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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6568 it is the complementary color #519A97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6568. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6568 shade: #B36563, #C47776, #D58989, #E69B9C and #F7ADAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6568. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6568 shade: #AE6568, #9D5355, #8C4142, #7B2F2F and #6A1D1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6568 shade: #AE6568 and #AE6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6568 shade: #AE6568, #AE657B, #AE658F, #AE65A3 and #A565AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6568 shade matches the following richer shades: #AE6568, #C15256, #D43F45, #E72C34 and #F91922

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6568 shade: #AE6568, #9B7879, #888B8B, #759E9C and #62B1AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6568 shade: #AE658F, #AE657C, #AE6568, #AE7565 and #AE8865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6568 shade: #7E4245, #995053, #AE6568, #BC8082 and #CA9B9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6568 shade: #AE6568, #A3AE65 and #6586AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6568 shade: #AE6568, #68AE65 and #6568AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6568 shade: #AE6568, #A3AE65, #65AEAA and #7065AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6568 shade: #AE6568, #8DAE65, #65AEAA and #8665AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

Complementary color

CMYK 47 / 0 / 2 / 40

HEX #519A97

RGB 81 154 151

HSL 177.53, 0.31%, 0.46%

LAB 59.06, -23.52, -5.5

 

CMYK 0 / 44 / 45 / 30

HEX #B36563

RGB 179 101 99

HSL 1.5, 0.34%, 0.55%

LAB 51.6, 31.08, 14.94

 

CMYK 0 / 39 / 40 / 23

HEX #C47776

RGB 196 119 118

HSL 0.77, 0.4%, 0.62%

LAB 58.26, 30.02, 13.44

 

CMYK 0 / 36 / 36 / 16

HEX #D58989

RGB 213 137 137

HSL 0, 0.48%, 0.69%

LAB 64.84, 29.05, 12.13

 

CMYK 0 / 33 / 32 / 10

HEX #E69B9C

RGB 230 155 156

HSL 359.2, 0.6%, 0.75%

LAB 71.33, 28.17, 10.96

 

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 47 / 46 / 38

HEX #9D5355

RGB 157 83 85

HSL 358.38, 0.31%, 0.47%

LAB 44.25, 30.79, 12.7

 

CMYK 0 / 54 / 53 / 45

HEX #8C4142

RGB 140 65 66

HSL 359.2, 0.37%, 0.4%

LAB 37.39, 31.96, 14.63

 

CMYK 0 / 62 / 62 / 52

HEX #7B2F2F

RGB 123 47 47

HSL 0, 0.45%, 0.33%

LAB 30.52, 33.13, 17.08

 

CMYK 0 / 73 / 74 / 58

HEX #6A1D1C

RGB 106 29 28

HSL 0.77, 0.58%, 0.26%

LAB 23.76, 34.06, 20.31

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 42 / 42 / 32

HEX #AE6565

RGB 174 101 101

HSL 0, 0.31%, 0.54%

LAB 50.97, 29.35, 12.78

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 42 / 29 / 32

HEX #AE657B

RGB 174 101 123

HSL 341.92, 0.31%, 0.54%

LAB 51.54, 32.15, 0.53

 

CMYK 0 / 42 / 18 / 32

HEX #AE658F

RGB 174 101 143

HSL 325.48, 0.31%, 0.54%

LAB 52.16, 35.15, -10.38

 

CMYK 0 / 42 / 6 / 32

HEX #AE65A3

RGB 174 101 163

HSL 309.04, 0.31%, 0.54%

LAB 52.9, 38.56, -21.01

 

CMYK 5 / 42 / 0 / 32

HEX #A565AE

RGB 165 101 174

HSL 292.6, 0.31%, 0.54%

LAB 52.24, 37.78, -28.51

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 58 / 55 / 24

HEX #C15256

RGB 193 82 86

HSL 357.84, 0.47%, 0.54%

LAB 49.55, 44.88, 20.21

 

CMYK 0 / 70 / 67 / 17

HEX #D43F45

RGB 212 63 69

HSL 357.58, 0.63%, 0.54%

LAB 49.47, 58.23, 30.83

 

CMYK 0 / 81 / 77 / 9

HEX #E72C34

RGB 231 44 52

HSL 357.43, 0.8%, 0.54%

LAB 50.73, 68.95, 42.93

 

CMYK 0 / 90 / 86 / 2

HEX #F91922

RGB 249 25 34

HSL 357.59, 0.95%, 0.54%

LAB 52.9, 76.8, 55.41

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 23 / 22 / 39

HEX #9B7879

RGB 155 120 121

HSL 358.29, 0.15%, 0.54%

LAB 53.79, 13.8, 4.7

 

CMYK 2 / 0 / 0 / 45

HEX #888B8B

RGB 136 139 139

HSL 180, 0.01%, 0.54%

LAB 57.62, -1.1, -0.39

 

CMYK 26 / 0 / 1 / 38

HEX #759E9C

RGB 117 158 156

HSL 177.07, 0.17%, 0.54%

LAB 62.2, -14.32, -3.49

 

CMYK 45 / 0 / 2 / 31

HEX #62B1AD

RGB 98 177 173

HSL 176.96, 0.34%, 0.54%

LAB 67.32, -25.26, -5.54

 

CMYK 0 / 42 / 18 / 32

HEX #AE658F

RGB 174 101 143

HSL 325.48, 0.31%, 0.54%

LAB 52.16, 35.15, -10.38

 

CMYK 0 / 42 / 29 / 32

HEX #AE657C

RGB 174 101 124

HSL 341.1, 0.31%, 0.54%

LAB 51.57, 32.29, -0.02

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 33 / 42 / 32

HEX #AE7565

RGB 174 117 101

HSL 13.15, 0.31%, 0.54%

LAB 54.72, 20.43, 17.94

 

CMYK 0 / 22 / 42 / 32

HEX #AE8865

RGB 174 136 101

HSL 28.77, 0.31%, 0.54%

LAB 59.48, 9.75, 24.33

 

CMYK 0 / 48 / 45 / 51

HEX #7E4245

RGB 126 66 69

HSL 357, 0.31%, 0.38%

LAB 35.52, 26.13, 9.84

 

CMYK 0 / 48 / 46 / 40

HEX #995053

RGB 153 80 83

HSL 357.53, 0.31%, 0.46%

LAB 42.96, 30.65, 12.06

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 0 / 32 / 31 / 26

HEX #BC8082

RGB 188 128 130

HSL 358, 0.31%, 0.62%

LAB 59.65, 23.5, 8.36

 

CMYK 0 / 23 / 22 / 21

HEX #CA9B9D

RGB 202 155 157

HSL 357.45, 0.31%, 0.7%

LAB 68.34, 17.8, 5.73

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 6 / 0 / 42 / 32

HEX #A3AE65

RGB 163 174 101

HSL 69.04, 0.31%, 0.54%

LAB 68.75, -15.34, 36.11

 

CMYK 42 / 23 / 0 / 32

HEX #6586AE

RGB 101 134 174

HSL 212.88, 0.31%, 0.54%

LAB 54.94, -0.98, -24.79

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 40 / 0 / 42 / 32

HEX #68AE65

RGB 104 174 101

HSL 117.53, 0.31%, 0.54%

LAB 65.09, -37.05, 30.69

 

CMYK 42 / 40 / 0 / 32

HEX #6568AE

RGB 101 104 174

HSL 237.53, 0.31%, 0.54%

LAB 46.61, 17.04, -37.79

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 6 / 0 / 42 / 32

HEX #A3AE65

RGB 163 174 101

HSL 69.04, 0.31%, 0.54%

LAB 68.75, -15.34, 36.11

 

CMYK 42 / 0 / 2 / 32

HEX #65AEAA

RGB 101 174 170

HSL 176.71, 0.31%, 0.54%

LAB 66.47, -23.76, -5.11

 

CMYK 36 / 42 / 0 / 32

HEX #7065AE

RGB 112 101 174

HSL 249.04, 0.31%, 0.54%

LAB 46.72, 21.88, -37.56

 

CMYK 0 / 42 / 40 / 32

HEX #AE6568

RGB 174 101 104

HSL 357.53, 0.31%, 0.54%

LAB 51.04, 29.7, 11.1

 

CMYK 19 / 0 / 42 / 32

HEX #8DAE65

RGB 141 174 101

HSL 87.12, 0.31%, 0.54%

LAB 67.18, -24, 33.8

 

CMYK 42 / 0 / 2 / 32

HEX #65AEAA

RGB 101 174 170

HSL 176.71, 0.31%, 0.54%

LAB 66.47, -23.76, -5.11

 

CMYK 23 / 42 / 0 / 32

HEX #8665AE

RGB 134 101 174

HSL 267.12, 0.31%, 0.54%

LAB 48.8, 28.27, -34.15

 

Description

Color code: HEX #AE6568 | qconv.com Color code: HEX #AE6568 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 101 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 101 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 40 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 40% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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