

HSL 245.29, 0.29%, 0.77%

LAB 74.18, 7.85, -16.73

 

CMYK 6 / 7 / 0 / 20

HEX #BEBCCB

RGB 190 188 203

HSL 248, 0.13%, 0.77%

LAB 76.82, 3.56, -7.29

 

CMYK 0 / 0 / 2 / 22

HEX #C6C6C2

RGB 198 198 194

HSL 60, 0.03%, 0.77%

LAB 79.78, -0.72, 1.99

 

CMYK 1 / 0 / 11 / 19

HEX #CDCFB8

RGB 205 207 184

HSL 65.22, 0.19%, 0.77%

LAB 82.41, -4.68, 11.2

 

CMYK 24 / 13 / 0 / 13

HEX #A9C1DE

RGB 169 193 222

HSL 212.83, 0.45%, 0.77%

LAB 77.19, -1.81, -17.17

 

CMYK 24 / 19 / 0 / 13

HEX #A9B3DE

RGB 169 179 222

HSL 228.68, 0.45%, 0.77%

LAB 73.51, 5.78, -22.74

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 15 / 24 / 0 / 13

HEX #BCA9DE

RGB 188 169 222

HSL 261.51, 0.45%, 0.77%

LAB 72.46, 17.21, -24.22

 

CMYK 9 / 24 / 0 / 13

HEX #CAA9DE

RGB 202 169 222

HSL 277.36, 0.45%, 0.77%

LAB 73.68, 21.68, -22.25

 

CMYK 41 / 45 / 0 / 22

HEX #766EC8

RGB 118 110 200

HSL 245.33, 0.45%, 0.61%

LAB 50.89, 25.38, -45.96

 

CMYK 31 / 34 / 0 / 17

HEX #928CD3

RGB 146 140 211

HSL 245.07, 0.45%, 0.69%

LAB 61.28, 18.28, -35.67

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 13 / 15 / 0 / 8

HEX #CBC7EA

RGB 203 199 234

HSL 246.86, 0.45%, 0.85%

LAB 81.56, 8.18, -16.79

 

CMYK 6 / 7 / 0 / 4

HEX #E7E5F5

RGB 231 229 245

HSL 247.5, 0.44%, 0.93%

LAB 91.51, 3.6, -7.52

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 0 / 24 / 7 / 13

HEX #DEA9CF

RGB 222 169 207

HSL 316.98, 0.45%, 0.77%

LAB 75.08, 25.5, -11.75

 

CMYK 16 / 0 / 24 / 13

HEX #BADEA9

RGB 186 222 169

HSL 100.75, 0.45%, 0.77%

LAB 84.76, -21.41, 22.19

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 0 / 22 / 24 / 13

HEX #DEAEA9

RGB 222 174 169

HSL 5.66, 0.45%, 0.77%

LAB 75.24, 16.75, 9.27

 

CMYK 24 / 0 / 22 / 13

HEX #A9DEAE

RGB 169 222 174

HSL 125.66, 0.45%, 0.77%

LAB 83.83, -26.33, 18.12

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 0 / 24 / 7 / 13

HEX #DEA9CF

RGB 222 169 207

HSL 316.98, 0.45%, 0.77%

LAB 75.08, 25.5, -11.75

 

CMYK 2 / 0 / 24 / 13

HEX #DADEA9

RGB 218 222 169

HSL 64.53, 0.45%, 0.77%

LAB 87, -9.89, 25.62

 

CMYK 24 / 0 / 17 / 13

HEX #A9DEB8

RGB 169 222 184

HSL 136.98, 0.45%, 0.77%

LAB 84.04, -24.54, 13.17

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DE

RGB 174 169 222

HSL 245.66, 0.45%, 0.77%

LAB 71.32, 12.84, -26.07

 

CMYK 0 / 24 / 14 / 13

HEX #DEA9BF

RGB 222 169 191

HSL 335.09, 0.45%, 0.77%

LAB 74.61, 22.81, -3.68

 

CMYK 2 / 0 / 24 / 13

HEX #DADEA9

RGB 218 222 169

HSL 64.53, 0.45%, 0.77%

LAB 87, -9.89, 25.62

 

CMYK 24 / 0 / 10 / 13

HEX #A9DEC8

RGB 169 222 200

HSL 155.09, 0.45%, 0.77%

LAB 84.41, -21.47, 5.25

 

Description

Color code: HEX #AEA9DE | qconv.com Color code: HEX #AEA9DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 169 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 169 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 24 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 24% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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