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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4526 it is the complementary color #51BAD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4526 shade: #B34521, #C45734, #D56947, #E67B5A and #F78D6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4526 shade: #AE4526, #9D3313, #8C2100, #7B0F00 and #6A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4526 shade: #AF4526 and #AF2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4526 shade: #AF4526, #AF6A26, #AF8F26, #AAAF26 and #85AF26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4526 shade matches the following richer shades: #AF4526, #C03C15 and #D23203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4526 shade: #AF4526, #9E4F37, #8C5849, #7B625A and #6A6B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4526 shade: #AF2651, #AF262D, #AF4426, #AF6826 and #AF8D26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4526 shade: #6B2A17, #8D381F, #AF4526, #D1532E and #D86F50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4526 shade: #AE4526, #76AF26 and #263FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4526 shade: #AE4526, #26AF44 and #4426AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4526 shade: #AE4526, #76AF26, #2691AF and #5F26AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4526 shade: #AE4526, #4DAF26, #2691AF and #8826AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

Complementary color

CMYK 63 / 14 / 0 / 15

HEX #51BAD9

RGB 81 186 217

HSL 193.68, 0.64%, 0.58%

LAB 70.79, -20.97, -24.58

 

CMYK 0 / 61 / 82 / 30

HEX #B34521

RGB 179 69 33

HSL 14.79, 0.69%, 0.42%

LAB 44.16, 42.92, 43.15

 

CMYK 0 / 56 / 73 / 23

HEX #C45734

RGB 196 87 52

HSL 14.58, 0.58%, 0.49%

LAB 50.45, 41.41, 40.8

 

CMYK 0 / 51 / 67 / 16

HEX #D56947

RGB 213 105 71

HSL 14.37, 0.63%, 0.56%

LAB 56.79, 39.91, 38.51

 

CMYK 0 / 47 / 61 / 10

HEX #E67B5A

RGB 230 123 90

HSL 14.14, 0.74%, 0.63%

LAB 63.12, 38.49, 36.42

 

CMYK 0 / 43 / 56 / 3

HEX #F78D6D

RGB 247 141 109

HSL 13.91, 0.9%, 0.7%

LAB 69.42, 37.17, 34.53

 

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

CMYK 0 / 68 / 88 / 38

HEX #9D3313

RGB 157 51 19

HSL 13.91, 0.78%, 0.35%

LAB 37.08, 42.63, 41.89

 

CMYK 0 / 76 / 100 / 45

HEX #8C2100

RGB 140 33 0

HSL 14.14, 1%, 0.27%

LAB 31.03, 43.58, 43.66

 

CMYK 0 / 88 / 100 / 52

HEX #7B0F00

RGB 123 15 0

HSL 7.32, 1%, 0.24%

LAB 25.42, 43.64, 37.55

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 61 / 78 / 31

HEX #AF4526

RGB 175 69 38

HSL 13.58, 0.64%, 0.42%

LAB 43.52, 41.61, 39.77

 

CMYK 0 / 78 / 78 / 31

HEX #AF2626

RGB 175 38 38

HSL 0, 0.64%, 0.42%

LAB 38.97, 53.99, 35.04

 

CMYK 0 / 61 / 78 / 31

HEX #AF4526

RGB 175 69 38

HSL 13.58, 0.64%, 0.42%

LAB 43.52, 41.61, 39.77

 

CMYK 0 / 39 / 78 / 31

HEX #AF6A26

RGB 175 106 38

HSL 29.78, 0.64%, 0.42%

LAB 51.34, 22.15, 47.53

 

CMYK 0 / 18 / 78 / 31

HEX #AF8F26

RGB 175 143 38

HSL 45.99, 0.64%, 0.42%

LAB 60.69, 1.53, 56.36

 

CMYK 3 / 0 / 78 / 31

HEX #AAAF26

RGB 170 175 38

HSL 62.19, 0.64%, 0.42%

LAB 69, -17.62, 63.75

 

CMYK 24 / 0 / 78 / 31

HEX #85AF26

RGB 133 175 38

HSL 78.39, 0.64%, 0.42%

LAB 66.36, -33.13, 60.36

 

CMYK 0 / 61 / 78 / 31

HEX #AF4526

RGB 175 69 38

HSL 13.58, 0.64%, 0.42%

LAB 43.52, 41.61, 39.77

 

CMYK 0 / 69 / 89 / 25

HEX #C03C15

RGB 192 60 21

HSL 13.68, 0.8%, 0.42%

LAB 44.93, 51.14, 50.02

 

CMYK 0 / 76 / 99 / 18

HEX #D23203

RGB 210 50 3

HSL 13.62, 0.97%, 0.42%

LAB 46.96, 60.26, 58.46

 

CMYK 0 / 61 / 78 / 31

HEX #AF4526

RGB 175 69 38

HSL 13.58, 0.64%, 0.42%

LAB 43.52, 41.61, 39.77

 

CMYK 0 / 50 / 65 / 38

HEX #9E4F37

RGB 158 79 55

HSL 13.98, 0.48%, 0.42%

LAB 42.97, 30.74, 29

 

CMYK 0 / 37 / 48 / 45

HEX #8C5849

RGB 140 88 73

HSL 13.43, 0.31%, 0.42%

LAB 42.82, 19.69, 17.63

 

CMYK 0 / 20 / 27 / 52

HEX #7B625A

RGB 123 98 90

HSL 14.55, 0.15%, 0.42%

LAB 43.78, 8.78, 8.37

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 0 / 78 / 54 / 31

HEX #AF2651

RGB 175 38 81

HSL 341.17, 0.64%, 0.42%

LAB 39.74, 56.43, 9.37

 

CMYK 0 / 78 / 74 / 31

HEX #AF262D

RGB 175 38 45

HSL 356.93, 0.64%, 0.42%

LAB 39.05, 54.26, 31.01

 

CMYK 0 / 61 / 78 / 31

HEX #AF4426

RGB 175 68 38

HSL 13.14, 0.64%, 0.42%

LAB 43.34, 42.09, 39.59

 

CMYK 0 / 41 / 78 / 31

HEX #AF6826

RGB 175 104 38

HSL 28.91, 0.64%, 0.42%

LAB 50.87, 23.26, 47.08

 

CMYK 0 / 19 / 78 / 31

HEX #AF8D26

RGB 175 141 38

HSL 45.11, 0.64%, 0.42%

LAB 60.16, 2.63, 55.87

 

CMYK 0 / 61 / 79 / 58

HEX #6B2A17

RGB 107 42 23

HSL 13.57, 0.65%, 0.25%

LAB 26.28, 27.78, 26.34

 

CMYK 0 / 60 / 78 / 45

HEX #8D381F

RGB 141 56 31

HSL 13.64, 0.64%, 0.34%

LAB 35.18, 34.64, 33.06

 

CMYK 0 / 61 / 78 / 31

HEX #AF4526

RGB 175 69 38

HSL 13.58, 0.64%, 0.42%

LAB 43.52, 41.61, 39.77

 

CMYK 0 / 60 / 78 / 18

HEX #D1532E

RGB 209 83 46

HSL 13.62, 0.64%, 0.5%

LAB 51.77, 47.88, 45.9

 

CMYK 0 / 49 / 63 / 15

HEX #D86F50

RGB 216 111 80

HSL 13.68, 0.64%, 0.58%

LAB 58.55, 38.57, 35.83

 

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

CMYK 33 / 0 / 78 / 31

HEX #76AF26

RGB 118 175 38

HSL 84.96, 0.64%, 0.42%

LAB 65.48, -38.93, 59.22

 

CMYK 78 / 64 / 0 / 31

HEX #263FAF

RGB 38 63 175

HSL 229.05, 0.64%, 0.42%

LAB 31.95, 31.82, -62.2

 

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

CMYK 78 / 0 / 61 / 31

HEX #26AF44

RGB 38 175 68

HSL 133.14, 0.64%, 0.42%

LAB 62.92, -57.5, 43.94

 

CMYK 61 / 78 / 0 / 31

HEX #4426AF

RGB 68 38 175

HSL 253.14, 0.64%, 0.42%

LAB 28.67, 49.75, -67.51

 

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

CMYK 33 / 0 / 78 / 31

HEX #76AF26

RGB 118 175 38

HSL 84.96, 0.64%, 0.42%

LAB 65.48, -38.93, 59.22

 

CMYK 78 / 17 / 0 / 31

HEX #2691AF

RGB 38 145 175

HSL 193.14, 0.64%, 0.42%

LAB 55.84, -19.06, -24.17

 

CMYK 46 / 78 / 0 / 31

HEX #5F26AF

RGB 95 38 175

HSL 264.96, 0.64%, 0.42%

LAB 31.61, 53.38, -62.57

 

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

CMYK 56 / 0 / 78 / 31

HEX #4DAF26

RGB 77 175 38

HSL 102.92, 0.64%, 0.42%

LAB 63.65, -52.32, 56.85

 

CMYK 78 / 17 / 0 / 31

HEX #2691AF

RGB 38 145 175

HSL 193.14, 0.64%, 0.42%

LAB 55.84, -19.06, -24.17

 

CMYK 22 / 78 / 0 / 31

HEX #8826AF

RGB 136 38 175

HSL 282.92, 0.64%, 0.42%

LAB 37.33, 60.35, -53.01

 

Description

Color code: HEX #AE4526 | qconv.com Color code: HEX #AE4526 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 69 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 69 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 78 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 78% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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