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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE006 it is the complementary color #521FF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE006. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE006 shade: #B2E001, #C3F214, #D4FF27, #E5FF3A and #F6FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE006. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE006 shade: #ADE006, #9CCE00, #8BBC00, #7AAA00 and #699800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE006 shade: #ACDF05, #DFD705, #DF9D05, #DF6205 and #DF2705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE006 shade: #ACDF05, #71DF05, #37DF05, #05DF0F and #05DF49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE006 shade matches the following richer shades: #ACDF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE006 shade: #ACDF05, #A2CD18, #98BA2A, #8FA83D and #859550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE006 shade: #DF9E05, #DFD805, #ACDF05, #72DF05 and #38DF05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE006 shade: #6E8F03, #8DB704, #ACDF05, #C3F915 and #CEFA3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE006 shade: #ADE006, #05DF64 and #BB05DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE006 shade: #ADE006, #05ACDF and #DF05AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE006 shade: #ADE006, #05DF64, #3805DF and #DF0581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE006 shade: #ADE006, #05DFA5, #3805DF and #DF053F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

Complementary color

CMYK 67 / 88 / 0 / 2

HEX #521FF9

RGB 82 31 249

HSL 254.04, 0.95%, 0.55%

LAB 37.14, 73.55, -96.33

 

CMYK 21 / 0 / 100 / 12

HEX #B2E001

RGB 178 224 1

HSL 72.38, 0.99%, 0.44%

LAB 83.33, -38.37, 81.7

 

CMYK 19 / 0 / 92 / 5

HEX #C3F214

RGB 195 242 20

HSL 72.7, 0.9%, 0.51%

LAB 89.47, -39.5, 85.15

 

CMYK 17 / 0 / 85 / 0

HEX #D4FF27

RGB 212 255 39

HSL 71.94, 1%, 0.58%

LAB 94.17, -38.27, 86.38

 

CMYK 10 / 0 / 77 / 0

HEX #E5FF3A

RGB 229 255 58

HSL 67.92, 1%, 0.61%

LAB 95.36, -31, 83.36

 

CMYK 4 / 0 / 70 / 0

HEX #F6FF4D

RGB 246 255 77

HSL 63.03, 1%, 0.65%

LAB 96.68, -23.42, 79.17

 

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

CMYK 24 / 0 / 100 / 19

HEX #9CCE00

RGB 156 206 0

HSL 74.56, 1%, 0.4%

LAB 76.81, -39, 76.25

 

CMYK 26 / 0 / 100 / 26

HEX #8BBC00

RGB 139 188 0

HSL 75.64, 1%, 0.37%

LAB 70.49, -37.65, 70.99

 

CMYK 28 / 0 / 100 / 33

HEX #7AAA00

RGB 122 170 0

HSL 76.94, 1%, 0.33%

LAB 64.07, -36.28, 65.64

 

CMYK 31 / 0 / 100 / 40

HEX #699800

RGB 105 152 0

HSL 78.55, 1%, 0.3%

LAB 57.52, -34.89, 60.19

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 0 / 4 / 98 / 13

HEX #DFD705

RGB 223 215 5

HSL 57.8, 0.96%, 0.45%

LAB 84.12, -15.51, 83.4

 

CMYK 0 / 30 / 98 / 13

HEX #DF9D05

RGB 223 157 5

HSL 41.83, 0.96%, 0.45%

LAB 69.34, 14.56, 72.81

 

CMYK 0 / 56 / 98 / 13

HEX #DF6205

RGB 223 98 5

HSL 25.6, 0.96%, 0.45%

LAB 56.52, 45.2, 64.47

 

CMYK 0 / 83 / 98 / 13

HEX #DF2705

RGB 223 39 5

HSL 9.36, 0.96%, 0.45%

LAB 48.45, 67.06, 60.07

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 49 / 0 / 98 / 13

HEX #71DF05

RGB 113 223 5

HSL 90.28, 0.96%, 0.45%

LAB 79.78, -60.64, 77.19

 

CMYK 75 / 0 / 98 / 13

HEX #37DF05

RGB 55 223 5

HSL 106.24, 0.96%, 0.45%

LAB 78.23, -73.5, 75.29

 

CMYK 98 / 0 / 93 / 13

HEX #05DF0F

RGB 5 223 15

HSL 122.75, 0.96%, 0.45%

LAB 77.78, -77.44, 73.76

 

CMYK 98 / 0 / 67 / 13

HEX #05DF49

RGB 5 223 73

HSL 138.72, 0.96%, 0.45%

LAB 78.05, -74.05, 58.55

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 21 / 0 / 88 / 20

HEX #A2CD18

RGB 162 205 24

HSL 74.25, 0.79%, 0.45%

LAB 76.93, -35.8, 73.61

 

CMYK 18 / 0 / 77 / 27

HEX #98BA2A

RGB 152 186 42

HSL 74.17, 0.63%, 0.45%

LAB 70.84, -30.43, 63.72

 

CMYK 15 / 0 / 64 / 34

HEX #8FA83D

RGB 143 168 61

HSL 74.02, 0.47%, 0.45%

LAB 65.11, -24.31, 50.72

 

CMYK 11 / 0 / 46 / 42

HEX #859550

RGB 133 149 80

HSL 73.91, 0.3%, 0.45%

LAB 59.03, -17.03, 34.39

 

CMYK 0 / 29 / 98 / 13

HEX #DF9E05

RGB 223 158 5

HSL 42.11, 0.96%, 0.45%

LAB 69.58, 14.03, 72.98

 

CMYK 0 / 3 / 98 / 13

HEX #DFD805

RGB 223 216 5

HSL 58.07, 0.96%, 0.45%

LAB 84.39, -16.01, 83.59

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 49 / 0 / 98 / 13

HEX #72DF05

RGB 114 223 5

HSL 90, 0.96%, 0.45%

LAB 79.82, -60.34, 77.24

 

CMYK 75 / 0 / 98 / 13

HEX #38DF05

RGB 56 223 5

HSL 105.96, 0.96%, 0.45%

LAB 78.24, -73.35, 75.31

 

CMYK 23 / 0 / 98 / 44

HEX #6E8F03

RGB 110 143 3

HSL 74.14, 0.96%, 0.29%

LAB 55.04, -28.58, 57.92

 

CMYK 23 / 0 / 98 / 28

HEX #8DB704

RGB 141 183 4

HSL 74.08, 0.96%, 0.37%

LAB 69.14, -34.53, 69.54

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 22 / 0 / 92 / 2

HEX #C3F915

RGB 195 249 21

HSL 74.21, 0.95%, 0.53%

LAB 91.42, -42.56, 86.58

 

CMYK 18 / 0 / 76 / 2

HEX #CEFA3D

RGB 206 250 61

HSL 73.97, 0.95%, 0.61%

LAB 92.5, -37.61, 79.33

 

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

CMYK 98 / 0 / 55 / 13

HEX #05DF64

RGB 5 223 100

HSL 146.15, 0.96%, 0.45%

LAB 78.3, -70.84, 47.2

 

CMYK 16 / 98 / 0 / 13

HEX #BB05DF

RGB 187 5 223

HSL 290.09, 0.96%, 0.45%

LAB 46.98, 83.03, -64.95

 

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

CMYK 98 / 23 / 0 / 13

HEX #05ACDF

RGB 5 172 223

HSL 194.04, 0.96%, 0.45%

LAB 65.64, -18.69, -35.91

 

CMYK 0 / 98 / 23 / 13

HEX #DF05AC

RGB 223 5 172

HSL 314.04, 0.96%, 0.45%

LAB 50.42, 81.82, -29.49

 

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

CMYK 98 / 0 / 55 / 13

HEX #05DF64

RGB 5 223 100

HSL 146.15, 0.96%, 0.45%

LAB 78.3, -70.84, 47.2

 

CMYK 75 / 98 / 0 / 13

HEX #3805DF

RGB 56 5 223

HSL 254.04, 0.96%, 0.45%

LAB 30.1, 71.52, -93.32

 

CMYK 0 / 98 / 42 / 13

HEX #DF0581

RGB 223 5 129

HSL 325.87, 0.96%, 0.45%

LAB 48.74, 77.45, -6.29

 

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

CMYK 98 / 0 / 26 / 13

HEX #05DFA5

RGB 5 223 165

HSL 164.04, 0.96%, 0.45%

LAB 79.34, -58.68, 15.89

 

CMYK 75 / 98 / 0 / 13

HEX #3805DF

RGB 56 5 223

HSL 254.04, 0.96%, 0.45%

LAB 30.1, 71.52, -93.32

 

CMYK 0 / 98 / 72 / 13

HEX #DF053F

RGB 223 5 63

HSL 344.04, 0.96%, 0.45%

LAB 47.18, 73.27, 32.12

 

Description

Color code: HEX #ADE006 | qconv.com Color code: HEX #ADE006 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 224 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 224 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 97 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 97% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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