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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE2193 it is the complementary color #51DE6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE2193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE2193 shade: #B3218E, #C433A1, #D545B4, #E657C7 and #F769DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE2193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE2193 shade: #AE2193, #9D0F80, #8C006D, #7B005A and #6A0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE2193 shade: #AF2194, #AF216E, #AF2147 and #AF2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE2193 shade: #AF2194, #A421AF, #7E21AF, #5721AF and #3121AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE2193 shade matches the following richer shades: #AF2194 and #C0109E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE2193 shade: #AF2194, #9E3289, #8D437F, #7C5475 and #6B656A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE2193 shade: #7D21AF, #A321AF, #AF2195, #AF216F and #AF2149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE2193 shade: #6A1459, #8C1A77, #AF2194, #D228B1 and #DC47BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE2193 shade: #AE2193, #AF5721 and #21AF90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE2193 shade: #AE2193, #95AF21 and #2195AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE2193 shade: #AE2193, #AF5721, #21AF3B and #2179AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE2193 shade: #AE2193, #AF8221, #21AF3B and #214EAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 16 / 32

HEX #AE2193

RGB 174 33 147

HSL 311.49, 0.68%, 0.41%

LAB 41.52, 64.84, -29.11

 

Complementary color

CMYK 64 / 0 / 51 / 13

HEX #51DE6C

RGB 81 222 108

HSL 131.49, 0.68%, 0.59%

LAB 79.08, -61.21, 44.62

 

CMYK 0 / 82 / 21 / 30

HEX #B3218E

RGB 179 33 142

HSL 315.21, 0.69%, 0.42%

LAB 42.19, 65.28, -24.95

 

CMYK 0 / 74 / 18 / 23

HEX #C433A1

RGB 196 51 161

HSL 314.48, 0.59%, 0.48%

LAB 47.85, 66.66, -27.35

 

CMYK 0 / 68 / 15 / 16

HEX #D545B4

RGB 213 69 180

HSL 313.75, 0.63%, 0.55%

LAB 53.7, 67.27, -29.21

 

CMYK 0 / 62 / 13 / 10

HEX #E657C7

RGB 230 87 199

HSL 313.01, 0.74%, 0.62%

LAB 59.67, 67.38, -30.67

 

CMYK 0 / 57 / 12 / 3

HEX #F769DA

RGB 247 105 218

HSL 312.25, 0.9%, 0.69%

LAB 65.7, 67.17, -31.85

 

CMYK 0 / 81 / 16 / 32

HEX #AE2193

RGB 174 33 147

HSL 311.49, 0.68%, 0.41%

LAB 41.52, 64.84, -29.11

 

CMYK 0 / 90 / 18 / 38

HEX #9D0F80

RGB 157 15 128

HSL 312.25, 0.83%, 0.34%

LAB 36.12, 62.35, -26.11

 

CMYK 0 / 100 / 22 / 45

HEX #8C006D

RGB 140 0 109

HSL 313.29, 1%, 0.27%

LAB 31.07, 58.49, -22.24

 

CMYK 0 / 100 / 27 / 52

HEX #7B005A

RGB 123 0 90

HSL 316.1, 1%, 0.24%

LAB 26.59, 52.58, -17.11

 

CMYK 0 / 100 / 33 / 58

HEX #6A0047

RGB 106 0 71

HSL 319.81, 1%, 0.21%

LAB 22.01, 46.54, -11.68

 

CMYK 0 / 81 / 15 / 31

HEX #AF2194

RGB 175 33 148

HSL 311.41, 0.68%, 0.41%

LAB 41.75, 65.2, -29.34

 

CMYK 0 / 81 / 37 / 31

HEX #AF216E

RGB 175 33 110

HSL 327.46, 0.68%, 0.41%

LAB 40.13, 60.53, -8.39

 

CMYK 0 / 81 / 59 / 31

HEX #AF2147

RGB 175 33 71

HSL 343.94, 0.68%, 0.41%

LAB 39, 57.14, 14.71

 

CMYK 0 / 81 / 81 / 31

HEX #AF2121

RGB 175 33 33

HSL 0, 0.68%, 0.41%

LAB 38.4, 55.29, 37.29

 

CMYK 0 / 81 / 15 / 31

HEX #AF2194

RGB 175 33 148

HSL 311.41, 0.68%, 0.41%

LAB 41.75, 65.2, -29.34

 

CMYK 6 / 81 / 0 / 31

HEX #A421AF

RGB 164 33 175

HSL 295.35, 0.68%, 0.41%

LAB 41.34, 67.09, -46.32

 

CMYK 28 / 81 / 0 / 31

HEX #7E21AF

RGB 126 33 175

HSL 279.3, 0.68%, 0.41%

LAB 35.24, 60.22, -56.47

 

CMYK 50 / 81 / 0 / 31

HEX #5721AF

RGB 87 33 175

HSL 262.82, 0.68%, 0.41%

LAB 29.93, 54.31, -65.36

 

CMYK 72 / 81 / 0 / 31

HEX #3121AF

RGB 49 33 175

HSL 246.76, 0.68%, 0.41%

LAB 26.26, 50.27, -71.54

 

CMYK 0 / 81 / 15 / 31

HEX #AF2194

RGB 175 33 148

HSL 311.41, 0.68%, 0.41%

LAB 41.75, 65.2, -29.34

 

CMYK 0 / 92 / 18 / 25

HEX #C0109E

RGB 192 16 158

HSL 311.59, 0.85%, 0.41%

LAB 44.3, 73.16, -31.16

 

CMYK 0 / 81 / 15 / 31

HEX #AF2194

RGB 175 33 148

HSL 311.41, 0.68%, 0.41%

LAB 41.75, 65.2, -29.34

 

CMYK 0 / 68 / 13 / 38

HEX #9E3289

RGB 158 50 137

HSL 311.67, 0.52%, 0.41%

LAB 40.17, 54.05, -25.32

 

CMYK 0 / 52 / 10 / 45

HEX #8D437F

RGB 141 67 127

HSL 311.35, 0.36%, 0.41%

LAB 39.93, 39.65, -19.77

 

CMYK 0 / 32 / 6 / 51

HEX #7C5475

RGB 124 84 117

HSL 310.5, 0.19%, 0.41%

LAB 41.07, 22.34, -12.08

 

CMYK 0 / 6 / 1 / 58

HEX #6B656A

RGB 107 101 106

HSL 310, 0.03%, 0.41%

LAB 43.47, 3.37, -1.97

 

CMYK 29 / 81 / 0 / 31

HEX #7D21AF

RGB 125 33 175

HSL 278.87, 0.68%, 0.41%

LAB 35.09, 60.05, -56.72

 

CMYK 7 / 81 / 0 / 31

HEX #A321AF

RGB 163 33 175

HSL 294.93, 0.68%, 0.41%

LAB 41.17, 66.9, -46.6

 

CMYK 0 / 81 / 15 / 31

HEX #AF2195

RGB 175 33 149

HSL 310.99, 0.68%, 0.41%

LAB 41.8, 65.34, -29.87

 

CMYK 0 / 81 / 37 / 31

HEX #AF216F

RGB 175 33 111

HSL 327.04, 0.68%, 0.41%

LAB 40.16, 60.63, -8.97

 

CMYK 0 / 81 / 58 / 31

HEX #AF2149

RGB 175 33 73

HSL 343.1, 0.68%, 0.41%

LAB 39.04, 57.28, 13.5

 

CMYK 0 / 81 / 16 / 58

HEX #6A1459

RGB 106 20 89

HSL 311.86, 0.68%, 0.25%

LAB 24.59, 44.12, -19.81

 

CMYK 0 / 81 / 15 / 45

HEX #8C1A77

RGB 140 26 119

HSL 311.05, 0.69%, 0.33%

LAB 33.23, 55.03, -25.21

 

CMYK 0 / 81 / 15 / 31

HEX #AF2194

RGB 175 33 148

HSL 311.41, 0.68%, 0.41%

LAB 41.75, 65.2, -29.34

 

CMYK 0 / 81 / 16 / 18

HEX #D228B1

RGB 210 40 177

HSL 311.65, 0.68%, 0.49%

LAB 49.97, 74.96, -33.32

 

CMYK 0 / 68 / 13 / 14

HEX #DC47BF

RGB 220 71 191

HSL 311.68, 0.68%, 0.57%

LAB 55.57, 69.84, -32.59

 

CMYK 0 / 81 / 16 / 32

HEX #AE2193

RGB 174 33 147

HSL 311.49, 0.68%, 0.41%

LAB 41.52, 64.84, -29.11

 

CMYK 0 / 50 / 81 / 31

HEX #AF5721

RGB 175 87 33

HSL 22.82, 0.68%, 0.41%

LAB 47.03, 32.33, 45.63

 

CMYK 81 / 0 / 18 / 31

HEX #21AF90

RGB 33 175 144

HSL 166.9, 0.68%, 0.41%

LAB 64.16, -43.28, 5.72

 

CMYK 0 / 81 / 16 / 32

HEX #AE2193

RGB 174 33 147

HSL 311.49, 0.68%, 0.41%

LAB 41.52, 64.84, -29.11

 

CMYK 15 / 0 / 81 / 31

HEX #95AF21

RGB 149 175 33

HSL 70.99, 0.68%, 0.41%

LAB 67.4, -26.78, 63.15

 

CMYK 81 / 15 / 0 / 31

HEX #2195AF

RGB 33 149 175

HSL 190.99, 0.68%, 0.41%

LAB 56.99, -21.69, -22.42

 

CMYK 0 / 81 / 16 / 32

HEX #AE2193

RGB 174 33 147

HSL 311.49, 0.68%, 0.41%

LAB 41.52, 64.84, -29.11

 

CMYK 0 / 50 / 81 / 31

HEX #AF5721

RGB 175 87 33

HSL 22.82, 0.68%, 0.41%

LAB 47.03, 32.33, 45.63

 

CMYK 81 / 0 / 66 / 31

HEX #21AF3B

RGB 33 175 59

HSL 130.99, 0.68%, 0.41%

LAB 62.76, -59.17, 47.72

 

CMYK 81 / 31 / 0 / 31

HEX #2179AF

RGB 33 121 175

HSL 202.82, 0.68%, 0.41%

LAB 48.38, -6.08, -35.8

 

CMYK 0 / 81 / 16 / 32

HEX #AE2193

RGB 174 33 147

HSL 311.49, 0.68%, 0.41%

LAB 41.52, 64.84, -29.11

 

CMYK 0 / 26 / 81 / 31

HEX #AF8221

RGB 175 130 33

HSL 40.99, 0.68%, 0.41%

LAB 57.26, 8.54, 55.01

 

CMYK 81 / 0 / 66 / 31

HEX #21AF3B

RGB 33 175 59

HSL 130.99, 0.68%, 0.41%

LAB 62.76, -59.17, 47.72

 

CMYK 81 / 55 / 0 / 31

HEX #214EAF

RGB 33 78 175

HSL 220.99, 0.68%, 0.41%

LAB 35.73, 21.36, -56.04

 

Description

Color code: HEX #AE2193 | qconv.com Color code: HEX #AE2193 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 33 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 33 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 16 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 16% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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