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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE768F it is the complementary color #518970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE768F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE768F shade: #B3768A, #C4889D, #D59AB0, #E6ACC3 and #F7BED6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE768F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE768F shade: #AE768F, #9D647C, #8C5269, #7B4056 and #6A2E43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE768F shade: #AD748E, #AD747E and #AD7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE768F shade: #AD748E, #AD749D, #AD74AD, #9F74AD and #8F74AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE768F shade matches the following richer shades: #AD748E, #BF638C, #D1518A, #E33F88 and #F42D86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE768F shade: #AD748E, #9C8690, #8A9892, #78AA93 and #66BB95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE768F shade: #AD74AC, #AD749D, #AD748E, #AD747F and #AD7974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE768F shade: #834D65, #9D5C79, #AD748E, #BD8EA3 and #CCA8B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE768F shade: #AE768F, #AD9F74 and #74A5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE768F shade: #AE768F, #8EAD74 and #748EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE768F shade: #AE768F, #AD9F74, #74AD94 and #7483AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE768F shade: #AE768F, #ABAD74, #74AD94 and #7774AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 18 / 32

HEX #AE768F

RGB 174 118 143

HSL 333.21, 0.26%, 0.57%

LAB 56.03, 25.73, -4.62

 

Complementary color

CMYK 41 / 0 / 18 / 46

HEX #518970

RGB 81 137 112

HSL 153.21, 0.26%, 0.43%

LAB 52.74, -24.52, 7.66

 

CMYK 0 / 34 / 23 / 30

HEX #B3768A

RGB 179 118 138

HSL 340.33, 0.29%, 0.58%

LAB 56.46, 26.79, -1.01

 

CMYK 0 / 31 / 20 / 23

HEX #C4889D

RGB 196 136 157

HSL 339, 0.34%, 0.65%

LAB 63.16, 26.02, -1.88

 

CMYK 0 / 28 / 17 / 16

HEX #D59AB0

RGB 213 154 176

HSL 337.63, 0.41%, 0.72%

LAB 69.75, 25.32, -2.67

 

CMYK 0 / 25 / 15 / 10

HEX #E6ACC3

RGB 230 172 195

HSL 336.21, 0.54%, 0.79%

LAB 76.23, 24.67, -3.4

 

CMYK 0 / 23 / 13 / 3

HEX #F7BED6

RGB 247 190 214

HSL 334.74, 0.78%, 0.86%

LAB 82.62, 24.07, -4.08

 

CMYK 0 / 32 / 18 / 32

HEX #AE768F

RGB 174 118 143

HSL 333.21, 0.26%, 0.57%

LAB 56.03, 25.73, -4.62

 

CMYK 0 / 36 / 21 / 38

HEX #9D647C

RGB 157 100 124

HSL 334.74, 0.23%, 0.5%

LAB 49.18, 26.53, -3.78

 

CMYK 0 / 41 / 25 / 45

HEX #8C5269

RGB 140 82 105

HSL 336.21, 0.26%, 0.44%

LAB 42.2, 27.4, -2.81

 

CMYK 0 / 48 / 30 / 52

HEX #7B4056

RGB 123 64 86

HSL 337.63, 0.32%, 0.37%

LAB 35.1, 28.33, -1.64

 

CMYK 0 / 57 / 37 / 58

HEX #6A2E43

RGB 106 46 67

HSL 339, 0.39%, 0.3%

LAB 27.91, 29.26, -0.14

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 33 / 27 / 32

HEX #AD747E

RGB 173 116 126

HSL 349.47, 0.26%, 0.57%

LAB 54.95, 23.86, 3.7

 

CMYK 0 / 33 / 33 / 32

HEX #AD7474

RGB 173 116 116

HSL 0, 0.26%, 0.57%

LAB 54.7, 22.46, 9.18

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 33 / 9 / 32

HEX #AD749D

RGB 173 116 157

HSL 316.84, 0.26%, 0.57%

LAB 55.9, 28.88, -12.96

 

CMYK 0 / 33 / 0 / 32

HEX #AD74AD

RGB 173 116 173

HSL 300, 0.26%, 0.57%

LAB 56.48, 31.85, -21.33

 

CMYK 8 / 33 / 0 / 32

HEX #9F74AD

RGB 159 116 173

HSL 285.26, 0.26%, 0.57%

LAB 54.95, 27.23, -23.81

 

CMYK 17 / 33 / 0 / 32

HEX #8F74AD

RGB 143 116 173

HSL 268.42, 0.26%, 0.57%

LAB 53.33, 22.03, -26.44

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 48 / 27 / 25

HEX #BF638C

RGB 191 99 140

HSL 333.26, 0.42%, 0.57%

LAB 53.91, 41.64, -5.76

 

CMYK 0 / 61 / 34 / 18

HEX #D1518A

RGB 209 81 138

HSL 333.28, 0.58%, 0.57%

LAB 53.25, 55.84, -5.27

 

CMYK 0 / 72 / 40 / 11

HEX #E33F88

RGB 227 63 136

HSL 333.29, 0.75%, 0.57%

LAB 53.67, 67.73, -3.12

 

CMYK 0 / 82 / 45 / 4

HEX #F42D86

RGB 244 45 134

HSL 333.17, 0.9%, 0.57%

LAB 54.9, 76.9, 0.23

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 14 / 8 / 39

HEX #9C8690

RGB 156 134 144

HSL 332.73, 0.1%, 0.57%

LAB 58.16, 10.11, -2.27

 

CMYK 9 / 0 / 4 / 40

HEX #8A9892

RGB 138 152 146

HSL 154.29, 0.06%, 0.57%

LAB 61.6, -6.21, 1.44

 

CMYK 29 / 0 / 14 / 33

HEX #78AA93

RGB 120 170 147

HSL 152.4, 0.23%, 0.57%

LAB 65.63, -21.61, 6.55

 

CMYK 45 / 0 / 20 / 27

HEX #66BB95

RGB 102 187 149

HSL 153.18, 0.38%, 0.57%

LAB 69.85, -34.7, 11.34

 

CMYK 0 / 33 / 1 / 32

HEX #AD74AC

RGB 173 116 172

HSL 301.05, 0.26%, 0.57%

LAB 56.44, 31.66, -20.81

 

CMYK 0 / 33 / 9 / 32

HEX #AD749D

RGB 173 116 157

HSL 316.84, 0.26%, 0.57%

LAB 55.9, 28.88, -12.96

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 33 / 27 / 32

HEX #AD747F

RGB 173 116 127

HSL 348.42, 0.26%, 0.57%

LAB 54.98, 24, 3.16

 

CMYK 0 / 30 / 33 / 32

HEX #AD7974

RGB 173 121 116

HSL 5.26, 0.26%, 0.57%

LAB 55.91, 19.64, 10.89

 

CMYK 0 / 41 / 23 / 49

HEX #834D65

RGB 131 77 101

HSL 333.33, 0.26%, 0.41%

LAB 39.7, 26.22, -4.16

 

CMYK 0 / 41 / 23 / 38

HEX #9D5C79

RGB 157 92 121

HSL 333.23, 0.26%, 0.49%

LAB 47.24, 30.56, -4.85

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 25 / 14 / 26

HEX #BD8EA3

RGB 189 142 163

HSL 333.19, 0.26%, 0.65%

LAB 64.01, 21.12, -4.12

 

CMYK 0 / 18 / 10 / 20

HEX #CCA8B8

RGB 204 168 184

HSL 333.33, 0.26%, 0.73%

LAB 72.43, 15.77, -3.25

 

CMYK 0 / 32 / 18 / 32

HEX #AE768F

RGB 174 118 143

HSL 333.21, 0.26%, 0.57%

LAB 56.03, 25.73, -4.62

 

CMYK 0 / 8 / 33 / 32

HEX #AD9F74

RGB 173 159 116

HSL 45.26, 0.26%, 0.57%

LAB 65.7, -1.51, 24.33

 

CMYK 33 / 5 / 0 / 32

HEX #74A5AD

RGB 116 165 173

HSL 188.42, 0.26%, 0.57%

LAB 64.68, -14.26, -9.37

 

CMYK 0 / 32 / 18 / 32

HEX #AE768F

RGB 174 118 143

HSL 333.21, 0.26%, 0.57%

LAB 56.03, 25.73, -4.62

 

CMYK 18 / 0 / 33 / 32

HEX #8EAD74

RGB 142 173 116

HSL 92.63, 0.26%, 0.57%

LAB 67.2, -21.05, 25.91

 

CMYK 33 / 18 / 0 / 32

HEX #748EAD

RGB 116 142 173

HSL 212.63, 0.26%, 0.57%

LAB 58.11, -1.58, -19.28

 

CMYK 0 / 32 / 18 / 32

HEX #AE768F

RGB 174 118 143

HSL 333.21, 0.26%, 0.57%

LAB 56.03, 25.73, -4.62

 

CMYK 0 / 8 / 33 / 32

HEX #AD9F74

RGB 173 159 116

HSL 45.26, 0.26%, 0.57%

LAB 65.7, -1.51, 24.33

 

CMYK 33 / 0 / 14 / 32

HEX #74AD94

RGB 116 173 148

HSL 153.68, 0.26%, 0.57%

LAB 66.32, -24.16, 6.96

 

CMYK 33 / 24 / 0 / 32

HEX #7483AD

RGB 116 131 173

HSL 224.21, 0.26%, 0.57%

LAB 55.03, 4.77, -23.99

 

CMYK 0 / 32 / 18 / 32

HEX #AE768F

RGB 174 118 143

HSL 333.21, 0.26%, 0.57%

LAB 56.03, 25.73, -4.62

 

CMYK 1 / 0 / 33 / 32

HEX #ABAD74

RGB 171 173 116

HSL 62.11, 0.26%, 0.57%

LAB 69.33, -9.8, 29.11

 

CMYK 33 / 0 / 14 / 32

HEX #74AD94

RGB 116 173 148

HSL 153.68, 0.26%, 0.57%

LAB 66.32, -24.16, 6.96

 

CMYK 31 / 33 / 0 / 32

HEX #7774AD

RGB 119 116 173

HSL 243.16, 0.26%, 0.57%

LAB 51.19, 14.56, -29.93

 

Description

Color code: HEX #AE768F | qconv.com Color code: HEX #AE768F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 118 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 118 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 18 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 18% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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