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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADD287 it is the complementary color #522D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADD287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADD287 shade: #B2D282, #C3E495, #D4F6A8, #E5FFBB and #F6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADD287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADD287 shade: #ADD287, #9CC074, #8BAE61, #7A9C4E and #698A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADD287 shade: #ADD288, #C1D288, #D2CE88, #D2BA88 and #D2A788

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADD287 shade: #ADD288, #9AD288, #88D28B, #88D29E and #88D2B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADD287 shade matches the following richer shades: #ADD288, #AEDF7B, #AEEC6E and #AEF961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADD287 shade: #ADD288, #ADC495, #ADB7A3, #ADAAB0 and #AD9DBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADD287 shade: #D2CE88, #C2D288, #AED288, #9BD288 and #88D289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADD287 shade: #84BB4C, #99C66A, #ADD288, #C2DDA6 and #D6E8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADD287 shade: #ADD287, #88D2BA and #D288CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADD287 shade: #ADD287, #88AED2 and #D288AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADD287 shade: #ADD287, #88D2BA, #AC88D2 and #D2889F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADD287 shade: #ADD287, #88D2D0, #AC88D2 and #D28889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 36 / 18

HEX #ADD287

RGB 173 210 135

HSL 89.6, 0.45%, 0.68%

LAB 80.03, -25.21, 33.26

 

Complementary color

CMYK 32 / 63 / 0 / 53

HEX #522D78

RGB 82 45 120

HSL 269.6, 0.45%, 0.32%

LAB 26.81, 32.83, -36.62

 

CMYK 15 / 0 / 38 / 18

HEX #B2D282

RGB 178 210 130

HSL 84, 0.47%, 0.67%

LAB 80.28, -24.03, 36.2

 

CMYK 14 / 0 / 35 / 11

HEX #C3E495

RGB 195 228 149

HSL 85.06, 0.59%, 0.74%

LAB 86.63, -24.03, 35.08

 

CMYK 14 / 0 / 32 / 4

HEX #D4F6A8

RGB 212 246 168

HSL 86.15, 0.81%, 0.81%

LAB 92.9, -24.01, 34

 

CMYK 10 / 0 / 27 / 0

HEX #E5FFBB

RGB 229 255 187

HSL 82.94, 1%, 0.87%

LAB 96.72, -19.69, 29.78

 

CMYK 4 / 0 / 19 / 0

HEX #F6FFCE

RGB 246 255 206

HSL 71.02, 1%, 0.9%

LAB 98.26, -10.96, 22.47

 

CMYK 18 / 0 / 36 / 18

HEX #ADD287

RGB 173 210 135

HSL 89.6, 0.45%, 0.68%

LAB 80.03, -25.21, 33.26

 

CMYK 19 / 0 / 40 / 25

HEX #9CC074

RGB 156 192 116

HSL 88.42, 0.38%, 0.6%

LAB 73.56, -25.25, 34.41

 

CMYK 20 / 0 / 44 / 32

HEX #8BAE61

RGB 139 174 97

HSL 87.27, 0.32%, 0.53%

LAB 66.99, -25.27, 35.6

 

CMYK 22 / 0 / 50 / 39

HEX #7A9C4E

RGB 122 156 78

HSL 86.15, 0.33%, 0.46%

LAB 60.31, -25.25, 36.81

 

CMYK 24 / 0 / 57 / 46

HEX #698A3B

RGB 105 138 59

HSL 85.06, 0.4%, 0.39%

LAB 53.49, -25.16, 37.97

 

CMYK 18 / 0 / 35 / 18

HEX #ADD288

RGB 173 210 136

HSL 90, 0.45%, 0.68%

LAB 80.04, -25.07, 32.77

 

CMYK 8 / 0 / 35 / 18

HEX #C1D288

RGB 193 210 136

HSL 73.78, 0.45%, 0.68%

LAB 81.41, -17.62, 34.81

 

CMYK 0 / 2 / 35 / 18

HEX #D2CE88

RGB 210 206 136

HSL 56.76, 0.45%, 0.68%

LAB 81.63, -9.04, 35.36

 

CMYK 0 / 11 / 35 / 18

HEX #D2BA88

RGB 210 186 136

HSL 40.54, 0.45%, 0.68%

LAB 76.43, 1.35, 28.51

 

CMYK 0 / 20 / 35 / 18

HEX #D2A788

RGB 210 167 136

HSL 25.14, 0.45%, 0.68%

LAB 71.63, 11.51, 22.04

 

CMYK 18 / 0 / 35 / 18

HEX #ADD288

RGB 173 210 136

HSL 90, 0.45%, 0.68%

LAB 80.04, -25.07, 32.77

 

CMYK 27 / 0 / 35 / 18

HEX #9AD288

RGB 154 210 136

HSL 105.41, 0.45%, 0.68%

LAB 78.89, -31.79, 31.04

 

CMYK 35 / 0 / 34 / 18

HEX #88D28B

RGB 136 210 139

HSL 122.43, 0.45%, 0.68%

LAB 77.99, -37.23, 28.12

 

CMYK 35 / 0 / 25 / 18

HEX #88D29E

RGB 136 210 158

HSL 137.84, 0.45%, 0.68%

LAB 78.34, -33.93, 18.64

 

CMYK 35 / 0 / 15 / 18

HEX #88D2B2

RGB 136 210 178

HSL 154.05, 0.45%, 0.68%

LAB 78.78, -30.01, 8.62

 

CMYK 18 / 0 / 35 / 18

HEX #ADD288

RGB 173 210 136

HSL 90, 0.45%, 0.68%

LAB 80.04, -25.07, 32.77

 

CMYK 22 / 0 / 45 / 13

HEX #AEDF7B

RGB 174 223 123

HSL 89.4, 0.61%, 0.68%

LAB 83.55, -32.54, 43.79

 

CMYK 26 / 0 / 53 / 7

HEX #AEEC6E

RGB 174 236 110

HSL 89.52, 0.77%, 0.68%

LAB 87.05, -39.86, 54.18

 

CMYK 30 / 0 / 61 / 2

HEX #AEF961

RGB 174 249 97

HSL 89.61, 0.93%, 0.68%

LAB 90.6, -46.69, 63.88

 

CMYK 18 / 0 / 35 / 18

HEX #ADD288

RGB 173 210 136

HSL 90, 0.45%, 0.68%

LAB 80.04, -25.07, 32.77

 

CMYK 12 / 0 / 24 / 23

HEX #ADC495

RGB 173 196 149

HSL 89.36, 0.28%, 0.68%

LAB 76.4, -16.22, 21.07

 

CMYK 5 / 0 / 11 / 28

HEX #ADB7A3

RGB 173 183 163

HSL 90, 0.12%, 0.68%

LAB 73.15, -7.17, 8.98

 

CMYK 2 / 3 / 0 / 31

HEX #ADAAB0

RGB 173 170 176

HSL 270, 0.04%, 0.68%

LAB 70.01, 2.21, -2.71

 

CMYK 8 / 17 / 0 / 26

HEX #AD9DBD

RGB 173 157 189

HSL 270, 0.2%, 0.68%

LAB 67.03, 11.98, -14.36

 

CMYK 0 / 2 / 35 / 18

HEX #D2CE88

RGB 210 206 136

HSL 56.76, 0.45%, 0.68%

LAB 81.63, -9.04, 35.36

 

CMYK 8 / 0 / 35 / 18

HEX #C2D288

RGB 194 210 136

HSL 72.97, 0.45%, 0.68%

LAB 81.48, -17.24, 34.92

 

CMYK 17 / 0 / 35 / 18

HEX #AED288

RGB 174 210 136

HSL 89.19, 0.45%, 0.68%

LAB 80.11, -24.71, 32.87

 

CMYK 26 / 0 / 35 / 18

HEX #9BD288

RGB 155 210 136

HSL 104.59, 0.45%, 0.68%

LAB 78.95, -31.45, 31.13

 

CMYK 35 / 0 / 35 / 18

HEX #88D289

RGB 136 210 137

HSL 120.81, 0.45%, 0.68%

LAB 77.95, -37.55, 29.11

 

CMYK 29 / 0 / 59 / 27

HEX #84BB4C

RGB 132 187 76

HSL 89.73, 0.45%, 0.52%

LAB 70.15, -36.34, 49.46

 

CMYK 23 / 0 / 46 / 22

HEX #99C66A

RGB 153 198 106

HSL 89.35, 0.45%, 0.6%

LAB 74.95, -30.5, 41.18

 

CMYK 18 / 0 / 35 / 18

HEX #ADD288

RGB 173 210 136

HSL 90, 0.45%, 0.68%

LAB 80.04, -25.07, 32.77

 

CMYK 12 / 0 / 25 / 13

HEX #C2DDA6

RGB 194 221 166

HSL 89.45, 0.45%, 0.76%

LAB 84.96, -18.56, 24.11

 

CMYK 8 / 0 / 16 / 9

HEX #D6E8C4

RGB 214 232 196

HSL 90, 0.44%, 0.84%

LAB 89.86, -12.29, 15.52

 

CMYK 18 / 0 / 36 / 18

HEX #ADD287

RGB 173 210 135

HSL 89.6, 0.45%, 0.68%

LAB 80.03, -25.21, 33.26

 

CMYK 35 / 0 / 11 / 18

HEX #88D2BA

RGB 136 210 186

HSL 160.54, 0.45%, 0.68%

LAB 78.97, -28.32, 4.62

 

CMYK 0 / 35 / 3 / 18

HEX #D288CC

RGB 210 136 204

HSL 304.86, 0.45%, 0.68%

LAB 66.27, 38.76, -23.55

 

CMYK 18 / 0 / 36 / 18

HEX #ADD287

RGB 173 210 135

HSL 89.6, 0.45%, 0.68%

LAB 80.03, -25.21, 33.26

 

CMYK 35 / 17 / 0 / 18

HEX #88AED2

RGB 136 174 210

HSL 209.19, 0.45%, 0.68%

LAB 69.58, -4.07, -22.37

 

CMYK 0 / 35 / 17 / 18

HEX #D288AE

RGB 210 136 174

HSL 329.19, 0.45%, 0.68%

LAB 65.25, 33.68, -8.23

 

CMYK 18 / 0 / 36 / 18

HEX #ADD287

RGB 173 210 135

HSL 89.6, 0.45%, 0.68%

LAB 80.03, -25.21, 33.26

 

CMYK 35 / 0 / 11 / 18

HEX #88D2BA

RGB 136 210 186

HSL 160.54, 0.45%, 0.68%

LAB 78.97, -28.32, 4.62

 

CMYK 18 / 35 / 0 / 18

HEX #AC88D2

RGB 172 136 210

HSL 269.19, 0.45%, 0.68%

LAB 62.53, 28.05, -32.99

 

CMYK 0 / 35 / 24 / 18

HEX #D2889F

RGB 210 136 159

HSL 341.35, 0.45%, 0.68%

LAB 64.81, 31.41, -0.4

 

CMYK 18 / 0 / 36 / 18

HEX #ADD287

RGB 173 210 135

HSL 89.6, 0.45%, 0.68%

LAB 80.03, -25.21, 33.26

 

CMYK 35 / 0 / 1 / 18

HEX #88D2D0

RGB 136 210 208

HSL 178.38, 0.45%, 0.68%

LAB 79.55, -23.34, -6.31

 

CMYK 18 / 35 / 0 / 18

HEX #AC88D2

RGB 172 136 210

HSL 269.19, 0.45%, 0.68%

LAB 62.53, 28.05, -32.99

 

CMYK 0 / 35 / 35 / 18

HEX #D28889

RGB 210 136 137

HSL 359.19, 0.45%, 0.68%

LAB 64.25, 28.45, 11.25

 

Description

Color code: HEX #ADD287 | qconv.com Color code: HEX #ADD287 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 210 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 210 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 36 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 36% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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