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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE65F it is the complementary color #5219A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE65F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE65F shade: #B2E65A, #C3F86D, #D4FF80, #E5FF93 and #F6FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE65F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE65F shade: #ADE65F, #9CD44C, #8BC239, #7AB026 and #699E13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE65F shade: #ADE660, #D1E660, #E6D660, #E6B260 and #E68E60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE65F shade: #ADE660, #89E660, #65E660, #60E67F and #60E6A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE65F shade matches the following richer shades: #ADE660 and #AFF551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE65F shade: #ADE660, #ABD76F, #A9C87D, #A6B98C and #A4AA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE65F shade: #E6D660, #D2E660, #AEE660, #8AE660 and #66E660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE65F shade: #87D220, #9BE03C, #ADE660, #BFEB83 and #D2F1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE65F shade: #ADE65F, #60E6B2 and #E660E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE65F shade: #ADE65F, #60AEE6 and #E660AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE65F shade: #ADE65F, #60E6B2, #9860E6 and #E66093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE65F shade: #ADE65F, #60E6DB, #9860E6 and #E6606B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 59 / 10

HEX #ADE65F

RGB 173 230 95

HSL 85.33, 0.73%, 0.64%

LAB 85.15, -38.95, 58.63

 

Complementary color

CMYK 49 / 84 / 0 / 37

HEX #5219A0

RGB 82 25 160

HSL 265.33, 0.73%, 0.36%

LAB 26.81, 52.86, -61.46

 

CMYK 23 / 0 / 61 / 10

HEX #B2E65A

RGB 178 230 90

HSL 82.29, 0.74%, 0.63%

LAB 85.4, -37.52, 61.12

 

CMYK 21 / 0 / 56 / 3

HEX #C3F86D

RGB 195 248 109

HSL 82.88, 0.91%, 0.7%

LAB 91.61, -37.73, 60.24

 

CMYK 17 / 0 / 50 / 0

HEX #D4FF80

RGB 212 255 128

HSL 80.31, 1%, 0.75%

LAB 94.77, -32.9, 55.69

 

CMYK 10 / 0 / 42 / 0

HEX #E5FF93

RGB 229 255 147

HSL 74.44, 1%, 0.79%

LAB 96.11, -24.65, 48.68

 

CMYK 4 / 0 / 35 / 0

HEX #F6FFA6

RGB 246 255 166

HSL 66.07, 1%, 0.83%

LAB 97.58, -16.2, 41.58

 

CMYK 25 / 0 / 59 / 10

HEX #ADE65F

RGB 173 230 95

HSL 85.33, 0.73%, 0.64%

LAB 85.15, -38.95, 58.63

 

CMYK 26 / 0 / 64 / 17

HEX #9CD44C

RGB 156 212 76

HSL 84.71, 0.61%, 0.56%

LAB 78.85, -38.72, 59.43

 

CMYK 28 / 0 / 71 / 24

HEX #8BC239

RGB 139 194 57

HSL 84.09, 0.55%, 0.49%

LAB 72.47, -38.38, 59.91

 

CMYK 31 / 0 / 78 / 31

HEX #7AB026

RGB 122 176 38

HSL 83.48, 0.64%, 0.42%

LAB 66, -37.87, 59.79

 

CMYK 34 / 0 / 88 / 38

HEX #699E13

RGB 105 158 19

HSL 82.88, 0.79%, 0.35%

LAB 59.44, -37.13, 58.6

 

CMYK 25 / 0 / 58 / 10

HEX #ADE660

RGB 173 230 96

HSL 85.52, 0.73%, 0.64%

LAB 85.16, -38.86, 58.21

 

CMYK 9 / 0 / 58 / 10

HEX #D1E660

RGB 209 230 96

HSL 69.4, 0.73%, 0.64%

LAB 87.48, -25.13, 61.45

 

CMYK 0 / 7 / 58 / 10

HEX #E6D660

RGB 230 214 96

HSL 52.84, 0.73%, 0.64%

LAB 84.87, -8.78, 58.99

 

CMYK 0 / 23 / 58 / 10

HEX #E6B260

RGB 230 178 96

HSL 36.72, 0.73%, 0.64%

LAB 75.77, 9.86, 48.55

 

CMYK 0 / 38 / 58 / 10

HEX #E68E60

RGB 230 142 96

HSL 20.6, 0.73%, 0.64%

LAB 67.29, 29.01, 38.35

 

CMYK 25 / 0 / 58 / 10

HEX #ADE660

RGB 173 230 96

HSL 85.52, 0.73%, 0.64%

LAB 85.16, -38.86, 58.21

 

CMYK 40 / 0 / 58 / 10

HEX #89E660

RGB 137 230 96

HSL 101.64, 0.73%, 0.64%

LAB 83.31, -51.13, 55.62

 

CMYK 56 / 0 / 58 / 10

HEX #65E660

RGB 101 230 96

HSL 117.76, 0.73%, 0.64%

LAB 81.95, -61.19, 53.69

 

CMYK 58 / 0 / 45 / 10

HEX #60E67F

RGB 96 230 127

HSL 133.88, 0.73%, 0.64%

LAB 82.17, -58.22, 39.36

 

CMYK 58 / 0 / 29 / 10

HEX #60E6A3

RGB 96 230 163

HSL 150, 0.73%, 0.64%

LAB 82.77, -51.86, 21.9

 

CMYK 25 / 0 / 58 / 10

HEX #ADE660

RGB 173 230 96

HSL 85.52, 0.73%, 0.64%

LAB 85.16, -38.86, 58.21

 

CMYK 29 / 0 / 67 / 4

HEX #AFF551

RGB 175 245 81

HSL 85.61, 0.89%, 0.64%

LAB 89.4, -45.85, 68.93

 

CMYK 25 / 0 / 58 / 10

HEX #ADE660

RGB 173 230 96

HSL 85.52, 0.73%, 0.64%

LAB 85.16, -38.86, 58.21

 

CMYK 20 / 0 / 48 / 16

HEX #ABD76F

RGB 171 215 111

HSL 85.38, 0.57%, 0.64%

LAB 80.96, -31.26, 46.37

 

CMYK 16 / 0 / 38 / 22

HEX #A9C87D

RGB 169 200 125

HSL 84.8, 0.41%, 0.64%

LAB 76.81, -23.14, 34.15

 

CMYK 10 / 0 / 24 / 27

HEX #A6B98C

RGB 166 185 140

HSL 85.33, 0.24%, 0.64%

LAB 72.69, -14.57, 20.72

 

CMYK 4 / 0 / 9 / 33

HEX #A4AA9B

RGB 164 170 155

HSL 84, 0.08%, 0.64%

LAB 68.76, -4.91, 6.99

 

CMYK 0 / 7 / 58 / 10

HEX #E6D660

RGB 230 214 96

HSL 52.84, 0.73%, 0.64%

LAB 84.87, -8.78, 58.99

 

CMYK 9 / 0 / 58 / 10

HEX #D2E660

RGB 210 230 96

HSL 68.96, 0.73%, 0.64%

LAB 87.55, -24.74, 61.55

 

CMYK 24 / 0 / 58 / 10

HEX #AEE660

RGB 174 230 96

HSL 85.07, 0.73%, 0.64%

LAB 85.22, -38.49, 58.29

 

CMYK 40 / 0 / 58 / 10

HEX #8AE660

RGB 138 230 96

HSL 101.19, 0.73%, 0.64%

LAB 83.36, -50.82, 55.68

 

CMYK 56 / 0 / 58 / 10

HEX #66E660

RGB 102 230 96

HSL 117.31, 0.73%, 0.64%

LAB 81.98, -60.94, 53.73

 

CMYK 36 / 0 / 85 / 18

HEX #87D220

RGB 135 210 32

HSL 85.28, 0.74%, 0.47%

LAB 76.89, -47.91, 71.38

 

CMYK 31 / 0 / 73 / 12

HEX #9BE03C

RGB 155 224 60

HSL 85.24, 0.73%, 0.56%

LAB 82.17, -45.37, 68.76

 

CMYK 25 / 0 / 58 / 10

HEX #ADE660

RGB 173 230 96

HSL 85.52, 0.73%, 0.64%

LAB 85.16, -38.86, 58.21

 

CMYK 19 / 0 / 44 / 8

HEX #BFEB83

RGB 191 235 131

HSL 85.38, 0.72%, 0.72%

LAB 88.03, -31.02, 45.73

 

CMYK 13 / 0 / 31 / 5

HEX #D2F1A7

RGB 210 241 167

HSL 85.14, 0.73%, 0.8%

LAB 91.42, -22.46, 32.5

 

CMYK 25 / 0 / 59 / 10

HEX #ADE65F

RGB 173 230 95

HSL 85.33, 0.73%, 0.64%

LAB 85.15, -38.95, 58.63

 

CMYK 58 / 0 / 23 / 10

HEX #60E6B2

RGB 96 230 178

HSL 156.72, 0.73%, 0.64%

LAB 83.07, -48.75, 14.51

 

CMYK 0 / 58 / 1 / 10

HEX #E660E3

RGB 230 96 227

HSL 301.34, 0.73%, 0.64%

LAB 62.28, 68.02, -42.39

 

CMYK 25 / 0 / 59 / 10

HEX #ADE65F

RGB 173 230 95

HSL 85.33, 0.73%, 0.64%

LAB 85.15, -38.95, 58.63

 

CMYK 58 / 24 / 0 / 10

HEX #60AEE6

RGB 96 174 230

HSL 205.07, 0.73%, 0.64%

LAB 68.37, -7.87, -35.37

 

CMYK 0 / 58 / 24 / 10

HEX #E660AE

RGB 230 96 174

HSL 325.07, 0.73%, 0.64%

LAB 60.11, 60.06, -15.69

 

CMYK 25 / 0 / 59 / 10

HEX #ADE65F

RGB 173 230 95

HSL 85.33, 0.73%, 0.64%

LAB 85.15, -38.95, 58.63

 

CMYK 58 / 0 / 23 / 10

HEX #60E6B2

RGB 96 230 178

HSL 156.72, 0.73%, 0.64%

LAB 83.07, -48.75, 14.51

 

CMYK 34 / 58 / 0 / 10

HEX #9860E6

RGB 152 96 230

HSL 265.07, 0.73%, 0.64%

LAB 52.68, 49.67, -59.94

 

CMYK 0 / 58 / 36 / 10

HEX #E66093

RGB 230 96 147

HSL 337.16, 0.73%, 0.64%

LAB 59.25, 56.75, -1.35

 

CMYK 25 / 0 / 59 / 10

HEX #ADE65F

RGB 173 230 95

HSL 85.33, 0.73%, 0.64%

LAB 85.15, -38.95, 58.63

 

CMYK 58 / 0 / 5 / 10

HEX #60E6DB

RGB 96 230 219

HSL 175.07, 0.73%, 0.64%

LAB 84.07, -39.03, -5.65

 

CMYK 34 / 58 / 0 / 10

HEX #9860E6

RGB 152 96 230

HSL 265.07, 0.73%, 0.64%

LAB 52.68, 49.67, -59.94

 

CMYK 0 / 58 / 53 / 10

HEX #E6606B

RGB 230 96 107

HSL 355.07, 0.73%, 0.64%

LAB 58.27, 52.89, 20.58

 

Description

Color code: HEX #ADE65F | qconv.com Color code: HEX #ADE65F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 230 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 230 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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