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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE8D9D it is the complementary color #517262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE8D9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE8D9D shade: #B38D98, #C49FAB, #D5B1BE, #E6C3D1 and #F7D5E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE8D9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE8D9D shade: #AE8D9D, #9D7B8A, #8C6977, #7B5764 and #6A4551

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE8D9D shade: #AE8D9D, #AE8D94 and #AE8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE8D9D shade: #AE8D9D, #AE8DA6, #AD8DAE, #A48DAE and #9C8DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE8D9D shade matches the following richer shades: #AE8D9D, #BE7D9D, #CD6E9C, #DD5E9C and #ED4E9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE8D9D shade: #AE8D9D, #9E9D9E, #8FAC9E, #7FBC9F and #6FCC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE8D9D shade: #AD8DAE, #AE8DA6, #AE8D9E, #AE8D95 and #AE8E8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE8D9D shade: #886074, #9D7588, #AE8D9D, #BFA5B2 and #D0BDC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE8D9D shade: #AE8D9D, #AEA48D and #8DABAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE8D9D shade: #AE8D9D, #9EAE8D and #8D9EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE8D9D shade: #AE8D9D, #AEA48D, #8DAE9E and #8D97AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE8D9D shade: #AE8D9D, #AEAE8D, #8DAE9E and #8D8DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

Complementary color

CMYK 29 / 0 / 14 / 55

HEX #517262

RGB 81 114 98

HSL 150.91, 0.17%, 0.38%

LAB 45.17, -15.55, 5.07

 

CMYK 0 / 21 / 15 / 30

HEX #B38D98

RGB 179 141 152

HSL 342.63, 0.2%, 0.63%

LAB 62.42, 16.15, -0.33

 

CMYK 0 / 19 / 13 / 23

HEX #C49FAB

RGB 196 159 171

HSL 340.54, 0.24%, 0.7%

LAB 69.09, 15.61, -1.05

 

CMYK 0 / 17 / 11 / 16

HEX #D5B1BE

RGB 213 177 190

HSL 338.33, 0.3%, 0.76%

LAB 75.64, 15.12, -1.73

 

CMYK 0 / 15 / 9 / 10

HEX #E6C3D1

RGB 230 195 209

HSL 336, 0.41%, 0.83%

LAB 82.09, 14.68, -2.37

 

CMYK 0 / 14 / 8 / 3

HEX #F7D5E4

RGB 247 213 228

HSL 333.53, 0.68%, 0.9%

LAB 88.43, 14.27, -2.99

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 22 / 12 / 38

HEX #9D7B8A

RGB 157 123 138

HSL 333.53, 0.15%, 0.55%

LAB 55.25, 15.7, -3.07

 

CMYK 0 / 25 / 15 / 45

HEX #8C6977

RGB 140 105 119

HSL 336, 0.14%, 0.48%

LAB 48.27, 16.32, -2.35

 

CMYK 0 / 29 / 19 / 52

HEX #7B5764

RGB 123 87 100

HSL 338.33, 0.17%, 0.41%

LAB 41.13, 17.02, -1.55

 

CMYK 0 / 35 / 24 / 58

HEX #6A4551

RGB 106 69 81

HSL 340.54, 0.21%, 0.34%

LAB 33.8, 17.83, -0.63

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 19 / 15 / 32

HEX #AE8D94

RGB 174 141 148

HSL 347.27, 0.17%, 0.62%

LAB 61.81, 13.6, 1

 

CMYK 0 / 19 / 19 / 32

HEX #AE8D8D

RGB 174 141 141

HSL 0, 0.17%, 0.62%

LAB 61.63, 12.46, 4.71

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 19 / 5 / 32

HEX #AE8DA6

RGB 174 141 166

HSL 314.55, 0.17%, 0.62%

LAB 62.34, 16.79, -8.45

 

CMYK 1 / 19 / 0 / 32

HEX #AD8DAE

RGB 173 141 174

HSL 298.18, 0.17%, 0.62%

LAB 62.5, 17.96, -12.76

 

CMYK 6 / 19 / 0 / 32

HEX #A48DAE

RGB 164 141 174

HSL 281.82, 0.17%, 0.62%

LAB 61.65, 14.84, -14.12

 

CMYK 10 / 19 / 0 / 32

HEX #9C8DAE

RGB 156 141 174

HSL 267.27, 0.17%, 0.62%

LAB 60.93, 12.1, -15.27

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 34 / 17 / 25

HEX #BE7D9D

RGB 190 125 157

HSL 330.46, 0.33%, 0.62%

LAB 59.93, 29.9, -6.72

 

CMYK 0 / 46 / 24 / 20

HEX #CD6E9C

RGB 205 110 156

HSL 330.95, 0.49%, 0.62%

LAB 58.54, 42.99, -8.01

 

CMYK 0 / 57 / 29 / 13

HEX #DD5E9C

RGB 221 94 156

HSL 330.71, 0.65%, 0.62%

LAB 57.83, 55.92, -8.84

 

CMYK 0 / 67 / 35 / 7

HEX #ED4E9B

RGB 237 78 155

HSL 330.94, 0.82%, 0.62%

LAB 57.87, 67.13, -7.93

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 17 / 0 / 8 / 33

HEX #8FAC9E

RGB 143 172 158

HSL 151.03, 0.15%, 0.62%

LAB 67.88, -12.82, 3.88

 

CMYK 32 / 0 / 15 / 26

HEX #7FBC9F

RGB 127 188 159

HSL 151.48, 0.31%, 0.62%

LAB 71.54, -25.94, 8.47

 

CMYK 46 / 0 / 22 / 20

HEX #6FCC9F

RGB 111 204 159

HSL 150.97, 0.48%, 0.62%

LAB 75.49, -38.03, 13.96

 

CMYK 1 / 19 / 0 / 32

HEX #AD8DAE

RGB 173 141 174

HSL 298.18, 0.17%, 0.62%

LAB 62.5, 17.96, -12.76

 

CMYK 0 / 19 / 5 / 32

HEX #AE8DA6

RGB 174 141 166

HSL 314.55, 0.17%, 0.62%

LAB 62.34, 16.79, -8.45

 

CMYK 0 / 19 / 9 / 32

HEX #AE8D9E

RGB 174 141 158

HSL 329.09, 0.17%, 0.62%

LAB 62.1, 15.33, -4.27

 

CMYK 0 / 19 / 14 / 32

HEX #AE8D95

RGB 174 141 149

HSL 345.45, 0.17%, 0.62%

LAB 61.84, 13.77, 0.47

 

CMYK 0 / 18 / 19 / 32

HEX #AE8E8D

RGB 174 142 141

HSL 1.82, 0.17%, 0.62%

LAB 61.88, 11.9, 5.08

 

CMYK 0 / 29 / 15 / 47

HEX #886074

RGB 136 96 116

HSL 330, 0.17%, 0.45%

LAB 45.44, 19.55, -4.78

 

CMYK 0 / 25 / 13 / 38

HEX #9D7588

RGB 157 117 136

HSL 331.5, 0.17%, 0.54%

LAB 53.67, 18.8, -4.23

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 14 / 7 / 25

HEX #BFA5B2

RGB 191 165 178

HSL 330, 0.17%, 0.7%

LAB 70.32, 11.71, -3.19

 

CMYK 0 / 9 / 4 / 18

HEX #D0BDC7

RGB 208 189 199

HSL 328.42, 0.17%, 0.78%

LAB 78.42, 8.45, -2.59

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 6 / 19 / 32

HEX #AEA48D

RGB 174 164 141

HSL 41.82, 0.17%, 0.62%

LAB 67.63, -0.26, 13.24

 

CMYK 19 / 2 / 0 / 32

HEX #8DABAE

RGB 141 171 174

HSL 185.45, 0.17%, 0.62%

LAB 67.91, -9.58, -4.97

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 9 / 0 / 19 / 32

HEX #9EAE8D

RGB 158 174 141

HSL 89.09, 0.17%, 0.62%

LAB 69.09, -11.66, 15.1

 

CMYK 19 / 9 / 0 / 32

HEX #8D9EAE

RGB 141 158 174

HSL 209.09, 0.17%, 0.62%

LAB 64.3, -2.5, -10.33

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 6 / 19 / 32

HEX #AEA48D

RGB 174 164 141

HSL 41.82, 0.17%, 0.62%

LAB 67.63, -0.26, 13.24

 

CMYK 19 / 0 / 9 / 32

HEX #8DAE9E

RGB 141 174 158

HSL 150.91, 0.17%, 0.62%

LAB 68.32, -14.54, 4.49

 

CMYK 19 / 13 / 0 / 32

HEX #8D97AE

RGB 141 151 174

HSL 221.82, 0.17%, 0.62%

LAB 62.38, 1.4, -13.21

 

CMYK 0 / 19 / 10 / 32

HEX #AE8D9D

RGB 174 141 157

HSL 330.91, 0.17%, 0.62%

LAB 62.07, 15.15, -3.75

 

CMYK 0 / 0 / 19 / 32

HEX #AEAE8D

RGB 174 174 141

HSL 60, 0.17%, 0.62%

LAB 70.31, -5.64, 16.99

 

CMYK 19 / 0 / 9 / 32

HEX #8DAE9E

RGB 141 174 158

HSL 150.91, 0.17%, 0.62%

LAB 68.32, -14.54, 4.49

 

CMYK 19 / 19 / 0 / 32

HEX #8D8DAE

RGB 141 141 174

HSL 240, 0.17%, 0.62%

LAB 59.68, 7.08, -17.29

 

Description

Color code: HEX #AE8D9D | qconv.com Color code: HEX #AE8D9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 141 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 141 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 10 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 10% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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