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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE744 it is the complementary color #5218BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE744 shade: #B2E73F, #C3F952, #D4FF65, #E5FF78 and #F6FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE744 shade: #ADE744, #9CD531, #8BC31E, #7AB10B and #699F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE744 shade: #ADE645, #D9E645, #E6C945, #E69D45 and #E67245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE744 shade: #ADE645, #82E645, #56E645, #45E660 and #45E68B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE744 shade matches the following richer shades: #ADE645 and #B2F735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE744 shade: #ADE645, #A8D656, #A3C567, #9FB478 and #9AA389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE744 shade: #E6C945, #D9E645, #AEE645, #83E645 and #58E645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE744 shade: #85C119, #9DE221, #ADE645, #BDEB6A and #CDF08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE744 shade: #ADE744, #45E69E and #DE45E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE744 shade: #ADE744, #45AEE6 and #E645AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE744 shade: #ADE744, #45E69E, #7E45E6 and #E6458E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE744 shade: #ADE744, #45E6CE, #7E45E6 and #E6455E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 71 / 9

HEX #ADE744

RGB 173 231 68

HSL 81.35, 0.77%, 0.59%

LAB 85.23, -41.35, 69.37

 

Complementary color

CMYK 56 / 87 / 0 / 27

HEX #5218BB

RGB 82 24 187

HSL 261.35, 0.77%, 0.41%

LAB 29.5, 60, -73.24

 

CMYK 23 / 0 / 73 / 9

HEX #B2E73F

RGB 178 231 63

HSL 78.93, 0.78%, 0.58%

LAB 85.49, -39.75, 71.44

 

CMYK 22 / 0 / 67 / 2

HEX #C3F952

RGB 195 249 82

HSL 79.4, 0.93%, 0.65%

LAB 91.67, -40.22, 71.26

 

CMYK 17 / 0 / 60 / 0

HEX #D4FF65

RGB 212 255 101

HSL 76.75, 1%, 0.7%

LAB 94.51, -35.22, 67.15

 

CMYK 10 / 0 / 53 / 0

HEX #E5FF78

RGB 229 255 120

HSL 71.56, 1%, 0.74%

LAB 95.8, -27.25, 60.79

 

CMYK 4 / 0 / 45 / 0

HEX #F6FF8B

RGB 246 255 139

HSL 64.66, 1%, 0.77%

LAB 97.22, -19.04, 54.1

 

CMYK 25 / 0 / 71 / 9

HEX #ADE744

RGB 173 231 68

HSL 81.35, 0.77%, 0.59%

LAB 85.23, -41.35, 69.37

 

CMYK 27 / 0 / 77 / 16

HEX #9CD531

RGB 156 213 49

HSL 80.85, 0.66%, 0.51%

LAB 78.97, -40.83, 69.23

 

CMYK 29 / 0 / 85 / 24

HEX #8BC31E

RGB 139 195 30

HSL 80.36, 0.73%, 0.44%

LAB 72.64, -40.13, 68.23

 

CMYK 31 / 0 / 94 / 31

HEX #7AB10B

RGB 122 177 11

HSL 79.88, 0.88%, 0.37%

LAB 66.22, -39.2, 65.93

 

CMYK 34 / 0 / 100 / 38

HEX #699F00

RGB 105 159 0

HSL 80.38, 1%, 0.31%

LAB 59.71, -38.01, 61.87

 

CMYK 25 / 0 / 70 / 10

HEX #ADE645

RGB 173 230 69

HSL 81.24, 0.76%, 0.59%

LAB 84.95, -40.85, 68.74

 

CMYK 6 / 0 / 70 / 10

HEX #D9E645

RGB 217 230 69

HSL 64.84, 0.76%, 0.59%

LAB 87.86, -23.61, 72.6

 

CMYK 0 / 13 / 70 / 10

HEX #E6C945

RGB 230 201 69

HSL 49.19, 0.76%, 0.59%

LAB 81.31, -3.79, 66.47

 

CMYK 0 / 32 / 70 / 10

HEX #E69D45

RGB 230 157 69

HSL 32.8, 0.76%, 0.59%

LAB 70.43, 19.34, 55.3

 

CMYK 0 / 50 / 70 / 10

HEX #E67245

RGB 230 114 69

HSL 16.77, 0.76%, 0.59%

LAB 61.03, 41.79, 45.09

 

CMYK 25 / 0 / 70 / 10

HEX #ADE645

RGB 173 230 69

HSL 81.24, 0.76%, 0.59%

LAB 84.95, -40.85, 68.74

 

CMYK 43 / 0 / 70 / 10

HEX #82E645

RGB 130 230 69

HSL 97.27, 0.76%, 0.59%

LAB 82.79, -55.62, 65.86

 

CMYK 63 / 0 / 70 / 10

HEX #56E645

RGB 86 230 69

HSL 113.66, 0.76%, 0.59%

LAB 81.29, -67.2, 63.84

 

CMYK 70 / 0 / 58 / 10

HEX #45E660

RGB 69 230 96

HSL 130.06, 0.76%, 0.59%

LAB 81.13, -67.72, 52.53

 

CMYK 70 / 0 / 40 / 10

HEX #45E68B

RGB 69 230 139

HSL 146.09, 0.76%, 0.59%

LAB 81.69, -61.29, 32.62

 

CMYK 25 / 0 / 70 / 10

HEX #ADE645

RGB 173 230 69

HSL 81.24, 0.76%, 0.59%

LAB 84.95, -40.85, 68.74

 

CMYK 28 / 0 / 79 / 3

HEX #B2F735

RGB 178 247 53

HSL 81.34, 0.92%, 0.59%

LAB 89.97, -47.15, 78.67

 

CMYK 25 / 0 / 70 / 10

HEX #ADE645

RGB 173 230 69

HSL 81.24, 0.76%, 0.59%

LAB 84.95, -40.85, 68.74

 

CMYK 21 / 0 / 60 / 16

HEX #A8D656

RGB 168 214 86

HSL 81.56, 0.61%, 0.59%

LAB 80.23, -34.33, 56.93

 

CMYK 17 / 0 / 48 / 23

HEX #A3C567

RGB 163 197 103

HSL 81.7, 0.45%, 0.59%

LAB 75.26, -26.6, 43.18

 

CMYK 12 / 0 / 33 / 29

HEX #9FB478

RGB 159 180 120

HSL 81, 0.29%, 0.59%

LAB 70.43, -17.59, 28.28

 

CMYK 6 / 0 / 16 / 36

HEX #9AA389

RGB 154 163 137

HSL 80.77, 0.12%, 0.59%

LAB 65.65, -7.98, 12.44

 

CMYK 0 / 13 / 70 / 10

HEX #E6C945

RGB 230 201 69

HSL 49.19, 0.76%, 0.59%

LAB 81.31, -3.79, 66.47

 

CMYK 6 / 0 / 70 / 10

HEX #D9E645

RGB 217 230 69

HSL 64.84, 0.76%, 0.59%

LAB 87.86, -23.61, 72.6

 

CMYK 24 / 0 / 70 / 10

HEX #AEE645

RGB 174 230 69

HSL 80.87, 0.76%, 0.59%

LAB 85.01, -40.48, 68.82

 

CMYK 43 / 0 / 70 / 10

HEX #83E645

RGB 131 230 69

HSL 96.89, 0.76%, 0.59%

LAB 82.83, -55.31, 65.91

 

CMYK 62 / 0 / 70 / 10

HEX #58E645

RGB 88 230 69

HSL 112.92, 0.76%, 0.59%

LAB 81.35, -66.77, 63.91

 

CMYK 31 / 0 / 87 / 24

HEX #85C119

RGB 133 193 25

HSL 81.43, 0.77%, 0.43%

LAB 71.69, -41.68, 68.36

 

CMYK 31 / 0 / 85 / 11

HEX #9DE221

RGB 157 226 33

HSL 81.45, 0.77%, 0.51%

LAB 82.74, -46.65, 76.64

 

CMYK 25 / 0 / 70 / 10

HEX #ADE645

RGB 173 230 69

HSL 81.24, 0.76%, 0.59%

LAB 84.95, -40.85, 68.74

 

CMYK 20 / 0 / 55 / 8

HEX #BDEB6A

RGB 189 235 106

HSL 81.4, 0.76%, 0.67%

LAB 87.62, -34.32, 56.87

 

CMYK 15 / 0 / 41 / 6

HEX #CDF08E

RGB 205 240 142

HSL 81.43, 0.77%, 0.75%

LAB 90.44, -26.98, 43.6

 

CMYK 25 / 0 / 71 / 9

HEX #ADE744

RGB 173 231 68

HSL 81.35, 0.77%, 0.59%

LAB 85.23, -41.35, 69.37

 

CMYK 70 / 0 / 31 / 10

HEX #45E69E

RGB 69 230 158

HSL 153.17, 0.76%, 0.59%

LAB 82.02, -57.65, 23.35

 

CMYK 3 / 70 / 0 / 10

HEX #DE45E6

RGB 222 69 230

HSL 297.02, 0.76%, 0.59%

LAB 57.56, 77.02, -51.62

 

CMYK 25 / 0 / 71 / 9

HEX #ADE744

RGB 173 231 68

HSL 81.35, 0.77%, 0.59%

LAB 85.23, -41.35, 69.37

 

CMYK 70 / 24 / 0 / 10

HEX #45AEE6

RGB 69 174 230

HSL 200.87, 0.76%, 0.59%

LAB 67.46, -12.39, -36.85

 

CMYK 0 / 70 / 24 / 10

HEX #E645AE

RGB 230 69 174

HSL 320.87, 0.76%, 0.59%

LAB 56.22, 70.74, -21.6

 

CMYK 25 / 0 / 71 / 9

HEX #ADE744

RGB 173 231 68

HSL 81.35, 0.77%, 0.59%

LAB 85.23, -41.35, 69.37

 

CMYK 70 / 0 / 31 / 10

HEX #45E69E

RGB 69 230 158

HSL 153.17, 0.76%, 0.59%

LAB 82.02, -57.65, 23.35

 

CMYK 45 / 70 / 0 / 10

HEX #7E45E6

RGB 126 69 230

HSL 261.24, 0.76%, 0.59%

LAB 44.81, 58.32, -72.82

 

CMYK 0 / 70 / 38 / 10

HEX #E6458E

RGB 230 69 142

HSL 332.8, 0.76%, 0.59%

LAB 55.11, 67.09, -4.51

 

CMYK 25 / 0 / 71 / 9

HEX #ADE744

RGB 173 231 68

HSL 81.35, 0.77%, 0.59%

LAB 85.23, -41.35, 69.37

 

CMYK 70 / 0 / 10 / 10

HEX #45E6CE

RGB 69 230 206

HSL 171.06, 0.76%, 0.59%

LAB 83.08, -46.56, -0.3

 

CMYK 45 / 70 / 0 / 10

HEX #7E45E6

RGB 126 69 230

HSL 261.24, 0.76%, 0.59%

LAB 44.81, 58.32, -72.82

 

CMYK 0 / 70 / 59 / 10

HEX #E6455E

RGB 230 69 94

HSL 350.68, 0.76%, 0.59%

LAB 53.91, 63.04, 22.36

 

Description

Color code: HEX #ADE744 | qconv.com Color code: HEX #ADE744 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 231 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 231 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 71 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 71% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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