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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4DD3 it is the complementary color #51B22C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4DD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4DD3 shade: #B34DCE, #C45FE1, #D571F4, #E683FF and #F795FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4DD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4DD3 shade: #AE4DD3, #9D3BC0, #8C29AD, #7B179A and #6A0587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4DD3 shade: #AC4BD2, #D14BD2, #D24BAE, #D24B8A and #D24B66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4DD3 shade: #AC4BD2, #884BD2, #644BD2 and #4B4BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4DD3 shade matches the following richer shades: #AC4BD2, #B539E4 and #BD27F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4DD3 shade: #AC4BD2, #A45DBF, #9C6FAD, #94819B and #8C9489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4DD3 shade: #644BD2, #884BD2, #AB4BD2, #CF4BD2 and #D24BB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4DD3 shade: #8028A2, #9A30C3, #AC4BD2, #BC6CDA and #CB8DE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4DD3 shade: #AE4DD3, #D24B56 and #4BD276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4DD3 shade: #AE4DD3, #D2AB4B and #4BD2AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4DD3 shade: #AE4DD3, #D24B56, #71D24B and #4BD2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4DD3 shade: #AE4DD3, #D2684B, #71D24B and #4BB4D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 17

HEX #AE4DD3

RGB 174 77 211

HSL 283.43, 0.6%, 0.56%

LAB 50.7, 59.86, -52.2

 

Complementary color

CMYK 54 / 0 / 75 / 30

HEX #51B22C

RGB 81 178 44

HSL 103.43, 0.6%, 0.44%

LAB 64.78, -51.95, 56

 

CMYK 13 / 63 / 0 / 19

HEX #B34DCE

RGB 179 77 206

HSL 287.44, 0.57%, 0.55%

LAB 51.09, 60.04, -48.68

 

CMYK 13 / 58 / 0 / 12

HEX #C45FE1

RGB 196 95 225

HSL 286.62, 0.68%, 0.63%

LAB 57.42, 59.62, -49.25

 

CMYK 13 / 54 / 0 / 4

HEX #D571F4

RGB 213 113 244

HSL 285.8, 0.86%, 0.7%

LAB 63.74, 59.03, -49.68

 

CMYK 10 / 49 / 0 / 0

HEX #E683FF

RGB 230 131 255

HSL 287.9, 1%, 0.76%

LAB 69.67, 56.79, -46.24

 

CMYK 3 / 42 / 0 / 0

HEX #F795FF

RGB 247 149 255

HSL 295.47, 1%, 0.79%

LAB 75.13, 52.52, -37.56

 

CMYK 18 / 64 / 0 / 17

HEX #AE4DD3

RGB 174 77 211

HSL 283.43, 0.6%, 0.56%

LAB 50.7, 59.86, -52.2

 

CMYK 18 / 69 / 0 / 25

HEX #9D3BC0

RGB 157 59 192

HSL 284.21, 0.53%, 0.49%

LAB 44.38, 60.03, -51.5

 

CMYK 19 / 76 / 0 / 32

HEX #8C29AD

RGB 140 41 173

HSL 285, 0.62%, 0.42%

LAB 38.16, 59.67, -50.44

 

CMYK 20 / 85 / 0 / 40

HEX #7B179A

RGB 123 23 154

HSL 285.8, 0.74%, 0.35%

LAB 32.16, 58.39, -48.82

 

CMYK 21 / 96 / 0 / 47

HEX #6A0587

RGB 106 5 135

HSL 286.62, 0.93%, 0.27%

LAB 26.51, 55.69, -46.37

 

CMYK 18 / 64 / 0 / 18

HEX #AC4BD2

RGB 172 75 210

HSL 283.11, 0.6%, 0.56%

LAB 50.04, 60.1, -52.69

 

CMYK 0 / 64 / 0 / 18

HEX #D14BD2

RGB 209 75 210

HSL 299.56, 0.6%, 0.56%

LAB 55.32, 68.66, -43.98

 

CMYK 0 / 64 / 17 / 18

HEX #D24BAE

RGB 210 75 174

HSL 316, 0.6%, 0.56%

LAB 53.8, 63.33, -25.6

 

CMYK 0 / 64 / 34 / 18

HEX #D24B8A

RGB 210 75 138

HSL 332, 0.6%, 0.56%

LAB 52.47, 58.68, -6.4

 

CMYK 0 / 64 / 51 / 18

HEX #D24B66

RGB 210 75 102

HSL 348, 0.6%, 0.56%

LAB 51.49, 55.09, 13.73

 

CMYK 18 / 64 / 0 / 18

HEX #AC4BD2

RGB 172 75 210

HSL 283.11, 0.6%, 0.56%

LAB 50.04, 60.1, -52.69

 

CMYK 35 / 64 / 0 / 18

HEX #884BD2

RGB 136 75 210

HSL 267.11, 0.6%, 0.56%

LAB 45.52, 52.16, -60.2

 

CMYK 52 / 64 / 0 / 18

HEX #644BD2

RGB 100 75 210

HSL 251.11, 0.6%, 0.56%

LAB 41.84, 45.12, -66.36

 

CMYK 64 / 64 / 0 / 18

HEX #4B4BD2

RGB 75 75 210

HSL 240, 0.6%, 0.56%

LAB 39.88, 41.11, -69.63

 

CMYK 18 / 64 / 0 / 18

HEX #AC4BD2

RGB 172 75 210

HSL 283.11, 0.6%, 0.56%

LAB 50.04, 60.1, -52.69

 

CMYK 21 / 75 / 0 / 11

HEX #B539E4

RGB 181 57 228

HSL 283.51, 0.76%, 0.56%

LAB 49.92, 72.61, -63.07

 

CMYK 23 / 84 / 0 / 4

HEX #BD27F6

RGB 189 39 246

HSL 283.48, 0.92%, 0.56%

LAB 50.6, 82.4, -72.05

 

CMYK 18 / 64 / 0 / 18

HEX #AC4BD2

RGB 172 75 210

HSL 283.11, 0.6%, 0.56%

LAB 50.04, 60.1, -52.69

 

CMYK 14 / 51 / 0 / 25

HEX #A45DBF

RGB 164 93 191

HSL 283.47, 0.43%, 0.56%

LAB 51.25, 45.3, -39.93

 

CMYK 10 / 36 / 0 / 32

HEX #9C6FAD

RGB 156 111 173

HSL 283.55, 0.27%, 0.56%

LAB 53.44, 29.11, -26.16

 

CMYK 5 / 17 / 0 / 39

HEX #94819B

RGB 148 129 155

HSL 283.85, 0.12%, 0.56%

LAB 56.45, 12.21, -11.23

 

CMYK 5 / 0 / 7 / 42

HEX #8C9489

RGB 140 148 137

HSL 103.64, 0.05%, 0.56%

LAB 60.39, -5.03, 4.81

 

CMYK 52 / 64 / 0 / 18

HEX #644BD2

RGB 100 75 210

HSL 251.11, 0.6%, 0.56%

LAB 41.84, 45.12, -66.36

 

CMYK 35 / 64 / 0 / 18

HEX #884BD2

RGB 136 75 210

HSL 267.11, 0.6%, 0.56%

LAB 45.52, 52.16, -60.2

 

CMYK 19 / 64 / 0 / 18

HEX #AB4BD2

RGB 171 75 210

HSL 282.67, 0.6%, 0.56%

LAB 49.91, 59.87, -52.92

 

CMYK 1 / 64 / 0 / 18

HEX #CF4BD2

RGB 207 75 210

HSL 298.67, 0.6%, 0.56%

LAB 55.02, 68.2, -44.47

 

CMYK 0 / 64 / 16 / 18

HEX #D24BB0

RGB 210 75 176

HSL 315.11, 0.6%, 0.56%

LAB 53.89, 63.62, -26.64

 

CMYK 21 / 75 / 0 / 36

HEX #8028A2

RGB 128 40 162

HSL 283.28, 0.6%, 0.4%

LAB 35.43, 55.44, -48.35

 

CMYK 21 / 75 / 0 / 24

HEX #9A30C3

RGB 154 48 195

HSL 283.27, 0.6%, 0.48%

LAB 42.65, 64.26, -56.06

 

CMYK 18 / 64 / 0 / 18

HEX #AC4BD2

RGB 172 75 210

HSL 283.11, 0.6%, 0.56%

LAB 50.04, 60.1, -52.69

 

CMYK 14 / 50 / 0 / 15

HEX #BC6CDA

RGB 188 108 218

HSL 283.64, 0.6%, 0.64%

LAB 58.49, 49.7, -43.69

 

CMYK 10 / 38 / 0 / 11

HEX #CB8DE2

RGB 203 141 226

HSL 283.76, 0.59%, 0.72%

LAB 67.45, 38.12, -34

 

CMYK 18 / 64 / 0 / 17

HEX #AE4DD3

RGB 174 77 211

HSL 283.43, 0.6%, 0.56%

LAB 50.7, 59.86, -52.2

 

CMYK 0 / 64 / 59 / 18

HEX #D24B56

RGB 210 75 86

HSL 355.11, 0.6%, 0.56%

LAB 51.16, 53.86, 22.85

 

CMYK 64 / 0 / 44 / 18

HEX #4BD276

RGB 75 210 118

HSL 139.11, 0.6%, 0.56%

LAB 75.39, -56.46, 35.03

 

CMYK 18 / 64 / 0 / 17

HEX #AE4DD3

RGB 174 77 211

HSL 283.43, 0.6%, 0.56%

LAB 50.7, 59.86, -52.2

 

CMYK 0 / 19 / 64 / 18

HEX #D2AB4B

RGB 210 171 75

HSL 42.67, 0.6%, 0.56%

LAB 71.78, 3.71, 53.41

 

CMYK 64 / 0 / 19 / 18

HEX #4BD2AB

RGB 75 210 171

HSL 162.67, 0.6%, 0.56%

LAB 76.39, -45.77, 8.66

 

CMYK 18 / 64 / 0 / 17

HEX #AE4DD3

RGB 174 77 211

HSL 283.43, 0.6%, 0.56%

LAB 50.7, 59.86, -52.2

 

CMYK 0 / 64 / 59 / 18

HEX #D24B56

RGB 210 75 86

HSL 355.11, 0.6%, 0.56%

LAB 51.16, 53.86, 22.85

 

CMYK 46 / 0 / 64 / 18

HEX #71D24B

RGB 113 210 75

HSL 103.11, 0.6%, 0.56%

LAB 76.14, -52.5, 56.28

 

CMYK 64 / 0 / 6 / 18

HEX #4BD2C6

RGB 75 210 198

HSL 174.67, 0.6%, 0.56%

LAB 77.08, -38.97, -4.83

 

CMYK 18 / 64 / 0 / 17

HEX #AE4DD3

RGB 174 77 211

HSL 283.43, 0.6%, 0.56%

LAB 50.7, 59.86, -52.2

 

CMYK 0 / 50 / 64 / 18

HEX #D2684B

RGB 210 104 75

HSL 12.89, 0.6%, 0.56%

LAB 56.2, 39.51, 35.52

 

CMYK 46 / 0 / 64 / 18

HEX #71D24B

RGB 113 210 75

HSL 103.11, 0.6%, 0.56%

LAB 76.14, -52.5, 56.28

 

CMYK 64 / 14 / 0 / 18

HEX #4BB4D2

RGB 75 180 210

HSL 193.33, 0.6%, 0.56%

LAB 68.6, -21.02, -24.11

 

Description

Color code: HEX #AE4DD3 | qconv.com Color code: HEX #AE4DD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 77 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 77 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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