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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6C3C it is the complementary color #5193C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6C3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6C3C shade: #B36C37, #C47E4A, #D5905D, #E6A270 and #F7B483

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6C3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6C3C shade: #AE6C3C, #9D5A29, #8C4816, #7B3603 and #6A2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6C3C shade: #AE6C3B, #AE4D3B and #AE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6C3C shade: #AE6C3B, #AE8B3B, #AEAA3B, #94AE3B and #75AE3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6C3C shade matches the following richer shades: #AE6C3B, #C16928, #D46615 and #E76302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6C3C shade: #AE6C3B, #9B6F4E, #887261, #757574 and #627887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6C3C shade: #AE3B49, #AE4D3B, #AE6B3B, #AE8A3B and #AEA93B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6C3C shade: #714626, #905931, #AE6C3B, #C38050 and #CD976F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6C3C shade: #AE6C3C, #67AE3B and #3D3BAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6C3C shade: #AE6C3C, #3BAE6B and #6B3BAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6C3C shade: #AE6C3C, #67AE3B, #3B7EAE and #823BAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6C3C shade: #AE6C3C, #45AE3B, #3B7EAE and #A53BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 66 / 32

HEX #AE6C3C

RGB 174 108 60

HSL 25.26, 0.49%, 0.46%

LAB 51.89, 21.77, 37.32

 

Complementary color

CMYK 58 / 25 / 0 / 24

HEX #5193C3

RGB 81 147 195

HSL 205.26, 0.49%, 0.54%

LAB 58.56, -6.78, -31.21

 

CMYK 0 / 40 / 69 / 30

HEX #B36C37

RGB 179 108 55

HSL 25.65, 0.53%, 0.46%

LAB 52.49, 23.6, 40.78

 

CMYK 0 / 36 / 62 / 23

HEX #C47E4A

RGB 196 126 74

HSL 25.57, 0.51%, 0.53%

LAB 59.11, 22.1, 39.09

 

CMYK 0 / 32 / 56 / 16

HEX #D5905D

RGB 213 144 93

HSL 25.5, 0.59%, 0.6%

LAB 65.66, 20.81, 37.47

 

CMYK 0 / 30 / 51 / 10

HEX #E6A270

RGB 230 162 112

HSL 25.42, 0.7%, 0.67%

LAB 72.12, 19.67, 35.94

 

CMYK 0 / 27 / 47 / 3

HEX #F7B483

RGB 247 180 131

HSL 25.34, 0.88%, 0.74%

LAB 78.49, 18.68, 34.52

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3C

RGB 174 108 60

HSL 25.26, 0.49%, 0.46%

LAB 51.89, 21.77, 37.32

 

CMYK 0 / 43 / 74 / 38

HEX #9D5A29

RGB 157 90 41

HSL 25.34, 0.59%, 0.39%

LAB 45.14, 23.4, 39.05

 

CMYK 0 / 49 / 84 / 45

HEX #8C4816

RGB 140 72 22

HSL 25.42, 0.73%, 0.32%

LAB 38.32, 25.3, 40.52

 

CMYK 0 / 56 / 98 / 52

HEX #7B3603

RGB 123 54 3

HSL 25.5, 0.95%, 0.25%

LAB 31.48, 27.43, 41.27

 

CMYK 0 / 66 / 100 / 58

HEX #6A2400

RGB 106 36 0

HSL 20.38, 1%, 0.21%

LAB 24.72, 29.73, 35.64

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 56 / 66 / 32

HEX #AE4D3B

RGB 174 77 59

HSL 9.39, 0.49%, 0.46%

LAB 45.11, 38.37, 29.86

 

CMYK 0 / 66 / 66 / 32

HEX #AE3B3B

RGB 174 59 59

HSL 0, 0.49%, 0.46%

LAB 41.91, 46.83, 25.94

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 20 / 66 / 32

HEX #AE8B3B

RGB 174 139 59

HSL 41.74, 0.49%, 0.46%

LAB 59.69, 4.36, 46.55

 

CMYK 0 / 2 / 66 / 32

HEX #AEAA3B

RGB 174 170 59

HSL 57.91, 0.49%, 0.46%

LAB 68.07, -12.29, 55.42

 

CMYK 15 / 0 / 66 / 32

HEX #94AE3B

RGB 148 174 59

HSL 73.57, 0.49%, 0.46%

LAB 67.19, -25.34, 53.88

 

CMYK 33 / 0 / 66 / 32

HEX #75AE3B

RGB 117 174 59

HSL 89.74, 0.49%, 0.46%

LAB 65.26, -37.48, 51.25

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 46 / 79 / 24

HEX #C16928

RGB 193 105 40

HSL 25.49, 0.66%, 0.46%

LAB 53.59, 30.44, 49.68

 

CMYK 0 / 52 / 90 / 17

HEX #D46615

RGB 212 102 21

HSL 25.45, 0.82%, 0.46%

LAB 55.64, 39.19, 59.52

 

CMYK 0 / 57 / 99 / 9

HEX #E76302

RGB 231 99 2

HSL 25.41, 0.98%, 0.46%

LAB 57.96, 47.7, 66.53

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 28 / 50 / 39

HEX #9B6F4E

RGB 155 111 78

HSL 25.71, 0.33%, 0.46%

LAB 50.56, 13.35, 25.22

 

CMYK 0 / 16 / 29 / 47

HEX #887261

RGB 136 114 97

HSL 26.15, 0.17%, 0.46%

LAB 49.66, 5.87, 12.63

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 27 / 11 / 0 / 47

HEX #627887

RGB 98 120 135

HSL 204.32, 0.16%, 0.46%

LAB 49.23, -4.35, -10.82

 

CMYK 0 / 66 / 58 / 32

HEX #AE3B49

RGB 174 59 73

HSL 352.7, 0.49%, 0.46%

LAB 42.17, 47.78, 17.68

 

CMYK 0 / 56 / 66 / 32

HEX #AE4D3B

RGB 174 77 59

HSL 9.39, 0.49%, 0.46%

LAB 45.11, 38.37, 29.86

 

CMYK 0 / 39 / 66 / 32

HEX #AE6B3B

RGB 174 107 59

HSL 25.04, 0.49%, 0.46%

LAB 51.64, 22.26, 37.57

 

CMYK 0 / 21 / 66 / 32

HEX #AE8A3B

RGB 174 138 59

HSL 41.22, 0.49%, 0.46%

LAB 59.43, 4.92, 46.27

 

CMYK 0 / 3 / 66 / 32

HEX #AEA93B

RGB 174 169 59

HSL 57.39, 0.49%, 0.46%

LAB 67.79, -11.77, 55.13

 

CMYK 0 / 38 / 66 / 56

HEX #714626

RGB 113 70 38

HSL 25.6, 0.5%, 0.3%

LAB 34.05, 15.09, 26.62

 

CMYK 0 / 38 / 66 / 44

HEX #905931

RGB 144 89 49

HSL 25.26, 0.49%, 0.38%

LAB 43.21, 18.73, 32.18

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 34 / 59 / 24

HEX #C38050

RGB 195 128 80

HSL 25.04, 0.49%, 0.54%

LAB 59.54, 21.03, 36.4

 

CMYK 0 / 26 / 46 / 20

HEX #CD976F

RGB 205 151 111

HSL 25.53, 0.48%, 0.62%

LAB 66.72, 15.36, 28.97

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3C

RGB 174 108 60

HSL 25.26, 0.49%, 0.46%

LAB 51.89, 21.77, 37.32

 

CMYK 41 / 0 / 66 / 32

HEX #67AE3B

RGB 103 174 59

HSL 97.04, 0.49%, 0.46%

LAB 64.54, -42.42, 50.27

 

CMYK 65 / 66 / 0 / 32

HEX #3D3BAE

RGB 61 59 174

HSL 241.04, 0.49%, 0.46%

LAB 32.2, 36.83, -61.13

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3C

RGB 174 108 60

HSL 25.26, 0.49%, 0.46%

LAB 51.89, 21.77, 37.32

 

CMYK 66 / 0 / 39 / 32

HEX #3BAE6B

RGB 59 174 107

HSL 145.04, 0.49%, 0.46%

LAB 63.56, -47.56, 25.21

 

CMYK 39 / 66 / 0 / 32

HEX #6B3BAE

RGB 107 59 174

HSL 265.04, 0.49%, 0.46%

LAB 36.57, 45.19, -53.82

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3C

RGB 174 108 60

HSL 25.26, 0.49%, 0.46%

LAB 51.89, 21.77, 37.32

 

CMYK 41 / 0 / 66 / 32

HEX #67AE3B

RGB 103 174 59

HSL 97.04, 0.49%, 0.46%

LAB 64.54, -42.42, 50.27

 

CMYK 66 / 28 / 0 / 32

HEX #3B7EAE

RGB 59 126 174

HSL 205.04, 0.49%, 0.46%

LAB 50.58, -5.79, -31.72

 

CMYK 25 / 66 / 0 / 32

HEX #823BAE

RGB 130 59 174

HSL 277.04, 0.49%, 0.46%

LAB 39.46, 50.23, -49.01

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3C

RGB 174 108 60

HSL 25.26, 0.49%, 0.46%

LAB 51.89, 21.77, 37.32

 

CMYK 60 / 0 / 66 / 32

HEX #45AE3B

RGB 69 174 59

HSL 114.78, 0.49%, 0.46%

LAB 63.22, -52.33, 48.46

 

CMYK 66 / 28 / 0 / 32

HEX #3B7EAE

RGB 59 126 174

HSL 205.04, 0.49%, 0.46%

LAB 50.58, -5.79, -31.72

 

CMYK 5 / 66 / 0 / 32

HEX #A53BAE

RGB 165 59 174

HSL 295.3, 0.49%, 0.46%

LAB 44.49, 58.41, -40.68

 

Description

Color code: HEX #AE6C3C | qconv.com Color code: HEX #AE6C3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 108 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 108 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 66 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 66% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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