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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE3DD it is the complementary color #521C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE3DD shade: #B2E3D8, #C3F5EB, #D4FFFE, #E5FFFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE3DD shade: #ADE3DD, #9CD1CA, #8BBFB7, #7AADA4 and #699B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE3DD shade: #ABE2DC, #ABE2CD, #ABE2BE, #ABE2AF and #B5E2AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE3DD shade: #ABE2DC, #ABD9E2, #ABCAE2, #ABBCE2 and #ABADE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE3DD shade matches the following richer shades: #ABE2DC, #A2EBE3, #99F4EA and #90FDF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE3DD shade: #ABE2DC, #B4D9D5, #BDD0CE, #C6C7C7 and #CFBEC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE3DD shade: #ABE2BE, #ABE2CD, #ABE2DB, #ABDAE2 and #ABCBE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE3DD shade: #6DCDC2, #8CD7CF, #ABE2DC, #CAECE9 and #E8F7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE3DD shade: #ADE3DD, #AFABE2 and #E2C5AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE3DD shade: #ADE3DD, #DBABE2 and #E2DBAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE3DD shade: #ADE3DD, #AFABE2, #E2ABB1 and #DDE2AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE3DD shade: #ADE3DD, #C0ABE2, #E2ABB1 and #CDE2AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 3 / 11

HEX #ADE3DD

RGB 173 227 221

HSL 173.33, 0.49%, 0.78%

LAB 86.53, -18.42, -2.71

 

Complementary color

CMYK 0 / 66 / 59 / 68

HEX #521C22

RGB 82 28 34

HSL 353.33, 0.49%, 0.22%

LAB 18.97, 25.81, 9.14

 

CMYK 22 / 0 / 5 / 11

HEX #B2E3D8

RGB 178 227 216

HSL 166.53, 0.47%, 0.79%

LAB 86.68, -17.95, 0.19

 

CMYK 20 / 0 / 4 / 4

HEX #C3F5EB

RGB 195 245 235

HSL 168, 0.71%, 0.86%

LAB 92.97, -17.85, -0.44

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFE

RGB 212 255 254

HSL 178.6, 1%, 0.92%

LAB 97.09, -13.82, -4.09

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 24 / 0 / 3 / 11

HEX #ADE3DD

RGB 173 227 221

HSL 173.33, 0.49%, 0.78%

LAB 86.53, -18.42, -2.71

 

CMYK 25 / 0 / 3 / 18

HEX #9CD1CA

RGB 156 209 202

HSL 172.08, 0.37%, 0.72%

LAB 80.14, -18.54, -2.1

 

CMYK 27 / 0 / 4 / 25

HEX #8BBFB7

RGB 139 191 183

HSL 170.77, 0.29%, 0.65%

LAB 73.66, -18.67, -1.47

 

CMYK 29 / 0 / 5 / 32

HEX #7AADA4

RGB 122 173 164

HSL 169.41, 0.24%, 0.58%

LAB 67.06, -18.82, -0.8

 

CMYK 32 / 0 / 6 / 39

HEX #699B91

RGB 105 155 145

HSL 168, 0.2%, 0.51%

LAB 60.33, -18.98, -0.1

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DC

RGB 171 226 220

HSL 173.45, 0.49%, 0.78%

LAB 86.12, -18.73, -2.8

 

CMYK 24 / 0 / 9 / 11

HEX #ABE2CD

RGB 171 226 205

HSL 157.09, 0.49%, 0.78%

LAB 85.73, -21.83, 4.55

 

CMYK 24 / 0 / 16 / 11

HEX #ABE2BE

RGB 171 226 190

HSL 140.73, 0.49%, 0.78%

LAB 85.39, -24.73, 11.94

 

CMYK 24 / 0 / 23 / 11

HEX #ABE2AF

RGB 171 226 175

HSL 124.36, 0.49%, 0.78%

LAB 85.07, -27.42, 19.35

 

CMYK 20 / 0 / 24 / 11

HEX #B5E2AB

RGB 181 226 171

HSL 109.09, 0.49%, 0.78%

LAB 85.58, -24.76, 22.23

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DC

RGB 171 226 220

HSL 173.45, 0.49%, 0.78%

LAB 86.12, -18.73, -2.8

 

CMYK 24 / 4 / 0 / 11

HEX #ABD9E2

RGB 171 217 226

HSL 189.82, 0.49%, 0.78%

LAB 83.85, -12.88, -9.32

 

CMYK 24 / 11 / 0 / 11

HEX #ABCAE2

RGB 171 202 226

HSL 206.18, 0.49%, 0.78%

LAB 79.84, -5.08, -15.32

 

CMYK 24 / 17 / 0 / 11

HEX #ABBCE2

RGB 171 188 226

HSL 221.45, 0.49%, 0.78%

LAB 76.14, 2.41, -20.91

 

CMYK 24 / 23 / 0 / 11

HEX #ABADE2

RGB 171 173 226

HSL 237.82, 0.49%, 0.78%

LAB 72.25, 10.64, -26.84

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DC

RGB 171 226 220

HSL 173.45, 0.49%, 0.78%

LAB 86.12, -18.73, -2.8

 

CMYK 31 / 0 / 3 / 8

HEX #A2EBE3

RGB 162 235 227

HSL 173.42, 0.65%, 0.78%

LAB 88.28, -24.22, -3.36

 

CMYK 37 / 0 / 4 / 4

HEX #99F4EA

RGB 153 244 234

HSL 173.41, 0.81%, 0.78%

LAB 90.51, -29.38, -3.78

 

CMYK 43 / 0 / 5 / 1

HEX #90FDF1

RGB 144 253 241

HSL 173.39, 0.96%, 0.78%

LAB 92.81, -34.2, -4.08

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DC

RGB 171 226 220

HSL 173.45, 0.49%, 0.78%

LAB 86.12, -18.73, -2.8

 

CMYK 17 / 0 / 2 / 15

HEX #B4D9D5

RGB 180 217 213

HSL 173.51, 0.33%, 0.78%

LAB 84.04, -12.91, -2.09

 

CMYK 9 / 0 / 1 / 18

HEX #BDD0CE

RGB 189 208 206

HSL 173.68, 0.17%, 0.78%

LAB 82.05, -6.77, -1.2

 

CMYK 1 / 0 / 0 / 22

HEX #C6C7C7

RGB 198 199 199

HSL 180, 0.01%, 0.78%

LAB 80.17, -0.34, -0.13

 

CMYK 0 / 8 / 7 / 19

HEX #CFBEC0

RGB 207 190 192

HSL 352.94, 0.15%, 0.78%

LAB 78.4, 6.34, 1.16

 

CMYK 24 / 0 / 16 / 11

HEX #ABE2BE

RGB 171 226 190

HSL 140.73, 0.49%, 0.78%

LAB 85.39, -24.73, 11.94

 

CMYK 24 / 0 / 9 / 11

HEX #ABE2CD

RGB 171 226 205

HSL 157.09, 0.49%, 0.78%

LAB 85.73, -21.83, 4.55

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DB

RGB 171 226 219

HSL 172.36, 0.49%, 0.78%

LAB 86.09, -18.94, -2.31

 

CMYK 24 / 4 / 0 / 11

HEX #ABDAE2

RGB 171 218 226

HSL 188.73, 0.49%, 0.78%

LAB 84.12, -13.39, -8.92

 

CMYK 24 / 10 / 0 / 11

HEX #ABCBE2

RGB 171 203 226

HSL 205.09, 0.49%, 0.78%

LAB 80.1, -5.61, -14.92

 

CMYK 47 / 0 / 5 / 20

HEX #6DCDC2

RGB 109 205 194

HSL 173.13, 0.49%, 0.62%

LAB 76.56, -31.04, -3.32

 

CMYK 35 / 0 / 4 / 16

HEX #8CD7CF

RGB 140 215 207

HSL 173.6, 0.48%, 0.7%

LAB 81.12, -24.97, -3.44

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DC

RGB 171 226 220

HSL 173.45, 0.49%, 0.78%

LAB 86.12, -18.73, -2.8

 

CMYK 14 / 0 / 1 / 7

HEX #CAECE9

RGB 202 236 233

HSL 174.71, 0.47%, 0.86%

LAB 90.98, -11.6, -2.27

 

CMYK 6 / 0 / 1 / 3

HEX #E8F7F5

RGB 232 247 245

HSL 172, 0.48%, 0.94%

LAB 96.11, -5.27, -0.75

 

CMYK 24 / 0 / 3 / 11

HEX #ADE3DD

RGB 173 227 221

HSL 173.33, 0.49%, 0.78%

LAB 86.53, -18.42, -2.71

 

CMYK 23 / 24 / 0 / 11

HEX #AFABE2

RGB 175 171 226

HSL 244.36, 0.49%, 0.78%

LAB 72.05, 12.96, -27.12

 

CMYK 0 / 13 / 24 / 11

HEX #E2C5AB

RGB 226 197 171

HSL 28.36, 0.49%, 0.78%

LAB 81.31, 6.29, 16.81

 

CMYK 24 / 0 / 3 / 11

HEX #ADE3DD

RGB 173 227 221

HSL 173.33, 0.49%, 0.78%

LAB 86.53, -18.42, -2.71

 

CMYK 3 / 24 / 0 / 11

HEX #DBABE2

RGB 219 171 226

HSL 292.36, 0.49%, 0.78%

LAB 75.87, 26.89, -20.95

 

CMYK 0 / 3 / 24 / 11

HEX #E2DBAB

RGB 226 219 171

HSL 52.36, 0.49%, 0.78%

LAB 86.88, -5.12, 24.52

 

CMYK 24 / 0 / 3 / 11

HEX #ADE3DD

RGB 173 227 221

HSL 173.33, 0.49%, 0.78%

LAB 86.53, -18.42, -2.71

 

CMYK 23 / 24 / 0 / 11

HEX #AFABE2

RGB 175 171 226

HSL 244.36, 0.49%, 0.78%

LAB 72.05, 12.96, -27.12

 

CMYK 0 / 24 / 22 / 11

HEX #E2ABB1

RGB 226 171 177

HSL 353.45, 0.49%, 0.78%

LAB 75.12, 21.01, 4.77

 

CMYK 2 / 0 / 24 / 11

HEX #DDE2AB

RGB 221 226 171

HSL 65.45, 0.49%, 0.78%

LAB 88.31, -10.52, 26.4

 

CMYK 24 / 0 / 3 / 11

HEX #ADE3DD

RGB 173 227 221

HSL 173.33, 0.49%, 0.78%

LAB 86.53, -18.42, -2.71

 

CMYK 15 / 24 / 0 / 11

HEX #C0ABE2

RGB 192 171 226

HSL 262.91, 0.49%, 0.78%

LAB 73.43, 18.23, -24.89

 

CMYK 0 / 24 / 22 / 11

HEX #E2ABB1

RGB 226 171 177

HSL 353.45, 0.49%, 0.78%

LAB 75.12, 21.01, 4.77

 

CMYK 9 / 0 / 24 / 11

HEX #CDE2AB

RGB 205 226 171

HSL 82.91, 0.49%, 0.78%

LAB 87.15, -16.35, 24.63

 

Description

Color code: HEX #ADE3DD | qconv.com Color code: HEX #ADE3DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 227 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 227 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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