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Color name
HEX #ADDA54

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDA54 it is the complementary color #5225AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDA54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDA54 shade: #B2DA4F, #C3EC62, #D4FE75, #E5FF88 and #F6FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDA54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDA54 shade: #ADDA54, #9CC841, #8BB62E, #7AA41B and #699208

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDA54 shade: #ACD953, #D0D953, #D9BE53, #D99A53 and #D97553

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDA54 shade: #ACD953, #88D953, #64D953, #53D966 and #53D98B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDA54 shade matches the following richer shades: #ACD953, #B1EA42 and #B7FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDA54 shade: #ACD953, #A6C864, #A1B775, #9BA686 and #969597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDA54 shade: #D9BE53, #D0D953, #ACD953, #89D953 and #65D953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDA54 shade: #84B327, #9CD131, #ACD953, #BCE075 and #CDE897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDA54 shade: #ADDA54, #53D99A and #D053D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDA54 shade: #ADDA54, #53ACD9 and #D953AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDA54 shade: #ADDA54, #53D99A, #8053D9 and #D95391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDA54 shade: #ADDA54, #53D9C3, #8053D9 and #D95369

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 61 / 15

HEX #ADDA54

RGB 173 218 84

HSL 80.15, 0.64%, 0.59%

LAB 81.66, -34.42, 59.45

 

Complementary color

CMYK 52 / 78 / 0 / 33

HEX #5225AB

RGB 82 37 171

HSL 260.15, 0.64%, 0.41%

LAB 29.56, 50.88, -63.6

 

CMYK 18 / 0 / 64 / 15

HEX #B2DA4F

RGB 178 218 79

HSL 77.27, 0.65%, 0.58%

LAB 81.93, -32.88, 61.9

 

CMYK 17 / 0 / 58 / 7

HEX #C3EC62

RGB 195 236 98

HSL 77.83, 0.78%, 0.65%

LAB 88.2, -33.21, 61.13

 

CMYK 17 / 0 / 54 / 0

HEX #D4FE75

RGB 212 254 117

HSL 78.39, 0.99%, 0.73%

LAB 94.38, -33.46, 60.18

 

CMYK 10 / 0 / 47 / 0

HEX #E5FF88

RGB 229 255 136

HSL 73.11, 1%, 0.77%

LAB 95.98, -25.78, 53.71

 

CMYK 4 / 0 / 39 / 0

HEX #F6FF9B

RGB 246 255 155

HSL 65.4, 1%, 0.8%

LAB 97.42, -17.43, 46.74

 

CMYK 21 / 0 / 61 / 15

HEX #ADDA54

RGB 173 218 84

HSL 80.15, 0.64%, 0.59%

LAB 81.66, -34.42, 59.45

 

CMYK 22 / 0 / 68 / 22

HEX #9CC841

RGB 156 200 65

HSL 79.56, 0.55%, 0.52%

LAB 75.3, -34.07, 60.08

 

CMYK 24 / 0 / 75 / 29

HEX #8BB62E

RGB 139 182 46

HSL 78.97, 0.6%, 0.45%

LAB 68.85, -33.58, 60.25

 

CMYK 26 / 0 / 84 / 36

HEX #7AA41B

RGB 122 164 27

HSL 78.39, 0.72%, 0.37%

LAB 62.31, -32.9, 59.58

 

CMYK 28 / 0 / 95 / 43

HEX #699208

RGB 105 146 8

HSL 77.83, 0.9%, 0.3%

LAB 55.66, -31.97, 57.46

 

CMYK 21 / 0 / 62 / 15

HEX #ACD953

RGB 172 217 83

HSL 80.15, 0.64%, 0.59%

LAB 81.3, -34.42, 59.46

 

CMYK 4 / 0 / 62 / 15

HEX #D0D953

RGB 208 217 83

HSL 64.03, 0.64%, 0.59%

LAB 83.79, -20.17, 62.88

 

CMYK 0 / 12 / 62 / 15

HEX #D9BE53

RGB 217 190 83

HSL 47.91, 0.64%, 0.59%

LAB 77.4, -2.8, 56.16

 

CMYK 0 / 29 / 62 / 15

HEX #D99A53

RGB 217 154 83

HSL 31.79, 0.64%, 0.59%

LAB 68.38, 16.33, 45.97

 

CMYK 0 / 46 / 62 / 15

HEX #D97553

RGB 217 117 83

HSL 15.22, 0.64%, 0.59%

LAB 59.98, 36.07, 35.96

 

CMYK 21 / 0 / 62 / 15

HEX #ACD953

RGB 172 217 83

HSL 80.15, 0.64%, 0.59%

LAB 81.3, -34.42, 59.46

 

CMYK 37 / 0 / 62 / 15

HEX #88D953

RGB 136 217 83

HSL 96.27, 0.64%, 0.59%

LAB 79.32, -47.34, 56.72

 

CMYK 54 / 0 / 62 / 15

HEX #64D953

RGB 100 217 83

HSL 112.39, 0.64%, 0.59%

LAB 77.85, -58.04, 54.67

 

CMYK 62 / 0 / 53 / 15

HEX #53D966

RGB 83 217 102

HSL 128.51, 0.64%, 0.59%

LAB 77.53, -59.81, 45.59

 

CMYK 62 / 0 / 36 / 15

HEX #53D98B

RGB 83 217 139

HSL 145.07, 0.64%, 0.59%

LAB 78.07, -53.9, 27.87

 

CMYK 21 / 0 / 62 / 15

HEX #ACD953

RGB 172 217 83

HSL 80.15, 0.64%, 0.59%

LAB 81.3, -34.42, 59.46

 

CMYK 24 / 0 / 72 / 8

HEX #B1EA42

RGB 177 234 66

HSL 80.36, 0.8%, 0.59%

LAB 86.3, -41.29, 71.2

 

CMYK 27 / 0 / 80 / 2

HEX #B7FB31

RGB 183 251 49

HSL 80.2, 0.96%, 0.59%

LAB 91.36, -47.18, 81.06

 

CMYK 21 / 0 / 62 / 15

HEX #ACD953

RGB 172 217 83

HSL 80.15, 0.64%, 0.59%

LAB 81.3, -34.42, 59.46

 

CMYK 17 / 0 / 50 / 22

HEX #A6C864

RGB 166 200 100

HSL 80.4, 0.48%, 0.59%

LAB 76.27, -27.21, 45.91

 

CMYK 12 / 0 / 36 / 28

HEX #A1B775

RGB 161 183 117

HSL 80, 0.31%, 0.59%

LAB 71.37, -18.75, 31.11

 

CMYK 7 / 0 / 19 / 35

HEX #9BA686

RGB 155 166 134

HSL 80.63, 0.15%, 0.59%

LAB 66.49, -9.71, 15.29

 

CMYK 1 / 1 / 0 / 41

HEX #969597

RGB 150 149 151

HSL 270, 0.01%, 0.59%

LAB 61.84, 0.75, -0.93

 

CMYK 0 / 12 / 62 / 15

HEX #D9BE53

RGB 217 190 83

HSL 47.91, 0.64%, 0.59%

LAB 77.4, -2.8, 56.16

 

CMYK 4 / 0 / 62 / 15

HEX #D0D953

RGB 208 217 83

HSL 64.03, 0.64%, 0.59%

LAB 83.79, -20.17, 62.88

 

CMYK 21 / 0 / 62 / 15

HEX #ACD953

RGB 172 217 83

HSL 80.15, 0.64%, 0.59%

LAB 81.3, -34.42, 59.46

 

CMYK 37 / 0 / 62 / 15

HEX #89D953

RGB 137 217 83

HSL 95.82, 0.64%, 0.59%

LAB 79.37, -47.01, 56.78

 

CMYK 53 / 0 / 62 / 15

HEX #65D953

RGB 101 217 83

HSL 111.94, 0.64%, 0.59%

LAB 77.89, -57.78, 54.72

 

CMYK 26 / 0 / 78 / 30

HEX #84B327

RGB 132 179 39

HSL 80.14, 0.64%, 0.43%

LAB 67.5, -35.31, 61.08

 

CMYK 25 / 0 / 77 / 18

HEX #9CD131

RGB 156 209 49

HSL 79.88, 0.63%, 0.51%

LAB 77.81, -39.06, 68.14

 

CMYK 21 / 0 / 62 / 15

HEX #ACD953

RGB 172 217 83

HSL 80.15, 0.64%, 0.59%

LAB 81.3, -34.42, 59.46

 

CMYK 16 / 0 / 48 / 12

HEX #BCE075

RGB 188 224 117

HSL 80.19, 0.63%, 0.67%

LAB 84.63, -28.51, 48.22

 

CMYK 12 / 0 / 35 / 9

HEX #CDE897

RGB 205 232 151

HSL 80, 0.64%, 0.75%

LAB 88.41, -22.05, 36.53

 

CMYK 21 / 0 / 61 / 15

HEX #ADDA54

RGB 173 218 84

HSL 80.15, 0.64%, 0.59%

LAB 81.66, -34.42, 59.45

 

CMYK 62 / 0 / 29 / 15

HEX #53D99A

RGB 83 217 154

HSL 151.79, 0.64%, 0.59%

LAB 78.34, -50.98, 20.44

 

CMYK 4 / 62 / 0 / 15

HEX #D053D9

RGB 208 83 217

HSL 295.97, 0.64%, 0.59%

LAB 56.69, 66.4, -45.8

 

CMYK 21 / 0 / 61 / 15

HEX #ADDA54

RGB 173 218 84

HSL 80.15, 0.64%, 0.59%

LAB 81.66, -34.42, 59.45

 

CMYK 62 / 21 / 0 / 15

HEX #53ACD9

RGB 83 172 217

HSL 200.15, 0.64%, 0.59%

LAB 66.79, -13.25, -30.72

 

CMYK 0 / 62 / 21 / 15

HEX #D953AC

RGB 217 83 172

HSL 320.15, 0.64%, 0.59%

LAB 56, 61.67, -20.96

 

CMYK 21 / 0 / 61 / 15

HEX #ADDA54

RGB 173 218 84

HSL 80.15, 0.64%, 0.59%

LAB 81.66, -34.42, 59.45

 

CMYK 62 / 0 / 29 / 15

HEX #53D99A

RGB 83 217 154

HSL 151.79, 0.64%, 0.59%

LAB 78.34, -50.98, 20.44

 

CMYK 41 / 62 / 0 / 15

HEX #8053D9

RGB 128 83 217

HSL 260.15, 0.64%, 0.59%

LAB 46.69, 48.07, -62.36

 

CMYK 0 / 62 / 33 / 15

HEX #D95391

RGB 217 83 145

HSL 332.24, 0.64%, 0.59%

LAB 55.05, 58.22, -6.59

 

CMYK 21 / 0 / 61 / 15

HEX #ADDA54

RGB 173 218 84

HSL 80.15, 0.64%, 0.59%

LAB 81.66, -34.42, 59.45

 

CMYK 62 / 0 / 10 / 15

HEX #53D9C3

RGB 83 217 195

HSL 170.15, 0.64%, 0.59%

LAB 79.27, -41.58, 0.02

 

CMYK 41 / 62 / 0 / 15

HEX #8053D9

RGB 128 83 217

HSL 260.15, 0.64%, 0.59%

LAB 46.69, 48.07, -62.36

 

CMYK 0 / 62 / 52 / 15

HEX #D95369

RGB 217 83 105

HSL 350.15, 0.64%, 0.59%

LAB 53.98, 54.18, 15.57

 

Description

Color code: HEX #ADDA54 | qconv.com Color code: HEX #ADDA54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 218 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 218 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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