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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE8934 it is the complementary color #5176CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE8934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE8934 shade: #B3892F, #C49B42, #D5AD55, #E6BF68 and #F7D17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE8934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE8934 shade: #AE8934, #9D7721, #8C650E, #7B5300 and #6A4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE8934 shade: #AC8833, #AC6733, #AC4633 and #AC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE8934 shade: #AC8833, #ACA833, #90AC33, #6FAC33 and #4EAC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE8934 shade matches the following richer shades: #AC8833, #BE8F21 and #D1960F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE8934 shade: #AC8833, #9A8045, #887957, #76726A and #646B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE8934 shade: #AC4533, #AC6633, #AC8633, #ACA633 and #92AC33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE8934 shade: #6D5620, #8D6F2A, #AC8833, #C69E42 and #D0AF62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE8934 shade: #AE8934, #41AC33 and #5533AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE8934 shade: #AE8934, #33AC86 and #8633AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE8934 shade: #AE8934, #41AC33, #3359AC and #9E33AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE8934 shade: #AE8934, #33AC49, #3359AC and #AC3396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 70 / 32

HEX #AE8934

RGB 174 137 52

HSL 41.8, 0.54%, 0.44%

LAB 59.1, 5.05, 49.13

 

Complementary color

CMYK 60 / 42 / 0 / 20

HEX #5176CB

RGB 81 118 203

HSL 221.8, 0.54%, 0.56%

LAB 50.71, 13.05, -48.11

 

CMYK 0 / 23 / 74 / 30

HEX #B3892F

RGB 179 137 47

HSL 40.91, 0.58%, 0.44%

LAB 59.6, 7.03, 51.96

 

CMYK 0 / 21 / 66 / 23

HEX #C49B42

RGB 196 155 66

HSL 41.08, 0.52%, 0.51%

LAB 66.19, 5.7, 51.02

 

CMYK 0 / 19 / 60 / 16

HEX #D5AD55

RGB 213 173 85

HSL 41.25, 0.6%, 0.58%

LAB 72.69, 4.59, 49.84

 

CMYK 0 / 17 / 55 / 10

HEX #E6BF68

RGB 230 191 104

HSL 41.43, 0.72%, 0.65%

LAB 79.09, 3.64, 48.59

 

CMYK 0 / 15 / 50 / 3

HEX #F7D17B

RGB 247 209 123

HSL 41.61, 0.89%, 0.73%

LAB 85.41, 2.82, 47.32

 

CMYK 0 / 21 / 70 / 32

HEX #AE8934

RGB 174 137 52

HSL 41.8, 0.54%, 0.44%

LAB 59.1, 5.05, 49.13

 

CMYK 0 / 24 / 79 / 38

HEX #9D7721

RGB 157 119 33

HSL 41.61, 0.65%, 0.37%

LAB 52.37, 6.51, 49.79

 

CMYK 0 / 28 / 90 / 45

HEX #8C650E

RGB 140 101 14

HSL 41.43, 0.82%, 0.3%

LAB 45.52, 8.29, 49.41

 

CMYK 0 / 33 / 100 / 52

HEX #7B5300

RGB 123 83 0

HSL 40.49, 1%, 0.24%

LAB 38.55, 10.46, 47.04

 

CMYK 0 / 39 / 100 / 58

HEX #6A4100

RGB 106 65 0

HSL 36.79, 1%, 0.21%

LAB 31.45, 13.07, 41.23

 

CMYK 0 / 21 / 70 / 33

HEX #AC8833

RGB 172 136 51

HSL 42.15, 0.54%, 0.44%

LAB 58.62, 4.66, 49

 

CMYK 0 / 40 / 70 / 33

HEX #AC6733

RGB 172 103 51

HSL 25.79, 0.54%, 0.44%

LAB 50.35, 23.15, 40.19

 

CMYK 0 / 59 / 70 / 33

HEX #AC4633

RGB 172 70 51

HSL 9.42, 0.54%, 0.44%

LAB 43.35, 40.61, 32.3

 

CMYK 0 / 70 / 70 / 33

HEX #AC3333

RGB 172 51 51

HSL 0, 0.54%, 0.44%

LAB 40.21, 49.02, 28.61

 

CMYK 0 / 21 / 70 / 33

HEX #AC8833

RGB 172 136 51

HSL 42.15, 0.54%, 0.44%

LAB 58.62, 4.66, 49

 

CMYK 0 / 2 / 70 / 33

HEX #ACA833

RGB 172 168 51

HSL 58.02, 0.54%, 0.44%

LAB 67.29, -12.57, 57.75

 

CMYK 16 / 0 / 70 / 33

HEX #90AC33

RGB 144 172 51

HSL 73.88, 0.54%, 0.44%

LAB 66.27, -26.53, 56.03

 

CMYK 35 / 0 / 70 / 33

HEX #6FAC33

RGB 111 172 51

HSL 90.25, 0.54%, 0.44%

LAB 64.26, -39.4, 53.34

 

CMYK 55 / 0 / 70 / 33

HEX #4EAC33

RGB 78 172 51

HSL 106.61, 0.54%, 0.44%

LAB 62.81, -49.99, 51.39

 

CMYK 0 / 21 / 70 / 33

HEX #AC8833

RGB 172 136 51

HSL 42.15, 0.54%, 0.44%

LAB 58.62, 4.66, 49

 

CMYK 0 / 25 / 83 / 25

HEX #BE8F21

RGB 190 143 33

HSL 42.04, 0.7%, 0.44%

LAB 62.26, 8.09, 60.05

 

CMYK 0 / 28 / 93 / 18

HEX #D1960F

RGB 209 150 15

HSL 41.75, 0.87%, 0.44%

LAB 66.06, 12.31, 68.37

 

CMYK 0 / 21 / 70 / 33

HEX #AC8833

RGB 172 136 51

HSL 42.15, 0.54%, 0.44%

LAB 58.62, 4.66, 49

 

CMYK 0 / 17 / 55 / 40

HEX #9A8045

RGB 154 128 69

HSL 41.65, 0.38%, 0.44%

LAB 54.8, 2.37, 35.43

 

CMYK 0 / 11 / 36 / 47

HEX #887957

RGB 136 121 87

HSL 41.63, 0.22%, 0.44%

LAB 51.38, 0.44, 20.78

 

CMYK 0 / 3 / 10 / 54

HEX #76726A

RGB 118 114 106

HSL 40, 0.05%, 0.44%

LAB 48.17, 0.01, 4.97

 

CMYK 19 / 14 / 0 / 51

HEX #646B7C

RGB 100 107 124

HSL 222.5, 0.11%, 0.44%

LAB 45.19, 1.24, -10.34

 

CMYK 0 / 60 / 70 / 33

HEX #AC4533

RGB 172 69 51

HSL 8.93, 0.54%, 0.44%

LAB 43.16, 41.09, 32.08

 

CMYK 0 / 41 / 70 / 33

HEX #AC6633

RGB 172 102 51

HSL 25.29, 0.54%, 0.44%

LAB 50.11, 23.71, 39.94

 

CMYK 0 / 22 / 70 / 33

HEX #AC8633

RGB 172 134 51

HSL 41.16, 0.54%, 0.44%

LAB 58.09, 5.77, 48.46

 

CMYK 0 / 3 / 70 / 33

HEX #ACA633

RGB 172 166 51

HSL 57.02, 0.54%, 0.44%

LAB 66.73, -11.53, 57.21

 

CMYK 15 / 0 / 70 / 33

HEX #92AC33

RGB 146 172 51

HSL 72.89, 0.54%, 0.44%

LAB 66.41, -25.7, 56.21

 

CMYK 0 / 21 / 71 / 57

HEX #6D5620

RGB 109 86 32

HSL 42.08, 0.55%, 0.28%

LAB 37.86, 3.05, 33.99

 

CMYK 0 / 21 / 70 / 45

HEX #8D6F2A

RGB 141 111 42

HSL 41.82, 0.54%, 0.36%

LAB 48.51, 4.13, 41.52

 

CMYK 0 / 21 / 70 / 33

HEX #AC8833

RGB 172 136 51

HSL 42.15, 0.54%, 0.44%

LAB 58.62, 4.66, 49

 

CMYK 0 / 20 / 67 / 22

HEX #C69E42

RGB 198 158 66

HSL 41.82, 0.54%, 0.52%

LAB 67.17, 4.95, 52.13

 

CMYK 0 / 16 / 53 / 18

HEX #D0AF62

RGB 208 175 98

HSL 42, 0.54%, 0.6%

LAB 72.86, 2.44, 43.57

 

CMYK 0 / 21 / 70 / 32

HEX #AE8934

RGB 174 137 52

HSL 41.8, 0.54%, 0.44%

LAB 59.1, 5.05, 49.13

 

CMYK 62 / 0 / 70 / 33

HEX #41AC33

RGB 65 172 51

HSL 113.06, 0.54%, 0.44%

LAB 62.4, -53.3, 50.82

 

CMYK 51 / 70 / 0 / 33

HEX #5533AC

RGB 85 51 172

HSL 256.86, 0.54%, 0.44%

LAB 32.43, 44.68, -59.48

 

CMYK 0 / 21 / 70 / 32

HEX #AE8934

RGB 174 137 52

HSL 41.8, 0.54%, 0.44%

LAB 59.1, 5.05, 49.13

 

CMYK 70 / 0 / 22 / 33

HEX #33AC86

RGB 51 172 134

HSL 161.16, 0.54%, 0.44%

LAB 63.29, -42.28, 10.06

 

CMYK 22 / 70 / 0 / 33

HEX #8633AC

RGB 134 51 172

HSL 281.16, 0.54%, 0.44%

LAB 38.58, 54.32, -49.22

 

CMYK 0 / 21 / 70 / 32

HEX #AE8934

RGB 174 137 52

HSL 41.8, 0.54%, 0.44%

LAB 59.1, 5.05, 49.13

 

CMYK 62 / 0 / 70 / 33

HEX #41AC33

RGB 65 172 51

HSL 113.06, 0.54%, 0.44%

LAB 62.4, -53.3, 50.82

 

CMYK 70 / 48 / 0 / 33

HEX #3359AC

RGB 51 89 172

HSL 221.16, 0.54%, 0.44%

LAB 39.29, 15.17, -48.47

 

CMYK 8 / 70 / 0 / 33

HEX #9E33AC

RGB 158 51 172

HSL 293.06, 0.54%, 0.44%

LAB 42.18, 59.59, -43.25

 

CMYK 0 / 21 / 70 / 32

HEX #AE8934

RGB 174 137 52

HSL 41.8, 0.54%, 0.44%

LAB 59.1, 5.05, 49.13

 

CMYK 70 / 0 / 58 / 33

HEX #33AC49

RGB 51 172 73

HSL 130.91, 0.54%, 0.44%

LAB 62.24, -53.79, 40.88

 

CMYK 70 / 48 / 0 / 33

HEX #3359AC

RGB 51 89 172

HSL 221.16, 0.54%, 0.44%

LAB 39.29, 15.17, -48.47

 

CMYK 0 / 70 / 13 / 33

HEX #AC3396

RGB 172 51 150

HSL 310.91, 0.54%, 0.44%

LAB 43.27, 59.24, -28.21

 

Description

Color code: HEX #AE8934 | qconv.com Color code: HEX #AE8934 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 137 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 137 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 70 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 70% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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