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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADEA47 it is the complementary color #5215B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADEA47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADEA47 shade: #B2EA42, #C3FC55, #D4FF68, #E5FF7B and #F6FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADEA47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADEA47 shade: #ADEA47, #9CD834, #8BC621, #7AB40E and #69A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADEA47 shade: #ADEA47, #D9EA47, #EACF47, #EAA347 and #EA7747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADEA47 shade: #ADEA47, #81EA47, #55EA47, #47EA65 and #47EA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADEA47 shade matches the following richer shades: #ADEA47 and #B1FB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADEA47 shade: #ADEA47, #A9DA57, #A5C968, #A1B978 and #9CA889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADEA47 shade: #EACF47, #DAEA47, #AEEA47, #83EA47 and #57EA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADEA47 shade: #86C916, #9DE622, #ADEA47, #BEEE6C and #CEF291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADEA47 shade: #ADEA47, #47EAA3 and #E547EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADEA47 shade: #ADEA47, #47AEEA and #EA47AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADEA47 shade: #ADEA47, #47EAA3, #8347EA and #EA478E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADEA47 shade: #ADEA47, #47EAD4, #8347EA and #EA475D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

Complementary color

CMYK 55 / 89 / 0 / 28

HEX #5215B8

RGB 82 21 184

HSL 262.45, 0.8%, 0.4%

LAB 28.88, 60.14, -72.49

 

CMYK 24 / 0 / 72 / 8

HEX #B2EA42

RGB 178 234 66

HSL 80, 0.8%, 0.59%

LAB 86.36, -40.92, 71.28

 

CMYK 23 / 0 / 66 / 1

HEX #C3FC55

RGB 195 252 85

HSL 80.48, 0.97%, 0.66%

LAB 92.52, -41.35, 71.02

 

CMYK 17 / 0 / 59 / 0

HEX #D4FF68

RGB 212 255 104

HSL 77.09, 1%, 0.7%

LAB 94.53, -34.99, 65.94

 

CMYK 10 / 0 / 52 / 0

HEX #E5FF7B

RGB 229 255 123

HSL 71.82, 1%, 0.74%

LAB 95.83, -26.99, 59.49

 

CMYK 4 / 0 / 44 / 0

HEX #F6FF8E

RGB 246 255 142

HSL 64.78, 1%, 0.78%

LAB 97.25, -18.75, 52.73

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 28 / 0 / 76 / 15

HEX #9CD834

RGB 156 216 52

HSL 81.95, 0.68%, 0.53%

LAB 79.86, -41.99, 69.14

 

CMYK 30 / 0 / 83 / 22

HEX #8BC621

RGB 139 198 33

HSL 81.45, 0.71%, 0.45%

LAB 73.54, -41.33, 68.31

 

CMYK 32 / 0 / 92 / 29

HEX #7AB40E

RGB 122 180 14

HSL 80.96, 0.86%, 0.38%

LAB 67.14, -40.45, 66.26

 

CMYK 35 / 0 / 100 / 36

HEX #69A200

RGB 105 162 0

HSL 81.11, 1%, 0.32%

LAB 60.64, -39.32, 62.59

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 7 / 0 / 70 / 8

HEX #D9EA47

RGB 217 234 71

HSL 66.26, 0.8%, 0.6%

LAB 88.95, -25.41, 72.96

 

CMYK 0 / 12 / 70 / 8

HEX #EACF47

RGB 234 207 71

HSL 50.06, 0.8%, 0.6%

LAB 83.22, -5.07, 67.74

 

CMYK 0 / 30 / 70 / 8

HEX #EAA347

RGB 234 163 71

HSL 33.87, 0.8%, 0.6%

LAB 72.32, 17.93, 56.54

 

CMYK 0 / 49 / 70 / 8

HEX #EA7747

RGB 234 119 71

HSL 17.67, 0.8%, 0.6%

LAB 62.63, 40.92, 46.01

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 45 / 0 / 70 / 8

HEX #81EA47

RGB 129 234 71

HSL 98.65, 0.8%, 0.6%

LAB 83.95, -57.33, 66.3

 

CMYK 64 / 0 / 70 / 8

HEX #55EA47

RGB 85 234 71

HSL 114.85, 0.8%, 0.6%

LAB 82.5, -68.58, 64.35

 

CMYK 70 / 0 / 57 / 8

HEX #47EA65

RGB 71 234 101

HSL 131.04, 0.8%, 0.6%

LAB 82.45, -68.12, 51.85

 

CMYK 70 / 0 / 38 / 8

HEX #47EA91

RGB 71 234 145

HSL 147.24, 0.8%, 0.6%

LAB 83.04, -61.36, 31.38

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 29 / 0 / 78 / 2

HEX #B1FB36

RGB 177 251 54

HSL 82.54, 0.96%, 0.6%

LAB 91.06, -49.15, 79.36

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 22 / 0 / 60 / 15

HEX #A9DA57

RGB 169 218 87

HSL 82.44, 0.64%, 0.6%

LAB 81.44, -35.7, 57.86

 

CMYK 18 / 0 / 48 / 21

HEX #A5C968

RGB 165 201 104

HSL 82.27, 0.47%, 0.6%

LAB 76.54, -27.65, 44.28

 

CMYK 13 / 0 / 35 / 27

HEX #A1B978

RGB 161 185 120

HSL 82.15, 0.32%, 0.6%

LAB 71.98, -19.36, 30.34

 

CMYK 7 / 0 / 18 / 34

HEX #9CA889

RGB 156 168 137

HSL 83.23, 0.15%, 0.6%

LAB 67.19, -9.9, 14.62

 

CMYK 0 / 12 / 70 / 8

HEX #EACF47

RGB 234 207 71

HSL 50.06, 0.8%, 0.6%

LAB 83.22, -5.07, 67.74

 

CMYK 7 / 0 / 70 / 8

HEX #DAEA47

RGB 218 234 71

HSL 65.89, 0.8%, 0.6%

LAB 89.02, -25.01, 73.06

 

CMYK 26 / 0 / 70 / 8

HEX #AEEA47

RGB 174 234 71

HSL 82.09, 0.8%, 0.6%

LAB 86.16, -42.11, 69.26

 

CMYK 44 / 0 / 70 / 8

HEX #83EA47

RGB 131 234 71

HSL 97.91, 0.8%, 0.6%

LAB 84.03, -56.72, 66.41

 

CMYK 63 / 0 / 70 / 8

HEX #57EA47

RGB 87 234 71

HSL 114.11, 0.8%, 0.6%

LAB 82.55, -68.17, 64.42

 

CMYK 33 / 0 / 89 / 21

HEX #86C916

RGB 134 201 22

HSL 82.46, 0.8%, 0.44%

LAB 74.13, -44.81, 70.98

 

CMYK 32 / 0 / 85 / 10

HEX #9DE622

RGB 157 230 34

HSL 82.35, 0.8%, 0.52%

LAB 83.9, -48.3, 77.42

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 20 / 0 / 55 / 7

HEX #BEEE6C

RGB 190 238 108

HSL 82.15, 0.79%, 0.68%

LAB 88.53, -35.14, 57.05

 

CMYK 15 / 0 / 40 / 5

HEX #CEF291

RGB 206 242 145

HSL 82.27, 0.79%, 0.76%

LAB 91.08, -27.2, 42.97

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 70 / 0 / 30 / 8

HEX #47EAA3

RGB 71 234 163

HSL 153.87, 0.8%, 0.6%

LAB 83.35, -57.87, 22.61

 

CMYK 2 / 70 / 0 / 8

HEX #E547EA

RGB 229 71 234

HSL 298.16, 0.8%, 0.6%

LAB 59.07, 78.47, -51.39

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 70 / 26 / 0 / 8

HEX #47AEEA

RGB 71 174 234

HSL 202.09, 0.8%, 0.6%

LAB 67.69, -10.78, -38.68

 

CMYK 0 / 70 / 26 / 8

HEX #EA47AE

RGB 234 71 174

HSL 322.09, 0.8%, 0.6%

LAB 57.13, 71.07, -20.16

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 70 / 0 / 30 / 8

HEX #47EAA3

RGB 71 234 163

HSL 153.87, 0.8%, 0.6%

LAB 83.35, -57.87, 22.61

 

CMYK 44 / 70 / 0 / 8

HEX #8347EA

RGB 131 71 234

HSL 262.09, 0.8%, 0.6%

LAB 46, 59.23, -73.11

 

CMYK 0 / 70 / 39 / 8

HEX #EA478E

RGB 234 71 142

HSL 333.87, 0.8%, 0.6%

LAB 56.04, 67.48, -3.05

 

CMYK 26 / 0 / 70 / 8

HEX #ADEA47

RGB 173 234 71

HSL 82.45, 0.8%, 0.6%

LAB 86.1, -42.48, 69.18

 

CMYK 70 / 0 / 9 / 8

HEX #47EAD4

RGB 71 234 212

HSL 171.9, 0.8%, 0.6%

LAB 84.45, -46.47, -1.46

 

CMYK 44 / 70 / 0 / 8

HEX #8347EA

RGB 131 71 234

HSL 262.09, 0.8%, 0.6%

LAB 46, 59.23, -73.11

 

CMYK 0 / 70 / 60 / 8

HEX #EA475D

RGB 234 71 93

HSL 351.9, 0.8%, 0.6%

LAB 54.85, 63.45, 24.33

 

Description

Color code: HEX #ADEA47 | qconv.com Color code: HEX #ADEA47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 234 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 234 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 70% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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