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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4552 it is the complementary color #51BAAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4552 shade: #B3454D, #C45760, #D56973, #E67B86 and #F78D99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4552 shade: #AE4552, #9D333F, #8C212C, #7B0F19 and #6A0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4552 shade: #AF4552 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4552 shade: #AF4552, #AF456F, #AF458B, #AF45A7 and #9945AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4552 shade matches the following richer shades: #AF4552, #C23143, #D61E35 and #EA0A26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4552 shade: #AF4552, #9B5961, #876D70, #73817F and #5F948E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4552 shade: #AF458B, #AF456F, #AF4553, #AF5345 and #AF6F45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4552 shade: #742E36, #913A44, #AF4552, #BF5E6A and #CA7C86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4552 shade: #AE4552, #A8AF45 and #457DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4552 shade: #AE4552, #53AF45 and #4553AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4552 shade: #AE4552, #A8AF45, #45AFA0 and #4C45AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4552 shade: #AE4552, #88AF45, #45AFA0 and #6C45AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 53 / 32

HEX #AE4552

RGB 174 69 82

HSL 352.57, 0.43%, 0.48%

LAB 44.04, 44, 14.66

 

Complementary color

CMYK 56 / 0 / 7 / 27

HEX #51BAAD

RGB 81 186 173

HSL 172.57, 0.43%, 0.52%

LAB 69.39, -33.41, -2.56

 

CMYK 0 / 61 / 57 / 30

HEX #B3454D

RGB 179 69 77

HSL 355.64, 0.44%, 0.49%

LAB 44.77, 45.34, 18.85

 

CMYK 0 / 56 / 51 / 23

HEX #C45760

RGB 196 87 96

HSL 355.05, 0.48%, 0.55%

LAB 51.15, 44.38, 16.49

 

CMYK 0 / 51 / 46 / 16

HEX #D56973

RGB 213 105 115

HSL 354.44, 0.56%, 0.62%

LAB 57.55, 43.36, 14.53

 

CMYK 0 / 47 / 42 / 10

HEX #E67B86

RGB 230 123 134

HSL 353.83, 0.68%, 0.69%

LAB 63.93, 42.34, 12.86

 

CMYK 0 / 43 / 38 / 3

HEX #F78D99

RGB 247 141 153

HSL 353.21, 0.87%, 0.76%

LAB 70.26, 41.35, 11.4

 

CMYK 0 / 60 / 53 / 32

HEX #AE4552

RGB 174 69 82

HSL 352.57, 0.43%, 0.48%

LAB 44.04, 44, 14.66

 

CMYK 0 / 68 / 60 / 38

HEX #9D333F

RGB 157 51 63

HSL 353.21, 0.51%, 0.41%

LAB 37.65, 44.73, 17.38

 

CMYK 0 / 76 / 69 / 45

HEX #8C212C

RGB 140 33 44

HSL 353.83, 0.62%, 0.34%

LAB 31.45, 45, 20.86

 

CMYK 0 / 88 / 80 / 52

HEX #7B0F19

RGB 123 15 25

HSL 354.44, 0.78%, 0.27%

LAB 25.63, 44.28, 25.34

 

CMYK 0 / 100 / 94 / 58

HEX #6A0006

RGB 106 0 6

HSL 356.6, 1%, 0.21%

LAB 20.35, 42.14, 28.63

 

CMYK 0 / 61 / 53 / 31

HEX #AF4552

RGB 175 69 82

HSL 352.64, 0.43%, 0.48%

LAB 44.2, 44.35, 14.92

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 61 / 53 / 31

HEX #AF4552

RGB 175 69 82

HSL 352.64, 0.43%, 0.48%

LAB 44.2, 44.35, 14.92

 

CMYK 0 / 61 / 37 / 31

HEX #AF456F

RGB 175 69 111

HSL 336.23, 0.43%, 0.48%

LAB 44.97, 47.32, -1.83

 

CMYK 0 / 61 / 21 / 31

HEX #AF458B

RGB 175 69 139

HSL 320.38, 0.43%, 0.48%

LAB 45.95, 51.03, -17.39

 

CMYK 0 / 61 / 5 / 31

HEX #AF45A7

RGB 175 69 167

HSL 304.53, 0.43%, 0.48%

LAB 47.18, 55.45, -32.2

 

CMYK 13 / 61 / 0 / 31

HEX #9945AF

RGB 153 69 175

HSL 287.55, 0.43%, 0.48%

LAB 44.41, 51.2, -41.52

 

CMYK 0 / 61 / 53 / 31

HEX #AF4552

RGB 175 69 82

HSL 352.64, 0.43%, 0.48%

LAB 44.2, 44.35, 14.92

 

CMYK 0 / 75 / 65 / 24

HEX #C23143

RGB 194 49 67

HSL 352.55, 0.6%, 0.48%

LAB 44.33, 57.54, 24.9

 

CMYK 0 / 86 / 75 / 16

HEX #D61E35

RGB 214 30 53

HSL 352.5, 0.75%, 0.48%

LAB 46.29, 67.5, 36.56

 

CMYK 0 / 96 / 84 / 8

HEX #EA0A26

RGB 234 10 38

HSL 352.5, 0.92%, 0.48%

LAB 49.31, 74.77, 49.22

 

CMYK 0 / 61 / 53 / 31

HEX #AF4552

RGB 175 69 82

HSL 352.64, 0.43%, 0.48%

LAB 44.2, 44.35, 14.92

 

CMYK 0 / 43 / 37 / 39

HEX #9B5961

RGB 155 89 97

HSL 352.73, 0.27%, 0.48%

LAB 45.6, 28.09, 7.26

 

CMYK 0 / 19 / 17 / 47

HEX #876D70

RGB 135 109 112

HSL 353.08, 0.11%, 0.48%

LAB 48.58, 10.79, 2.22

 

CMYK 11 / 0 / 2 / 49

HEX #73817F

RGB 115 129 127

HSL 171.43, 0.06%, 0.48%

LAB 52.82, -5.55, -0.67

 

CMYK 36 / 0 / 4 / 42

HEX #5F948E

RGB 95 148 142

HSL 173.21, 0.22%, 0.48%

LAB 57.62, -19, -2.42

 

CMYK 0 / 61 / 21 / 31

HEX #AF458B

RGB 175 69 139

HSL 320.38, 0.43%, 0.48%

LAB 45.95, 51.03, -17.39

 

CMYK 0 / 61 / 37 / 31

HEX #AF456F

RGB 175 69 111

HSL 336.23, 0.43%, 0.48%

LAB 44.97, 47.32, -1.83

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 0 / 53 / 61 / 31

HEX #AF5345

RGB 175 83 69

HSL 7.92, 0.43%, 0.48%

LAB 46.62, 36.37, 25.92

 

CMYK 0 / 37 / 61 / 31

HEX #AF6F45

RGB 175 111 69

HSL 23.77, 0.43%, 0.48%

LAB 52.85, 21.16, 33.64

 

CMYK 0 / 60 / 53 / 55

HEX #742E36

RGB 116 46 54

HSL 353.14, 0.43%, 0.32%

LAB 29.24, 31.57, 10.6

 

CMYK 0 / 60 / 53 / 43

HEX #913A44

RGB 145 58 68

HSL 353.1, 0.43%, 0.4%

LAB 36.86, 37.67, 12.79

 

CMYK 0 / 61 / 53 / 31

HEX #AF4552

RGB 175 69 82

HSL 352.64, 0.43%, 0.48%

LAB 44.2, 44.35, 14.92

 

CMYK 0 / 51 / 45 / 25

HEX #BF5E6A

RGB 191 94 106

HSL 352.58, 0.43%, 0.56%

LAB 51.98, 40.05, 11.57

 

CMYK 0 / 39 / 34 / 21

HEX #CA7C86

RGB 202 124 134

HSL 352.31, 0.42%, 0.64%

LAB 60.51, 31.54, 7.51

 

CMYK 0 / 60 / 53 / 32

HEX #AE4552

RGB 174 69 82

HSL 352.57, 0.43%, 0.48%

LAB 44.04, 44, 14.66

 

CMYK 4 / 0 / 61 / 31

HEX #A8AF45

RGB 168 175 69

HSL 63.96, 0.43%, 0.48%

LAB 69.05, -16.77, 52.04

 

CMYK 61 / 29 / 0 / 31

HEX #457DAF

RGB 69 125 175

HSL 208.3, 0.43%, 0.48%

LAB 50.72, -3, -32.05

 

CMYK 0 / 60 / 53 / 32

HEX #AE4552

RGB 174 69 82

HSL 352.57, 0.43%, 0.48%

LAB 44.04, 44, 14.66

 

CMYK 53 / 0 / 61 / 31

HEX #53AF45

RGB 83 175 69

HSL 112.08, 0.43%, 0.48%

LAB 64.1, -48.02, 45.15

 

CMYK 61 / 53 / 0 / 31

HEX #4553AF

RGB 69 83 175

HSL 232.08, 0.43%, 0.48%

LAB 38.81, 23.25, -50.97

 

CMYK 0 / 60 / 53 / 32

HEX #AE4552

RGB 174 69 82

HSL 352.57, 0.43%, 0.48%

LAB 44.04, 44, 14.66

 

CMYK 4 / 0 / 61 / 31

HEX #A8AF45

RGB 168 175 69

HSL 63.96, 0.43%, 0.48%

LAB 69.05, -16.77, 52.04

 

CMYK 61 / 0 / 9 / 31

HEX #45AFA0

RGB 69 175 160

HSL 171.51, 0.43%, 0.48%

LAB 65.33, -33.96, -1.37

 

CMYK 57 / 61 / 0 / 31

HEX #4C45AF

RGB 76 69 175

HSL 243.96, 0.43%, 0.48%

LAB 35.77, 33.46, -55.87

 

CMYK 0 / 60 / 53 / 32

HEX #AE4552

RGB 174 69 82

HSL 352.57, 0.43%, 0.48%

LAB 44.04, 44, 14.66

 

CMYK 22 / 0 / 61 / 31

HEX #88AF45

RGB 136 175 69

HSL 82.08, 0.43%, 0.48%

LAB 66.77, -29.87, 48.88

 

CMYK 61 / 0 / 9 / 31

HEX #45AFA0

RGB 69 175 160

HSL 171.51, 0.43%, 0.48%

LAB 65.33, -33.96, -1.37

 

CMYK 38 / 61 / 0 / 31

HEX #6C45AF

RGB 108 69 175

HSL 262.08, 0.43%, 0.48%

LAB 38.79, 40.19, -50.82

 

Description

Color code: HEX #AE4552 | qconv.com Color code: HEX #AE4552 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 69 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 69 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 53 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 53% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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