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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE269 it is the complementary color #521D96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE269 shade: #B2E264, #C3F477, #D4FF8A, #E5FF9D and #F6FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE269 shade: #ADE269, #9CD056, #8BBE43, #7AAC30 and #699A1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE269 shade: #ADE269, #CEE269, #E2D669, #E2B569 and #E29469

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE269 shade: #ADE269, #8CE269, #6BE269, #69E287 and #69E2A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE269 shade matches the following richer shades: #ADE269 and #AFF05A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE269 shade: #ADE269, #ABD377, #A9C585, #A7B794 and #A6A8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE269 shade: #E2D669, #CEE269, #ADE269, #8DE269 and #6DE269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE269 shade: #86D127, #9ADB46, #ADE269, #C0E98B and #D3EFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE269 shade: #ADE269, #69E2B5 and #E269DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE269 shade: #ADE269, #69ADE2 and #E269AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE269 shade: #ADE269, #69E2B5, #9D69E2 and #E26995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE269 shade: #ADE269, #69E2DA, #9D69E2 and #E26971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

Complementary color

CMYK 45 / 81 / 0 / 41

HEX #521D96

RGB 82 29 150

HSL 266.28, 0.68%, 0.35%

LAB 26.37, 48.77, -56.06

 

CMYK 21 / 0 / 56 / 11

HEX #B2E264

RGB 178 226 100

HSL 82.86, 0.68%, 0.64%

LAB 84.37, -34.85, 55.62

 

CMYK 20 / 0 / 51 / 4

HEX #C3F477

RGB 195 244 119

HSL 83.52, 0.85%, 0.71%

LAB 90.61, -34.99, 54.59

 

CMYK 17 / 0 / 46 / 0

HEX #D4FF8A

RGB 212 255 138

HSL 82.05, 1%, 0.77%

LAB 94.89, -31.87, 51.18

 

CMYK 10 / 0 / 38 / 0

HEX #E5FF9D

RGB 229 255 157

HSL 75.92, 1%, 0.81%

LAB 96.25, -23.53, 44.03

 

CMYK 4 / 0 / 31 / 0

HEX #F6FFB0

RGB 246 255 176

HSL 66.84, 1%, 0.85%

LAB 97.73, -15.01, 36.84

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 25 / 0 / 59 / 18

HEX #9CD056

RGB 156 208 86

HSL 85.57, 0.56%, 0.58%

LAB 77.79, -36.09, 54

 

CMYK 27 / 0 / 65 / 25

HEX #8BBE43

RGB 139 190 67

HSL 84.88, 0.49%, 0.5%

LAB 71.37, -35.86, 54.82

 

CMYK 29 / 0 / 72 / 33

HEX #7AAC30

RGB 122 172 48

HSL 84.19, 0.56%, 0.43%

LAB 64.85, -35.5, 55.27

 

CMYK 32 / 0 / 81 / 40

HEX #699A1D

RGB 105 154 29

HSL 83.52, 0.68%, 0.36%

LAB 58.23, -34.95, 54.99

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 9 / 0 / 54 / 11

HEX #CEE269

RGB 206 226 105

HSL 69.92, 0.68%, 0.65%

LAB 86.27, -23.67, 56.05

 

CMYK 0 / 5 / 54 / 11

HEX #E2D669

RGB 226 214 105

HSL 54.05, 0.68%, 0.65%

LAB 84.63, -9.74, 54.54

 

CMYK 0 / 20 / 54 / 11

HEX #E2B569

RGB 226 181 105

HSL 37.69, 0.68%, 0.65%

LAB 76.21, 7.33, 44.54

 

CMYK 0 / 35 / 54 / 11

HEX #E29469

RGB 226 148 105

HSL 21.32, 0.68%, 0.65%

LAB 68.29, 24.94, 34.71

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 38 / 0 / 54 / 11

HEX #8CE269

RGB 140 226 105

HSL 102.64, 0.68%, 0.65%

LAB 82.37, -47.58, 50.5

 

CMYK 53 / 0 / 54 / 11

HEX #6BE269

RGB 107 226 105

HSL 119.01, 0.68%, 0.65%

LAB 81.04, -57.14, 48.58

 

CMYK 54 / 0 / 40 / 11

HEX #69E287

RGB 105 226 135

HSL 134.88, 0.68%, 0.65%

LAB 81.37, -53.33, 34.4

 

CMYK 54 / 0 / 26 / 11

HEX #69E2A7

RGB 105 226 167

HSL 150.74, 0.68%, 0.65%

LAB 81.94, -47.47, 18.72

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 27 / 0 / 63 / 6

HEX #AFF05A

RGB 175 240 90

HSL 86, 0.83%, 0.65%

LAB 88.05, -43.04, 63.97

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 19 / 0 / 44 / 17

HEX #ABD377

RGB 171 211 119

HSL 86.09, 0.51%, 0.65%

LAB 79.94, -28.46, 41.2

 

CMYK 14 / 0 / 32 / 23

HEX #A9C585

RGB 169 197 133

HSL 86.25, 0.36%, 0.65%

LAB 76.11, -20.57, 29.08

 

CMYK 9 / 0 / 19 / 28

HEX #A7B794

RGB 167 183 148

HSL 87.43, 0.2%, 0.65%

LAB 72.38, -11.89, 15.97

 

CMYK 1 / 0 / 4 / 34

HEX #A6A8A2

RGB 166 168 162

HSL 80, 0.03%, 0.65%

LAB 68.55, -1.83, 2.84

HEX #A6A8A2

CMYK 0 / 5 / 54 / 11

HEX #E2D669

RGB 226 214 105

HSL 54.05, 0.68%, 0.65%

LAB 84.63, -9.74, 54.54

 

CMYK 9 / 0 / 54 / 11

HEX #CEE269

RGB 206 226 105

HSL 69.92, 0.68%, 0.65%

LAB 86.27, -23.67, 56.05

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 38 / 0 / 54 / 11

HEX #8DE269

RGB 141 226 105

HSL 102.15, 0.68%, 0.65%

LAB 82.42, -47.26, 50.57

 

CMYK 52 / 0 / 54 / 11

HEX #6DE269

RGB 109 226 105

HSL 118.02, 0.68%, 0.65%

LAB 81.11, -56.62, 48.68

 

CMYK 36 / 0 / 81 / 18

HEX #86D127

RGB 134 209 39

HSL 86.47, 0.69%, 0.49%

LAB 76.57, -47.58, 69.4

 

CMYK 30 / 0 / 68 / 14

HEX #9ADB46

RGB 154 219 70

HSL 86.17, 0.67%, 0.57%

LAB 80.73, -42.96, 63.73

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 18 / 0 / 40 / 9

HEX #C0E98B

RGB 192 233 139

HSL 86.17, 0.68%, 0.73%

LAB 87.65, -28.78, 41.36

 

CMYK 12 / 0 / 27 / 6

HEX #D3EFAE

RGB 211 239 174

HSL 85.85, 0.67%, 0.81%

LAB 91.07, -20.16, 28.5

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 54 / 0 / 20 / 11

HEX #69E2B5

RGB 105 226 181

HSL 157.69, 0.68%, 0.65%

LAB 82.23, -44.52, 11.79

 

CMYK 0 / 54 / 2 / 11

HEX #E269DE

RGB 226 105 222

HSL 301.98, 0.68%, 0.65%

LAB 62.97, 62.18, -38.56

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 54 / 23 / 0 / 11

HEX #69ADE2

RGB 105 173 226

HSL 206.28, 0.68%, 0.65%

LAB 68.3, -6.71, -33.26

 

CMYK 0 / 54 / 23 / 11

HEX #E269AD

RGB 226 105 173

HSL 326.28, 0.68%, 0.65%

LAB 61.04, 54.62, -13.77

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 54 / 0 / 20 / 11

HEX #69E2B5

RGB 105 226 181

HSL 157.69, 0.68%, 0.65%

LAB 82.23, -44.52, 11.79

 

CMYK 31 / 54 / 0 / 11

HEX #9D69E2

RGB 157 105 226

HSL 265.79, 0.68%, 0.65%

LAB 54.83, 45.01, -54.22

 

CMYK 0 / 54 / 34 / 11

HEX #E26995

RGB 226 105 149

HSL 338.18, 0.68%, 0.65%

LAB 60.29, 51.54, -1.05

 

CMYK 23 / 0 / 54 / 11

HEX #ADE269

RGB 173 226 105

HSL 86.28, 0.68%, 0.65%

LAB 84.12, -36.22, 53

 

CMYK 54 / 0 / 4 / 11

HEX #69E2DA

RGB 105 226 218

HSL 176.03, 0.68%, 0.65%

LAB 83.16, -35.76, -6.43

 

CMYK 31 / 54 / 0 / 11

HEX #9D69E2

RGB 157 105 226

HSL 265.79, 0.68%, 0.65%

LAB 54.83, 45.01, -54.22

 

CMYK 0 / 54 / 50 / 11

HEX #E26971

RGB 226 105 113

HSL 356.03, 0.68%, 0.65%

LAB 59.4, 47.79, 18.54

 

Description

Color code: HEX #ADE269 | qconv.com Color code: HEX #ADE269 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 226 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 226 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 54% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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